scholarly journals Aspects of reception of classical heritage in biography of despot Stefan Lazarevic of Constantine the Philosopher

2011 ◽  
pp. 287-306
Author(s):  
Nenad Ristovic

The reception of the classical book heritage in the Biography of Despot Stefan Lazarevic of Constantine the Philosopher (of Kostenec) is noticed through the conspicuous reminiscences on classical antiquity, but it is also manifested through the use of artistic procedures of classical literature and the author?s high estimate of the accomplishment of pre-Christian Greek thought. In the first two types of classicism Constantine surpasses other medieval Serbian writers, while in the third he is unique among them, so his relying on classical tradition in this work is the result both of literary conventions caused by the choice of the genre of secular biography and of his belonging to the most liberal section of medieval Christian intellectuals.

Author(s):  
Floris Verhaart

The Quarrel of the Ancients and the Moderns in the late seventeenth and early eighteenth centuries was a moment when scholars and thinkers across Europe reflected on how they saw their relationship with the past, especially classical antiquity. Many readers in the Renaissance had appreciated the writings of ancient Latin and Greek authors not just for their literary value, but also as important sources of information that could be usefully applied in their own age. By the late seventeenth century, however, it was felt that the authority of the ancients was no longer needed and that their knowledge had become outdated thanks to scientific discoveries as well as the new paradigms of rationalism and empiricism. Those working on the ancient past and its literature debated new ways of defending their relevance for society. The different approaches to classical literature defended in these debates explain how the writings of ancient Greece and Rome could become a vital part of eighteenth-century culture and political thinking. Through its analysis of the debates on the value of the classics for the eighteenth century, this book also makes a more general point on the Enlightenment. Although often seen as an age of reason and modernity, the Enlightenment in Europe continuously looked back for inspiration from preceding traditions and ages such as Renaissance humanism and classical antiquity. Finally, the pressure on scholars in the eighteenth century to popularize their work and be seen as contributing to society is a parallel for our own time in which the value of the humanities is a continuous topic of debate.


Vox Patrum ◽  
2009 ◽  
Vol 53 ◽  
pp. 313-328
Author(s):  
Franciszek Drączkowski

Presented paper consists of five main parts and focuses on the most impor­tant elements of their teaching about education and upbringing. The first part tells about pupils, next one about educator, the third about methods in the pe­dagogical process, the forth about programme of educative activity, and the last one about goal of that process. Although Clement and John Chrysostom present different point of view f. e. on the understanding of the educator and pupils, their thought can be treated as complementary educational system because they fol­low from the same Christian doctrinal point and the classical tradition.


2021 ◽  
pp. 233-266
Author(s):  
James Hepokoski

This final chapter subdivides into three broad sections. The first makes the case for a nuanced applicability of Sonata Theory to romantic form, where deviations from the classical norms are frequent and often highly striking, sometimes to the point where the concept of “sonata” itself can seem strained. Even under these conditions, though, Sonata Theory’s analytical apparatus, forged in the centered norms of an earlier era, continues to serve heuristically productive ends: What is new, transgressive, or experimental in these later works has its impact maximized when read against the backdrop of the classical tradition deployed as a persistent, serviceable interpretive code, even though several of those once-vigorous norms, merely stale if perpetuated as reflex, academic conventions, were no longer binding in current practice. The second section provides an extended historical backdrop to the state of the Austro-Germanic symphony, c. 1840–75, and the importance of Brahms’s work in revitalizing that tradition. The third section is a close analysis of the finale of Brahms’s First Symphony that reads the movement, an expanded Type 1 sonata encased in a broad introduction and coda, as a commentary on the difficulties involved with its own coming-into-being. The work is thus self-reflective—or rather, its staged musical struggles and themes (filled with suggestive historical allusions and topical traditions) run parallel with Brahms’s own anxieties with regard to bringing this work into being, embedding within it, for instance, a “dedication emblem” to Clara Schumann: the famous alphorn theme of the introduction.


Author(s):  
Andrew Faulkner

This chapter explores paraphrase as a common tool for early Christian exegesis. The first section discusses the definition of paraphrase, its parameters in Antiquity, and its broader use in classical literature and education. The second section looks in more detail at prose paraphrase of Scripture, including discussion of a striking instance of exegetical paraphrase in Greek by Gregory of Nyssa and one in Latin by the orator Gaius Marius Victorinus. The third section deals with verse paraphrase of Scripture, with reference to poets such as Juvencus and Nonnus of Panopolis, as well as the Late Antique hexameter paraphrase of the Psalms in Antiquity attributed to Apollinaris of Laodicea.


Author(s):  
Nicholas Halmi

During the eighteenth century an emergent historicism, which differentiated modernity radically from past ages, questioned the traditional notion of a ‘classical tradition’ of timeless values exemplified in Greek and Roman works. Classical antiquity began to be understood as a repository of historical artefacts associated, in part nostalgically, with ‘primitive’ ways of thought. Such recognition of the distance between modernity and antiquity paradoxically encouraged identification with the latter, since antiquarian research permitted increasingly accurate imitation of classical forms in the visual arts from the 1750s, while anthropological reflection on myth stimulated a revival of mythological poetry from the 1810s. Yet British Romantic poetry, whether describing classical artworks or appropriating classical myths, engaged with classical antiquity ambivalently, often ironically. While espousing the Philhellenist cause of Greek independence from Ottoman rule, Byron and Shelley remained very conscious of the disparities between ancient and modern Greece.


2001 ◽  
Vol 9 (3) ◽  
pp. 305-317 ◽  
Author(s):  
FREDDIE ROKEM

The Israeli theatre has frequently employed the Hebrew Bible as a source for theatrical performances. Analysing three such performances, this article shows that the Bible, with its charged ideological implications for the establishment of the state of Israel, has perhaps somewhat unexpectedly inspired avant-garde productions that have frequently criticized the accepted ideological and aesthetic norms. The first of the three performances analysed is Hanoch Levin's play based on the book of Job called ‘The Torments of Job’ (Yisorei Iov), which Levin directed at the Cameri theatre in 1981. The second is the play ‘Jehu’ by Gilead Evron, directed by Hanan Snir at the Habima National Theatre in 1992, and the third is the ‘Bible Project’ directed by Rina Yerushalmi, which consists of two independent, but interrelated productions: ‘And He Said And He Was Walking’ (Va Yomer Va Yelech), which premiered in 1996, and ‘And They Bowed. And He Feared’ (Va Yishtachu. Va Yerra) which premiered in 1998.


2020 ◽  
Vol 29 (1) ◽  
pp. 136-153
Author(s):  
Leon Grek ◽  
Aaron Kachuck

This essay explores Ben Jonson's treatment of dramatic and historical time in his Roman tragedies, Sejanus His Fall (1603) and Catiline His Conspiracy (1611). Although the plays conspicuously fail to respect neoclassical strictures about the unity of time, both reproduce the temporal compression of Greek and Roman tragedy through their sustained intertextual engagements with a wide range of Roman source texts, including, above all, Lucan's Bellum Civile, and the works of the late antique court poet Claudian. The ultimate effect of these quotations, allusions, and reminiscences is to transform Jonson's dramas of early imperial corruption and late Republican civil conflict into proleptic visions of Roman history as a phantasmagoria of unceasing political violence, extending to the ends of both classical antiquity and classical literature.


Author(s):  
Dinah Wouters

We are pleased to offer you the third issue of JOLCEL, a journal devoted to the study of Latin literature from a European and diachronic perspective. Thus far, we have published two thematic issues. In the first issue, we put a spotlight on the often neglected role of Latin education in the production of literature that is regarded as culturally central. Conversely, in the second issue, we looked at contexts where Latin literature occurs as a marginal phenomenon. In these contexts, Latin literature owes its presence to the enduring centrality of Latin education. In this third issue, thematically entitled “Schools and Authority,” we delve deeper into the mediating role that school authorities---teachers, authors, and commentators---played in the reception of classical authorities. The school curriculum institutionalised during Antiquity bequeathed to the later history of Latin education a number of authorities who were read as models and as handbooks. Thus, not only were texts from Roman and Greek Antiquity a constant presence in the creation of literary texts, they were also an essential part of school curricula. To take this element into account is to gain an enhanced view on the literary reception of classical texts. The interaction between school and literature is not just a matter of transmission, but also of evaluation, negotiation, and transformation. The goals of Latin education were much broader than teaching how to read and write literature. As Rita Copeland states it in her response to the articles gathered in this issue, Latin education “was the foundation on which reception could be built,” but it “encompassed far more than classicism: theology, the production of new literature, new scientific and philosophical thought, and networks of civil bureaucracy and ecclesiastical administration.” It therefore offers a broader frame from which to study the reception of classical literature in European literary history. The three articles in this issue exemplify this approach. First, Chrysanthi Demetriou (Open University of Cyprus) looks at the presence of the school author Terence in the plays by the tenth-century playwright Hrotswitha. She opens up a new perspective on this relation by reading through the lens of Donatus’ hugely influential Commentaries on Terence. In particular, she discusses Hrotswitha’s treatment of rape scenes and links it to Donatus’ use of them as an ideal instance for moral instruction. Second, Brian M. Jensen (Stockholm University) discusses the first book ever printed in Sweden, the Dialogus creaturarum moralizatus. With particular reference to fables attributed to Aesop, he shows how the presentation of these fables depends on pedagogical considerations. In the third and last article of this issue, Lucy Jackson (Durham University) studies the Latin school play Medea, a translation of Euripides’ play by the sixteenth-century humanist George Buchanan. In Buchanan’s version, Medea becomes more of a rhetorician than a sorceress, thereby holding up a model of Latinity to the schoolboys performing the play. Finally, Rita Copeland (University of Pennsylvania) brings these three papers together in a critical response piece.


Al-Duhaa ◽  
2021 ◽  
Vol 2 (02) ◽  
pp. 328-337
Author(s):  
Dr. Qaisar Bilal Khattak ◽  
Mr. Nasir Mehmood Khattak ◽  
Dr Sadiq Ali Khattak

The fact that always be considered is the contemplation of internal feelings of every practiced Muslim to please Almighty Allah. It occurs via observing and following His commands and orders through prescribed manner of the Messenger Muhammad Peace Be upon Him, but sometimes it becomes so complex and multipart to identify the right step of actions, streamline with shariah standards even difficult to recognize the difference between preferred and Non-preferred, lawful and prohibited. So among these situations, second congregational prayed in one masjid, an issue faced by common people. The classical literature is the witness of unanimous ruling in two situations of second congregational prayer; i.e. congregation (Jama’at) in the Masjid and congregation in public places. The third situation requires little deep understanding to know the actual ruling of shariah, which is congregation (Jama’at) in the same Masjid but appointed Imam performs original Jama’at. Different scholars have presented different opinions. This paper emphasis on the third situation where the detailed discussion has been made in the light of the mentioned book in the title to draw the neat and clear line of action for the practiced Muslim along with the provision of different narrations and Shariah rulings in order to interpret the reality and to avoid all sort of confusions.


2018 ◽  
Vol 3 (2) ◽  
pp. 155-176
Author(s):  
Olivier Latteur

Even today, the landscape of some Belgian regions is deeply marked by the presence of dozens of Roman barrows. These mounds have survived the passage of time and have shaped the landscape, from antiquity up to the present-day. In the sixteenth and seventeenth centuries, a period characterized by the rediscovery of classical antiquity and the emergence of antiquarianism, travellers and scholars took a fresh look at these remains. The development of a proto-archaeological approach to the landscape gradually transformed the relationship between man and his surrounds, and contributed to a better understanding of certain landscape features. The first part of this article is devoted to historical observation of these barrows and their impact on the local landscape: Roman tumuli had unusual features (height, strength, presence of trees, etc.) and were used as landmarks and vantage points, especially in the Hesbaye region, which was sparsely wooded and relatively flat. The second part deals with interpretations of these mounds during the early modern period (attribution to the Romans, association with magic, etc.). The third part focuses on the first ‘archaeological’ excavations of tumuli (1507, 1621, 1641, and 1654). These early modern digs gradually transformed perceptions of these remains: observations of a proto-archaeological nature became increasingly common and heralded the emergence of a new approach, which co-existed with medieval or popular traditions.


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