The Dorset-Thule Succession in Arctic North America: Assessing Claims for Culture Contact

1993 ◽  
Vol 58 (2) ◽  
pp. 203-234 ◽  
Author(s):  
Robert W. Park

Most Arctic archaeologists believe that the people of the Thule culture, who arrived in the eastern Arctic approximately 1,000 years ago, met people of the Dorset culture and acquired important knowledge from them while replacing them in this region. The most convincing indication for technology transfer comes from the Thule adoption of Dorset harpoon-head styles. However, a review of radiocarbon dates, artifact styles, and site data reveals no conclusive evidence for face-to-face contact between the people of these two cultures. Given evidence that the Thule actively salvaged harpoon heads and carvings from abandoned Dorset sites, I contend that salvage was the sole means of contact between these cultures and the means by which harpoon-head technology was transferred. This example points out the importance of salvage as a mode of culture contact and the weakness of studies that interpret changes in material culture solely in a culture-historical context.

2021 ◽  
Vol 40 (3) ◽  
pp. 155-168
Author(s):  
D. G. Diachenko

The paper is devoted to the Raiky culture in the Middle Dnieper. It reveals major issues of the phenomenon of Raiky culture and their possible solutions considering the achievements of Ukrainian archeologists in this field. The genesis, chronology and features of the development of material culture of the Raiky sites in the 8th—9th centuries of the right-bank of the Dnieper are analyzed. In general the existence of the Raiky culture in the Middle Dnieper region can be described as follows. It was formed in first half of the 8th century in the Tiasmyn basin. The first wheel-made pottery has begun to manufacture quite early, from the mid-8th century (probably at the beginning of the third quarter). At the first stage, the early vessels have imitated the hand-made Raiky forms as well as the Saltovo-Mayaki imported vessels. Significant development of the material culture occurs during the second half of the 8th century. At the same time, the movement of the people of Raiky culture and the population of the sites of Sаkhnivka type has begun in the northern direction which was marked by the appearance of the Kaniv settlement, Monastyrok, and possibly Buchak. This stage is characterized by the syncretism both in the ceramic complex and in the features of design of the heating structures. Numerous influences of the people of Volyntsevo culture (and through them – of Saltovo-Mayaki one) are recorded in the Raiky culture. It is observed not only in direct imports but also in the efforts of the Raiky population to imitate the pottery of Volyntsevo and Saltovo-Mayaki cultures, however, based on their own technological capabilities. The nature of the relationship between the bearers of these cultures is still interesting. The population of Raiky accepts the imported items of Saltovo-Mayaki and Volyntsevo cultures, tries to imitate high-quality pottery of them, and even one can see the peaceful coexistence of two cultures in one settlement — Monastyrok, Buchak, Stovpyagy. However, the reverse pulses are absent. There are no tendencies to assimilate each other. Although, given the number and size of the sites, the numerical advantage of the Volyntsevo population in the region seems obvious. There is currently no answer to this question. The first third of the 9th century became the watershed. The destruction of the Bytytsia hill-fort and the charred ruins to which most of the settlements of the Volyntsevo culture has turned, is explained in the literature by the early penetration of Scandinavians into the region or as result of the resettlement of Magyars to the Northern Pontic region. In any case, this led to a change in the ethnic and cultural situation in the Dnieper basin. According to some researchers, the surviving part of the population of Volyntsevo culture migrated to the Oka and Don interfluve. For some time, but not for long, the settlements of Raiky culture remained abandoned. Apparently, after the stabilization of situation, the residents have returned which is reflected by the reconstruction of the Kaniv settlement and Monastyrok; in addition, on the latter the fortifications have been erected. The final stage of the existence of culture is characterized by contacts with the area of the left bank of Dnieper, the influx of the items of the «Danube circle», as well as the rapid development of the forms of early wheel-made pottery. The general profiling of vessels and design of the rim became more complicated, the rich linear-wavy ornament which covers practically all surface of the item became characteristic. This suggests the use of a quick hand wheel which has improved the symmetry of the vessels, as well as permitted to create the larger specimens. The evolution of the early wheel-made ceramic complex took place only by a variety of forms, however, technological indicators (dough composition, firing, density and thickness of vessel walls) indicate the actual invariability and sustainability of the manufacture tradition. The discontinuance of the functioning of the latest Raiky sites (Monastyrok and Kaniv settlements) can be attributed as the consequences of the first stages of consolidation of the Rus people in the Middle Dnieper dating to the late 9th — the turn of the 9th—10th centuries.


Art History ◽  
2020 ◽  
Author(s):  
William J. Dewey

Great Zimbabwe is arguably one of the largest (area-wise), and most impressive archaeological sites in southern Africa. While not the first southern African site to use stone walls in its architectural plan (the slightly earlier site of Mapungubwe holds that distinction), this World Heritage site is without doubt the most often visited, photographed, and studied archeological site in southern Africa. The dressed granite blocks were assembled without mortar into structures of impressive dimensions. The walls in the Great Enclosure are eleven meters high, six meters thick at their base, four meters at the top, and the circumference of the structure is 255 meters. Great Zimbabwe was the largest of many other smaller zimbabwes (or houses of stone) from the same period. All are located on the edge of the plateau, so as to be at the center of the annual seasonal movement of cattle between the highlands and lowlands (to avoid tsetse fly and sleeping sickness problems). Gold (and probably iron) was mined, worked, and traded internally and externally, but the real wealth of Great Zimbabwe was in the huge herds of cattle they controlled. From radiocarbon dates we know that the area around Great Zimbabwe was settled by the 5th century of the Christian era. Early walls were built in the 13th century, and people continued to inhabit the site till the 1500s, and perhaps longer. Most agree that the peak of economic prosperity, and when the majority of the building was done, was the period between 1300 and 1450. Great Zimbabwe’s decline was probably gradual, as power moved to states in the southwest (Butua and Khami) and northeast (Mutapa). Interpretation of Great Zimbabwe has undergone considerable change over the years from the early insistence on foreign construction, to the current accepted understanding of it being the result of local African development. Names of structures at the site have also changed with time (e.g., Circular Ruins, Elliptical Ruins, Elliptical Temple, Imba Huru [Great House] and Great Enclosure for the same structure), so it is imperative that researchers be cognizant of the historical context (colonial, white settler, post-independent times, etc.) of when they were written. The most famous material finds from Great Zimbabwe are the carved soapstone (or steatite, a type of talc-schist rock) birds. Because of the popularity of the topic of Great Zimbabwe and the long history of coverage, there are many thousands of citations relating to Great Zimbabwe. Much of the research has been dominated by historians and archaeologists. Art historians seeking to understand the material culture, especially architecture and sculptural objects, will not find much in Art Historical literature and instead will need to be more interdisciplinary and explore the research of these and other disciplines


Author(s):  
Marianna H. Zagazezheva

The article examines the features of the Adyghe-Russian relations in the works of the Adyghe educators. Their lives, activities, and socio-political views indicate the complexity and ambiguity of the Adyghe-Russian relations at all stages of their historical interaction. The history of relations between the Adyghes and Russia is full of both military clashes and periods of military cooperation, processes of rapprochement and mutual cultural enrichment. The author formulated and substantiated the idea that the historical context played the main role in the development of the views of the Adyghe enlighteners. The main feature of the worldview of the representatives of the Adyghe intelligentsia - duality is revealed. This was due to the simultaneous belonging of the Adyghe enlighteners to two cultures: Adyghe and Russian. Adyghe enlighteners advocated the integration of the people into the Russian Empire, but openly criticized the military-power methods of conquering the Adyghes. They proposed a number of measures for the peaceful integration of Circassians into the territorial, political, legal and cultural space of Russia, while preserving their national identity.


2018 ◽  
Vol 3 (1) ◽  
pp. 93-103
Author(s):  
Lina Aniqoh

This paper seeks to elaborate on the textual interpretation of Q.S Muhammad verse 4 and Q.S at Taubah verse 5. These two verses are often employed by the extremist Muslim groups to legitimize their destructive acts carried out on groups considered as being infidels and as such lawfully killed. The interpretation was conducted using the double movement hermeneutics methodology offered by Fazlur Rahman. After reinterpretation, the two verses contain moral values, namely the war ordered by God must be reactive, fulfill the ethics of "violence" and be the last solution. Broadly speaking, the warfare commanded in the Qur'an aims to establish a benefit for humanity on the face of the earth by eliminating every crime that exists. These two verses in the contemporary socio-historical context in Indonesia can be implemented as a basis for combating the issue of hoaxes and destructive acts of extremist Muslim groups. Because both are crimes and have negative implications for the people good and even able to threaten the unity of mankind.


Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.


Iraq ◽  
2020 ◽  
Vol 82 ◽  
pp. 41-71
Author(s):  
Robert Carter ◽  
David Wengrow ◽  
Saber Ahmed Saber ◽  
Sami Jamil Hamarashi ◽  
Mary Shepperson ◽  
...  

The Shahrizor Prehistory Project has targeted prehistoric levels of the Late Ubaid and Late Chalcolithic 4 (LC4; Late Middle Uruk) periods at Gurga Chiya (Shahrizor, Kurdistan region of northern Iraq), along with the Halaf period at the adjacent site of Tepe Marani. Excavations at the latter have produced new dietary and environmental data for the sixth millennium B.C. in the region, while at Gurga Chiya part of a burned Late Ubaid tripartite house was excavated. This has yielded a promising archaeobotanical assemblage and established a benchmark ceramic assemblage for the Shahrizor Plain, which is closely comparable to material known from Tell Madhhur in the Hamrin valley. The related series of radiocarbon dates gives significant new insights into the divergent timing of the Late Ubaid and early LC in northern and southern Mesopotamia. In the following occupation horizon, a ceramic assemblage closely aligned to the southern Middle Uruk indicates convergence of material culture with central and southern Iraq as early as the LC4 period. Combined with data for the appearance of Early Uruk elements at sites in the adjacent Qara Dagh region, this hints at long-term co-development of material culture during the fourth millennium B.C. in southeastern Iraqi Kurdistan and central and southern Iraq, potentially questioning the model of expansion or colonialism from the south.


2021 ◽  
Vol 63 (1) ◽  
pp. 5-40
Author(s):  
Derek R. Peterson ◽  
Richard Vokes ◽  
Nelson Abiti ◽  
Edgar C. Taylor

AbstractIn May 2019 we launched a special exhibition at the Uganda Museum in Kampala titled “The Unseen Archive of Idi Amin.” It consisted of 150 images made by government photographers in the 1970s. In this essay we explore how political history has been delimited in the Museum, and how these limitations shaped the exhibition we curated. From the time of its creation, the Museum's disparate and multifarious collections were exhibited as ethnographic specimens, stripped of historical context. Spatially and organizationally, “The Unseen Archive of Idi Amin” turned its back on the ethnographic architecture of the Uganda Museum. The transformation of these vivid, evocative, aesthetically appealing photographs into historical evidence of atrocity was intensely discomfiting. We have been obliged to organize the exhibition around categories that did not correspond with the logic of the photographic archive, with the architecture of the Museum, or with the experiences of the people who lived through the 1970s. The exhibition has made history, but not entirely in ways that we chose.


2020 ◽  
pp. 026666692096984
Author(s):  
Wesley Shu ◽  
Songquan Pang ◽  
Minder Chen

Knowledge management (KM) is a complicated process that involves socialization, externalization, combination, and internalization and requires close collaboration among the people involved. Although Nonaka proposed the SECI (Socialization, Externalization, Combination, Internalization) model and the concept of Ba, which provides a process-oriented view of knowledge creation and transfer, practicing it is rather ad hoc. COVID-19 has provided a chance for practitioners to find a new method for KM. In this study, we adapted a group problem-solving system called TeamSpirit and structured it as a Ba for the SECI model. We then compared TeamSpirit with two other implementations of Ba, email and face-to-face communication, to evaluate their effects on knowledge externalization, knowledge combination, and knowledge internalization. Then, we evaluated whether these knowledge-conversion processes could improve knowledge acquisition and intention to share knowledge. A 3 × 2 mixed factorial design experiment was conducted. The results show that (a) TeamSpirit was better than the others, and face-to-face was better than email for each of the three knowledge conversion processes (externalization, combination, and internalization) and (b) the better the team’s knowledge conversion process lead, the stronger its knowledge acquisition and knowledge-sharing intention.


2016 ◽  
Vol 3 (1-2) ◽  
pp. 79-96 ◽  
Author(s):  
Gunwoo Yoon ◽  
Patrick T. Vargas

In the present research we argue that avatars, as identity containers, can mirror people’s self-concepts. Research in cultural psychology suggests that East Asians tend to be more tolerant of contradictions and that they more easily adjust their self-concepts in accordance with changing contexts compared to North Americans (see Heine 2001). We therefore assume that preferred forms of avatars among East Asians and North Americans are different because of this self-concept variability across cultures. We conducted a quasi-experiment to explore how people in the two cultures differently evaluate two forms of avatars, human-like and cartoon-like avatars, in terms of likeability and preference. We found that East Asians rated cartoon-like avatars more favourably than North Americans. Moreover, compared to North Americans, East Asians preferred cartoon-like avatars to human-like avatars for their hypothetical avatars to play games. We conclude by discussing implications for future research.


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