Epilogue

Author(s):  
Adam Goodman

This chapter reviews the history of the deportation machine, dating back to the late-nineteenth century when Congress gave the federal government exclusive authority over immigration. It summarizes how Democratic and Republican politicians and private third parties have contributed to the growth of the deportation machine through implementation of punitive policies and budget with an equivalent of hundreds of billions of dollars into enforcement efforts that have resulted in tens of millions of expulsions. It assesses the deportation machine's mechanisms that have largely remained the same over time and have functioned in unison, though at different levels at distinct moments. The chapter looks into persistent political economic realities, racial prejudices,and cultural concerns that have been a driving force behind anti-immigrant sentiment and restrictive measures. It also describes economic crises and wars that often led to rising xenophobia and dramatic spikes in deportations.

2005 ◽  
Vol 22 (1) ◽  
pp. 105-107
Author(s):  
Halil Ibrahim Yenigün

This book is primarily a history of the early Kurdish movement, from itsinception in the late nineteenth century to the 1930s. Yet, its distinctivenesscomes not from the Kurdish nationalists’ more publicized products, but fromits focus on the margins of their literary attempts. This study of failed nationalism“is concerned less with how and why Kurdish nationalism did or didnot ‘catch on’ than with the efforts made by [the] Kurdish elite to constructa viable concept of Kurdish identity” (p. 1). In other words, the author’smain concern is to identify how images of the Kurds were constructed andrepresented, and how they evolved, over time, until the late 1930s.The book is divided into three parts, each of which corresponds to a differentperiod that delineates differing self-images of the Kurds. Each part,in turn, consists of six to eight chapters that provide an account of both keyevents in the Kurdish movement’s history and literary works. Part 1,“‘Awakening’ the Kurds,” deals with the movement’s background contextand early period by discussing its leaders, several publications, and organizations.In this period, the Kurds’ self-definition was predominantly negative,and obstacles to modernization abounded: tribal structures, a nomadicway of life, illiteracy, ignorance, and wildness.Yet the Turks were never the “inimical other,” except for such people asthe Ottoman sultan Abdulhamid and “a long line of Ottoman despots.” Theyhad a long list of prescriptions to awaken and literally “remake” the Kurds sothat they could be accepted by the nations of the civilized world. When theWilsonian principles granted their right to self-determination without this culturalleap, some Kurds wanted a Kurdish state. However, the vast majoritymourned for the Treaty of Sevrés along with their Turkish brethren, despitethe fact that its articles established Kurdistan. This chapter also describes howmost Kurds joined forces with the Kemalists to drive out the occupiers, onlyto be frustrated by the Kemalists’ subsequent assimilation projects ...


2020 ◽  
Vol 65 (S28) ◽  
pp. 197-223
Author(s):  
Samuel North

AbstractThis article examines how slavery has been remembered in the urban space of Cape Town over time. It explores how individuals and groups have commemorated the history of slavery from the late nineteenth century onwards. It outlines how memory of slavery faded as the number of people with direct experience of enslavement decreased, with burgeoning racial segregation influencing the way that the past was viewed. It then examines how post-1994 democracy in South Africa has once again changed approaches to history. Colonial-era abuses such as slavery have not always been readily remembered in an urban space where their legacies are visible, and this article examines the interplay of politics and identity at the heart of public memorialization of these contested pasts.


2021 ◽  
Author(s):  
Morten Jerven

A wealth of new data have been unearthed in recent years on African economic growth, wages, living standards, and taxes. In The Wealth and Poverty of African States, Morten Jerven shows how these findings transform our understanding of African economic development. He focuses on the central themes and questions that these state records can answer, tracing how African states evolved over time and the historical footprint they have left behind. By connecting the history of the colonial and postcolonial periods, he reveals an aggregate pattern of long-run growth from the late nineteenth century into the 1970s, giving way to widespread failure and decline in the 1980s, and then followed by two decades of expansion since the late 1990s. The result is a new framework for understanding the causes of poverty and wealth and the trajectories of economic growth and state development in Africa across the twentieth century.


2010 ◽  
Vol 32 (4) ◽  
pp. 85-95 ◽  
Author(s):  
Adam Hochschild

Abstract The author surveys three times and places where the public history of certain events has changed radically over time. The mass killings and arrests of the Stalinist Soviet Union were deliberately ignored for decades afterwards, then drew intense attention in the Gorbachev years. The end of British Empire slavery was for a century or more ascribed to British virtue and generosity; today we pay far more attention to the role of slave revolts. And Belgium officially ignored the murderous slave labor regime King Leopold II imposed on the Congo in the late nineteenth century until the last decade or so.


2020 ◽  
pp. 009614422094880
Author(s):  
Egemen Yılgür

A teneke mahalle, mostly consisting of shacks constructed of collected waste materials, is a late Ottoman and early Republican phenomenon that parallels its global counterparts such as the Corralones in Peru or the Indian slums. Although occasionally mentioned in the pioneer studies, the long history of the teneke mahalles has been overlooked until recent times, and in the mainstream discussions on urban poverty, these neighborhoods have almost wholly been invisible. However, informal settlements came to the agenda of the state and society, right after the massive eviction in 1883 of the refugees of the War of 1877-1878 from the free temporary settlements. They created teneke mahalles, and over time, the local poor also adopted their creative solution for cheap and relatively safe housing. Drawing on both archival and oral records, the author establishes the actual presence of the category and traces the development of the idiom in the late nineteenth century.


2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.


Author(s):  
Wakoh Shannon Hickey

Mindfulness is widely claimed to improve health and performance, and historians typically say that efforts to promote meditation and yoga therapeutically began in the 1970s. In fact, they began much earlier, and that early history offers important lessons for the present and future. This book traces the history of mind-body medicine from eighteenth-century Mesmerism to the current Mindfulness boom and reveals how religion, race, and gender have shaped events. Many of the first Americans to advocate meditation for healing were women leaders of the Mind Cure movement, which emerged in the late nineteenth century. They believed that by transforming their consciousness, they could also transform oppressive circumstances in which they lived, and some were activists for social reform. Trained by Buddhist and Hindu missionaries, these women promoted meditation through personal networks, religious communities, and publications. Some influenced important African American religious movements, as well. For women and black men, Mind Cure meant not just happiness but liberation in concrete political, economic, and legal terms. The Mind Cure movement exerted enormous pressure on mainstream American religion and medicine, and in response, white, male doctors and clergy with elite academic credentials appropriated some of its methods and channeled them into scientific psychology and medicine. As mental therapeutics became medicalized, individualized, and then commodified, the religious roots of meditation, like the social justice agendas of early Mind Curers, fell away. After tracing how we got from Mind Cure to Mindfulness, this book reveals what got lost in the process.


This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


Author(s):  
Mark Migotti

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.


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