scholarly journals PECULIARITIES OF GERUND TRANSLATION IN LITERARY TEXT (BASED ON THE NOVEL “SENSE AND SENSIBILITY” BY JANE AUSTEN AND ITS RUSSIAN VERSION)

2018 ◽  
pp. 39-44
Author(s):  
M. M. Demidova ◽  
Keyword(s):  
Jane Austen ◽  
Literary Text ◽  
The Novel ◽  
Russian Version ◽  
Sense And Sensibility

scholarly journals Analysis of Russian translations of Jane Austen novel’s title "Sense and Sensibility"

2018 ◽  
Vol 16 (3) ◽  
pp. 116-126
Author(s):  
Tatiana V. Bobyleva
Keyword(s):  
Full Text ◽  
Jane Austen ◽  
Russian Language ◽  
The Novel ◽  
State University ◽  
Sense And Sensibility ◽  
Modern Russian

The purpose of the study is to analyze two Russian titles of J. Austen’s novel Sense and Sensibility translated by Irina G. Gurova (1988) and Alla Yu. Frolova (2013). The meanings of the lexemes sense and sensibility in English (in the 18–19th centuries and nowadays) are compared with the meanings of their corresponding translations in the modern Russian language. The most important meanings of the Russian lexemes are identified by using associative databases: Russian regional associative dictionary-thesaurus EVRAS (Institute of Linguistics, RAS) and Russian regional associative database SIBAS (Institute of Linguistics, RAS; Institute of Philology, SB RAS; Novosibirsk State University). In the conclusion «Разум и чувство» [razum i chuvstvo] (i.e. Reason and Feeling) by Alla Yu. Frolova is argued to be the best relevant translation of the novel title. The author of the article also suggests her own possible Russian versions of the novel title, not only taking into account the opposition of the rational and irrational components, but also reflecting the alliteration that takes place in the English original. The analysis is a part of a larger research based on studying the full-text versions of J. Austen’s novel Sense and Sensibility done by Russian and French translators.

scholarly journals Speech, Thought and Writing Representation Modes in Jane Austenʼs Novel Sense and Sensibility

2020 ◽  
Vol 22 (22) ◽  
pp. 116-142
Author(s):  
Maja Kovacevic ◽  
Keyword(s):  
Jane Austen ◽  
Speech Act ◽  
The Other ◽  
The Novel ◽  
Direct Writing ◽  
Direct Speech ◽  
Indirect Speech ◽  
Word Analysis ◽  
Speech Representation ◽  
Sense And Sensibility

Bakhtin’s views (1980:127-130) on the importance of studying speech representation and its interaction with authorial context incited prolific research in various disciplines. The research presented in this paper is based on Bakhtin’s crucial claims about speech representation, and on the theoretical framework of linguistic stylistics (Kovačević 2011, 2012, 2013, 2015; Katnić-Bakaršić 2001) and representology (Kovačević 2015:253-254). The aim of this paper is twofold—to identify the types of speech, thought and writing representation employed in the novel Sense and Sensibility and to describe their interaction with the authorial context. The method applied is‘word by word’ analysis, where in the first stage the modes of speech, thought and writing representation are identified; in the next stage their interaction with authorial context is described. The modes of speech are classified and differentiated by combining the classifications of representation modes in Serbian and English (Leech and Short 2007; Semino and Short 2004; Kovačević 2013). The results of the analysis prove that Jane Austen employs the following modes to repоrt speech, thought and writing: indirect speech/thought/writing, narrator’s report of speech act/ thought act/writing act, expressive indirect speech/thought, free indirect speech/thought, direct speech (monologue, dialogue, polylogue), free direct speech, line of dialogue, fragmental quote, hypothetical speech, direct thought, free direct thought, direct writing, embedded speech/thought. Predominantly, the line of interaction between authorial speech and direct speech involves the former being parenthetically embedded into foregrounded direct speech, amalgamating with the free indirect thought/speech or having as an attachment a ”package” of different embedded modes of speech/thought/writing representation. Primarily indirect thought, free indirect thought, direct thought, and free direct thought are the modes employed to characterise Elinor Dashwood, while on the other side the modes of direct speech, free direct speech, free indirect speech and direct writing combined with numerous mimetic markers prevail in depicting her sister Marianne. It is through the stylistically effective transitions between these modes and their interaction with the authorial context that the total antithetical effect regarding the sense and sensibility principles is obtained on the syntactic-stylistic level.

scholarly journals an Analysis of The Main Characters’ Conflicts in Jane Austen Novel Entitled “SENSE AND SENSIBILITY”

2016 ◽  
Vol 4 (2) ◽  
pp. 156-170
Author(s):  
Ina Daril Hanna
Keyword(s):  
Jane Austen ◽  
The Novel ◽  
Social Conflicts ◽  
Literary Research ◽  
Sense And Sensibility

Conflict is not always happen between two  person or more, but it also can happen with the environment, furthemore with our selves. Because sometime conflict is a problem that can not  be seen factually. The existency of the conflict in anovel, it can attract the readers to read the contain of the whole page. Because they raise the curiousity of the readers. So that many the readers interest in reading novel  to know the ending of the story. It is also encouraged the researcher do this literary research. The title of this research is An Analysis of The Main Characters’ Conflicts in Jane Austen Novel Entitled “ SENSE AND SENSIBILITY”. There are some conflicts occur in the novel, that is why the researcher want to analyze the conflicts of the main characters, Elinor and Marianne Dashwood. in order to know the main characters’s problems face in the novel and also the solving problem in the novel. This research only discussed about the main characters’ conflicts on psychological conflicts  and social conflicts.  Hopefully this study can help the readers in understanding the conflicts that happened in the novel.

scholarly journals The Fulfillment of Hierarchy of Needs of Elinor in The "Sense And Sensibility" Novel by Jane Austen: A Study of Humanism Psychology of Abraham Maslow

2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Imam Ghozali
Keyword(s):  
Data Collection ◽  
Jane Austen ◽  
Hierarchy Of Needs ◽  
The Novel ◽  
Abraham Maslow ◽  
Her Family ◽  
Self Actualization ◽  
Qualitative Descriptive ◽  
Data Source ◽  
Sense And Sensibility

This research was intended to find and describe the fulfillment of hierarchy of needs of Elinor in the “Sense and Sensibility” by Jane Austen which mostly about the story of Dashwood family, Elinor and Marianne Dashwood. The story began with their father’s death, Henry Dashwood. He left only a small fortune to Elinor, Marianne, their mother and younger sister, while most of Dashwood's wealth and property were handed over to John, Henry's son from his previous marriage. Elinor's struggles to fulfill her needs began with discomfort that occurred in her family. The method used was a qualitative descriptive, in which the data were in the form of words, sentences, and paragraphs that identified the fulfillment of hierarchy of needs. The data source was the "Sense and Sensibility" novel by Jane Austen and the data collection techniques were reading and note-taking. The data were analyzed by identifying, classifying, describing and drawing conclusions. The results and discussion in this article showed that in fulfilling her physiological, safety, love and belonging, and esteem needs, Elinor faced struggles and twist and turn. Those four needs were found sequentially in the story, but the need for self-actualization had not been reflected in the novel.

Jak znaleźć męża między żywymi trupami a krwiożerczymi ośmiornicami? Mash-up, czyli „klasyczne romanse z okresu regencji” z domieszką elementów nadnaturalnych (na przykładzie Pride and Prejudice and Zombies oraz Sense and Sensibility and Sea Monsters)

2019 ◽  
Vol 63 (2 (465)) ◽  
pp. 137-150
Author(s):  
Iwona Przybysz
Keyword(s):  
Jane Austen ◽  
Original Form ◽  
The Novel ◽  
Pride And Prejudice ◽  
The World ◽  
Sense And Sensibility

In this article, the author confronts two mash-up novels (novels, in which new motives and elements are added to the masterpieces of world’s literature) – Pride and Prejudice and Zombies by Jane Austen and Seth Grahame-Smith and Sense and Sensibility and Sea Monsters by Jane Austen and Ben H. Winters. The author shows how the new elements (zombies and sea monsters) are added to Jane Austen’s novels and underlines which elements have to be left in their original form, and which can be changed. The author also describes how the development of the new motives affects the ways of describing the world of the novel and its characters.

Satire and Realism in Jane Austen’s Pride and Prejudice: an Interpretative Analysis

2019 ◽  
Vol 3 (1) ◽  
Keyword(s):  
Jane Austen ◽  
The Novel ◽  
Pride And Prejudice ◽  
Rigorous Analysis ◽  
Literary Life ◽  
Interpretative Analysis

Jane Austen is acknowledged for the application of realism and satire in her novels. This paper focuses on the analysis of realism and satire in Jane Austen’s Pride and Prejudice; however, her entire oeuvre spotlights the features (of satire and realism) alongside robust feminism: typical of her literary taste and temperament, not necessarily of the Romantic Age which she lived in. Rigorous analysis and realistic observation reveals that the employment of realism and satire in Pride and Prejudice, are quite obvious, in all sorts of aspects including narrative, settings, themes and characters. Analysis of the novel under study leads to the observation that satire and realism go hand in hand in the said novel—intermittently—and thoughtfully. Conclusively, it is observed that Jane Austen’s literary life had a tremendous influence on how to subsume realism (primarily through matrimonies) of age and satire on a romantic society (whereby ideals collapse headlong), in Pride and Prejudice.

Elementy poetyki ludowej w powieści Rzeczy uprzyjemniające. Utopia T. Bołdak-Janowskiej

2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral
Keyword(s):  
Fairy Tales ◽  
Text Analysis ◽  
Literary Text ◽  
Source Material ◽  
Human Existence ◽  
The Other ◽  
The Novel ◽  
Literary Works ◽  
The One ◽  
Cultural Features

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.

TYPES OF HEDONISM ON THE MAIN CHARACTER SIR WALTER ELLIOT IN THE NOVEL PERSUASION BY JANE AUSTEN

2020 ◽  
Vol 8 (1) ◽  
pp. 30-43
Author(s):  
Enggin Valufi ◽  
Retno Budi Astuti
Keyword(s):  
Qualitative Method ◽  
Jane Austen ◽  
18Th Century ◽  
The Novel ◽  
Main Character ◽  
Philosophical Approach ◽  
High Culture ◽  
Descriptive Qualitative

Hedonism is a view of life in philosophy that seeks to avoid pain and make pleasure as the main goal in life. People who embrace hedonism tend to over-pursue pleasure. The hedonism lifestyle is mostly carried out by 18th century people especially the nobles who live in high culture. They are as close to hedonism as they are in the Persuasion novel by Jane Austen. Sir Walter Elliot the main character is a nobleman who did a lot of hedonism. Hedonism which is seen as too glorifying personal pleasure to ignore others. The purpose of this study was to find out the types of hedonism done by Sir Walter Elliot in Persuasion. This research uses descriptive qualitative method because all data are in the form of sentences. The researcher uses a philosophical approach and analyzes data using Weijers' theory as the main theory. The results of this study found that Sir Walter Elliot performed two types of hedonism, namely aesthetic hedonism and selfish hedonism.

Sense and Sensibility

2019 ◽  
Author(s):  
Jane Austen
Keyword(s):  
Jane Austen ◽  
Self Interest ◽  
Women's Lives ◽  
Sense And Sensibility

‘Pray, pray be composed,’ cried Elinor, ‘and do not betray what you feel to every body present. Perhaps he has not observed you yet.’ For Elinor Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centred fortune-hunters like Lucy Steele, whilst Marianne’s unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men. Through her heroines’ parallel experiences of love, loss, and hope, Jane Austen offers a powerful analysis of the ways in which women’s lives were shaped by the claustrophobic society in which they had to survive.

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