scholarly journals Meretas Jejak Sufisme Di Nusantara

2018 ◽  
Vol 13 (2) ◽  
pp. 303-335
Author(s):  
Firdaus Firdaus

Sufism that came and flourished on the archipelago was a saga that had been first formulated by the Sufis in the Middle East. The Sufis who spread the teachings of Sufism in the archipelago lived to adapt to the needs and desires of the people. The Sufis had come from abroad to preach in the archipelago and some of the area's sons studied directly in the Middle East and returned to their homeland to further their teachings. History of Sufism in Indonesia, Aceh occupies the first and strategic position, as it will eventually color the development of Sufism in the archipelago as a whole. Searching for this stream in the archipelago does not detract from the influence of those who study in the Middle East. Among the pioneers in the development of the Sufism flow in the archipelago, as mentioned in some of the literature are: Hamzah Fansuri, Syamsudin Sumatrani, Nuruddin al-Raniri Nuruddin Ar Raniri (died 1658 AD), Abdur Rauf As Sinkili (1615-1616 AD), Muhammad Yusuf Al magazine (1629-1699 M). Abdus Shamad al Palimbani. Sufis or Sufis from the beginning to Indonesia introduced the teachings of Sufism as well as various polemics that took place and prolonged it, but it was not the subject of public debate.

1999 ◽  
Vol 25 (1) ◽  
pp. 107-122 ◽  
Author(s):  
CHRISTOPHER HILL

They tell us that the Pharoahs built the pyramids. Well, the Pharoahs didn't lift their little fingers. The pyramids were built by thousands of anonymous slaves . . . and it's the same thing for the Second World War. There were masses of books on the subject. But what was the war like for those who lived it, who fought? I want to hear their stories.Writing about international relations is in part a history of writing about the people. The subject sprang from a desire to prevent the horrors of the Great War once again being visited upon the masses and since then some of its main themes have been international cooperation, decolonisation, poverty and development, and more recently issues of gender.


1945 ◽  
Vol 14 (2) ◽  
pp. 85-103
Author(s):  
J. Orin Oliphant

Slowly during the years just preceding our War of 1812, and rapidly during the decade that followed the Peace of Ghent, the vast reaches of Latin America swam within the ken of the people of the United States. Of this “discovery” of our southern neighbors and of our relations with Latin America before 1830, we have learned much from a volume recently brought out by a distinguished historian of the United States, Professor Arthur P. Whitaker. Professor Whitaker's informing study was intended to be nothing less than a well-rounded history of the impact of Latin America upon the United States to 1830; and such it has proved to be—with one exception. Professor Whitaker completely overlooked the religious phase of the subject he otherwise treated so skillfully. Upon this neglected part of the history of our early relations with Latin America this paper will endeavor to throw some light.


2020 ◽  
Vol 73 (3) ◽  
pp. 260-267
Author(s):  
Z. Rustemova ◽  

The article devotes theespesialities of Showinq of Abay, Ibyray`s traditions in Kazakh children literature for beqinninq of ХХ century. So, author have been qivinq his opinion to problems of thematic, ideas, qarmony, structurinq and Same in verses of poets-democtrats. In the history of culture, as you know, which people have developed and developed over the centuries, has its own national Outlook, a peculiar philosophy, folklore heritage, in a word, its own spiritual world. It is proved that at different times one of the richest zhurttardyns comes to the Treasury of national spirituality of the people. In recent years, the amount of spiritual wealth has been achieved further, both in different ways and in terms of aesthetic effect. One of the most striking examples of this concept is the Kazakh written children's literature. Today it is one of the richest in Kazakh literature, the history of which has a deep, philosophical and aesthetic meaning, always rich in thought and content.The study of the subject of literature, on the basis of which comprehensive education of children should be an in-depth study and practical use of various types of folklore for children, samples of written literature.


Author(s):  
Yevhenii Vasyliev

The tragic events of the Revolution of Dignity and the hybrid war have been reflected in various stylistics and genre parameters of dramatic works. The brightest of them were included in two recent anthologies, which were prepared and published thanks to the efforts of the Department of Drama Projects of the National Center for the Performing Arts named after Les Kurbas. The first of them, “Maidan. Before and After. Anthology of the Actual Drama” (2016), has absorbed 9 plays by the authors of different generations (Yaroslav Vereshchak, Nadiia Symchich, Oleg Mykolaychuk, Neda Nezhdana, Oleksandr Viter, Dmytro Ternovyi, etc.). The completely new second anthology “The Labyrinth of Ice and Fire” (2019) also consists of 9 plays (three of which are also part of the previous anthology), which are the reflections of the modern history of Ukraine. The texts about the hybrid war, which are included in two anthologies, are the subject of our analysis. The focus is on the genre specificity of these drama works. The genre modifications of archaic genres inherent in the Ukrainian theatrical tradition (vertep, mystery) are studied in the plays “Vertep-2015” by Nadiia Marchuk and “Maidan Inferno, or On the Other Side of Hell” by Neda Nezhdana. The functioning of the documentary and epic drama (“The Chestnut and the Lily of the Valley” by Oleg Mykolaychuk, “The People and Cyborgs” by Olena Ponomareva and Dario Fertilio) is analysed. The processes of episation and lyricization are considered. The peculiarities of intergeneric diffusion and the creation of a specific genre type — lyrico-epic drama are analysed. The actual monodramas of Neda Nezhdana “The Cat in Memory of the Darkness” and “OTVETKA@ UA” are highlighted, as well as the intermedial character of the genre transformations of Igor Yuziuk’s drama “C-sharp Sixth Octave”


Author(s):  
Fendi Adiatmono ◽  
Arif Rivai

Human work is influenced by thinking and behavior patterns. Weaving as a result of human culture is no longer something that is considered important. Birth and development have not been comprehensively explored. Kuningan as a weaving region cannot be separated from the problem. Its development stalled during Colonial rule.This research aims to describe the development of weaving as a home industry in terms of cultural history, form of motives and management. This study aims to (1) describe the weaving motif in the Kuningan home industry; and (2) design forms of motifs that are in accordance with the history of Kuningan culture; and (3) suitable management of art applied to the Kuningan area. This research is a qualitative research where the data obtained from observations, interviews, documentation, and participant observations are presented in descriptive form. The instruments in this study were the researchers themselves with guidelines for observation, interviews, and documentation. The tools used in this study are digital cameras and writing equipment. The validity of the data from this paper is obtained by perseverance / regularity of observation and publication of research results. Analysis of the data used in the form of reduction, presentation of data, and conclusion. The results of this study indicate (1) the weaving motifs of home industry production are not in accordance with the development of other textile arts, such as batik. Then the form of the motive produced is the result of interference from outside countries; and (2) Kuningan home industry weaving is not in the right management, as evidenced by the death of the industry in the present.This research uses the theory of visual history and methods of anthropological approaches, forms of aesthetics, and symbols that are relevant to the subject and subject matter of the problem. So, the context that was built to be legitimate, text, oral and visual, both now and past has been used as a reconstruction. The contents of the study and his work aroused community sensitivity in formulating natural and human development constructions. The general objective of this research is the point of awareness, that it creates filters, balance, and makes a counter of global forces that try to make Indonesian society artificial.This research is expected to emit reference needs for public creativity in general. The written phrases are expected to be able to inspire the sensitivity of the people of Indonesia, to further dynamize the transmission method in the construction of the community.


2020 ◽  
Vol 15 (4) ◽  
pp. 535-545
Author(s):  
Suaibatul Aslamiyah ◽  
Suci Nadilla ◽  
Cindy Aprilia Pratami

Art has opened the eyes of the world throught literary works that record the history of a writing. Also the subject of women’s affairs is subject to an author’s reference to the problem of a sense of injustice. Such views have been discussed to voice gender equality and to seek efforts to overcome those problems. Nadia’s asthma is one of the authors who attempt to awaken women to the patriarchate system that has been going on. His works consistently incorporate such universal values as equality in various fields, human freedom, and tolerance so that his readers can adopt the value of life. In addition, she was actively involved in social media as a means of channeling her mind. The twitter feed says some of the people were repressed. Seeing the account encourage him to make a book and then be poured into a storybook of several different stories and in which one of the women’s true account t with the tittle of a jealous heart note. The study used qualitative descriptive methods with the theory of feminist literary criticism.


2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Ahmad Baidowi

Sejarah Islam memperlihatkan bahwa keberhasilan dakwah Islam bukan dilakukan dengan cara-cara yang mempergunakan kekerasan. Alih-alih, Islam berhasil berkembang ke berbagai tempat karena disampaikan dengan cara-cara moderat,  sehingga lebih mudah diterima oleh masyarakat. Sikap moderat dan anti-kekerasan dalam menyampaikan dakwah ini bukan hanya diajarkan oleh agama melalui Al-Qur’an ataupun dicontohkan Nabi Muhammad SAW, namun juga diperankan oleh para penyampai dakwah Islam ke masyarakat. Sebagian muncul dalam konsep-konsep anti-kekerasan yang berhasil diaplikasikan dalam berbagai modelnya kepada masyarakat yang menjadi subyek dakwah. Kajian ini  memperlihatkan bahwa adaptasi menjadi nilai yang penting dalam pendekatan dakwah yang moderat, sehingga mendukung keberhasilan dakwah yang dilakukan. Pendekatan psikologi-sosial-budaya dijadikan sebagai alternatif sehingga agama Islam menjadi lebih mudah diterima oleh masyarakat.The history of Islam shows that the success of Islamic da'wa is not through the ways of violence. Instead, Islam has succeeded in expanding to the communities in most places because it has been preached moderately so that the communities can accept Islam more easily. Moderate and non-violent attitude in conveying da'wa is not only taught by Al-Qur'an or exemplified by Prophet Muhammad SAW, but also acted by the preachers of Islam within the communities. These concepts of non-violence have been successfully applied in various models and approaches for the sake of the people as the subject of Islamic da'wa. This study shows that adaptation is an important point in a moderate approach of da'wa that support the success of the da'wa to societies. In other words, the socio-cultural and psychological approach has been the alternative way in Islamic da’wa in order that Islam becomes more easily accepted by the communities.


2008 ◽  
Vol 15 (2) ◽  
pp. 1-18
Author(s):  
Malcolm Thomis

Helen Taylor made a unique contribution to the democratisation of history in Queensland. She gave us, in Abraham Lincoln's immortal words, History ‘of the people, by the people, for the people’. In so doing, she loosened the stultifying stranglehold of both schools and universities — history's traditional domain. Since history appeared on the school curriculum, generations of children have undergone the arid and depressing experience of being adjudged ‘not good at history’ because of an inability to memorise a string of meaningless dates. The successful ones who went on to study the subject at university encountered a program that was academic and elitist in both content and purpose. Thought by many to be a worthy successor to the Classics for the training of fine minds, it was for a long time concerned almost exclusively with the activities of governments, the machinery of power in the domestic context and its external manifestations overseas, foreign policy and imperialism. Helen Taylor's notion of history was something very different.


Author(s):  
Jack Tannous

This concluding chapter argues that late Roman Syria was a place where linguistic frontiers did not translate into cultural boundaries. The Arab conquests of the seventh century did not change this; instead, the prestige their new scripture enjoyed added a third literary language, Arabic, to the mix of a region with an already rich history of intercultural exchange. Moreover, religious dynamics continued as they had for centuries—viewed against the background of post-Chalcedonian Christian–Christian interaction, the scope and nature of Christian–Muslim interaction looks very familiar. Ultimately, in trying to place the existence of the Middle East's population of simple Christians not just into this story, but at its center, this book has attempted to capture some of the excitement and interest of this process in a way that does justice to all of the people living there, not just a small subset of them.


Author(s):  
Valeriy Kanishchev

We give the assessment of the monograph, dedicated to the history of the peasant issue studies in Russia. We highly appreciate the historiographic qualification of A.N. Dolgikh. We also emphasize specifically the usage of the large number of works on peasant issue history and serfdom in Russia in the monograph, the thorough analysis of historic environment, in which these works were created, and also A.N. Dolgikh’s own opinion on argumentative issues of the subject.


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