scholarly journals THE TRADITION OF ABAY, IBRAY THE KAZAKH CHILDREN'S POETRY

2020 ◽  
Vol 73 (3) ◽  
pp. 260-267
Author(s):  
Z. Rustemova ◽  
Keyword(s):  
Children’S Literature ◽  
Comprehensive Education ◽  
Spiritual World ◽  
The People ◽  
Depth Study ◽  
History Of ◽  
The Subject ◽  
History Of Culture ◽  
Children's Poetry ◽  
Aesthetic Meaning

The article devotes theespesialities of Showinq of Abay, Ibyray`s traditions in Kazakh children literature for beqinninq of ХХ century. So, author have been qivinq his opinion to problems of thematic, ideas, qarmony, structurinq and Same in verses of poets-democtrats. In the history of culture, as you know, which people have developed and developed over the centuries, has its own national Outlook, a peculiar philosophy, folklore heritage, in a word, its own spiritual world. It is proved that at different times one of the richest zhurttardyns comes to the Treasury of national spirituality of the people. In recent years, the amount of spiritual wealth has been achieved further, both in different ways and in terms of aesthetic effect. One of the most striking examples of this concept is the Kazakh written children's literature. Today it is one of the richest in Kazakh literature, the history of which has a deep, philosophical and aesthetic meaning, always rich in thought and content.The study of the subject of literature, on the basis of which comprehensive education of children should be an in-depth study and practical use of various types of folklore for children, samples of written literature.

‘Where are we going?’ International Relations and the voice from below

1999 ◽  
Vol 25 (1) ◽  
pp. 107-122 ◽  
Author(s):  
CHRISTOPHER HILL
Keyword(s):  
International Relations ◽  
Second World War ◽  
World War ◽  
The People ◽  
History Of ◽  
The Subject ◽  
The Masses ◽  
The Great War ◽  
The Voice ◽  
Second World

They tell us that the Pharoahs built the pyramids. Well, the Pharoahs didn't lift their little fingers. The pyramids were built by thousands of anonymous slaves . . . and it's the same thing for the Second World War. There were masses of books on the subject. But what was the war like for those who lived it, who fought? I want to hear their stories.Writing about international relations is in part a history of writing about the people. The subject sprang from a desire to prevent the horrors of the Great War once again being visited upon the masses and since then some of its main themes have been international cooperation, decolonisation, poverty and development, and more recently issues of gender.

The Parvin-Brigham Mission to Spanish America, 1823–1826

1945 ◽  
Vol 14 (2) ◽  
pp. 85-103
Author(s):  
J. Orin Oliphant
Keyword(s):  
United States ◽  
Latin America ◽  
The United States ◽  
War Of 1812 ◽  
Spanish America ◽  
The People ◽  
History Of ◽  
The Subject ◽  
The Impact

Slowly during the years just preceding our War of 1812, and rapidly during the decade that followed the Peace of Ghent, the vast reaches of Latin America swam within the ken of the people of the United States. Of this “discovery” of our southern neighbors and of our relations with Latin America before 1830, we have learned much from a volume recently brought out by a distinguished historian of the United States, Professor Arthur P. Whitaker. Professor Whitaker's informing study was intended to be nothing less than a well-rounded history of the impact of Latin America upon the United States to 1830; and such it has proved to be—with one exception. Professor Whitaker completely overlooked the religious phase of the subject he otherwise treated so skillfully. Upon this neglected part of the history of our early relations with Latin America this paper will endeavor to throw some light.

scholarly journals Genre searches in ukrainian playwrights’ plays about hybrid war

2020 ◽  
pp. 19-25
Author(s):  
Yevhenii Vasyliev
Keyword(s):  
Performing Arts ◽  
The Other ◽  
Modern History ◽  
Dramatic Works ◽  
The People ◽  
Before And After ◽  
History Of ◽  
The Subject ◽  
The Creation ◽  
Hybrid War

The tragic events of the Revolution of Dignity and the hybrid war have been reflected in various stylistics and genre parameters of dramatic works. The brightest of them were included in two recent anthologies, which were prepared and published thanks to the efforts of the Department of Drama Projects of the National Center for the Performing Arts named after Les Kurbas. The first of them, “Maidan. Before and After. Anthology of the Actual Drama” (2016), has absorbed 9 plays by the authors of different generations (Yaroslav Vereshchak, Nadiia Symchich, Oleg Mykolaychuk, Neda Nezhdana, Oleksandr Viter, Dmytro Ternovyi, etc.). The completely new second anthology “The Labyrinth of Ice and Fire” (2019) also consists of 9 plays (three of which are also part of the previous anthology), which are the reflections of the modern history of Ukraine. The texts about the hybrid war, which are included in two anthologies, are the subject of our analysis. The focus is on the genre specificity of these drama works. The genre modifications of archaic genres inherent in the Ukrainian theatrical tradition (vertep, mystery) are studied in the plays “Vertep-2015” by Nadiia Marchuk and “Maidan Inferno, or On the Other Side of Hell” by Neda Nezhdana. The functioning of the documentary and epic drama (“The Chestnut and the Lily of the Valley” by Oleg Mykolaychuk, “The People and Cyborgs” by Olena Ponomareva and Dario Fertilio) is analysed. The processes of episation and lyricization are considered. The peculiarities of intergeneric diffusion and the creation of a specific genre type — lyrico-epic drama are analysed. The actual monodramas of Neda Nezhdana “The Cat in Memory of the Darkness” and “OTVETKA@ UA” are highlighted, as well as the intermedial character of the genre transformations of Igor Yuziuk’s drama “C-sharp Sixth Octave”

scholarly journals The History and Continuity of Kuningan Weaving

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Fendi Adiatmono ◽  
Arif Rivai
Keyword(s):  
Cultural History ◽  
Behavior Patterns ◽  
Digital Cameras ◽  
Transmission Method ◽  
The People ◽  
History Of ◽  
The Subject ◽  
The Right ◽  
And Behavior ◽  
Visual History

Human work is influenced by thinking and behavior patterns. Weaving as a result of human culture is no longer something that is considered important. Birth and development have not been comprehensively explored. Kuningan as a weaving region cannot be separated from the problem. Its development stalled during Colonial rule.This research aims to describe the development of weaving as a home industry in terms of cultural history, form of motives and management. This study aims to (1) describe the weaving motif in the Kuningan home industry; and (2) design forms of motifs that are in accordance with the history of Kuningan culture; and (3) suitable management of art applied to the Kuningan area. This research is a qualitative research where the data obtained from observations, interviews, documentation, and participant observations are presented in descriptive form. The instruments in this study were the researchers themselves with guidelines for observation, interviews, and documentation. The tools used in this study are digital cameras and writing equipment. The validity of the data from this paper is obtained by perseverance / regularity of observation and publication of research results. Analysis of the data used in the form of reduction, presentation of data, and conclusion. The results of this study indicate (1) the weaving motifs of home industry production are not in accordance with the development of other textile arts, such as batik. Then the form of the motive produced is the result of interference from outside countries; and (2) Kuningan home industry weaving is not in the right management, as evidenced by the death of the industry in the present.This research uses the theory of visual history and methods of anthropological approaches, forms of aesthetics, and symbols that are relevant to the subject and subject matter of the problem. So, the context that was built to be legitimate, text, oral and visual, both now and past has been used as a reconstruction. The contents of the study and his work aroused community sensitivity in formulating natural and human development constructions. The general objective of this research is the point of awareness, that it creates filters, balance, and makes a counter of global forces that try to make Indonesian society artificial.This research is expected to emit reference needs for public creativity in general. The written phrases are expected to be able to inspire the sensitivity of the people of Indonesia, to further dynamize the transmission method in the construction of the community.

scholarly journals Art deco and avant-garde: the nature of interaction

2020 ◽  
pp. 24-31
Author(s):  
Anastasiia Dobrydneva
Keyword(s):  
Technological Progress ◽  
International Exhibition ◽  
Art Deco ◽  
Avant Garde ◽  
Mass Society ◽  
History Of ◽  
The Subject ◽  
History Of Culture ◽  
Cultural Dialogue

The subject of this research is the distinctions between two fundamental trends in art of the XX century – art deco and avant-garde, as well as determination of the nature of their interaction. The object of this research is the original texts of artisans and art monuments belonging to both fields. Special attention is given to characteristics of the specific features of art deco and avant-garde, identification of similarities and differences of the two simultaneously developing stylistic concepts. The author examines the key event for the history of interaction of these two trends, namely the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, and criticism that formed views on art of the era of modernism. The scientific novelty consists in examination of the two paramount trends for grasping history of culture of the XX century in the context of their interaction. Since 1966, art deco was not recognized as an in dependent style, but rather closely connected with modernism and patterned on avant-garde. The main conclusion of the conducted research consists in revelation of adaptive cultural mechanism that allowed art deco to overcome a number of problems, among which in underlines the relation to technological progress and mass society. The author highlights that both trends should be viewed in the context of cultural dialogue. First and foremost, they were united by orientation towards modernity and development of innovative language of art.

scholarly journals Analisis Kritik Sastra Feminis dalam Cerpen Catatan Hati Yang Cemburu Karya Asma Nadia

2020 ◽  
Vol 15 (4) ◽  
pp. 535-545
Author(s):  
Suaibatul Aslamiyah ◽  
Suci Nadilla ◽  
Cindy Aprilia Pratami
Keyword(s):  
Social Media ◽  
Literary Criticism ◽  
Value Of Life ◽  
Feminist Literary Criticism ◽  
The People ◽  
The World ◽  
History Of ◽  
Qualitative Descriptive ◽  
Universal Values ◽  
The Subject

Art has opened the eyes of the world throught literary works that record the history of a writing. Also the subject of women’s affairs is subject to an author’s reference to the problem of a sense of injustice. Such views have been discussed to voice gender equality and to seek efforts to overcome those problems. Nadia’s asthma is one of the authors who attempt to awaken women to the patriarchate system that has been going on. His works consistently incorporate such universal values as equality in various fields, human freedom, and tolerance so that his readers can adopt the value of life. In addition, she was actively involved in social media as a means of channeling her mind. The twitter feed says some of the people were repressed. Seeing the account encourage him to make a book and then be poured into a storybook of several different stories and in which one of the women’s true account t with the tittle of a jealous heart note. The study used qualitative descriptive methods with the theory of feminist literary criticism.

scholarly journals Nasser Khosrow and Sanai Poets of Bipolar or Multipolar? (Poetic awakening from dream to reality)

2021 ◽  
Vol 8 (SPE3) ◽  
Author(s):  
Seyedeh Nusrat Fatemi ◽  
Reza Ashrafzadeh ◽  
Mohammad Badizadeh
Keyword(s):  
Turning Point ◽  
Mental States ◽  
History Of ◽  
The Subject ◽  
History Of Culture

Different views have long been expressed about poetry, its essence and purpose. Poetry and the environment, together, are constantly changing and being influenced by each other. Poetry as a social necessity has always been a tool to promote worldly and spiritual purposes. Nasser Khosrow and Sanai, bipolar poets whose dark thoughts and ideas could not be found in the dark pole of their poetry and thought, and as a result of their inner intellectual and revolutionary awakening, marked a turning point in the history of culture and literature of this rich border. They figured out and made the poem, which they had previously employed in their worldly needs and lowly interests, as a means of spreading morality and religion, and they were epoch-making. Regardless of some of the intellectual contradictions that result from going through different mental states, their poetry has been a mirror of their society's pain and aspirations. This study, while explaining the characteristics of good and committed poetry and its mission, deals with the subject of intellectual awakening, its causes and contexts in the poetry and thought of these two poets, and examines the effect of this awakening on their intellectual orientation, whether it is possible between dark and light poles. Their thought was absolutely different, or this demarcation - in terms of their intellectual contradictions - is merely the result of views based on prejudice, absolutism and sanctification.

scholarly journals Labyrinth, Monster, Mirror. In speculo nulla est redemptio

2020 ◽  
Vol 13 (4) ◽  
pp. 63-72
Author(s):  
Rafael Herra
Keyword(s):  
The Other ◽  
Other Hand ◽  
History Of ◽  
The Subject ◽  
History Of Culture ◽  
Alter Ego

The importance of the labyrinth and the mirror in the history of culture has never ceased. This article reflects on what they agree on and what can be learned from them. The effort to determine where these myths converge brings me to the theme of the monster, which, however, is not always the same. In the article I point out the differences: the Minotaur represents power and is born alongside the labyrinth; the mirror monster, on the other hand, is inside the subject, and it is also an outer voice — an alter ego. Ethical consequences can be drawn from these observations.

scholarly journals Translations of slovenian children’s poetry into russian

2020 ◽  
Vol 18 (2) ◽  
pp. 364-381
Author(s):  
Mariya Gromova ◽  
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Folk Songs ◽  
Long Period ◽  
History Of ◽  
Number Of Publications ◽  
Folk Poetry ◽  
Children's Poetry ◽  
At Home

This study summarizes the history of Slovenian poetry for children and its translation into Russian. The article reviews translated poems by Slovenian authors and Slovene folk poetry written for children from 1955 to the present. Translations of Slovenian children’s folk lore into Russian date back to 1971. They are mainly represented by folk songs and addressed to preschoolers translated into Russian by Leonid Yakhnin. Currently, Zhanna Perkovskaya is engaged in translations of Slovenian children’s literature into Russian. The largest number of publications of Slovenian poetry for children happened in the 1980s. After 1991, there was a long period of silence. However, in recent years, due to the interest of Russian publishers in Slovenian children’s literature successful at home, as well as a significant demand for books for preschoolers, the publication of children’s poetry by Slovenian authors has resumed.

scholarly journals PESAN AL-QUR’AN TENTANG DAKWAH MODERAT

2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Ahmad Baidowi
Keyword(s):  
Psychological Approach ◽  
The People ◽  
History Of ◽  
The Subject

Sejarah Islam memperlihatkan bahwa keberhasilan dakwah Islam bukan dilakukan dengan cara-cara yang mempergunakan kekerasan. Alih-alih, Islam berhasil berkembang ke berbagai tempat karena disampaikan dengan cara-cara moderat,  sehingga lebih mudah diterima oleh masyarakat. Sikap moderat dan anti-kekerasan dalam menyampaikan dakwah ini bukan hanya diajarkan oleh agama melalui Al-Qur’an ataupun dicontohkan Nabi Muhammad SAW, namun juga diperankan oleh para penyampai dakwah Islam ke masyarakat. Sebagian muncul dalam konsep-konsep anti-kekerasan yang berhasil diaplikasikan dalam berbagai modelnya kepada masyarakat yang menjadi subyek dakwah. Kajian ini  memperlihatkan bahwa adaptasi menjadi nilai yang penting dalam pendekatan dakwah yang moderat, sehingga mendukung keberhasilan dakwah yang dilakukan. Pendekatan psikologi-sosial-budaya dijadikan sebagai alternatif sehingga agama Islam menjadi lebih mudah diterima oleh masyarakat.The history of Islam shows that the success of Islamic da'wa is not through the ways of violence. Instead, Islam has succeeded in expanding to the communities in most places because it has been preached moderately so that the communities can accept Islam more easily. Moderate and non-violent attitude in conveying da'wa is not only taught by Al-Qur'an or exemplified by Prophet Muhammad SAW, but also acted by the preachers of Islam within the communities. These concepts of non-violence have been successfully applied in various models and approaches for the sake of the people as the subject of Islamic da'wa. This study shows that adaptation is an important point in a moderate approach of da'wa that support the success of the da'wa to societies. In other words, the socio-cultural and psychological approach has been the alternative way in Islamic da’wa in order that Islam becomes more easily accepted by the communities.

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