scholarly journals Women as Breadwinners in Maureen Sherry’s Opening Belle

2021 ◽  
Vol 21 (2) ◽  
pp. 318-327
Author(s):  
Margaretha Finna Calista ◽  
Wening Udasmoro

There have been many popular fiction novels in the literature world that raise how women enter the economic aspect. One of them is the novel Opening Belle written by Maureen Sherry and published in 2016. Opening Belle represents women’s participation in the financial sector because they want a good life. This research is studied with the feminist political economy theory proposed by Jacqui True. In her book, The Political Economy of Violence against Women, True explains that economic globalization has changed women’s lives becoming financially independent. However, on the other hand, women involved in the public sphere are underappreciated and receive sexual harassment or violence, making it difficult for women to participate in the economic aspect. This research uses the descriptive qualitative method. With this method, the writer takes parts of the novel in the form of words, sentences, paragraphs which explain the economic aspect and women’s participation in it. This research is analyzed through the explanations and utterances of the characters. The results of this study are: first, the participation of women as breadwinners in this novel is started as part of her life experiences and is driven by the hardships of her family; second, women are highly motivated figures so that they implement several strategies to survive in their office, namely by proving their competence, joining the GCC women’s community and voicing equal rights in the workplace. In conclusions, economic globalization opens up women’s opportunity to become the sole breadwinner in the family.

LEKSIKA ◽  
2021 ◽  
Vol 15 (1) ◽  
pp. 27
Author(s):  
Fikha Nada Naililhaq ◽  
Wening Udasmoro

The issue of the women’s role in the public sphere has been widely carried out in literary research. However, research on women's participation specifically on economic issues by looking at its theoretical and empirical aspects is still something that is very rarely carried out in literary research. The purpose of this study is to explore in more detail about women's participation in the economy. By using the lens of women's thinking and their participation in the economic field in the concept of women economic participation from Jacqui True, this research focuses on this issue. The method used is analyzing the content of the story that has been done by collecting data by collecting words, sentences, paragraphs related to women's participation in the economy. Furthermore, the data that have been found are analyzed using descriptive analysis methods. The descriptive method of analysis was carried out in several stages. The first stage is data collection which is done by collecting the aspects of women's participation in the economy in general in the data table. From the data table, it is classified according to the economic participation patterns found. The next stage is data analysis by dialogue data from the novel with the theory of women's participation in the economy. The results of this study indicate that women are able to get out of the crisis with their own efforts and hard work. Women also have an important role in the economic sector because they are able to create their own business opportunities so that they can improve their life.


2011 ◽  
Vol 36 (3) ◽  
pp. 278-282 ◽  
Author(s):  
SHONAGH HILL

Feminist discourse has proven to be a vital component in the expanding field of Irish theatre studies owing to its exposure of elided work and the articulation of unrepresented voices. Irish women's participation in the public sphere and cultural fabric of society has been hindered in the course of the twentieth century and this is reflected in limiting representations of femininity as perpetuated by discourses of nationalism and Catholicism: the dominant imagery of the idealized mother which merges the feminized nation – Mother Ireland – and the Virgin Mary. In Hegemony and Fantasy in Irish Drama, 1899–1949, Paul Murphy highlights the ‘contradiction between the symbolic centrality of Woman as fantasy object and the social subordination of women as social subjects’. The incongruity between the shifting realities of Irish women's lives and the inflexible institutions that shape cultural representations is the focus of much feminist theatre research in Ireland. This research examines work which articulates the experience of estrangement from the dominant cultural imaginary and attends to the possibilities of staging more accommodating models through three interlinked strands: self-representation and the unhomely experience; constraint and freedom as explored through space and form; and a shift in focus to performance and the body.


Author(s):  
Ellen Anne McLarney

This chapter focuses on the work of Heba Raouf Ezzat. Ranked the thirty-ninth most influential Arab on Twitter, with over 100,000 followers, voted one of the hundred most powerful Arab women by ArabianBusiness.com, and elected a Youth Global Leader by the World Economic Forum, Raouf Ezzat has articulated and disseminated her Islamic politics in a global public sphere. Her writings and lectures develop an Islamic theory of women's political participation but simultaneously address other contested questions about women's leadership, women's work, and women's participation in the public sphere. Heba Raouf Ezzat is one of the most visible public figures in the Arab and Islamic world today, a visibility that began with her book on the question of women's political work in Islam, Woman and Political Work.


Author(s):  
Hem Borker

This ethnography provides a theoretically informed account of the educational journeys of students in girls’ madrasas in India. It focuses on the unfolding of young women’s lives as they journey from home to madrasa and beyond. Using a series of ethnographic portraits and bringing together the analytical concepts of community, piety, and aspiration, it highlights the fluidity of the essences of the ideal pious Muslim woman. It illustrates how the madrasa becomes a site where the ideals of Islamic womanhood are negotiated in everyday life. At one level, girls value and adopt practices taught in the madrasa as essential to the practice of piety (amal). At another level, there is a more tactical aspect to cultivating one’s identity as a madrasa-educated Muslim girl. The girls invoke the virtues of safety, modesty, and piety learnt in the madrasa to reconfigure conventional social expectations around marriage, education, and employment. This becomes more apparent in the choices exercised by the girls after leaving the madrasa, highlighted in this book through narratives of madrasa alumni pursuing higher education at a central university in Delhi. The focus on journeys of girls over a period of time, in different contexts, complicates the idealized and coherent notions of piety presented by anthropological literature on women’s participation in Islamic piety projects. Further, the educational stories of girls challenge the media and public representations of madrasas in India, which tend to caricature them as outmoded religious institutions with little relevance to the educational needs of modernizing India. Mapping madrasa students’ personal journeys of becoming educated while leading pious lives allows us to see how these young women are reconfiguring notions of Islamic womanhood.


Author(s):  
Charles Brockden Brown

One of the earliest American novels, Wieland (1798) is a thrilling tale of suspense and intrigue set in rural Pennyslvania in the 1760s. Based on an actual case of a New York farmer who murdered his family, the novel employs Gothic devices and sensational elements such as spontaneous combustion, ventriloquism, and religious fanaticism. The plot turns on the charming but diabolical intruder Carwin, who exercises his power over the narrator, Clara Wieland, and her family, destroying the order and authority of the small community in which they live. Underlying the mystery and horror, however, is a profound examination of the human mind's capacity for rational judgement. The text also explores some of the most important issues vital to the survival of democracy in the new American republic. Brown further considers power and manipulation in his unfinished sequel, Memoirs of Carwin the Biloquist, which traces Carwin's career as a disciple of the utopist Ludloe.


Author(s):  
Andrew Kahn

The Short Story: A Very Short Introduction charts the rise of the short story from its original appearance in magazines and newspapers. For much of the 19th century, tales were written for the press, and the form’s history is marked by engagement with popular fiction. The short story then earned a reputation for its skilful use of plot design and character study distinct from the novel. This VSI considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout, it draws on examples from an international and flourishing corpus of work.


2005 ◽  
Vol 10 (1) ◽  
pp. 95-109 ◽  
Author(s):  
Michelle Beyeler ◽  
Hanspeter Kriesi

This article explores the impact of protests against economic globalization in the public sphere. The focus is on two periodical events targeted by transnational protests: the ministerial conferences of the World Trade Organization (WTO) and the annual meetings of the World Economic Forum (WEF). Based on a selection of seven quality newspapers published in different parts of the world, we trace media attention, support of the activists, as well as the broader public debate on economic globalization. We find that starting with Seattle, protest events received extensive media coverage. Media support of the street activists, especially in the case of the anti-WEF protests, is however rather low. Nevertheless, despite the low levels of support that street protesters received, many of their issues obtain wide public support.


Author(s):  
Sarah Lonsdale

By the outbreak of the Second World War, women made up approximately 20 per cent of journalists in Britain, doubling their participation in mainstream journalism since the turn of the twentieth century. They were mostly employed by women’s magazines, were precariously freelance or confined to the newspaper ‘women’s page’, and faced resistance from the powerful National Union of Journalists, which imposed limitations on women’s access to newspaper newsrooms. Women journalists had emerged from the First World War with prominent bylines on popular newspaper leader pages; however, many women struggled to maintain their elevated status through the interwar years and either retreated into, or were pushed back into, the women’s sections. Using content from the Woman Journalist, newspaper and magazine articles, and memoirs, this chapter will examine the role, status, and professional associations of interwar women journalists to piece together their lives and attitudes to work. There is no doubt that, as members of a subjugated group, women journalists faced many struggles, but this chapter will ask whether these struggles were outweighed by the opportunities for adventure and financial independence that journalism offered them. It will also examine whether female journalists’ contributions to interwar newspapers and magazines reinforced media messages limiting women’s lives to ‘hearth and home’, thus contributing to women’s ‘symbolic annihilation’ from the public sphere.1 It will also ask whether the professional organisation, the Society of Women Journalists (SWJ), and its organ, the Woman Journalist, helped women journalists challenge gender barriers or encouraged gender stereotyping in their work.


2021 ◽  
Vol 19 (1) ◽  
Author(s):  
Amir Abbasi

The article examines The Wasted Vigil, a post-9/11 novel by  Nadeem Aslam to find out how the writer articulates imperialist ideology in his composition. The study reveals that the writer internalizes the imperialist discourses on the war in Afghanistan and becomes a voice of the imperialist powers by consolidating their ideology. Some of the ideologies that the novel incorporates are Western cultural supremacy, fear of the ‘evil empire’, mystic East, human rights violation, stereotyping, Islamophobia, patriarchy, white man’s burden, rehabilitation and political economy. Inspired by the theories of Said, Dabashi, and Chomsky, the paper approves that the writer, obliterating some ground realities, extends on the persistent misrepresentation of the local culture and stereotypes the war-affected people of Afghanistan as established by the imperialists during the New Great Game.  


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