scholarly journals LOGICO-SEMANTIC RELATIONS IN BATAK TOBA WEDDING CEREMONY

LINGUISTICA ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 473
Author(s):  
TRIANA MANALU ◽  
MEISURI MEISURI ◽  
WIDYA ANDAYANI
Keyword(s):  
Qualitative Method ◽  
Prepositional Phrase ◽  
Semantic Relations ◽  
The Future ◽  
Wedding Ceremony ◽  
Adverbial Clause ◽  
Descriptive Qualitative

The research focused on logico-semantic relations in the Batak Toba wedding ceremony. The research aimed to discover the types of logico-semantic relations used in mangulosi and describe how they were realized in the Batak Toba wedding ceremony. The research was conducted by using the descriptive qualitative method. The data were taken from 2 wedding ceremony videos from 104 clause complexes selected. The study's finding showed that there were 9 of the logico-semantic relations types used in the Batak Toba wedding ceremony. They were consecutively hypotactic enhancement, hypotactic elaboration, paratactic enhancement, paratactic elaboration, hypotactic locution, paratactic extension, hypotactic extension, hypotactic idea, and paratactic idea. The logico-semantic relations were realized in mangulosi in Batak Toba wedding ceremony consecutively conjunction, verb, preposition, prepositional phrase, and adverbial clause which the utterances aimed about the message, prediction in the future, advice, hope, and blessing of hulahula for the bridegroom.

scholarly journals Logico- Semantic Relations in Bataknese Traditional Wedding Ceremony

2020 ◽  
Vol 1 (1) ◽  
pp. 12-18
Author(s):  
Feriyanti Elina Gultom
Keyword(s):  
Qualitative Research ◽  
Qualitative Method ◽  
Semantic Relation ◽  
Semantic Relations ◽  
Network System ◽  
Wedding Ceremony ◽  
Long Life ◽  
Adverbial Clause ◽  
Descriptive Qualitative

This article explores the logico-semantic relation in communication in Bataknese traditional wedding ceremony. The dominant relation to communicate meanings as such offspring, prosperity, dignity, health, and long life of the wed are in the context of register, culture, text purpose, and ideology of Bataknese  in delivering a wedding speech. Logico-semantic relation system and contextual components function as a network system to communicate sociocultural meanings in a wedding speech. This study was also aimed to identify the types of logical relations and the use of logical relations in Bataknese traditional wedding ceremony. This study was conducted by applying descriptive qualitative method. The source of data was taken from the utterancess of Parhata in Bataknese traditional wedding ceremony. The technique for analyzing the data was descriptive qualitative research based on Hancock. The result of this research was types of logical relations found in Bataknese traditional wedding ceremony, namely paratactic enhancement (33.75%), hypotactic enhancement (28.75%), paratactic extension (15 %), paratactic elaboration (12.5%), hypotactic elaboration (6.25 %), hypotactic extention (2.5%), and paratactic locution (1.25%). And the realized of logico-semantic relations in Raja Parhata’s utterances mostly appears by using conjunction jadi (so), molo (if) and holani (that all), adverbial clause dungi (after that), verb baen (play) and preposition tu (to).

scholarly journals LOGICO-SEMANTIC RELATIONS OF RAJA PARHATA UTTERANCES IN SAUR MATUA CEREMONY

LINGUISTICA ◽  
2021 ◽  
Vol 10 (4) ◽  
pp. 564
Author(s):  
MARIATI NAINGGOLAN ◽  
MORADA TETTY ◽  
FERIYANTI ELINA GULTOM
Keyword(s):  
Qualitative Method ◽  
Semantic Relations ◽  
Adverbial Clause ◽  
Descriptive Qualitative

This study aimed to identify the types of logico-semantic relations and the use of logico-semantic relations of Raja Parhata in the Saur Matua ceremony. This study was conducted by applying the descriptive qualitative method by Flick (2009). The source of data was Raja Parhata in the Saur Matua ceremony. The result of this research was types of logico-semantic relations can be found in Raja Parhata are paratactic elaboration (44,28%), paratactic enhancement (21,42%), hypotactic elaboration (7,14%), paratactic extension (11,42%), hypotactic enhancement (12,85%), hypotactic extension (2,85%). Moreover, the realization of logico-semantic relations in Raja Parhata’s utterances mostly appears by using conjunction jadi (so), molo (if), and holani (that all), adverbial clause dungi (after that), verb baen (play), and preposition tu (to).

scholarly journals SYMBOLIC MEANINGS OF KEMBAR MAYANG IN JAVANESE WEDDING CEREMONY AT DESA MEDAN SINEMBAH KECAMATAN TANJUNG MORAWA KABUPATEN DELI SERDANG

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Indra Purnawan Panjaitan ◽  
M Manugeren
Keyword(s):  
Qualitative Method ◽  
General Concept ◽  
Social Phenomena ◽  
The World ◽  
Symbolic Meanings ◽  
Wedding Ceremony ◽  
The Way ◽  
Descriptive Qualitative

This study is aimed at analyzing the symbolic meanings of Kembar Mayang conducted at Desa Medan Sinembah Kecamatan Tanjung Morawa Kabupaten Deli Serdang predominantly by Javanese ethnic. Kembar Mayang in this study is concerned with the Javanese wedding ceremony. Descriptive qualitative method is applied in the study describing social phenomena occurring naturally aiming to help us to understand the world in which we live and why things are in the way they are. The main theory to support the study is the theory of Semiotic. The results show there are five forms of symbolic meanings in Kembar Mayang: Manuk-Manukan as symbol of Loyalty; Uler-Uleran of Struggle; Walang-Walangan of Persistence; Pecut-Pecutan of Optimism and Keris-Kerisan of Wisdom. The five forms of rites are compulsory in the wedding ceremony with the main objective to achieve a happy, harmonious and peaceful life for the bride and the bridegroom and this is in line with the general concept of marriage.

scholarly journals 3D PRINTING DAN MEDIA PEMBELAJARAN MATEMATIKA SEKOLAH DASAR

2019 ◽  
Vol 7 (2) ◽  
pp. 50-57
Author(s):  
Luthfi Hamdani Maula
Keyword(s):  
3D Printing ◽  
Teacher Learning ◽  
Digital Literacy ◽  
Prospective Teacher ◽  
Qualitative Method ◽  
Technological Development ◽  
Mathematics Learning ◽  
The Future ◽  
The University ◽  
Descriptive Qualitative

This study aims to describe 3D printing as a medium of mathematics learning for students in the context of prospective teacher learning in accordance with the increasingly rapid technological development. Consideration in this study is that many teachers find it difficult in learning media both in making and developing learning media. 3D printing is one solution that can be offered by technology in order to solve the problems experienced by teachers. This research was conducted with a descriptive qualitative method with PGSD students participating in mathematics concentration at the University of Muhammadiyah Sukabumi totalling 20 people. Based on the results of this study, students can operate and print mathematics learning media through 3D printing. In addition to making media for learning, 3D printing also sharpens digital literacy for students to prepare teachers for the future. 

scholarly journals MAKNA DAN SIMBOL DALAM UPACARA ADAT PERKAWINAN SUNDA DI KABUPATEN BANDUNG

2011 ◽  
Vol 3 (2) ◽  
pp. 245
Author(s):  
Enden Irma Rachmawaty
Keyword(s):  
Qualitative Method ◽  
Descriptive Study ◽  
Cultural Life ◽  
The Family ◽  
The Future ◽  
Wedding Ceremony ◽  
Traditional Cultures

AbstrakMasyarakat Sunda memiliki budaya tradisional yang beragam. Walaupun keberadaannya tidak sama, apabila kita lihat nilai filosofinya, semua memiliki nilai filosofi yang cukup tingggi. Salah satunya ialah upacara adat perkawinan. Setiap acara dalam adat perkawinan tersebut memiliki simbol dan makna sebagai lambang kehidupan kebudayaan masyarakat pemiliknya. Penelitian ini bertujuan mengungkap Upacara Adat Perkawinan Sunda yang sampai saat ini masih tetap lestari. Penelitian upacara adat ini bersifat deskriptif dengan metode kualitatif. Upacara adat ini terdiri atas kegiatan sebelum pernikahan, saat pelaksanaan pernikahan dan setelah pernikahan. Dalam kegiatan sebelum pernikahan ada beberapa upacara di antaranya neundeun omong, ngalamar (minang), nyangcang (mengikat calon pengantin), narikan (menentukan kepastian), dan seserahan. Saat pelaksanaan pernikahan terdiri atas akad nikah dan sungkem. Setelah pelaksanaan pernikahan terdapat upacara sawer, nincak endog dan huap lingkung. Semua rangkaian upacara tersebut memiliki simbol dan makna tersendiri. AbstractThe Sundanese society has various traditional cultures. All of them have veryhigh philosophical values, although some differences exist. Wedding ceremony is one of them. Every steps in Sundanese wedding ceremony has meanings and symbols of their cultural life. This research is a descriptive study concerning Sundanese wedding ceremony using qualitative method. The ceremony consists of activities that are implented before, during, and after the wedding. Before the wedding there are neundeun omong (a kind of promise given by a man to the family of the bride-to-be that he would marry a woman of their family), ngalamar (to propose), nyangcang (to engage), narikan (to confirm), and seserahan (gifts from the bridegroom to the bride symbolizing his responsibility as husband in their marriage). During the wedding there are akad nikah (the wedding pledge) and sungkem (giving tribute to the parents and the elders). Lastly, after the wedding they have sawer (pouring rice and coins to the bride and the bridegroom symbolizing their fortune in the future), nincak endog and huap lingkung.

scholarly journals AN ANALYSIS OF SLANG LANGUAGE TYPES IN "THE DUFF" MOVIE"

2020 ◽  
Vol 4 (1) ◽  
pp. 1-11
Author(s):  
Herman
Keyword(s):  
Public School ◽  
Qualitative Method ◽  
Public House ◽  
Future Improvement ◽  
The Future ◽  
Descriptive Qualitative

The purpose of this study was to determine the type of use of slang language. The types of slangs were analyzed from “The Duff” movie. Theories used in this research were Paltridge (2004) about the types of slang language and Yanhong (2013) about the functions of slang. This study was conducted by using a descriptive qualitative method. The data was from a movie entitled “The Duff” in the year of 2015 with genre of teen or comedy. After conducting the analysis, this study showed that there were six slang languages from eleven type of slang language. They were society, cockney, workmen’s, public school and university, public house, and theater. Society was found as the most dominant slang language with society with 41 data (54,6%), public house with 20 data (26,6%), workmen’s with 6 data (8 %), cockney with 5 data (6,6%), theater with 2 data(2,6%), and public school and university with 1 data (1,3%). Finally, the researcher hopes that this study will be useful for the future improvement of studying literature, especially about slang language

ANALYZING THEMATIC STRUCTURE IN INDONESIAN FOLKTALES IN ENGLISH VERSION: A SYSTEMIC FUNCTIONAL GRAMMAR (SFG)

2019 ◽  
Vol 1 (2) ◽  
pp. 85
Author(s):  
Efransyah Efransyah
Keyword(s):  
Qualitative Method ◽  
Prepositional Phrase ◽  
Nominal Group ◽  
Thematic Structure ◽  
English Version ◽  
Functional Grammar ◽  
Systemic Functional Grammar ◽  
Descriptive Qualitative

This research is entitled “Analyzing Thematic Structure in Indonesian Folktales in English Version: A Systemic Functional Grammar Study (SFG)”.  The objectives of this study are analyzing and describing the themes, their elements and thematic progressions of Indonesian Folktales in English Version. The collected data, in this research, were taken from the book entitled “Indonesian Folktales” published in 1981 by Pustaka Media Publisher. One data, Princess Sumur Bandung which consists of 50 paragraphs and 221 clauses was chosen to be analyzed based on the theory of Systemic Functional Grammar (SFG) of Gerot and Wignell (1994). The method and technique used in this study are a descriptive qualitative method. The results of this research reveal that (1) there are two kinds of theme-rheme patterns are found; they are simple theme-rheme patterns and multiple theme-rheme patterns. In details, the simple theme-rheme patterns contain constant theme-rheme pattern, linear theme-theme rheme pattern, and derived theme-rheme pattern, while multiple ones contain a combination of constant and linear theme, a combination of linear and derived theme, and a combination of constant, linear and derived theme-rheme pattern. Besides, the combination of constant and linear theme-rheme pattern are the most frequently distributed.  While the elements of themes which found are textual, interpersonal and ideational elements. Textual elements cover continuative, structural conjunction, wh-relative and conjunctive adjunct. Interpersonal elements cover modal adjunct, vocative, wh-interrogative and finite verbal operator. Ideational elements cover nominal group, noun, adverbial group, prepositional phrase, process, complement, group complex and adverb.

scholarly journals Makna dan Fungsi Pantun pada Acara Perkawinan Adat Masyarakat Melayu Kabupaten Batu Bara

2019 ◽  
Vol 2 (2) ◽  
Author(s):  
Rozanna Mulyani ◽  
Zurni Zahara Samosir ◽  
Dedy Rahmad Sitinjak
Keyword(s):  
Qualitative Method ◽  
Wedding Ceremony ◽  
Traditional Marriage ◽  
And Function ◽  
Meaning And Function ◽  
Descriptive Qualitative

Penelitian ini bertujuan untuk mendeskripsikan makna dan fungsi pantun dalam acara perkawnan adat pada masyarakat Melayu di Kabupaten Batu Bara. Penelitian ini menggunakan metode deskriftif kualitatif yaitu memaparkan hasil analisis dengan kata-kata. Adapun sumber data dalam penelitian ini yaitu berasal dari informan yang direkam langsung  direkam atau didokumentasikan saat upacara pernikahan berlangsung untuk kemudian data yang didapatkan dari hasil dokumentasi di analisa untuk diketahui makna dan fungsi pantun. Temuan penelitian ini adalah bahwa pantun memang tidak dapat dilepaksan dari masyarakat melayu khususnya masyarakat Melayu di Kabupaten Batu bara karena pantun memiliki makna serta fungsi yang sangat penting bagi masyarakat Melayu oleh sebab itu tradisi berpantun pada masyarakat Melayu pada upacara perkawinan adat sering dijumpai dan ditemukan di kabupaten Batu Bara.   This research aims to describe the meaning and function of the particular “Pantun” on Malay society traditional marriage espescially in Batubara. This research uses a descriptive qualitative method that is describing the results of the analysis with words. The source of the data in this research, which came from recorded or documented informants during the wedding ceremony. The data obtained from the documentation were analyzed to determine the meaning and function of the Pantun using an anthropolinguistic theory. The results of this study are that Pantun cannot be separated from Malay society, especially in Batubara because pantun has very important meanings and functions for Malay society. Therefore, the expected implications of this research for Malay people to understand the truth, meaning, and function of traditional marriage Pantun in Batubara Malay society.

scholarly journals BUSANA PENGANTIN AESAN GEDE (TENUN SONGKET DAN AKSESORIS) PADA UPACARA PERNIKAHAN ADAT PALEMBANG SUMATERA SELATAN

2019 ◽  
Vol 1 (2) ◽  
pp. 213
Author(s):  
Vebby Tifanny ◽  
Nanang Rizali ◽  
Ganal Rudiyanto
Keyword(s):  
Qualitative Method ◽  
Symbolic Meaning ◽  
High Quality ◽  
Wedding Ceremony ◽  
The Creation ◽  
Different Characteristics ◽  
Descriptive Qualitative

<br /><div>The fabric known as Palembang songket weaving (hand-woven brocade, intricate patterned with gold thread) features high cultural evidence, because the songket is associated with various things such as high sales value, high quality fabrics made of silk and gold, and duration the time it takes to make it. Songket contains a certain meaning that shows how the use and level of people who wear it. Songket tent first appeared in Ki Gede Ing Suro area and later developed to experience various changes in the type of yarns used to make Aesan Gede cloth used in traditional Palembang wedding ceremonies, while the inside of songket remains unchanged. There are a number of elements that characterize Palembang songket. The problems discussed in this research are the background of Palembang songket in the traditional wedding procession of Palembang, the form and accessories of Aesan Gede in the procession of wedding custom, and the philosophical and symbolic meaning contained in Aesan Gede clothes used in the traditional wedding procession of Palembang. The purpose of this study is to examine the role of songket cloth in the customary wedding procession of Palembang. This study used descriptive qualitative method. The results showed that: first, the background of the creation of Palembang songket cloth in the ceremony of marriage is influenced by the aristocracy in the era of Sriwijaya kingdom. At that time songket should only be used by the King and Queen. Secondly, Palembang songket used in the ceremony procession of Palembang's traditional wedding ceremony is Aesan Gede and Aesan Paksangkong. Each dress has different characteristics. Third, Aesan Gede dress worn during traditional wedding ceremonies of Palembang, contains important philosophical and symbolic meaning. <p><br /><strong> </strong><br /><strong>Abstrak</strong></p><p>Kain yang dikenal sebagai tenun songket Palembang (brokat tenunan tangan, bercorak rumit dengan benang emas) menampilkan bukti budaya yang tinggi, karena kain songket ini terkait dengan berbagai hal seperti nilai penjualannya yang tinggi, kualitas kainnya yang tinggi terbuat dari sutera dan emas, dan lamanya waktu yang dibutuhkan untuk membuatnya. Songket berisi makna tertentu yang menunjukkan bagaimana penggunaannya dan tingkat orang yang memakainya. Tenda songket pertama kali muncul di kawasan Ki Gede Ing Suro dan kemudian berkembang untuk mengalami berbagai perubahan dalam jenis benang yang digunakan untuk membuat kain Aesan Gede yang digunakan dalam upacara pernikahan tradisional Palembang, sementara bagian dalam kain songket tetap tidak berubah. Ada sejumlah elemen yang menjadi ciri khas songket Palembang. Permasalahan yang dibahas dalam penelitian ini adalah latar belakang adanya songket Palembang dalam prosesi adat pernikahan tradisional Palembang, bentuk dan aksesoris Aesan Gede dalam prosesi adat pernikahan, dan makna filosofis dan simbolis yang terkandung dalam busana Aesan Gede yang digunakan dalam prosesi pernikahan tradisional Palembang. Tujuan dari penelitian ini adalah untuk mengkaji peranan kain songket pada prosesi pernikahan adat Palembang. Penelitian ini menggunakan metode deskriptif kualitatif. Hasil penelitian menunjukkan bahwa: pertama, latar belakang terciptanya pemakaian kain songket Palembang dalam upacara adat pernikahan dipengaruhi oleh aristokrasi pada jaman kerajaan Sriwijaya. Saat itu songket hanya boleh dipakai oleh Raja dan Ratu. Kedua, songket Palembang yang dipakai pada acara prosesi adat pernikahan Palembang itu merupakan busana Aesan Gede dan Aesan Paksangkong. Masing-masing busana memiliki ciri khas yang berbeda. Ketiga, busana Aesan Gede yang dipakai dalam upacara pernikahan adat tradisional Palembang, mengandung makna filosofis dan simbolis yang penting.</p></div>

scholarly journals Investigating Sentence Fragments in Comic Books: A Syntactic Perspective

2021 ◽  
Vol 11 (2) ◽  
pp. 139
Author(s):  
Herman . ◽  
Nguyen Van Thao ◽  
Naomi Anggraini Purba
Keyword(s):  
Qualitative Method ◽  
Comic Books ◽  
Document Analysis ◽  
Prepositional Phrase ◽  
Main Research ◽  
Research Questions ◽  
Adverbial Clause ◽  
Nominal Clause ◽  
Dependent Clause

This research is aimed to analyze sentence fragments in a comic. The main research questions raised in this paper are: What types of sentence fragments can be seen in comic Hunter X Hunter by Yoshihiro Togashi 1998? What factor types can be found in comic Hunter X Hunter by Yoshihiro Togashi 1998? The paper uses the qualitative method to conduct content and document analysis (Choy & Clark, 2010). The source of data was the comic entitled ‘Hunter X Hunter in which the researchers discovered six forms of Sentence Fragments after studying the data: fragments of adjective clause, adverbial clause, nominal clause, appositive, infinitive clauses, missing subject, participial, and prepositional phrase fragments. The information was gathered from 30 chapters of Yoshihiro's comic. There were 34 Sentence Fragments, 13 (38%) Dependent clause fragment, 21(62%) into-phrase fragment. There are 6 types of sentence Fragment factors that were investigated by Bashir (2016), but in this comic only 4 factors were found; namely, Omission of the Verb (50%), Subject (20%), and Object (10%), omission of both subject and verb (10%), and Appositive or list Fragments (10%).

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