scholarly journals BUSANA PENGANTIN AESAN GEDE (TENUN SONGKET DAN AKSESORIS) PADA UPACARA PERNIKAHAN ADAT PALEMBANG SUMATERA SELATAN

2019 ◽  
Vol 1 (2) ◽  
pp. 213
Author(s):  
Vebby Tifanny ◽  
Nanang Rizali ◽  
Ganal Rudiyanto
Keyword(s):  
Qualitative Method ◽  
Symbolic Meaning ◽  
High Quality ◽  
Wedding Ceremony ◽  
The Creation ◽  
Different Characteristics ◽  
Descriptive Qualitative

<br /><div>The fabric known as Palembang songket weaving (hand-woven brocade, intricate patterned with gold thread) features high cultural evidence, because the songket is associated with various things such as high sales value, high quality fabrics made of silk and gold, and duration the time it takes to make it. Songket contains a certain meaning that shows how the use and level of people who wear it. Songket tent first appeared in Ki Gede Ing Suro area and later developed to experience various changes in the type of yarns used to make Aesan Gede cloth used in traditional Palembang wedding ceremonies, while the inside of songket remains unchanged. There are a number of elements that characterize Palembang songket. The problems discussed in this research are the background of Palembang songket in the traditional wedding procession of Palembang, the form and accessories of Aesan Gede in the procession of wedding custom, and the philosophical and symbolic meaning contained in Aesan Gede clothes used in the traditional wedding procession of Palembang. The purpose of this study is to examine the role of songket cloth in the customary wedding procession of Palembang. This study used descriptive qualitative method. The results showed that: first, the background of the creation of Palembang songket cloth in the ceremony of marriage is influenced by the aristocracy in the era of Sriwijaya kingdom. At that time songket should only be used by the King and Queen. Secondly, Palembang songket used in the ceremony procession of Palembang's traditional wedding ceremony is Aesan Gede and Aesan Paksangkong. Each dress has different characteristics. Third, Aesan Gede dress worn during traditional wedding ceremonies of Palembang, contains important philosophical and symbolic meaning. <p><br /><strong> </strong><br /><strong>Abstrak</strong></p><p>Kain yang dikenal sebagai tenun songket Palembang (brokat tenunan tangan, bercorak rumit dengan benang emas) menampilkan bukti budaya yang tinggi, karena kain songket ini terkait dengan berbagai hal seperti nilai penjualannya yang tinggi, kualitas kainnya yang tinggi terbuat dari sutera dan emas, dan lamanya waktu yang dibutuhkan untuk membuatnya. Songket berisi makna tertentu yang menunjukkan bagaimana penggunaannya dan tingkat orang yang memakainya. Tenda songket pertama kali muncul di kawasan Ki Gede Ing Suro dan kemudian berkembang untuk mengalami berbagai perubahan dalam jenis benang yang digunakan untuk membuat kain Aesan Gede yang digunakan dalam upacara pernikahan tradisional Palembang, sementara bagian dalam kain songket tetap tidak berubah. Ada sejumlah elemen yang menjadi ciri khas songket Palembang. Permasalahan yang dibahas dalam penelitian ini adalah latar belakang adanya songket Palembang dalam prosesi adat pernikahan tradisional Palembang, bentuk dan aksesoris Aesan Gede dalam prosesi adat pernikahan, dan makna filosofis dan simbolis yang terkandung dalam busana Aesan Gede yang digunakan dalam prosesi pernikahan tradisional Palembang. Tujuan dari penelitian ini adalah untuk mengkaji peranan kain songket pada prosesi pernikahan adat Palembang. Penelitian ini menggunakan metode deskriptif kualitatif. Hasil penelitian menunjukkan bahwa: pertama, latar belakang terciptanya pemakaian kain songket Palembang dalam upacara adat pernikahan dipengaruhi oleh aristokrasi pada jaman kerajaan Sriwijaya. Saat itu songket hanya boleh dipakai oleh Raja dan Ratu. Kedua, songket Palembang yang dipakai pada acara prosesi adat pernikahan Palembang itu merupakan busana Aesan Gede dan Aesan Paksangkong. Masing-masing busana memiliki ciri khas yang berbeda. Ketiga, busana Aesan Gede yang dipakai dalam upacara pernikahan adat tradisional Palembang, mengandung makna filosofis dan simbolis yang penting.</p></div>

scholarly journals EKSISTENSI KEHIDUPAN BURUH GENDONG PEREMPUAN DI PASAR BERINGHARJO YOGYAKARTA

2015 ◽  
Vol 2 (2) ◽  
Author(s):  
Trina Melianingsih, Sheila Oksapariana a *
Keyword(s):  
Social Capital ◽  
Health Service ◽  
Qualitative Method ◽  
Religious Activity ◽  
Know How ◽  
The Social ◽  
Under Construction ◽  
Market Economics ◽  
Descriptive Qualitative

The theme of this research is about the strategy of labor carriers (buruh gendong) to exist in facing the various life dynamics around the area of Beringharjo market, Yogyakarta. Researcher desire to know how the strategy or effort done by all labor in order to take care of themselves existence and also how the role of the social capital that playing in a part of its effort. Strategy can be formulated as effort to take care of themselves existence as labor carry on the back woman at Beringharjo market. Method used in this research is the descriptive qualitative method. In this research, there are six labors of women carriers (buruh gendong perempuan) that still active work around the area of Beringharjo market taken as the informant object. According to them, we know how their efforts and strategy done to take care of themselves existence in facing of the dynamics life at Beringharjo market. One of their strategies is join the labor group in the area of Beringharjo market. Sayuk Rukun Association directs under construction an institution which interest in charwoman activity. A lot of efforts developed, for example cooperation, saving and loan and religious activity which usually always continued with the activity of health service. In religious activity, it also gives some materials to add their knowledge. In this research found some factors related to the background of the existence of labor woman carriers (buruh gendong perempuan) and also efforts done to maintain themselves in facing of market economics.   Keyword: Existence, Labor, Woman Carrier

scholarly journals Komunikasi Antarpribadi Masyarakat Beda Agama di Surakarta:

2021 ◽  
Vol 11 (01) ◽  
pp. 225-242
Author(s):  
Sihabuddin ◽  
Agus Supriyadi ◽  
Estu Widiyowati
Keyword(s):  
Interpersonal Communication ◽  
Qualitative Method ◽  
Symbolic Interaction ◽  
Religious Communities ◽  
Symbolic Meaning ◽  
Descriptive Qualitative

This study aims to analyse the interpersonal communication within multi-religious society in Gendingan village, Surakarta. Using a descriptive qualitative method and symbolic interactionalism approach, the findings indicate that a harmony produced by interpersonal communication amongst people in Gendingan is a reflection of one's obedience to the religion and the result of the understanding to his/her religious. In addition, based on symbolic interaction perspective, it is found that, first, the communicator's response to communicants within multi-faith society affected by the environment. Second, the tolerance is allowed but it has remained limited, regardless reducing the meaning of tolerance. Third, there are changes of religious symbolic meaning that affect interpersonal communication actions within multi-religious communities.

scholarly journals Struktur dan Fungsi Upacara A’dangang di Kawasan Adat Kajang Kabupaten Bulukumba

2019 ◽  
Vol 5 (1) ◽  
pp. 39-43
Author(s):  
Risfaisal Risfaisal
Keyword(s):  
Data Collection ◽  
Data Reduction ◽  
Qualitative Method ◽  
Cultural Value ◽  
Role Of Government ◽  
Three Stages ◽  
And Function ◽  
Processing Techniques ◽  
Descriptive Qualitative

A'dangang ceremony is a cultural value in the Kajang Customary Area. The purpose of research to analyze the view of society and function of A'dangang Ceremony to the life of Kajang society. This type of research is descriptive qualitative method, data collection is used by observation, interview, and documentation. Processing techniques and data analysts performed through three stages of data reduction, presentation and draw conclusions. The results show there is a ceremony of death A'dangang, which consists of several levels, namely: a) Dampo Ceremony, b) Lajo-lajo Ceremony. The culture requires the role of government, cultural scientists, academics, journalists, students and all walks of life, to preserve traditional cultural heritage.Keywords: Structure, Ceremony, A'dangang

scholarly journals SYMBOLIC MEANINGS OF KEMBAR MAYANG IN JAVANESE WEDDING CEREMONY AT DESA MEDAN SINEMBAH KECAMATAN TANJUNG MORAWA KABUPATEN DELI SERDANG

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Indra Purnawan Panjaitan ◽  
M Manugeren
Keyword(s):  
Qualitative Method ◽  
General Concept ◽  
Social Phenomena ◽  
The World ◽  
Symbolic Meanings ◽  
Wedding Ceremony ◽  
The Way ◽  
Descriptive Qualitative

This study is aimed at analyzing the symbolic meanings of Kembar Mayang conducted at Desa Medan Sinembah Kecamatan Tanjung Morawa Kabupaten Deli Serdang predominantly by Javanese ethnic. Kembar Mayang in this study is concerned with the Javanese wedding ceremony. Descriptive qualitative method is applied in the study describing social phenomena occurring naturally aiming to help us to understand the world in which we live and why things are in the way they are. The main theory to support the study is the theory of Semiotic. The results show there are five forms of symbolic meanings in Kembar Mayang: Manuk-Manukan as symbol of Loyalty; Uler-Uleran of Struggle; Walang-Walangan of Persistence; Pecut-Pecutan of Optimism and Keris-Kerisan of Wisdom. The five forms of rites are compulsory in the wedding ceremony with the main objective to achieve a happy, harmonious and peaceful life for the bride and the bridegroom and this is in line with the general concept of marriage.

scholarly journals Image of women in Novels by Okky Madasary

2021 ◽  
Vol 7 (1) ◽  
pp. 32-44
Author(s):  
Helmi Setiawan ◽  
Anwar Efendi
Keyword(s):  
Literary Criticism ◽  
Qualitative Method ◽  
The Public ◽  
Feminist Literary Criticism ◽  
Public Areas ◽  
The Subject ◽  
Role Of Women ◽  
Domestic Roles ◽  
Descriptive Qualitative

This research is descriptive qualitative research using the feminist literary criticism approach. The subject of this research are three novels by Okky Madasari which are titled: 1) Maryam, 2) 86, and 3) Entrok. The technique of data collecting used in this research is to study the library read the note, conducted by reading carefully and repeated thoroughly and classifying the data obtained based on women’s image. Analyzing data in this research use the descriptive qualitative method. The research finding in the form of physical women’s image, the image of women’s psychic and the role of women consisting of domestic and public areas. Domestic roles include as a child, wife, and mother. The role of women in the public domain consists of the educator, economic, and social movement sectors.

scholarly journals AJARAN AGAMA HINDU SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI LUKIS TRADISIONAL BALI

2020 ◽  
Vol 9 (1) ◽  
pp. 158
Author(s):  
I Wayan Agus Gunada
Keyword(s):  
Qualitative Method ◽  
Qualitative Data ◽  
Spiritual Values ◽  
Traditional Art ◽  
Hindu Religion ◽  
Pragmatic Research ◽  
Religious Teaching ◽  
The Creation ◽  
First Time

AbstrakPenelitian ini merupakan bentuk analisis serta kajian mengenai peran ajaran agama Hindu dalam proses penciptaan karya seni lukis umumnya seni lukis tradisional Bali. Seni lukis sebagai bagian dari seni rupa di Bali berkembang cukup pesat, dimana terdapat dua dikotomi seni lukis di Bali yaitu seni lukis tradisional di Bali dan Seni lukis modern. Seni lukis tradisional Bali merupakan bentuk seni lukis yang proses pembuatannya masih menggunakan tradisi-tradisi baik proses pembuatan dan bahan-bahan yang tradisional walaupun kini sudah umum ditemukan menggunakan alat serta bahan yang sudah tergolong modern, dan seni lukis tradisional Bali ini yang sudah berlangsung sejak dulu yaitu terdapat pakem-pakem serta prinsip yang dilakukan ketika proses penciptaan karya tersebut dikreasikan. Ketika seorang pelukis mencipta sebuah karya maka realita dan imajinasi menjadi sumber ide namun Seni lukis tradisional Bali memiliki ciri khasnya yang sangat kentara ketika dilihat secara langsung, yaitu penggambaran objek bentuk karyanya yang cenderung mengambil bentuk-bentuk alam, cerita-cerita rakyat, mitologi serta ajaran-ajaran agama Hindu yang direinterpretasikan melalui bentuk simbol-simbol didalamnya. Sehingga sebagian besar tema-tema yang dihadirkan dalam seni lukis tradisional Bali adalah mengimajinasikan ajaran-ajaran agama Hindu yang kental akan nilai-nilai spiritual dan memiliki nilai-nilai magis kedalam sebuah karya yang tidak hanya sekedar memuaskan pengalaman keindahan namun secara tidak langsung juga menjadi media wahana pengajaran ajaran agama Hindu. Penelitian ini bertujuan untuk menggambarkan bagaimana ajaran agama Hindu menjadi sumber inspirasi dalam penciptaan karya seni lukis tradisional Bali. Metode yang digunakan dalam mengkaji fokus penelitian ini adalah metode penelitian kualitatif deskriftif dengan pendekatan studi fenomenologi yaitu penelitian menggunakan data-data kualitatif untuk menggambarkan fenomena-fenomena ajaran agama Hindu yang menjadi sumber inspirasi penciptaan. Secara pragmatis penelitian ini diharapkan berdampak dalam memberikan informasi dan menambah wawasan terkait keberadaan seni lukis tradisional Bali sebagai bentuk kekayaan budaya bidang seni yang masih hidup serta keberadaannya yang masih lestari dan hidup di Bali.Kata Kunci: hindu, seni, lukis tradisional, bali.AbstractThis research is a form of analysis and study of the role of the Hindu religion in the process of creation of art painting generally traditional Balinese painting. Art painting as part of the art in Bali develops quite rapidly, where there is two art dichotomy in Bali is a traditional art painting in Bali and the art of modern paint. Traditional Balinese painting is a form of art painting that process is still using the traditions of both the making process and traditional materials although it is now common to be found using tools and materials that are already relatively modern, and the traditional Balinese painting that has been held since the first time is there are pakem and the principle that is done when the process of creation of the work is Reincreikan. When a painter creates a masterpiece, the reality and imagination become the source of ideas but the traditional Balinese painting has its distinctive characteristic when viewed directly, that is the depiction of the object of his form that tends to take the forms of nature, folklore, mythology, and teachings of Hindu religion that is interpreted by the form of symbols inside. So most of the themes presented in the art of traditional Balinese painting are too imaginative Hindu teachings that are strong in spiritual values and have magical values into a work that not only satisfies the experience of beauty but indirectly also becomes a medium of religious teaching of Hindu teachings. This research aims to illustrate how Hinduism's teachings are a source of inspiration in the creation of traditional Balinese art paintings. The method used in reviewing the focus of this research is a qualitative method of research with the approach of phenomenology study using qualitative data to describe the phenomena of Hindu religious teachings that are the source of the inspiration of creation. Pragmatic research is expected to have an impact on providing information and adding insight related to the existence of traditional Balinese art painting as a form of cultural richness of living arts and its existence that is still sustainable and living in Bali. Keywords: hindu, art, traditional painting, bali

scholarly journals Ketahanan Iman Kristen di Tengah Era Disrupsi

2020 ◽  
Vol 1 (1) ◽  
pp. 80-97
Author(s):  
Yakub Hendrawan Perangin Angin ◽  
Tri Astuti Yeniretnowati
Keyword(s):  
Qualitative Method ◽  
New Technologies ◽  
Christian Faith ◽  
Literature Study ◽  
Research Results ◽  
Study Approach ◽  
Conceptual Frame ◽  
The Relationship ◽  
Descriptive Qualitative

Christian Faith Resilience Amidst the Era of Disruption. The current era of disruption which is marked by the birth of various innovations and new technologies cannot be avoided by all people, organizations and churches. The era of disruption will affect the Christian faith, so that the attitudes, policies and culture adopted by believers who are Christian to the influence caused by this era of disruption will greatly determine the continuity of their Christian faith, whether it will continue to grow or will die completely. With a descriptive qualitative method with a literature study approach, the author proposes a conceptual frame of the role of the challenge of Christian faith in the era of disruption. The main source of analysis includes research results contained in journals and books, which are analyzed by looking at the relationship and compatibility with the title of the writing. The results of this study on the era of disruption and dimensions of Christian faith are then used to formulate the concept of resilience of the Christian faith in the era of disruption. There are eight main attitudes that must be developed in order to maintain Christian faith in this era of disruption.       Abstrak: Ketahanan Iman Kristen Di Tengah Era Disrupsi. Era disrupsi yang berlangsung saat ini yang ditandai dengan lahirnya berbagai inovasi dan teknologi baru tidak dapat dihindari oleh semua orang, organisasi dan gereja. Era disruspsi akan berpengaruh kepada iman Kristen, sehingga sikap, kebijakan serta budaya yang diambil oleh orang percaya yang ber-iman Kristen terhadap pengaruh yang ditimbulkan oleh era disrupsi ini sangat menentukan keberlangsungan iman Kristen-nya apakah akan kokoh terus berkembang atau akan mati total. Dengan metode kualitatif deskriptif dengan pendekatan studi literatur penulis mengemukakan sebuah bingkai konsep peran tantangan iman Kristen pada era disrupsi. Adapun sumber utama dari analisis meliputi hasil penelitian yang terdapat pada jurnal dan buku, yang dianalisis dengan cara mencermati hubungan dan kecocokan  dengan judul penulisan. Hasil kajian tentang era disrupsi dan dimensi-dimensi iman Kristen ini selanjutnya digunakan untuk menyusun konsep ketahanan iman Kristen pada era disrupsi. Terdapat delapan sikap utama yang harus dikembangkan guna mempertahankan iman Kristen di era disrupsi ini

scholarly journals THE ROLE OF DIGITAL MEDIA IN THE CREATION OF HIGH QUALITY PRODUCTS

2017 ◽  
Vol 44 (2) ◽  
pp. 33
Author(s):  
Iva Bubanja
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Online Advertising ◽  
Digital Technologies ◽  
The Internet ◽  
Information Communication ◽  
High Quality ◽  
The Creation ◽  
Target Consumer

This paper analyzed the changes in the process of creating high -quality products that occurred after the introduction of information -communication technolo gies and the Internet in the enterprises. Internet offeres advantages connected with the possibility of further company development and with the possibility for the high quality products to find their way to target consumer groups quickly and easily. Speci al emphasis will be given to the role of online advertising and social media in the promotion of such products. With the use of digital technologies enterprises have the ability to do business more competitive and to contribute to the growth of the nationa l economy.

scholarly journals PEMAKNAAN PESAN PADA UPACARA RITUAL TABOT (STUDI PADA SIMBOL-SIMBOL KEBUDAYAAN TABOT DI PROVINSI BENGKULU)

2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Linda Astuti
Keyword(s):  
Nonverbal Communication ◽  
Qualitative Method ◽  
Symbolic Meaning ◽  
Descriptive Qualitative

This study aimed to determine the stages in the Tabot ceremony, found out the meaning of the messages at each of these stages, and also looked for the symbols meaning in the ceremony. This research was expected to provide contributions to the development of Communication Sciences, particularly those related to the symbolic meaning of the message as well as verbal and nonverbal communication. This research used descriptive qualitative method. The results showed that the Tabot ceremony in Bengkulu was a hereditary tradition which carried out annually and was taken as an asset to the area. The ceremony was conducted by nine ritual, where each ritual laden with messages and meanings that carries meaning and tells a history or story.  Keywords: the meaning of the message, culture symbols, tabot ceremony

scholarly journals METODE PENCIPTAAN BENTUK REPRESENTASIONAL, SIMBOLIK, DAN ABSTRAK (STUDI PENCIPTAAN KARYA SENI MURNI DI SUMATERA BARAT, INDONESIA)

2020 ◽  
Vol 9 (2) ◽  
pp. 261
Author(s):  
Rajudin Rajudin ◽  
Miswar Miswar ◽  
Yunis Muler
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Qualitative Method ◽  
Basic Research ◽  
Primary Sources ◽  
The West ◽  
Analysis Techniques ◽  
West Sumatra ◽  
The Creation ◽  
Descriptive Qualitative

AbstrakPenelitian ini adalah penelitian dasar (basic research) yang mencoba untuk mengkaji metode penciptaan karya seni murni bentuk representasional, simbolik dan abstrak. Kajian dilakukan terhadap beberapa seniman lukis, grafis dan patung di empat kota dalam wilayah Sumatera Barat, Indonesia. Penelitian ini menggunakan metode deskriptif kualitatif. Teknik pengumpulan data utama dilakukan melalui observasi dan wawancara dengan sumber primer, yaitu seniman. Sedangkan data tidak langsung dikumpulkan melalui jurnal, buku, video foto, katalog pameran, karya-karya seniman, dan dokumen-dokumen terkait. Teknik analisis data dilakukan sebelum di lapangan dan di lapangan. Temuan penelitian ini adalah berupa metode yang spesifik, lebih operasional dan teknis tentang penciptaan karya seni murni bentuk representasional, simbolik dan abstrak.  Kata Kunci: Metode, Representasional, Simbolik, Abstrak.AbstractThis research is a basic research which tries to examine the method of creating pure works of representational, symbolic and abstract forms. The study was carried out on several painters, engravers and sculptors in four cities in the West Sumatra region of Indonesia. This study used descriptive qualitative method. The main data collection techniques are carried out through observation and interviews with primary sources, namely artists. While indirect data is collected through journals, books, videos, photos, exhibition catalogs, works of artists, and related documents. Data analysis techniques were carried out before on the field and in the field. The findings of this study are in the form of specific, more operational and technical methods about the creation of pure works of representational, symbolic and abstract forms. Keywords: Method, Representational, Symbolic, Abstract. 

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