scholarly journals Vista conoscenza, parola: lo “Schema del contenitore” applicato a un caso di polisemia indoeuropea

2021 ◽  
Vol 66 (3) ◽  
pp. 235-246
Author(s):  
Marianna Pozza ◽  
Keyword(s):  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Semantic Space ◽  
Prototype Theory ◽  
Dynamic Pattern ◽  
Present Discussion ◽  
European Languages ◽  
Mental Structure ◽  
Image Schema ◽  
The Continuum

"View, Knowledge, Word: The Container Image-Schema Applied to a Case of Proto-Indo-European Polysemy. The present discussion aims at reconsidering the theoretical process of knowledge in some ancient Indo-European languages in the light of the prerequisites offered by cognitive linguistics and prototype theory. Thanks to the dynamic pattern of the Container Image-Schema – which is a primitive mental structure – some historical outcomes of a polysemic Indo-European root will be discussed in order to place them within the continuum of the semantic space in which the container is located. Keywords: Conceptual metaphor; polysemy; Image-Schema; Indo-European; semantics. "

scholarly journals The Role of the “Path” and the “Container” Image Schemas in Political Discourse in Kenya

2019 ◽  
Vol 1 (2) ◽  
pp. p123
Author(s):  
Dr. Raphael Francis Otieno
Keyword(s):  
Political Discourse ◽  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Schema Theory ◽  
Target Domain ◽  
Conceptual Metaphor Theory ◽  
Image Schemas ◽  
Metaphor Theory ◽  
Image Schema

The study of conceptual interaction has attracted the attention of many scholars in Cognitive Linguistics. Primarily, the analysis has focused on the role of image-schemas in the construction of metaphors. This study explores the PATH and the CONTAINER image-schemas and the role they play in conceptual formation of metaphors in political discourse in Kenya. The study presents the PATH and its subsidiary image schemas of Verticality, Process and Force-Motion and the CONTAINER image-schema and the subsidiary image-schemas of Excess and In-Out. The analysis reveals that both the PATH and the CONTAINER image-schemas structure the relationship between the source domains (journey and container) and the target domain (politics) by activating subsidiary image-schemas in metaphors of politics in Kenya. The study further reveals that image-schemas provide the axiological value (positive or negative) of metaphorical expressions in political discourse. A positive political environment is a key ingredient for green growth and knowledge economy. The study contributes to the field of metaphor in political discourse by examining the politicians’ conceptualization of politics as a journey, which consists of four structural elements (a source, a destination, contiguous locations which connect the source and the destination and a direction) and as a container, which consists of an interior, an exterior and a boundary. The study used the Conceptual Metaphor Theory (CMT) as a tool to establish conceptual metaphors used during the 2005 Draft Constitution referendum campaigns in Kenya and the Image-Schema Theory to account for the presence of image-schemas in political discourse in Kenya. Lakoff and Johnson’s (1980) Conceptual Metaphor Theory is the locus classicus of the image schema theory.

Zur Entstehung und Entwicklung des begriffes „Konzept“ in der kognitiven Semantik

2021 ◽  
pp. 251-259
Author(s):  
Nedas Jurgaitis ◽  
Keyword(s):  
Middle Ages ◽  
Cognitive Linguistics ◽  
Word Meaning ◽  
Cognitive Semantics ◽  
Subjective Perception ◽  
Scientific Discussion ◽  
European Languages ◽  
The One ◽  
Meta Analyses ◽  
Linguistic Units

The present article deals with the genesis of the notion “concept” in German cognitive semantics. The aim of the study is to present the origin and development of the notion “concept” from a diachronic perspective. The genesis of the notion “concept” in linguistics, particularly cognitive semantics, is an object of discussion. It reveals a connection between ancient ideas about word meaning and trends in modern linguistics. The roots of the notion can be traced back to ancient Greek philosophy – the concept debuts as a primal notion of mental experiences in Aristotle’s writings. However, the controversial translation of ancient works leaves room for scientific discussion regarding the prototype of the notion. In the Middle Ages, the word concept originated in European languages from Latin, later establishing itself in scientific discourse through the influence of Neo-Scholasticism, Frege’s conception of logic and the semiotic triangle, as well as the principle of the arbitrariness of linguistic signs. Finally, the notion concept gains importance in the transition from objective to the subjective perception of the meaning of linguistic units (the shift from structuralism to cognitivism) and becomes under the influence of cognitive psychology, the central term in cognitive linguistics in the 1970s and 1980s. The unconventional use of the notion in linguistic studies, on the one hand, makes meta-analyses of the semantics of certain concepts more difficult; on the other hand, it favours disciplinary and methodological diversity in today’s linguistic research.

scholarly journals O SENSO COMUM DE INFORMAÇÃO: QUESTÕES OPORTUNAS

2015 ◽  
Vol 1 (2) ◽  
pp. 69-93
Author(s):  
Marcos Gonzalez
Keyword(s):  
Critical Review ◽  
Cognitive Linguistics ◽  
Information Science ◽  
Conceptual Metaphor ◽  
Written Language ◽  
Key Technology ◽  
Semantic Frames ◽  
Concept Of Information

Problematizamos o conceito de informação, sob a perspectiva da Linguística Sociocognitiva, em especial da teoria da metáfora conceptual e da teoria dos frames semânticos, a fim de verificar se a terminologia predominante da Ciência da Informação (CI) é próxima do “senso comum”, como querem alguns autores da área. De fato, pudemos descrever o esquema cognitivo em que o conceito de informação é produtivo. Identificamos um componente da metáfora do canal, a metáfora INFORMAÇÃO É CONTEÚDO, capaz de confirmar a suspeita dos epistemólogos da CI e ir além: ela revela uma maneira mecânica de “falar sobre comunicação” que é de um “senso comum” desde há muitos séculos. Qual “senso comum”? Argumentando que a metáfora INFORMAÇÃO É CONTEÚDO faz mais sentido no contexto da comunicação escrita do que na falada, sugerimos uma revisão crítica dos efeitos que o letramento em massa aos seis anos poderia estar provocando na mentalidade ocidental: ao valorizar a escrita, tecnologia fundamental para a sustentabilidade das “sociedades da informação”, estaremos negligenciando a oralidade e, em consequência, negando nossa humanidade? THE COMMONSENSE OF INFORMATION: TEMPESTIVE QUESTIONSAbstractWe problematize the concept of information, from the perspective of socio-cognitive linguistics, especially that from the conceptual metaphor and semantic frames theories, in order to check whether the prevailing terminology of the Information Science (IS) is close to the “commonsense”, as some authors whish. In fact, we describe a cognitive scheme in which the concept of information is productive. A component of the conduit metaphor, INFORMATION IS CONTENT, seems to confirm the suspicion of IS epistemologists and more: it reveals a mechanical way to “speek about communication” that is a “commonsense” for centuries. Which “commonsense”? Arguing that the metaphor INFORMATION IS CONTENT makes more sense in the context of written language than in spoken one, we suggest a critical review of the effects that mass literacy at age six could be causing in Western mind: giving prestige to the writing language, a key technology for the sustainability of “information societies”, are we neglecting orality and therefore denying our humanity?

scholarly journals Konseptualisasi Citra Hara ‘Perut’ dalam Idiom Bahasa Jepang

2018 ◽  
Vol 1 (1) ◽  
pp. 65-78
Author(s):  
Akhmad Saifudin
Keyword(s):  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Human Life ◽  
Human Perception ◽  
The Body ◽  
Human Language ◽  
Japanese People ◽  
Conceptual Metaphor Theory ◽  
Metaphor Theory ◽  
Cognitive Experience

 Hara simply means belly, but for Japanese people it means more than physical. Hara is a concept, an important concept related to Japanese human life. This paper discusses the conceptualization of hara image for Japanese people. The study utilizes 25 idioms that contain hara ‘belly’ word that are obtained from several dictionaries of Japanese idioms. This paper is firmly grounded in cognitive linguistics, which relates linguistic expressions to human cognitive experience. The tool for analysis employed in this paper is the “conceptual metaphor theory” pioneered by Lakoff and Johnson. This theory considers human perception, parts of the body, and people’s worldview as the basis for the structure of human language. The analysis of this paper results that metaphorically, hara ‘belly’ is an entity and a container, which contains important elements for humans, such as life, mind, feeling, mentality, and physical. The concept of hara 'belly' for Japanese people is to have a spiritual, psychological, social and cultural, biological, and physical image. Keywords: conceptualization, conceptual metaphor, hara ‘belly’,  idioms, imagee.

The concept «reality» in John Berger’s essay about Vincent Van Gogh as an instrument of fine artworks interpretation

2019 ◽  
Vol 12 (21) ◽  
pp. 141-147
Author(s):  
Tetyana Lunyova ◽  
Keyword(s):  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Critical Discussion ◽  
Cognitive Mechanisms ◽  
Vincent Van Gogh ◽  
The Third ◽  
Artistic Representation ◽  
The World ◽  
Art For Art's Sake ◽  
World Image

The article investigates the interpretative function of the concept REALITY in John Berger’s essay about Vincent van Gogh’s art by applying the methodology of cognitive linguistics. Following Nikolay N. Boldyrev, the interpretative function of the language is considered in the article as the third main linguistic function. The theoretical and methodological foundations of the study are further developed with the idea, which is expressed by several researchers (V. V. Feshchenko, Ye. A. Yelina, U. A. Zharkova), that discourse about art performs an interpretative role. The aim of the study is to reveal the linguo-cognitive mechanisms that enable the concept REALITY to operate as a means of interpretation of van Gogh’s art in Berger’s essay. The research has demonstrated that before the concept REALITY is applied to the analysis of van Gogh’s paintings and drawings, this concept is explicitly interpreted in the essay. The following linguo-cognitive mechanisms are employed to make the content of the concept REALITY clear to the reader: actualization of the commonly known sense «reality is opposed to imagination», critical discussion of this sense, introduction of the conceptual metaphor REALITY IS THE OBJECT THAT SHOULD BE SALVAGED, and actualization of the selected fragments of the philosophical world image as well as scholarly world image, especially the conception of art for art’s sake and the conceptual metaphor REALITY IS SOMETHING THAT LIES BEHIND THE SCREEN CREATED BY THE CULTURE. Thus, having been thoroughly interpreted in the essay, the concept REALITY is used as an instrument of the interpretation of van Gogh’s artistic principles and artworks. The following linguo-cognitive mechanisms support the concept REALITY in its interpretative function: applying the conceptual metaphor REALITY IS SOMETHING THAT LIES BEHIND THE SCREEN CREATED BY THE CULTURE to read van Gogh’s letters, using the conceptual metaphor REALITY IS THE OBJECT THAT SHOULD BE SALVAGED to analyse the facts from the painter’s life, introducing the conceptual metaphor REALITY IS THE CONSUMING ITSELF PHOENIX, actualizing of the concepts WORK and PRODUCTION as the key concepts in the artist’s world image, utilizing the concepts WORK and PRODUCTION to interpret several of van Gogh’s paintings, applying the actualized conception of art for art’s sake to reveal van Gogh’s artistic principles, constructing the conceptual metaphors VAN GOGH’S ART IS APPROACHING THE WORLD and VAN GOGH’S ARTISTIC REPRESENTATION OF REALITY IS DISSOLVING IN REALITY, and constructing the conceptual metaphor VAN GOGH’S PAINTINGS ARE LASERS.

Historical dictionary definitions revisited from a prototype theoretical standpoint

2008 ◽  
Vol 6 ◽  
pp. 1-22 ◽  
Author(s):  
Clara Molina
Keyword(s):  
Cognitive Linguistics ◽  
Applied Linguistics ◽  
Human Mind ◽  
Prototype Theory ◽  
Cognitive Constraints ◽  
Theoretical Standpoint ◽  
Dictionary Definitions

Historical dictionaries have not yet incorporated prototype theoretical principles, from which singular enhancements might be obtained in historical lexicography. Revisiting diachronic definitions from a prototypical standpoint underlines how salience-based definitions comply more accurately with the cognitive constraints of the human mind. Upon this realization, the paper presents a template for reorganizing historical definitions according to the principles of prototype theory. The resulting definitions depict the semasiological profile of terms in a more transparent way while stressing the mutual interface between linguistic and extralinguistic data and between synchrony and diachrony. At the same time, the paper shows how the theoretical tenets of cognitive linguistics can be put to use in the field of applied linguistics, viz. lexicography.

Tests of Conceptual Metaphor Theory with Episodic Memory Tests

2020 ◽  
Vol 6 (1) ◽  
pp. 56-82
Author(s):  
Albert N. Katz ◽  
J. Nick Reid
Keyword(s):  
Cognitive Psychology ◽  
Episodic Memory ◽  
False Memory ◽  
Cognitive Linguistics ◽  
Semantic Information ◽  
Conceptual Metaphor ◽  
Conceptual Metaphor Theory ◽  
Memory Tests ◽  
Metaphor Theory ◽  
Release From Proactive Interference

Adopting Lakoff’s (1990) “cognitive commitment”, we make the argument that an under-employed means of testing tenets of Conceptual Metaphor Theory (cmt), and in bridging the gap between studies in cognitive linguistics and experimental cognitive psychology can be through the use of episodic memory tests. We provide examples of the utility of episodic memory for studying cmt, emphasizing the use of the drm False Memory Paradigm. We then describe its utility with other tasks, most notably with Release from Proactive Interference methodology. Although these tasks are based on episodic memory, they are heavily influenced by semantic information, making them useful tools to examine conceptual metaphors. We conclude by describing how episodic memory tasks could be employed to test the automaticity assumption of cmt.

Metaphorical conceptualization of emotion in Spanish

2015 ◽  
Vol 5 (1) ◽  
pp. 20-41 ◽  
Author(s):  
Florencia Reali ◽  
Catalina Arciniegas
Keyword(s):  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Conceptual Structure ◽  
The Body ◽  
Corpus Analysis ◽  
Conceptual Metaphor Theory ◽  
Wide Range ◽  
Metaphor Theory ◽  
Bounded Space ◽  
Concrete Concepts

Over the last two decades, accumulating work in cognitive science and cognitive linguistics has provided evidence that language shapes thought. Conceptual metaphor theory proposes that the conceptual structure of emotions emerges through metaphorization from concrete concepts such as spatial orientation and physical containment. Primary metaphors for emotions have been described in a wide range of languages. Here we show, in Study 1, the results of a corpus analysis revealing that certain metaphors such as EMOTIONS ARE FLUIDS and EMOTIONS ARE BOUNDED SPACEs are quite natural in Spanish. Moreover, the corpus data reveal that the bounded space source domain is more frequently mapped onto negative emotions. In Study 2, we consider the question of whether the instantiation of metaphorical framing influences the way we think about emotions. A questionnaire experiment was conducted to explore this question, focusing on the Spanish case of locura (‘madness’). Our results show that when madness was framed as a fluid filling a container (the body), people tended to rate symptoms as less enduring and as more likely to be caused by social and environmental factors, compared with when it was framed as a place in space. Results are discussed in the light of conceptual metaphor theory.

Heart and Cognition in Ancient Chinese Philosophy

2007 ◽  
Vol 7 (1-2) ◽  
pp. 27-47 ◽  
Author(s):  
Ning Yu
Keyword(s):  
Chinese Culture ◽  
Cognitive Linguistics ◽  
Conceptual Metaphor ◽  
Chinese Philosophy ◽  
Mirror Image ◽  
The Body ◽  
The Political ◽  
Conceptual Mapping ◽  
Mind And Body ◽  
Mental Power

AbstractFollowing the theory of conceptual metaphor in cognitive linguistics, this paper studies a predominant conceptual metaphor in the understanding of the heart in ancient Chinese philosophy: THE HEART IS THE RULER OF THE BODY. The most important conceptual mapping of this metaphor consists in the perceived correspondence between the mental power of the heart and the political power of the ruler. The Chinese heart is traditionally regarded as the organ of thinking and reasoning, as well as feeling. As such, it is conceptualized as the central faculty of cognition. This cultural conceptualization differs fundamentally from the Western dualism that upholds the reason-emotion dichotomy, as represented by the binary contrast between mind and heart in particular, and mind and body in general. It is found that the HEART AS RULER metaphor has a mirror image, namely THE RULER IS THE HEART OF THE COUNTRY. The ruler as the "heart" of the country leads his nation while guided by his own heart as the "ruler" of his body. It is argued that the two-way metaphorical mappings are based on the overarching beliefs of ancient Chinese philosophy in the unity and correspondence between the microcosm of man and the macrocosm of universe. It is suggested that the conceptualization of the heart in ancient Chinese philosophy, which is basically metaphorical in nature, is still spread widely across Chinese culture today.

Imagism's metaphors - a test case

1996 ◽  
Vol 5 (2) ◽  
pp. 79-92 ◽  
Author(s):  
Peter Crisp
Keyword(s):  
Conceptual Metaphor ◽  
Donald Davidson ◽  
Test Case ◽  
Valuable Resource ◽  
Extreme Form ◽  
The Matrix ◽  
Truth Conditional ◽  
Image Schema ◽  
Aesthetic Affect ◽  
The Way

Imagism is centered on the image metaphor, and so is a valuable resource for studying this kind of metaphor. Image metaphor raises questions for any theory that sees metaphor as something conceptual. Such theories entail the rejection of truth-conditional semantics and are thus rejected by proponents of truth conditionalism, such as Donald Davidson. Imagism embodies an extreme form of image metaphor that avoids generating any clear propositional entailments. The problem it poses for conceptual theories of metaphor is thus considerable. The solution lies in the concept of the image schema as the basis of propositional reasoning. Image metaphor can be seen as displaying the matrix out of which conceptual metaphor proper itself develops. Image metaphor shows that matrix to be bound up with the nature of aesthetic affect. It thus points the way to a view of poetry that does justice to its aesthetic passion without opposing it in some absolute way to the rationality of logic and science.

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