scholarly journals KONSTRUKSI IDENTITAS DIRI TOKOH UTAMA DALAM NOVEL HEBI NI PIASU DAN HAIDORA KARYA KANEHARA HITOMI

ATAVISME ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 129-143
Author(s):  
Asri Rizki Friandini ◽  
Lina Meilinawati Rahayu ◽  
Amaliatun Saleha
Keyword(s):  
Social Environment ◽  
Descriptive Analysis ◽  
The Body ◽  
The Self ◽  
Main Character ◽  
Analysis Method ◽  
Self Identity ◽  
Identity Constructions ◽  
The Social ◽  
Construction Of Self

A person forms an identity not only from the influence of social environment, but also anxiety. This study aims to reveal the identity construction of the main characters in two Japanese novels entitled Hebi ni Piasu (2003) and Haidora (2007) by Kanehara Hitomi. These novels describe the construction of self identity which are represented through the body and fashion. The self identity constructions are influenced by social environment and anxiety. Moreover, in Japan, there is a term ikizurasa which is used to describe feelings of emptiness and isolation. This research used self identity theory and descriptive analysis method to analyse the data. The data in this research were obtained from two novels entitled Hebi ni Piasu (2003) and Haidora (2007). The results showed that the contruction of self identity of the main character was formed by the influence of the self and anxiety as well as the social environment. The two main characters showed that they used this construction of self identity to survive.

scholarly journals PSK DALAM FRAMING TIGA MONOLOG/PROSTITUTE ON THREE MONOLOGUES FRAMING

Aksara ◽  
2022 ◽  
Vol 33 (2) ◽  
pp. 215-228
Author(s):  
Resti - Nurfaidah
Keyword(s):  
Sexual Harassment ◽  
Social Environment ◽  
Descriptive Analysis ◽  
Family Members ◽  
Theoretical Concept ◽  
The Other ◽  
Analysis Method ◽  
Father Figure ◽  
Environmental Attitude ◽  
The Social

Abstrak Makalah berjudul “PSK dalam Framing Tiga Monolog” ditulis untuk membahas tokoh PSK dalam ketiga monolog yang bertemakan kehidupan PSK, yaitu Monolog Tanda Tanya (Anggi Eka Putri), Monolog Pelacur (Putu Wijaya), danMonolog Cahaya (Lenny Koroh dan Silvester Hurit). Penelitian dalam makalah tersebut dibatasi pada penampilan tokoh PSK dalam ketiga monolog, pembahasan PSK berdasarkan konsep framingdan representasi, serta sikap lingkungan terhadap tokoh PSK. Penelitian ini merupakan kualitatif dengan metode analisis deskriptif komparatif pada ketiga monolog. Konsep teoretis yang digunakan dalam penelitian ini adalah framing Pan Konscki, serta representasi Hall. Berdasarkan penelitian diperoleh hasil berikut: (1) PSK yang ditampilkan dalam ketiga monolog ditunjukkan sebagai perempuan yang terjerumus. Tokoh PSK mudah terjerumus ke dalam dunia hitam, tetapi sulit keluar dari dunia tersebut; (2) Berdasarkan hasil framing dan representasi, tokoh PSK merupakan korban yang tidak mampu mengatasi dampak pelecehan seksual atau pemerkosaan. Kekecewaan berkepanjangan tidak pernah teratasi karena tokoh PSK dipertemukan dengan lingkungan atau pihak yang berkompeten menjerumuskan perempuan itu di dunia hitam, misalnya teman atau kekasih. Konflik dengan sosok ayah juga dianggap sebagai pencetus utama tercetusnya seorang perempuan ke dunia hitam; serta (3) sikap lingkungan terhadap tokoh PSK menunjukkan bahwa dunia hitam para PSK bukan dunia yang ramah. PSK tidak dapat ke luar dari dunia tersebut dengan mudah sementara ia harus bertanggung jawab untuk kehidupan anggota keluarganya.  Selain itu, ia harus menanggung risiko besar selama menjalani profesinya, tanpa perlindungan apa pun. PSK bukan saja mengalami kesulitan di dunianya sendiri, melainkan pula di dunia luar. Lingkungan sosial sulit menerima eksistensi mereka, bahkan cenderung merendahkan. Tidak jarang lingkungan sosial dapat menjadi pencetus atau pendukung terjerumusnya seorang perempuan menjadi PSK. Kata kunci: PSK, framing, pelecehan, korban Abstract"PSK in Framing of Three Monologues" discussed prostitute figures on the three prostitute themed monologues:  Monolog Tanda Tanya (Anggi Eka Putri), Monolog Pelacur (Putu Wijaya), dan Monolog Cahaya (Lenny Koroh dan Silvester Hurit). The research was limited to (1) the appearance of prostitute figures in all three monologues, (2) prostitute discussions based on the result of framing and representation, also (3) environmental reactions towards prostitutes. This research is qualitative with a comparative descriptive analysis method on all three monologues. The theoretical concept used in this research was Pan Konscki’s framing, as well as Hall representation of the. The result was below. First, PSK displayed in all three monologues was shown as women who were extremely trapped. PSK figures easily fell into the site, but were difficult to get out from. Second, based on the framing and representation, prostitute figures were victims who were unable to cope with the effects of sexual harassment or rape. Prolonged disappointment had never been resolved because they met with the environment or the competent party plunged them into such world, such as friends or lovers. Conflict with a father figure was also considered as the main originator of the emergence of a woman into the sit. Three, the environmental attitude towards the prostitute shew that the surroundings of prostitutes were not a friendly world. They won’t let to be out of it easily while, on the other hand, they had to be responsible for the lives of their family members. In addition, they were close to high-risks of their profession, without any protection. Prostitutes were not only experience difficulties in their own world, but also in the outside world. The social environment also hardly accepted their existence, even tends to be condescending. Sometimes, it could be the originator or supporter of a woman becoming a prostitute. Keywords: prostitute, framing, harrashment, victims

Transcending Locality

2021 ◽  
pp. 296-316
Author(s):  
Michal Pagis
Keyword(s):  
Social World ◽  
The Body ◽  
The Self ◽  
Self Identity ◽  
Four Dimensions ◽  
Loving Kindness ◽  
Ethnographic Fieldwork ◽  
The Social ◽  
Vipassana Meditation ◽  
Meditation Experience

This chapter explores the rising popularity of Buddhist meditation in Israel and the self-identity that bodily based mindfulness offers its practitioners. Based on extended ethnographic fieldwork among Israeli practitioners of vipassana meditation, this chapter illustrates how in periods characterized by doubt and uncertainty, Israelis find in meditation an embodied anchor for selfhood which substitutes dependency on the social world. Through meditation practice, Israelis recede into the body, temporarily liberating the self from local social embeddedness. Yet, at the same time, this same withdrawal to the body produces universal, humanistic-based identifications. The chapter detects four dimensions in the attempt to transcend local social context: an ideological rejection of particularism, the meditation center as a space without a place, the distancing of social roles and identities in vipassana practice, and a connection to humanity at large through loving-kindness. In meditation experience, considered by practitioners as the most personal, “private” withdrawal into the self, Israeli vipassana practitioners find a universal anchor that transcends social locality.

scholarly journals Flouting Maxims in “Wonder Woman“ Movie

2020 ◽  
Vol 4 (1) ◽  
pp. 1-12
Author(s):  
Esra Juniati Op.Sunggu ◽  
Afriana Afriana
Keyword(s):  
Social Environment ◽  
Main Character ◽  
Cooperative Principle ◽  
Wonder Woman ◽  
The Social ◽  
Qualitative Descriptive ◽  
Maxim Of Quality ◽  
Descriptive Method ◽  
Analyze Data

This research was made based on the number of people making mistakes in communicating in the social environment. Some errors in communication often result in ambiguity, due to the delivery of unclear information. Related to the topic the researcher made the research that analyze the flouting maxims in Wonder Woman movie and find the reason why the characters flouted the maxims by using the theory of Grice (1975).  This research used qualitative descriptive method by Sudaryanto (2015) to analyze data. The results of the research showed that there were 12 data which were flouting maxims namely 1 data flouting maxim of quality, 2 data flouting maxim quantity, 2 data flouting maxim manner and 7 data were flouting maxim relations. The conclusion based on the results of this research is that all the characters in Wonder Woman movie was flouted all of the maxims, it can be seen from the result of analyzed the data, especially in the main character. The most frequently flouting maxim is maxim relation. Keywords: Communication, Cooperative Principle, Flouting Maxim.

Fate of the Flesh

2021 ◽  
Author(s):  
Daniel Juan Gil
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
World View ◽  
Natural World ◽  
Social Identities ◽  
The Body ◽  
The Self ◽  
Avant Garde ◽  
Scientific World ◽  
The Social

In the seventeenth century, the hope for resurrection starts to be undermined by an emerging empirical scientific world view and a rising Cartesian dualist ontology that translates resurrection into more dualist terms. But poets pick up the embattled idea of resurrection of the body and bend it from a future apocalypse into the here and now so that they imagine the body as it exists now to be already infused with the strange, vibrant materiality of the “resurrection body.” This “resurrection body” is imagined as the precondition for the social identities and forms of agency of the social person, and yet the “resurrection body” also remains deeply other to all such identities and forms of agency, an alien within the self that both enables and undercuts life as a social person. Positing a “resurrection body” within the historical person leads seventeenth-century poets to use their poetry to develop an awareness of the unsettling materiality within the heart of the self and allows them to reimagine agency, selfhood, and the natural world in this light. In developing a poetics that seeks a deranging materialism within the self, these poets anticipate twentieth-century “avant-garde” poetics. They do not frame their poems as simple representation nor as beautiful objects but as a form of social praxis that creates new communities of readers and writers that are assembled by a new experience of self-as-body mediated by poetry.

Self, Indian theories of

2018 ◽  
Author(s):  
T.S. Rukmani
Keyword(s):  
The Body ◽  
The Self ◽  
The Other ◽  
Self Identity ◽  
Inner Self ◽  
Spiritual Energy ◽  
The Individual ◽  
The Universe ◽  
Ultimate Principle ◽  
Ultimate Nature

Hindu thought traces its different conceptions of the self to the earliest extant Vedic sources composed in the Sanskrit language. The words commonly used in Hindu thought and religion for the self are jīva (life), ātman (breath), jīvātman (life-breath), puruṣa (the essence that lies in the body), and kṣetrajña (one who knows the body). Each of these words was the culmination of a process of inquiry with the purpose of discovering the ultimate nature of the self. By the end of the ancient period, the personal self was regarded as something eternal which becomes connected to a body in order to exhaust the good and bad karma it has accumulated in its many lives. This self was supposed to be able to regain its purity by following different spiritual paths by means of which it can escape from the circle of births and deaths forever. There is one more important development in the ancient and classical period. The conception of Brahman as both immanent and transcendent led to Brahman being identified with the personal self. The habit of thought that tried to relate every aspect of the individual with its counterpart in the universe (Ṛg Veda X. 16) had already prepared the background for this identification process. When the ultimate principle in the subjective and objective spheres had arrived at their respective ends in the discovery of the ātman and Brahman, it was easy to equate the two as being the same spiritual ‘energy’ that informs both the outer world and the inner self. This equation had important implications for later philosophical growth. The above conceptions of the self-identity question find expression in the six systems of Hindu thought. These are known as āstikadarśanas or ways of seeing the self without rejecting the authority of the Vedas. Often, one system or the other may not explicitly state their allegiance to the Vedas, but unlike Buddhism or Jainism, they did not openly repudiate Vedic authority. Thus they were āstikadarśanas as opposed to the others who were nāstikadarśanas. The word darśana for philosophy is also significant if one realizes that philosophy does not end with only an intellectual knowing of one’s self-identity but also culminates in realizing it and truly becoming it.

scholarly journals Dinamika Kepribadian Tokoh Utama Dalam Novel Jisatsu Yotei Bi Karya Akiyoshi Rikako

2019 ◽  
Vol 7 (2) ◽  
Author(s):  
Teting Lairabu
Keyword(s):  
Descriptive Analysis ◽  
The Novel ◽  
Main Character ◽  
Analysis Method ◽  
Psychology Literature ◽  
Death Wish ◽  
Desire To Die

Abstract This study aims to explain death wish in the characterization of the main character. This research uses a descriptive analysis method with the psychology literature approach. The sources of data used were the novel Jisatsu Yotei Bi by Akiyoshi Rikako (2016) and the Indonesian translation of the novel, Scheduled Suicide Day (2017). The object of this research is a quotation in the form of narrative. The results of this study are the main character has a desire to die and it is shown by her always thinking about death and finding out in one website about ways to die that she thinks are comfortable and appropriate.   Keywords: Personality Dynamics, Death Wish, Characterization, Psychology Literature.

scholarly journals KELENTURAN MASYARAKAT BALI-TRADISIONAL TERHADAP MODERNITAS DALAM KUMPULAN CERPEN MANDI API

2017 ◽  
Vol 3 (2) ◽  
pp. 135
Author(s):  
Puji Retno Hardiningtyas
Keyword(s):  
Qualitative Research ◽  
Short Stories ◽  
Cultural Identity ◽  
Social Environment ◽  
Social Dynamics ◽  
Social Conflict ◽  
Descriptive Analysis ◽  
Cultural Dynamics ◽  
Cultural Changes ◽  
The Social

This study analyzes the social dynamics of Balinese culture and intellectual to face tradition and modernization clash by applying the theory of sociology literaryas a scalpel. This researchis is adescriptive study using descriptive qualitative research, descriptive analysis analytic methods, and the theory used of sociology literaryas. Within the scope of the sociallife of the Balinese people, the collection of short stories Mandi Api by Gde aryantha Soethama presentinga local color.This Socio cultural dynamics is combined with ancestor’s social symptoms pressure, namelysocial interaction between communities, social conflict, cultural identity, andhuman relationships that shape the Balinese behavior and culture. The intensityof the social and cultural changes as a result of activity of Balinese life isstrongly influenced by the strength of the values and traditions ofindigenous cultural communities in the social environment of Bali.AbstrakPenelitian ini bertujuan menganalisis dinamika sosial budaya dan sikap masyarakat Bali tradisional dalam menghadapi benturan tradisionalitas dan modernitas. Penelitian ini adalah penelitian deskriptif kualitatif, metode analisis deskriptif analitik, dan teori yang digunakan sosiologi sastra. Hasil yang ditemukan terlihat dalam lingkup kehidupan sosial masyarakat Bali, kumpulan cerpen Mandi Api karya Gde Aryantha Soethama menyuguhkan warna lokal. Dinamika sosial budaya ini dikombinasikan dengan tekanan tradisi nenek moyang menimbulkan gejala sosial, yaitu interaksi antarkomunitas sosial, konflik sosial, identitas budaya, dan hubungan percintaan manusia Bali yang membentuk perilaku dan kultur masyarakat Bali. Intensitas terjadinya perubahan nilai sosial budaya sebagai akibat aktivitas kehidupan masyarakat Bali sangat dipengaruhi oleh kuat lemahnya nilai tradisi dan adat di lingkungan sosial kultural masyarakat Bali.

scholarly journals The Discursive Problematization of Death, Dehumanization and Sociocultural identity: An Analysis of 'The Walking Dead'

2021 ◽  
Author(s):  
◽  
Victoria Skye
Keyword(s):  
The Body ◽  
The Self ◽  
Cultural Representations ◽  
Major Site ◽  
The Walking Dead ◽  
The Social ◽  
Social Discourses ◽  
The Subject ◽  
The Way ◽  
Walking Dead

<p>The zombie is a significant cultural figure which is represented and produced as being symptomatic of and relevant to contemporary concerns about death and dehumanization. This thesis will focus on the ways that death and dehumanization are changing and being negotiated within popular cultural representations and discourses regarding zombies, particularly in Frank Darabont’s television series The Walking Dead. The thesis will consider the way in which the figure of the zombie is representative of issues and discourses that are indicative of a problematization of the category of the human, and the notion of the transcendental. This will involve an examination of the changing narratives of the body, with particular regard to consumerism and the insistence of the body as a major site of the truth and value of the self, in contrast to the horrifying bodily form of the zombie. The thesis will also examine the way that dehumanization is problematized in The Walking Dead, where the human/non-human distinction is shown to be increasingly precarious and difficult to sustain. Further, the thesis will examine how the zombie is represented as manifesting the collapse of identity, as agents become alienated from the social discourses, narratives and values which constitute and categorize the subject.</p>

scholarly journals Memaknai Upacara Kematian dalam Bingkai Lokalitas Budaya Indonesia: Studi Kasus Tiga Cerpen Pilihan Kompas

2020 ◽  
Vol 2 (1) ◽  
pp. 14-22
Author(s):  
Awla akbar Ilma ◽  
Puri Bakthawar
Keyword(s):  
Short Stories ◽  
Ethnic Group ◽  
Ethnic Groups ◽  
Social Environment ◽  
Short Story ◽  
Natural World ◽  
The Body ◽  
Death Event ◽  
The Social ◽  
Plural Society

Indonesian is a multicultural plural society. Therefore, almost every ethnic group in Indonesia has varied tradition and culture, especially in responding to the phenomenon of obsequies through unique ceremonies and symbols. The research aims to examine how people in several ethnic groups responded to the death event through traditional ceremonies represented by literary works, especially short stories in the 2014-2017 Kompas Selections. Samples to be used in this study are the short story "In the Body of the Tarra, in the Womb of the Tree" by Faisal Oddang in 2014, the short story "Linuwih Aroma Jarik Baru" by Anggun Prameswari in 2015, and the short story "Kasur Tanah" by Muna Masyari in 2017. Results research shows that the three short stories elevate and interpret the tradition of obsequies in Javanese, Madura, and Toraja cultures. In Javanese society, kawung batik is a symbol of man's separation from the natural world. In Madurese society, Sortana is a "gift" of human separation from the social environment. In Toraja society, the tradition of passiliran becomes a symbol of the reuniting of humans with nature as the original.

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