scholarly journals PREFERENSI MUSIK DI KALANGAN REMAJA

PROMUSIKA ◽  
2013 ◽  
pp. 75
Author(s):  
Ayub Prasetiyo
Keyword(s):  
Popular Music ◽  
Qualitative Method ◽  
Music Preference ◽  
Musical Meaning ◽  
Rank Position ◽  
Data Collecting ◽  
Objective Value ◽  
Musical Styles

The main purpose of this study is to understand the interest trend of music preference among youths as well as to analyse factors that influence the trend. Although qualitative method was used, this study utilized questioner for its data collecting technique. The collected data was analyzed to gather respondents’s point of views and answers concerning music that they like. This study conclude that music interest trend among youth is mostly to popular music. Although the music has taken the highest rank position, its supporters are not only listen to their main preference but also other musical styles. Youths’s tendency to choose popular music have been based on several factors such as, the objective value of the music, the capability of the music to represent conditions that are experienced by them, as well as musical meaning among the youths. Keywords: Music preference, popular music, youths

Popular Music and the Colloquial Tone in the Posthorn Solos of Mahler’s Third Symphony

2017 ◽  
Author(s):  
Timothy Freeze
Keyword(s):  
Popular Music ◽  
Folk Song ◽  
Sheet Music ◽  
Military Band ◽  
The Third ◽  
Musical Styles

The posthorn solos in the trios of the third movement of Mahler’s Third Symphony have polarised critical and scholarly opinion regarding their stylistic origins. My examination places the posthorn solos in the context of the popular music of Mahler’s day. Drawing on contemporary reviews, sheet music, and military band manuscripts in Austrian and German archives, I uncover palpable references, since forgotten or neglected, both to the genre of sentimental trumpet solos, common in salon music and band concerts, and to posthorn stylisations distinctive to popular music. Mahler demonstrably knew these repertoires, and critics often cited them in reviews. These allusions do not negate the solos’ likenesses to folk song and the sound of actual posthorns. Rather, Mahler’s score refers to multiple musical styles without being reducible to any one of them.

Idris Sardi’s Influence on Musical Development and Education in Indonesia

2022 ◽  
Vol 21 (2) ◽  
pp. 290-302
Author(s):  
Fu'adi Fu'adi ◽  
Putu Sudira ◽  
Kun Setyaning Astuti
Keyword(s):  
Music Education ◽  
Popular Music ◽  
Qualitative Method ◽  
Music Appreciation ◽  
Orchestral Music ◽  
The Family ◽  
New Strategy ◽  
Violin Playing ◽  
Depth Interviews

Idris Sardi is known as a music maestro in Indonesia. This study aims to reveal the influence of Idris Sardi on the development of music and its implications in music education. This study uses a qualitative method with a narrative approach. The data were collected through observation, in-depth interviews, and documentation. The research informants were carefully selected from the family, violin students, and colleagues of Idris Sardi in Jakarta and Bogor, West Java. The data were analyzed by organizing data and creating codes, describing codes in chronological categories and themes, developing interpretations, and visualizing data. The results showed that Idris Sardi was influential in developing (1) keroncong music by varying the tempo and expanding the repertoire; (2) the violin playing techniques included unique characters such as vibrato, glissando, and octave variations; (3) ethnic and popular music were made through orchestrations and collaboration with orchestral music. The implications in music vocational education were (1) problem-based learning by creating a new keroncong style to be accepted by society; (2) the improvement capability by exploring skills to play the violin; (3) life-based-learning by raising local and popular music to be qualified while enhancing the level of society’s music appreciation. In conclusion, Idris Sardi provided a strong influence on the music development in Indonesia, and the implication could be a new strategy to improve the quality of music education.

Adopting imports: new images and alliances in Brazilian popular music of the 1990s

Popular Music ◽  
1999 ◽  
Vol 18 (3) ◽  
pp. 309-329 ◽  
Author(s):  
Cristina Magaldi
Keyword(s):  
Popular Music ◽  
Urban Youth ◽  
State Of The Art ◽  
Electronic Apparatus ◽  
Music Scene ◽  
Bossa Nova ◽  
The 1960S ◽  
Political Scene ◽  
Musical Styles

Anyone visiting Brazil today in search of an idealised ‘Brazilian Sound’ might, at first, be disappointed with the popular music scene. The visitor will soon realise that established musical styles such as bossa nova and MPB (Música Popular Brazileira (Brazilian Popular Music)), with their well-defined roles within the Brazilian social and political scene of the 1960s, 1970s, and early 1980s, have lost their immediate appeal with some contemporary audiences, and especially with Brazilian urban youth. In the 1990s, Brazilian radio and TV are saturated with a variety of new local genres that borrow heavily from international musical styles of all kinds and use state-of-the-art electronic apparatus. Hybrid terms such assamba-rock, samba-reggae, mangue-beat, afro-beat, for-rock(a contraction of forró and rock),sertaneja-country, samba-rap, andpop-nejo(a contraction of pop andsertanejo), are just a few examples of the marketing labels which are loosely applied to the current infusion of international music in the local musical scene.

Music in Mexico City, 1880–1960

2016 ◽  
Author(s):  
Ricardo Pérez Montfort
Keyword(s):  
Popular Music ◽  
20Th Century ◽  
19Th Century ◽  
Mexico City ◽  
Urban Center ◽  
Late 19Th Century ◽  
Music Genres ◽  
The Way ◽  
Musical Styles

From the late 19th century to the mid-20th century, Mexican popular music underwent a significant transformation, thanks to the growth of Mexico City as an urban center and to the influence of both regional and international music genres. At the same time, the Mexican public experienced a profound shift in the way music was consumed. Over the course of five generations, traditional modes of encountering music gave way to a more cosmopolitan enjoyment of new and old musical styles.

Young Listeners’ Music Style Preferences

2013 ◽  
Vol 61 (4) ◽  
pp. 415-430 ◽  
Author(s):  
Ruth V. Brittin
Keyword(s):  
Popular Music ◽  
Grade Level ◽  
Significant Interaction ◽  
Cultural Identification ◽  
Popular Songs ◽  
Preference Ratings ◽  
Style Preferences ◽  
Asian Language ◽  
Musical Styles ◽  
At Home

Listeners ( N = 543) in grades 4, 5, and 6 rated their preference for 10 instrumental and vocal selections from various styles, including four popular music selections with versions performed in English, Spanish, or an Asian language. Participants estimated their identification with Spanish/Hispanic/Latino and Asian cultures, the number of languages they spoke, and the number of musical styles the adults in their family listened to at home. There were significant but small correlations between degree of identification with pinpointed cultures and preference for the four popular songs chosen to represent those cultures and significant, small correlations between preference for those and number of languages spoken. However, results on how degree of cultural identification corresponded with preference when responding to English or non-English versions of songs were mixed. There was a significant, small correlation between the number of musical styles adults at home were estimated to like and overall preference, providing data with which to consider the issue of musical omnivorousness. Overall, there was a significant interaction between mean preference ratings by grade level, gender, and selection. With specific vocal selections, girls rated female performances higher than did boys, and boys rated male excerpts higher than did girls, with interesting grade-level patterns.

‘Ethnic’ music traditions in the USA (black music; country music; others; all)

Popular Music ◽  
1994 ◽  
Vol 13 (2) ◽  
pp. 175-178 ◽  
Author(s):  
Charles Keil
Keyword(s):  
Popular Music ◽  
Country Music ◽  
Black Music ◽  
Ethnic Music ◽  
Contemporary World ◽  
Nation States ◽  
The Usa ◽  
Musical Styles

This is a brief meditation on ethnicity as a source of all powerful musical styles, as a kind of curse in the contemporary world of nation states, and as an ever more complex puzzle for every student of popular music to solve.

scholarly journals ANALISIS EFEKTIFITAS PENGGUNAAN ANGGARAN BELANJA LANGSUNG DAN BELANJA TIDAK LANGSUNG DALAM PENERAPAN ANGGARAN BERBASIS KINERJA PADA DINAS SOSIAL KABUPATEN MUSI BANYUASIN

2020 ◽  
Vol 3 (1) ◽  
pp. 30
Author(s):  
Jumania Septariani
Keyword(s):  
Data Analysis ◽  
Field Study ◽  
Qualitative Method ◽  
Study Data ◽  
Literature Study ◽  
Analysis Techniques ◽  
Data Collecting ◽  
Descriptive Approach ◽  
Direct Expenditure

This study describes the principles of performance-based budgeting on Dinas Sosial district of Musi Banyuasin, knowing the effectiveness of the use of direct expenditure and indirect spending in Dinas Sosial district of Musi Banyuasin as well as budget performance. The method used in this research is qualitative method with descriptive approach. Data collecting technique is done through field study that is interview, documentation and literature study. Data analysis techniques starting from quantitative and qualitative with descriptive approach. The results of this study indicate that the principles of performance – based budgeting on Dinas Sosial district of Musi Banyuasin stated that tranparency and accountability is still no good, but the budget discripline and  budget justice are good enough. The effectiveness of the use of direct expenditure in the implementation of performance–based budgets. Based on the ratio of effectiveness of the use of the budget Dinas Sosial district of Musi Banyuasin years 2014 up to the year 2016 has effective criteria and from year to year the level of effectiveness has increased. The effectiveness of the use indirect budget from 2014 to 2016 has a fairly effective criteria and from year to year always fluctuate.

scholarly journals Pelaksanaan Pembelajaran Pendidikan Jasmani Adaptif bagi Anak dengan Hambatan Fisik dan Motorik

2018 ◽  
Vol 2 (2) ◽  
pp. 19
Author(s):  
Johandri Taufan ◽  
Ardisal Ardisal ◽  
Damri Damri ◽  
Arise Arise
Keyword(s):  
Qualitative Method ◽  
Program Design ◽  
Special Treatment ◽  
Research Use ◽  
Research Subject ◽  
Learning Program ◽  
Adaptive Sports ◽  
Study Research ◽  
Data Collecting ◽  
Meaning And Purpose

This research to describe the implementation of adaptive sports education for physical and motoric X disability students in SDN X. This Research use descriptive qualitative method. Data collecting technique used in form of observation, interview and documentation study. Research subject are physical and motoric X disability students and teacher sports education initially called Z. Result of research indicated that school there is no special treatment in making learning program design, but in its implementation there are some different activities which will be given to physical and motoric X disability students without diminishing the meaning and purpose of its learning.

scholarly journals From Me To You

2014 ◽  
Vol 20 (4) ◽  
Author(s):  
Matthew L. BaileyShea
Keyword(s):  
Popular Music ◽  
Single Point ◽  
Point Of View ◽  
Musical Meaning ◽  
Song Lyrics ◽  
The Way

Scholars have long recognized the complexities of song personas in popular music. Less well recognized is the way that the deployment of pronouns in pop song lyrics can create sudden shifts in the various currents of musical meaning. Although songs often commit to a single point of view, it is quite common for songs to feature complex shifts in discourse, sometimes aligned with important changes in the music. This paper addresses an especially important pattern, a shift from distance to intimacy.

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