scholarly journals RUANG INTERAKTIF DI MERUYA UTARA

Author(s):  
Ursula Andrea

Third place is a neutral place, and simple (unpretentious). This place must be playful or fun for anyone, so that when leaving the third place, people come out happily. This place has no rules at home or work. Third place is also a place where people gather, and have the same status. Also in this project the third place comes as a form of open architecture that is friendly to the environment and makes the city better. The main activity of this project is the interaction with the programs offered, the activity itself and with fellow visitors. The focus of the third place is shown on the impact of "The Solidarity Economy" or according to Ethan Miller of the Grassroots Economic Organizing Collective in Australia, The "solidarity economy", is an invitation to reach a broad scope of the workings of an economy based on sharing. This system makes it easy for people to be able to access facilities without having something that will create interaction between visitors and visitors. This happened because the project was designed to form communal activities. The communal activities that occur are playful activities. Like, misbar space, café boardgame and also sports space that is not competitive. Like the criteria contained in the third place theory which has playful criteria. The rooms that are formed are designed and planned so that each visitor can interact with other visitors and with existing programs.Abstrak Third place adalah tempat netral, dan sederhana (unpretentious). Tempat ini haruslah playful atau menyenangkan bagi siapapun, sehingga ketika meninggalkan third place, orang keluar dengan bahagia. Tempat ini tidak memiliki aturan yang ada di rumah maupun tempat kerja. Third place juga merupakan tempat masyarakat berkumpul, dan memiliki status yang sama. Selain itu dalam proyek ini third place hadir sebagai bentuk dari open architecture yang bersahabat dengan lingkungannya dan membuat kota menjadi lebih baik. Aktifitas utama dari proyek ini adalah interaksi dengan program yang ditawarkan, aktifitas itu sendiri maupun dengan sesama pengunjung. Fokus third place ditunjukan pada dampak dari “The Solidarity Economy” atau ekonomi solidaritas yang menurut Ethan Miller dari Grassroots Economic Organizing Collective di Australia, The “solidarity economy”, adalah sebuah undangan untuk menjangkau lingkupan yang luas mengenai cara kerja ekonomi yang berlandaskan berbagi.  Sistem ini memudahkan masyarakat untuk dapat mengakses fasilitas tanpa memiliki sesuatu yang akan menciptakan interaksi antara pengunjung dengan pengunjung. Hal ini terjadi karena proyek ini dirancang untuk membentuk aktifitas komunal. Adapun aktifitas komunal yang terjadi adalah aktifitas yang bersifat playful. Seperti, ruang misbar, café boardgame dan juga ruang olahraga yang bersifat tidak kompetitif. Seperti sebagaimana kriteria yang terdapat pada teori third place yang memiliki kriteria playful. Ruangan-ruangan yang terbentuk dirancang dan direncanakan agar setiap pengunjung bisa berinteraksi dengan pengunjung lain maupun dengan program yang sudah ada.

Author(s):  
Tramilia Salsabila Utami ◽  
Nina Carina

Cinema in Jakarta generally located in a shopping mall in Jakarta. Cinema nowadays becomes a destination for people but not yet become a third place. The lack of third place in Jakarta that can provide a place for gathering, as a meeting point, and entertainment makes Jakarta residents used commercial building as a third place. Looking at the design and program a cinema that can meet the conditions and characteristics of a third place by looking at the phenomenon cinema in Jakarta. Open cinema takes layar tancap concept or "misbar" that have been established in Indonesia. The purpose of layar tancap is to give an entertainment in areas that are difficult to reach, apparently can be applied in the city. Under the discussion, a cinema should be able to become the third place so that makes the visitor feel comfortable, with the main activity is watching a movie. Open cinema is expected to become a third place that can provide entertainment watching a movie in Jakarta without having to come to a cinema in a shopping center. Cinema that can become a third place in Jakarta. Giving a cinema with a different atmosphere, trying to give space for people to interact while providing entertainment. Keywords: Entertainment; Open Cinema; Third place AbstrakBioskop di Jakarta umunya berada di dalam pusat perbelanjaan besar di Jakarta. Bioskop saat ini menjadi tujuan namun belum menjadi sebuah third place. Minimnya third place di Kota Jakarta yang dapat memberikan wadah untuk berkumpul, titik temu, dan menyediakan sebuah hiburan membuat warga Jakarta menjadikan bangunan komersil sebuah third place. Bagaimana desain dan program sebuah bioskop yang dapat memenuhi syarat dan ketentuan sebuah third place dengan melihat fenomena bioskop di Jakarta saat ini. Open cinema atau sinema terbuka mengambil konsep layar tancap atau misbar yang dari dulu sudah ada di Indonesia. Layar tancap yang tujuan utamanya adalah untuk memberikan hiburan di daerah yang sulit dijangkau ternyata dapat diterapkan di kota besar. Dalam pembahasan sebuah bioskop seharusnya dapat menjadi ruang ketiga sehingga dapat membuat penggunanya merasa nyaman, dengan memberikan aktivitas utama menonton film. Open Cinema diharapkan dapat menjadi third place yang dapat menyediakan hiburan menonton di Jakarta tanpa harus datang ke bioskop di pusat perbelanjaan kota seperti bioskop saat ini. Open Cinema dapat menjadi sebuah third place di kota Jakarta, yang memberikan hiburan menonton dengan suasana yang berbeda, berusaha memberikan ruang hiburan dan interaksi bagi masyarakat.


2017 ◽  
Vol 43 (1) ◽  
pp. 149-165
Author(s):  
Munetsi Ruzivo

The article seeks, first and foremost, to investigate the origins, growth and development of the Southern Rhodesia Missionary Conference (SRMC) from 1903 to 1945. In the second place, the article will explore the formative factors that lay behind the rise of the ecumenical movement in the then Southern Rhodesia in 1903. In the third place, the study endeavours to examine the impact of the SRMC on the social, religious and political landscape of the country from 1903 to 1945. The research will make use of minutes of the SRMC, newspapers and books with information that date back to the period under investigation.


Author(s):  
Fille Tamalazare Yuma ◽  
Maria Veronica Gandha

In the modern era, the loss of third place in the city center, such as the city of Jakarta, has resulted in increasingly mushrooming shopping centers and increasing market gimmicks. This causes the level of social interaction between fellow humans decreases so that exclusivity is formed in each individual. In meeting social needs in that era, a social forum is needed as a place for communities to eliminate exclusivity and restore human nature which is basically a social creature that needs to interact. From this, architecture talks about ways to meet the needs of the community in the third place as a means of community existence. The presence of Art Space is intended to present communities where individuals can fuse and increase social interaction. Art Space raised the topic of art which is one of the characteristics of the Senen Kelurahan, Senen District, Central Jakarta. Art will be used as a medium and a tool to interact and communicate with each other. Making an entertainment center for art that is inclusive so that it can be enjoyed by all groups of people both artists, connoisseurs of art or the general public. The choice of performing arts is based on the high public interest in the Senen Village. The design of Art Space is designed with site analysis method so that the building pays attention to the surrounding context so as to strengthen the contextual concept. Combining typologies adapted from the habits or approaches of the needs of the surrounding community. Bluring boundaries between private closeness and public opensess. It is expected that Art Space can attract people to visit so that it presents social interaction. Keywords: Art Space; Social Interaction; Third Place Abstrak Pada era yang serba modern hilangnya third place pada pusat kota seperti kota Jakarta mengakibatkan pusat perbelanjaan semakin menjamur dan market gimmick yang terus meningkat. Hal tersebut menyebabkan tingkat interaksi sosial antara sesama manusia menurun sehingga terbentuklah eksklusifitas pada setiap individu. Dalam pemenuhan kebutuhan sosial di era tersebut, maka dibutuhkan wadah sosial sebagai wadah komunitas-komunitas untuk menghilangkan ekslusifitas dan mengembalikan hakekat manusia yang pada dasarnya adalah mahluk sosial yang perlu berinteraksi. Dari hal tersebut, arsitektur berbicara tentang cara untuk memenuhi kebutuhan komunitas pada third place sebagai sarana eksistensi masyarakat. Kehadiran Art Space dimaksudkan untuk menghadirkan komunitas-komunitas  di mana individu dapat melebur dan meningkatkan interaksi sosial. Art Space  mengangkat topik seni yang merupakan salah satu karakteristik kawasan Kelurahan Senen, Kecamatan Senen, Jakarta Pusat. Seni akan digunakan sebagai media dan alat untuk berinteraksi serta berkomunikasi antara sesama manusia. Menjadikan pusat hiburan seni yang inklusif sehingga dapat dinikmati oleh seluruh golongan masyarakat baik seniman, penikmat seni atau khalayak umum. Pemilihan jenis seni pertunjukan didasarkan oleh tingginya animo masyarakat pada Kelurahan Senen. Perancangan Art Space didesain dengan metode site analysis agar bangunan memperhatikan konteks sekitar sehingga memperkuat konsep kontekstual. Mengkombinasikan tipologi yang diadaptasi dari kebiasaan atau pendekatan kebutuhan masyarakat sekitar. Meleburkan batasan diantara private closeness dan public opensess. Diharapkan Art Space dapat menarik masyarakat untuk berkunjung sehingga menghadirkan interaksi sosial.


Author(s):  
Gabriella Gabriella ◽  
Diah Anggraini

Even thought the level of consumption of tahu tempe is very high, and Indonesia is currently the largest tahu and tempe producer country in the world, but the tahu tempe craftsmen still experiencing problems with fluctuating soybean raw material prices, while the selling price of their products tends to remain, so that the welfare of the tahu tempe craftsmen in DKI Jakarta, is difficult to increase. This also happened to tahu tempe craftsmen in Tahu Tempe Village in Semanan, West Jakarta. This study aims to improve the ability of tahu tempe craftsmen in Semanan by providing a research and development place for tahu and tempe products, marketing assistance and an educational place for related communities, in addition to being able to provide a place for social interaction for local communities from a variety of social, economic and cultural backgrounds to form a community that has character, united and sustainable. As the third place in Semanan, the site was chosen between the residential neighborhood (first place) and the agriculture, industrial, and trade area (second place) with easy accessibility of the two regions. The design method refers to the Responses to Site approach, with the processing of the design prioritizing the principle of porosity which is one aspect of open architecture. This study resulted in concept and design of the third place building with three main facilities, namely community center consisting of a communal space for socializing and interacting visitors and a food research and development kitchen for a means of innovating and developing food products from tempe and tofu, public outdoor space that is used for playing activities, exercising and organizing various events, as well as food market that sells tempe and tahu based foods. Keywords: craftsmen; inovation; porosity; tahu tempe AbstrakMeskipun tingkat konsumsi tahu tempe sangat tinggi, dan Indonesia saat ini menjadi negara produsen tahu dan tempe terbesar di dunia, namun para pengrajin tahu tempe masih mengalami permasalahan dengan harga bahan baku kedelai yang fluktuatif, sementara harga jual produknya cenderung tetap, sehingga kesejahteraan para pengrajin tahu tempe di DKI Jakarta, sulit meningkat. Hal ini juga terjadi di Perkampungan Pengrajin Tahu Tempe di Semanan, Jakarta Barat. Studi ini bertujuan untuk meningkatkan kemampuan pengrajin tahu tempe di Semanan melalui penyediaan wadah riset pengembangan dan inovasi produk olahan tempe dan tahu, bantuan pemasaran dan wadah edukasi bagi komunitas terkait, di samping dapat menyediakan wadah interaksi sosial bagi masyarakat lokal dari berbagai macam latar belakang sosial, ekonomi, dan budaya agar terbentuk komunitas yang berkarakter, menyatu dan berkelanjutan. Sebagai third place, tapak yang akan menjadi kasus studi ini berada di antara kawasan perumahan (first place) dan kawasan pertanian, industri, dan perdagangan (second place) dengan aksesibilitas yang mudah dari kedua kawasan tersebut. Metode desain mengacu pada pendekatan Responses to Site, dengan pengolahan desainnya mengutamakan prinsip porositas yang menjadi salah satu aspek dalam open architecture. Studi ini menghasilkan konsep dan perancangan bangunan third place dengan tiga fasilitas utama, yaitu community center yang terdiri dari ruang komunal untuk bersosialisasi dan berinteraksi pengunjung dan dapur food research and development untuk sarana berinovasi dan pengembangan produk makanan dari tempe, ruang terbuka publik yang difungsikan untuk kegiatan bermain, berolahraga dan penyelenggaraan berbagai event, serta food market yang menjual makanan berbasis tempe dan tahu.


Author(s):  
Lieman Lieman

Urban society has a high level stress. The daily routine beet home (first place) and at the workolace (second place) is a stress trigger. There is a gap to fill between first place and second place. So third place is a place for escape between first place and second place. At that place people will release the stress and fill it with conversation and activities. A open architecture try to present the third place in it. It try to bring place for various activities that can change according to development. That place can use for various age from child and adult. This project use observation approach and study of literature. See what happening on the field. Contextualities applied in this project, made building harmony and appear polite with surrounding. The project raised issue on the field. In release the stress used acitivies that use natural media methods. The natural media used is plant. According to research by doing activities related with plants such as planting, caring, or harvesting can reduce the level of stress in the soul. Creative activities that can be enjoyed by various ages, in childern to adult range. More creative interactions have been implemented in the project of plant-based educational and entertainment facilities in Duri Utara. Keywords: plant; stress; third place AbstrakMasyarakat kota memiliki tingkat stres yang tinggi. Rutinitas sehari-hari antara di rumah (first place) dan di tempat kerja (second place) merupakan faktor pemicu stres. Antara rumah sebagai first place dan tempat kerja atau sekolah sebagai second place ada celah untuk mengisi di antara dua hal tersebut. Maka hadirlah third place sebagai tempat pelarian antara first place dan second place. Ditempat itu sesorang akan datang untuk melepas stres dengan mengisinya dengan pembicaraan dan kegiatan. Sebuah arsitektur yang terbuka (open architecture) berusaha menghadirkan tempat ketiga (third place) di dalamnya. Hal itu mencoba menghadirkan sebuah wadah dengan beragam aktivitas yang dapat berganti sesuai perkebangannya. Wadah tersebut juga dapat digunakan oleh beragam usia dari anak-anak sampai dewasa. Proyek ini menggunakan pendekatan observasi dan studi literatur. Melihat langsung apa yang terjadi dilapangan. Kontekstualitas diterapkan dalam proyek untuk membuat bangunan yang selaras dan tampak sopan dengan sekitarnya. Proyek diangkat permasalahan yang ada di daerah perancangan. Dalam menghilangkan stres digunakan metode kegiatan yang menggunakan media alam. Media alam yang digunakan adalah tanaman. Menurut penelitian dengan melakukan kegiatan yang berhubungan dengan tanaman seperti menanam, merawat, atau memanen dapat mengurangi tingkat stres dalam jiwa. Kegiatan yang bersifat kreativitas yang dapat dinikmati oleh beragam kalangan usia, mulai dari anak-anak sampai dewasa. Interaksi yang lebih kreatif coba di terapkan dalam proyek fasilitas edukasi dan hiburan berbasis tanaman di Duri Utara.


2021 ◽  
Vol 8 (1) ◽  
pp. 24-35
Author(s):  
Mateusz Tomal ◽  
◽  
Bartłomiej Marona ◽  

The aim of the article is to determine the impact of the COVID-19 pandemic on the level of housing rents using the example of the City of Krakow. This study is based on objective data on rental prices and subjective information obtained from real estate agents using a questionnaire survey. The research revealed that the first wave of the COVID-19 pandemic actually led to a 6-7% decrease in prices in the rental market in Krakow, while at the same time the surveyed real estate agents had estimated that rents would drop by about 13%. With the second wave of the pandemic, it is possible to see that its immediate impact, i.e. between the third and fourth quarter of 2020, has led to a further 6.25% drop in rents. It should be noted that the latter decrease was very accurately predicted, both by the survey respondents and by the econometric models used. Finally, the results of the analysis also indicated that the worsening of the pandemic in the last quarter of 2020 will have a significant impact on rent levels in Krakow for all of next year. Regardless of how the economy develops, rental prices are forecast to fall further in 2021q1. However, in the subsequent quarters of 2021, rents are projected to increase, but ultimately their level will not return to pre-pandemic values even in 2021q4. The latter is likely to happen only in the second half of 2022.


Author(s):  
Leonardo Cardoso

This chapter examines the São Paulo Municipal Chamber, focusing on three noise debates in São Paulo, the first two of which involve noise ordinances created in the 1990s, and enforced by the PSIU. The first debate revolves around the Evangelical lawmakers’ attempts to exclude, minimize, or hinder the impact of the noise ordinance on religious services. The second debate focuses on an ordinance that requires bars without acoustic insulation to close at 1:00 a.m.: a demand that faced strong opposition from nightlife businesses. The third debate circles back to the beginning of this article. I describe the recent attempt of a group of acoustic engineers to lobby the city administration for the systematic mapping of traffic noise. For the sound specialists, it is only with such an acoustic map that the municipal government can plan a truly sustainable city.


Author(s):  
Erdin Yosep ◽  
Timmy Setiawan

Menteng, Central Jakarta as the first Garden City in Indoneisa, served as the most significant green  district in Jakarta. Located at the most green area in Jakarta, Cikini Flower Market (the oldest flower and ornamental plant center around) is less visible as the part of various urban axes. Cikini Flower Market Redevelopment is an uprising and refurbisment of local traditional marketplace against modern wholesale market. The design methods deliver from urban axis mapping, selected program analyze, and forming a building mass from study of market morphology. As a ‘the third place’, the concept is sharing activity with dedicated communal space and activity. All of building program, formed this project as rendezvous space for locals and outsider for shopping, recreation, collaborate, work/study, or just hangout. Through combination of open architecture and sharing economy, this project will redevelop a marketplace to contextual third place. Therefore, Cikini Flower Market will defined as the part of Menteng Green Development, and as well Ciliwung Cultural Line by maintaining it’s essence as the market. Finally, this project is designed to be open, spacious, and communal place for short break or daily needs. AbstrakSalah satu daerah dengan pengembangan ruang terbuka hijau paling signifikan di Jakarta adalah Kecamatan Menteng, Jakarta Pusat yang merupakan kota taman pertama di Indonesia. Identitas Menteng sebagai wilayah paling hijau di Jakarta justru kurang terlihat pada Pasar Kembang Cikini sebagai penyedia tanaman hias bunga tertua di Jakarta yang berada pertemuan berbagai axis perkotaan. Proyek redevelopment Pasar Kembang Cikini menjadi sebuah upaya untuk memperkuat kembali identitas pasar tradisional agar mampu bersaing dengan pasar modern.  Metode perancangan yang digunakan, yaitu berangkat dari memetakan axis kawasan perkotaan tapak terpilih, menganalisa program yang dihasilkan, dan membentuk massa bangunan berdasarkan studi morfologi bangunan pasar. Sebagai sebuah ruang ketiga, konsep pasar baru yang ditawarkan menekankan kegiatan sharing dengan adanya ruang dan aktivitas yang bersifat komunal. Gabungan dari seluruh program tersebut membuat proyek ini menjadi sebuah third place yang mempertemukan masyarkat Cikini, maupun masyarakat luar untuk datang berbelanja, berekreasi, bekolaborasi, bekerja/ belajar, maupun sekedar nongkrong. Melalui perpaduan konsep arsitektur terbuka dan ekonomi kolaboratif, proyek ini bertujuan mengembangkan sebuah pasar menjadi sebuah ruang ketiga yang kontekstual dengan pengembangan hijau Menteng dan jalur budaya Ciliwung dengan mempertahankan esensinya sebagai sebuah pasar. Proyek ini didesain untuk terasa terbuka, lapang dan komunal untuk dikunjungi sebagai tempat istirahat sejenak maupun untuk kegiatan sehari – hari. 


2004 ◽  
Vol 20 (1) ◽  
Author(s):  
Morten Mortensen

Politiske, historiske og sociale baggrunde for beslutningen om at anlægge Københavns Idrætspark i 1911.For the city’s sake – the construction of Copenhagen’s Sports Park The creation of Copenhagen’s Sports Park in 1911 can in several ways be seen as the first fragile step on the way to the involvement of voluntary sports in the construction of our welfare state. In the first place the debate and the entire procedure in the city council in Copenhagen demonstrate that sport was regarded as a positive instrument in the prevention of the substantial social and health problems that prevailed in Copenhagen around 1900. In the second place sport – in the form of DIF (The Sports Union of Denmark), Copenhagen’s sporting associations and individuals connected to voluntary sporting activities – was particularly active in this process. In the third place it is interesting that, in constructing the private foundation that was Copenhagen’s Sports Park, Copenhagen Municipal delegated the administration of the city’s sports facilities to the sports associations. This article further describes how Copenhagen’s Sports Park was arranged as an alliance between the city’s conservative politicians and the worker’s movement in the form of the Social Democrat Party.


2013 ◽  
Vol 56 ◽  
pp. 1-28 ◽  
Author(s):  
Bridget Cherry

A revised and abridged record of the Annual Lecture of the Society of Architectural Historians of Great Britain, given at the Courtauld Institute of Art, London, on 12 November 2012Two exceptional events in London in 2012, the queen’s Diamond Jubilee and the Olympics, provoked questions about the origins and legacy of major public events of the past. This article explores the impact on the fabric of London since the eighteenth century of occasional planned spectacles through discussion of two main types of event, namely the procession along a predetermined route and occasions requiring a large organized space.George, Elector of Hanover, succeeded to the throne as George I on 1 August 1714. The proclamation of a new monarch took place at a series of traditional sites. The Heralds started at the king’s residence, St James’s Palace, and proceeded to Charing Cross, where the statue of Charles I had replaced the medieval Eleanor cross destroyed in the Civil War. The third site, Temple Bar, marked the boundary of the City Liberties. Within the City the proclamation was repeated at St Mary le Bow and at the Royal Exchange — recent post-Fire buildings, but iconic sites — marking the significance of the Church and the power centre of the City merchants.


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