HIDUP BERDAMPINGAN DENGAN SAMPAH DI DESA SANUR

Author(s):  
Indira Sapphira ◽  
Joko Priyono

Human dwelling to survive, so that their existence can be seen in the world (Heidegger, 1971). In his life, humans will produce garbage. The consumptive culture of the community causes the amount of waste to increase day by day. According to the European Commission, Indonesia is the country with the second largest waste producer in the world, with a low recycling rate (22%). In Indonesia, South Denpasar (Sanur) is the city with the highest waste problem with lowest recycling rate. This design project aims to create a living space in South Denpasar (Sanur) that is able to coexist with garbage, make people interact and be educated on the importance of recycling their own waste, and live in the future while still applying the tri hita karana concept by minimizing waste production. By using this type of qualitative descriptive approach, starting with the stage of literatur to study the related dwelling, waste recycling, the concept of tri hita karana. second, field observations to determine the condition of the site around, people's daily behavior. Third, comparing several case studies to present several programs that will be created in this project. Fourth, compile/tabulate the results of observations and data so that we can find out the spatial scenario and calculate the amount that will be created. Applying the tri hita karana concept with Zero Waste Living to the project, as an approach to community culture, then providing a program that educates the public about waste recycling, not only that, the concept of using building materials derived from recycling is also presented in this project so that it can create Bali clean and green province. Keywords: Sustainable living; Waste Problem; Zero Waste Living Abstrak Manusia Dwelling untuk bertahan hidup sehingga terlihat keberadaannya / kehadirannya di dunia (Heidegger, 1971). Di kehidupannya manusia akan menghasilkan sampah. Budaya masyarakat yang konsumtif menyebabkan jumlah sampah kian hari kian bertambah. Menurut European Commision, Indonesia adalah negara dengan produsen sampah kedua terbesar di dunia, dengan tingkat daur ulang yang rendah (22%). Di Indonesia, Denpasar Selatan (Sanur) merupakan kota dengan permasalahan sampah tertinggi dengan tingkat daur ulang yang rendah. Proyek rancangan ini bertujuan untuk menciptakan ruang berhuni di Denpasar Selatan (Sanur) yang mampu berdampingan dengan sampah, membuat masyarakat berinteraksi dan teredukasi dengan pentingnya mendaur ulang sampah, dan hidup dimasa depan dengan tetap menerapkan konsep tri hita karana dengan meminimalkan produksi sampah. Dengan menggunakan jenis pendekatan deskriptif kualitatif, diawali dengan tahapan studi literatur terkait dwelling, pendaur ulangan sampah, konsep tri hita karana. kedua, observasi lapangan untuk mengetahui kondisi tapak sekitar, perilaku masyarakat sehari-hari. Ketiga, mengkomparasikan beberapa studi kasus untuk menghadirkan beberapa program yang akan diciptakan dalam proyek ini. Keempat, mengkompilasi/mentabulasi hasil dari observasi maupun data sehingga dapat mengetahui scenario ruang dan mengkalkulasikan besarannya yang akan di buat. Menerapkan konsep tri hita karana dengan Zero Waste Living pada proyek, sebagai pendekatan terhadap kebudayaan masyarakat , lalu memberikan program yang mengedukasi masyarakat tentang daur ulang sampah, tidak hanya itu konsep penggunaan material bangunan yang berasal dari daur ulang juga di hadirkan pada proyek ini sehingga dapat menciptakan Bali clean and green province.

2020 ◽  
Vol 7 (2) ◽  
pp. 119-125
Author(s):  
Upama Sen

Dubai is a living example of how people play an important role in moulding the shape of a city. It started off as a small settlement in the deserts of the Middle East along a natural creek. The old city is a testament of how the natural growth led to the birth to the vernacular architecture of the region to combat its extreme climate. From a group of fishing villages, Dubai went on to become a hub for global business. It has eventually weaved itself from its people, their culture, traditions, social norms, etc. Its architecture of has undergone dynamic transformation with amazing innovation over the recent decades. Dubai has paced faster than any other city on earth and grew into eminence over a few decades. Built on the Arabian deserts with scarce resources like water, food, building materials, etc, Dubai is now one of the greatest cities in the world. With global warming being a major concern, the world is moving towards a holistic approach of sustainable living. The city has always exhibited its feat of excellence, and is now aimed at becoming the most sustainable city. This paper is an effort to study the architectural styles of the past, their sustainability and how it has evolved though these years. The study is a summary of the vernacular architecture processes that allowed its occupants a comfortable indoor environment in the hot desert conditions.


2020 ◽  
Vol 3 (2) ◽  
pp. 220-232
Author(s):  
Mundhi Prihutama

Abstract: Metaphor is a concept in the field of architecture which is starting to be widely applied in architectural buildings today. Metaphor in architecture can be defined as a figure or expression of a form in the form of a building that can give an impression to people who observe and use it. The concept of metaphorical architecture is divided into three types, namely; 1) Intangible Metaphor, 2) Tangible Metaphor, 3) Combined Metaphor. The concept of metaphorical architecture has been widely applied to several high-rise buildings in the world, but the clarity of the characteristics and application of the concept of metaphorical architecture in high-rise buildings is still unclear. The purpose of this study is to study and understand the characteristics of metaphorical architectural concepts and their application to high-rise buildings. The qualitative descriptive method is used to analyze the case study object. Based on the analysis and discussion of case study objects, it can be concluded that the application of the metaphorical architectural concept in high-rise buildings can be applied to parts of the building, such as crowns of buildings, towers or building bodies, podiums, shape patterns of building masses, building facades and also building materials , which is adapted to the type of architectural metaphor that will be applied. Of the three case study objects examined, each has a different type of metaphor, namely; 1) Menara Wisma BNI 46, Jakarta; Tangible Metaphor, 2) Bank of China Tower; Combined Metaphor, 3) Beekman Tower, New York; Tangible Metaphor.Keywords: Architecture; Metaphor; High-rise Buildings. Abstrak: Metafora merupakan sebuah konsep dalam bidang arsitektur yang mulai banyak diterapkan pada bangunan-bangunan arsitektur saat ini. Metafora dalam arsitektur dapat didefinisikan sebagai sebuah kiasan atau ungkapan suatu bentuk dalam wujud sebuah bangunan yang dapat menimbulkan kesan bagi orang yang mengamati dan menggunakannya. Konsep arsitektur metafora terbagi menjadi tiga jenis, yaitu; 1) Metafora Tak Teraba (Intangible Metaphor), 2) Metafora Teraba (Tangible Metaphor), 3) Metafora Kombinasi (Combained Metaphor). Konsep arsitektur metafora sudah banyak diterapkan pada beberapa bangunan bertingkat tinggi di dunia, namun kejelasan akan ciri-ciri dan penerapan konsep arsitektur metafora pada bangunan bertingkat tinggi tersebut masih belum jelas kepastiannya. Tujuan dari penelitian ini adalah untuk mengkaji dan memahami ciri-ciri konsep arsitektur metafora serta penerapannya pada bangunan bertingkat tinggi. Metode deskriptif kualitatif digunakan untuk menganalisa objek studi kasus. Berdasarkan analisa dan pembahasan dari objek studi kasus, dapat disimpulkan bahwa penerapan konsep arsitektur metafora pada bangunan bertingkat tinggi dapat diterapkan pada bagian-bagian bangunannya, seperti mahkota bangunan, menara atau badan bangunan, podium, bentuk pola masa bangunan, fasad bangunan dan juga material bangunan, yang disesuaikan dengan jenis arsitektur metafora yang akan diterapkan. Dari ketiga objek studi kasus yang diteliti, masing-masing memiliki jenis metafora yang berbeda, yaitu; 1) Menara Wisma BNI 46, Jakarta; Metafora Teraba (Tangible Metaphor), 2) Bank of China Tower; Metafora Kombinasi (Combained Metaphor), 3) Beekman Tower, New York; Metafora Teraba (Tangible Metaphor).Kata Kunci: Arsitektur, Metafora, Bangunan Bertingkat Tinggi


2021 ◽  
Vol 8 (3) ◽  
pp. 1267-1284
Author(s):  
Budi Arianto ◽  
Suminto A. Sayuti ◽  
Anwar Efendi

This study aims to determine the representation of the ecological crisis found in the Rawa Gambut drama script written by Conie Sema. This qualitative descriptive research used an ecocritical approach. The data are in the form of words, phrases, sentences, and paragraphs that contain information on ecological conditions. Textual analysis was used to examine the data. Data were collected through reading and note-taking techniques with heuristic and hermeneutic reading. The results showed the themes within the drama script as an ecological crisis in Indonesia due to unfriendly environmental development policies. The representation of the ecological crisis are: 1) ideal ecological conditions are maintained if the utilization pattern is wise and responsible, 2) the ecological crisis is closely related to human intervention, 3) humans are the main cause of ecological disasters, 4) there is a disregard for environmental wisdom principles in the use of sustainable living space, 5) the moral message is the importance of awareness to maintain environmental sustainability, and finally, 6) the author offers an ecocentric paradigm to oppose the ideology of anthropocentrism, which is still the dominant perspective in the natural resource management. This study has implications, along with the importance of educational efforts, to raise awareness of environmental sustainability through drama scripts.


2021 ◽  
Vol 23 (1) ◽  
pp. 151-158
Author(s):  
Adnan Affan Akbar Botanri ◽  
Rinaldy Makatita ◽  
Vivi Sopacua

Corona Virus or Covid-19 has taken over all the world, including Indonesia. This virus outbreak has become a pandemic because of its lightning-fast spread and greater number of death rate. Ambon as one of the cities in Eastern Indonesia is also affected by Corona Virus.The higher the positive cases in Ambon, the higher the hazardous and toxic waste production (B3). Now, the government of Maluku province is preparing B3 waste management facilities, so that this research aims to investigate the appropriate location for this waste management. This research was a qualitative descriptive by applying a SIG method, that was analysing the area function with the parameter of slope, soil type, and rainfall. The area function could be used to consider the development plans of an area. Then, the data of buildings was used as a basic to determine the ideal area with the service range of 500 meter in accordance with the standard distance of B3 waste management facilities from surrounding buildings. The research findings show four alternative areas of B3 waste management facilities in Ambon. These four areas are safe to be built hazardous and toxic waste (B3) management facilities since these are located far away from the settlements. 


2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region


2019 ◽  
Vol 303 ◽  
pp. 05001
Author(s):  
Mónica Bedoya ◽  
Federico Rivera ◽  
María Rico ◽  
David Vélez ◽  
Andrés Urrego ◽  
...  

It is clear that construction and demolition wastes (CDW) are constantly increasing throughout the world and these wastes can be used effectively to minimize the consumption of natural resources in the manufacture of more sustainable concrete. The CDW occupy an important segment of world waste production and its generation reached approximately 3 billion tons in 2012 in 40 countries [1]. Although this topic has been studied in the world, it is still valid for the reuse of waste that is constantly increasing, and although in many countries there are already examples of its use this type of concrete in Colombia and in the Medellìn city lacks applications. This project proposes the application of a sustainable concrete made with CDW and coal ash in the Medellín city for its implementation in the construction of urban furniture. A university community diagnosis of the needs in terms of furnishing was made. With the design reached, a modular chair was proposed to enable spaces within the university. The mechanical characteristics of the concrete and the design of the chair are evaluated and a simulation is done through finite elements to evaluate the viability of the proposed concrete, finding that with these properties is possible to manufacture durable and sustainable furniture that serves as an example for the application of sustainable materials


2021 ◽  
Vol 295 ◽  
pp. 126358
Author(s):  
Binxian Gu ◽  
Xinyi Tang ◽  
Lingxuan Liu ◽  
Yuanyuan Li ◽  
Takeshi Fujiwara ◽  
...  

2011 ◽  
Vol 224 ◽  
pp. 94-98
Author(s):  
Chang An Liu

Wood has been one of the most popular building materials of the world and wooden buildings served as the predecessors and prototypes of architecture in history. This paper focuses on a single material, wood, as a tool to discuss the potential continuity of meaning in the material language of architecture and addresses the topic of the material imagination in architecture.


2021 ◽  
pp. 0734242X2110291
Author(s):  
Gabriel Andari Kristanto ◽  
Dini Kemala ◽  
Paras AC Nandhita

This article presents the informal recycling sector’s (IRS) social, economic driving factors in five cities in Indonesia and their contribution to waste management in the cities. An on-field analysis was conducted by random and incidental sampling method of questionnaire administration followed by observation. Among the respondents ( n = 178), 79% of individuals were waste pickers, 15% were small-scale waste collectors, and 6% were medium-scale waste collectors. The majority of the waste pickers sampled are male (79%). The amount of waste collected by individual waste pickers is 43.87 kg person−1 day−1, a corresponding recycling rate of approximately 12%, and an average monthly income of US$91.7. Gender differences are apparent as the male waste pickers generated higher incomes than those earned by their female counterparts (US$128.3 for men and US$69.7 for women) even as their average work hours are similar to that of the men (7.8 and 7.6 hours day−1, respectively). Economic motives are the respondents’ primary driving factors as moving to large cities accompanied by their family members. The study concluded that the IRS plays substantial contribution to waste management; further integrating them into the waste management system via IRS association, additional investment, formulation of law and policies and efforts by municipalities can give various benefits for involved stakeholders, the community and the environment. The results can serve as a significant reference for improving the solid waste recycling system and informal sector management in Indonesian cities and other developing countries.


2021 ◽  
Vol 93 (1) ◽  
pp. 134-139
Author(s):  
A.A. STEPANENKO ◽  

The article considers the developed model of the closed-cycle economy, which, along with economic parameters, takes into account pollution and consumption of building materials suitable for recycling. The model reflects the idea that the economic growth of a society alone cannot maintain or improve the existing quality of the environment, and for this it is necessary to increase the recycling rate. The purpose of the study is to reveal the factors influencing the increase in the level of recycling when introducing efficient and environmentally friendly systems for managing construction waste in megacities. The results of the study will affect the improvement of the quality and standards of life of the city population, the creation of favorable conditions for a safe, healthy and the prosperous life of people while ensuring the economic growth of the city. The process of the managing the growing volume of construction waste is reflected, recycling is emphasized.


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