scholarly journals SUSTENTABILIDADE NA PISCICULTURA EM TANQUES REDE: FATORES ECONÔMICOS, SOCIAIS E AMBIENTAIS NA MICRORREGIÃO DE JALES/SP

2021 ◽  
Vol 10 (12) ◽  
pp. 1-18
Author(s):  
José Estevão DURAN ◽  
José Maria Gusman FERRAZ

O estudo foca a área da Tilapicultura, criação de peixes em tanques-rede em Santa Fé do Sul, que ganhou expressividade no Estado, como a maior produtora em toneladas. A localidade é formada pelos Rios Grande e Paranaíba, que resultam no represamento da Usina Hidrelétrica de Ilha Solteira-SP. A cidade transformou-se em polo dinâmico de produção, destacando-se sua produção estimada (formal e informal) para a safra 2018/2019 de 40.320.000 quilogramas. Todavia, a microrregião de Jales, no âmbito da jurisdição forense de Santa Fé do Sul, também sente as consequências negativas decorrentes da atividade, mormente os impactos ambientais no sistema hídrico, seguidos dos impactos sociais. Nesse cenário, poderiam se alavancar e maximizar os aspectos econômicos produzidos, além de contribuir para evitar esses prejuízos causados ao meio ambiente e social, dentre os quais mencionam-se: o conhecimento, a formação, a orientação de profissionais capacitados, e com este estudo, dentre outros, destacar os principais impactos econômicos, ambientais e sociais causados pela tilapicultura na microrregião de Jales, sobretudo em Santa Fé do Sul, e elencar boas práticas na tilapicultura. A pesquisa bibliográfica realizada nos acervos públicos e privados e na rede virtual disponível será a base do estudo, sintetizada por meio dos raciocínios dedutivo e indutivo que levarão às conclusões. Deste modo, entendeu-se que as proposições iniciais desta tese foram contempladas em sua maior parte. Acredita-se que este estudo contribuirá para o conhecimento da área, o planejamento, a orientação dos produtores de peixes de modo geral. Concluiu-se que o cultivo de tilápias em tanques-rede na microrregião de Jales se deu, até o presente momento, de forma aleatória, por meio de um processo “praticamente casual”, que não se construiu de modo orientado, planejado, técnico, científico; pelo contrário, os produtores em geral, até mesmo os que atualmente são considerados grandes, iniciaram suas produções de forma “leiga”, intuitivamente, instintivamente, sem um mínimo de conhecimento técnico, acadêmico, profissional, real, sólido e seguro sobre o assunto.   SUSTAINABILITY IN FISH FARMING IN POND CULTURE: ECONOMIC, SOCIAL AND ENVIRONMENTAL FACTORS IN THE MICROREGION OF JALES/SP   ABSTRACT The study covers the area of the pond culture of tilapia, fish farming in ponds in Santa Fé do Sul, which has gained expressiveness in the State, as the largest producer in tons. The location is formed by the Grande and Paranaíba Rivers, which result from the damming of the Ilha Solteira-SP hydroelectric plant. The city has become a dynamic production center, with an estimated production (formal and informal) for the 2018/2019 harvest of 40,320,000 kilograms. However, the micro-region of Jales, under the jurisdiction of Santa Fé do Sul, also feels the negative consequences resulting from the activity, especially the environmental impacts on the water system, followed by social impacts. In this scenario, the economic aspects produced might be maximized and leveraged, in addition to contributing to avoid these environmental and social damages, among which are included: knowledge, training, and orientation from capable professionals, and with this study, among others, to highlight the main economic, environmental, and social impacts caused by in the microregion of Jales, especially in Santa Fé do Sul, and to list good practices in the pond culture of tilapia. The bibliographical research conducted in public and private collections and in the available virtual network will be the basis of the study, synthesized by means of deductive and inductive reasoning that will lead to the conclusions. Therefore, it was understood that the initial propositions of this thesis were mostly contemplated. It is believed that this study will contribute to the knowledge of the area, planning, and the orientation of fish producers in general. It was concluded that the culture of tilapias in ponds in the micro-region of Jales has happened, up to this very moment, in a random way, through a "practically casual" process, that has not been built in an oriented, planned, technical, scientific way; on the contrary, the producers in general, even the ones that are currently considered as large, started their productions in a " non-technical" way, intuitively, instinctively, without a minimum of technical, academic, professional, real, solid, and safe knowledge on the subject.   Keywords: Pond culture of tilapia; Best practices; Impacts.

2021 ◽  
Vol 38 (1) ◽  
pp. 331-356
Author(s):  
Anaïs Leone

Abstract This essay offers new data for identifying and reconstructing the original luster tilework decoration of the tomb chamber of the ʿAbd al-Samad shrine in Natanz, central Iran. The decorated complex around the tomb was likely built during the Ilkhanid period. The removal of Ilkhanid-period luster tiles from their original location has left very few buildings with their original decoration. Moreover, the stripping of an important number of monuments led to the arrival of thousands of tiles of unidentified or incomplete provenance in public and private collections. By cross-referencing available information about preserved revetments (e.g., dimensions, inscriptions, provenance, designs) with verifiable data collected at surviving monuments, it is possible to bridge the gap and unite formerly isolated elements. This study formulates new proposals about the luster tilework in the shrine of ʿAbd al-Samad, especially with regard to the complex ensemble of the mihrab. By locating and detailing the different zones of its decorative scheme, the ensemble becomes more coherent as a whole despite its remaining gaps.


2012 ◽  
Vol 9 (2) ◽  
pp. 344-360
Author(s):  
Clarice E. Peixoto

This article discusses the inclusion of photographs in ethnographic films, particularly in the genre video portrait. In the reconstitution of an individual's history, photographic images play an important role in the evocation of past facts that often remain only as fragments of memory. When examining personal collections and public archives, we prospect for photographic and iconographic images that allow usto construct possible relationships between collective and individual memories.


Work ◽  
2021 ◽  
pp. 1-13
Author(s):  
Annick Parent-Lamarche ◽  
Maude Boulet

BACKGROUND: The COVID-19 pandemic has had a profound effect on all aspects of society, including mental health. Many employees have had to pivot suddenly to teleworking to prevent the virus from spreading. While teleworking may have some negative consequences, it may also represent a human resources practice that may improve employee well-being. OBJECTIVE: The study main objective was to determine if teleworking played a moderating role in the relation between potential stressors and employee well-being during the first months of the COVID-19 pandemic when working from home. This was based on the theory of conservation of resources. METHODS: Multivariate regression analyses were conducted with Stata 13 software to determine the contribution of potential stressors on employee well-being, as well as the moderating role of teleworking on a sample of 480 Canadian employees. Data were collected once for white and blue collar from both public (67.08%) and private (32.92%) business sectors. RESULTS: Results indicated that work-life imbalances, workload, and marital tension were associated with lower levels of well-being. On the other hand, teleworking and household income were associated with higher levels of well-being. Teleworking also moderated the differences in well-being between the public and private sectors. Teleworking in the public sector seems to increase employee well-being. Conversely, working on-site in the public sector seems to decrease well-being. CONCLUSIONS: Employers need to proactively address work-life imbalances, workloads, and teleworking to maintain employee well-being. Specific recommendations are offered to ensure that teleworking remains positive for employee well-being both during a pandemic and afterward.


2020 ◽  
Vol 16 (02) ◽  
Author(s):  
George Profitiliotis

The emergence of private space activities is pushing the boundaries of the space industry with technological innovations that may soon enable the targeting of the novel market segments of space research and exploration, space resources utilization, and human access to space. Planetary protection is defined as a set of guidelines that aim to prevent the forward contamination of celestial bodies with biological material from Earth and the backward contamination of the terrestrial biosphere with extraterrestrial biological material. Significant questions are expected to be raised in the future with respect to potential forward and backward contamination issues of emerging private space activities. Unfortunately, the jurisdiction over and the enforcement of forward and backward contamination prevention measures to private space endeavors are currently facing policy and regulatory gaps and ambiguities. The key challenges with the current planetary protection policy landscape indicate that these contamination issues of private space activities can indeed have lasting negative impacts on social, economic, and environmental equity, sustainable development on Earth, and the sustainable exploration and development of other celestial bodies. Drawing on its multidisciplinary expertise, the UN system is favorably positioned to play a key role in stimulating a novel planetary protection framework for emerging private space activities. Firstly, it can provide an international forum for the harmonization and agreement on such a framework. Secondly, it can create a financing mechanism to fund international research and development consortia of public and private organizations under a pre-competitive collaboration scheme for planetary protection technologies. Thirdly, it can establish a process of civic engagement to promote the meaningful participation of the civil society in the formulation of this framework. A prudent consideration of this matter may not only counteract the inequitable distribution of any unintended negative consequences, but may also facilitate economic development in a respectful, sustainable, and responsible manner.


2018 ◽  
Vol 11 (3) ◽  
pp. 34
Author(s):  
José Queiroz de Miranda Neto ◽  
José Antônio Herrera

ResumoEste artigo analisa o processo de expansão urbana recente em Altamira – PA, de modo a verificar as novas tendências de crescimento a partir da instalação da usina hidrelétrica de Belo Monte. São utilizados como bases teóricas os conceitos ligados à morfologia urbana e à produção social do espaço urbano. A expansão urbana recente se constitui a partir de fatores articulados ao processo de instalação da usina hidrelétrica, onde se verifica um crescimento acelerado da malha urbana em várias direções, respeitando o sentido das vias estruturantes. Tal crescimento chega a ultrapassar 50% e se dá a partir de novas instalações urbanas para habitação e uso coletivo, públicas e privadas, que alteram o desenho da cidade, sua paisagem e estrutura urbana. Nesse novo cenário, cabe destaque ao papel dos agentes imobiliários e do poder público, bem como da empresa Norte Energia S.A como indutora de processos e agente ordenador do território.Palavras Chave: Expansão urbana, morfologia, Altamira, Belo Monte.  AbstractThis article analyzes the process of recent urban expansion in Altamira, Pará State, in order to check for new growth trends after the implementation of the hydroelectric plant of Belo Monte. The concepts related to urban morphology and social production of urban space are used as theoretical basis to this study. The recent urban expansion is composed by factors related to the hydroelectric plant implementation process, which shows a rapid growth of the urban mesh in several directions, respecting the way of structuring roads. Such growth exceeds 50% and it happens by means of public and private new urban facilities for housing and collective use that alter the design of the city, its landscape and urban infrastructure. In this new scenario, it is highlighted the real estate agents’, government’s, and  Norte Energia corporation’s roles, being the former one considered an originator territory agent and responsible for  inducing this processes.Keywords: urban expansion, morphology, Altamira, Belo Monte.  ResumenEn este artículo se analiza el proceso de reciente expansión urbana en Altamira-PA, con el fin de comprobar si hay nuevas tendencias de crecimiento después de la instalación de la central hidroeléctrica de Belo Monte. Se utilizan como base teórica los conceptos relacionados con la morfología urbana y la producción social del espacio urbano. La reciente expansión urbana se constituye a partir de factores relacionados con el proceso de instalación de la planta hidroeléctrica, donde hay un rápido crecimiento de la red urbana en varias direcciones, respetando el modo de estructuración de las carreteras. Este crecimiento es superior al 50% y se produce a partir de nuevos equipamientos urbanos para viviendas y uso colectivo, públicos y privados, que alteren el diseño de la ciudad, su paisaje y la estructura urbana . En este nuevo escenario, hay que destacar el papel de los agentes de bienes raíces, el gobierno y también del Norte Energia S.A , que induce procesos y articula el territorio .Palavras Chave: expansión urbana, morfología, Altamira, Belo Monte. 


Author(s):  

The Index of Illustrations is an integral part of the definitive guide “Literary Heritage For 80 Years. A Guide to Volumes 1–103 yrs. 1931–2011”. There are nearly 12,000 illustrations in 103 volumes of “Literary Heritage”. The search for content spanned small and large museums, archives, and libraries in Russia, with many illustrations published for the first time ever. Other materials were sourced from public and private collections within the country and from abroad. The resulting illustrative content in “Literary Heritage” forms a massive, powerful visual projection of Russian authors, aspects of their family and everyday life, the spectrum of cultural and political professions, and portraits of actors in life and as performers on the stages of domestic and foreign theaters. The authors emphasized reproducing autographs including unpublished manuscripts, letters, and dedications on photographs and in books. Of great importance is the replication of printed materials — illustrations from the works of Russian authors as representative examples of typography. Finally, we should highlight many illustrations that give the viewer an idea about the environment of the authors, including memorials and monuments. The Index of Illustrations serves as a key to this iconic collection of materials, cataloging cutlines in order of their appearance in the volumes and respective location within each book. Cutlines are expanded on the illustrations’ theme — the subjects of the portraits, the groups gathered for specific purposes, the authors of the manuscripts, etc. They indicate the artist or photographer of the original illustration and its current location (museum, archive, etc.). In addition, a cross-reference of over 7,000 names accompanies the Index.


Author(s):  
Dora P. Crouch

Water in ancient Greek cities can be considered under several rubrics— aesthetic enrichment of urban spaces, ornamentation of enclosed precincts, nuisance or danger in the form of flood or excessive storm runoff, domestic amenity, public ritual and spectacle, to name a few. This chapter focuses on public fountains, which were both amenity and necessity, contrasting them with the more humble domestic arrangements of the same cities. The appearance, function, and location of fountains cannot be understood as merely visual matters, even though the form and ornamentation of fountains made significant architectural and aesthetic contributions to the cityscape. Rather, understanding the local geology and climate and the principles of hydraulic engineering makes possible a new and clearer understanding of this architectural type. The technological and geological basis of water supply is of equal weight in urban development with the formal presentation of water as an urban amenity. Water management in ancient Greek cities expressed in its physical forms both the simplicity and the sophistication of their hydraulic technology. The physical arrangements were expressed in the same vocabulary of the Greek orders and decorative details that were used for other buildings and fittings, and in the same range of local and imported materials. Placement of the water system elements not only facilitated their use but also indicated the high value placed on water and on its use. The dangers of too much water or not enough were not only solved by Greek technological tradition but also expressed in the physical forms given to the individual parts and to the water system as a whole. Each of the water elements I have studied is simple, fulfilling its function economically, yet each is sophisticated enough that modern day practice is just beginning to catch up with these crafty ancients. For instance, having both the flowing water of fountains and wells, and the stored rainwater of cisterns, meant that the water supply of a Greek city was diversified for greater safety in time of war or shortage, and for ecological soundness. In the late twentieth century we are just beginning to understand the utility of redundancy.


2020 ◽  
pp. 266-278
Author(s):  
Bennetta Jules-Rosette ◽  
J.R. Osborn

Theories and ideologies of museum culture are collaboratively created by directors, curators, artists, and their audiences. This book examines these processes through the frameworks of five transformational nodes and dialogues with artists and curators. Based on these materials, nine guideposts emerge: creating transparency in curatorial networks; expanding south-north connections and exchanges; (3) reworking and blending artistic genre classifications; marketing and permeability of artworks; connecting museums with other multicultural institutions and frameworks; linking public and private collections; reconfiguring archives and databases; developing new museum learning strategies; and opening up new avenues of connectivity with diverse communities. By adopting and following these strategies, museums may display new works, showcase changing curatorial directions, and attract broader museum audiences.


Author(s):  
Charlotte Galloway

Born in Chiang Rai, Thailand, Wong Uparaj studied Fine Arts at Silpakorn University. On completion of his degree in 1964 he received a British Council grant to study at the Slade School, London in 1964, and was later awarded a Rockefeller scholarship for an MA in Fine Arts at the University of Pennsylvania, Philadelphia, which he completed in 1969. Always interested in international art practices, Wong Uparaj traveled in Europe, India, Japan, and Australia, though Thailand was always his primary inspiration. Wong Uparaj’s works were fundamentally underpinned by his Buddhist beliefs and studying Buddhism helped him find peace in life and work. Following early experimentations with abstraction and Impressionism, he settled into a distinct realist style, creating rural and urban scenes from his own imagination that focused on a simple, almost idealized view of what life could be. There is a consistent sense of serenity and stillness in his compositions. This is balanced cleverly with his use of color, such as the inclusion of large areas of yellow, green, or blue in a number of works that, while bold, skillfully enhances the aura of calm. Wong Upararaj was a highly respected artist, working across a variety of media including tempera, acrylic, woodcut, pastel, watercolor, oil, and drawing. His works are well represented in public and private collections internationally.


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