scholarly journals PENGGUNAAN KIDANG DALAM UPACARA PIODALAN DI PURA DESA, DESA TINGGARSARI KECAMATAN BUSUNGBIU, KABUPATEN BULELENG

2018 ◽  
Vol 2 (1) ◽  
pp. 340
Author(s):  
Komang Tari Karismayanti ◽  
I Ketut Wisarja ◽  
Ni Luh Gede Wariati

<p><em>Hindu people always hold the teachings of  Tri Hita karana, is three sources that have been happening s a human relationship with Ida Sang Hyang Widhi Wasa called Parhyangan. human relationships with humans called Pawongan and human relationships with the so-called natural world Palemahan. the use of kings in Piodalan ceremony at Pura Desa, Desa Tinggarsari is one form of implementation of the teachings of  Tri hita Karana as a form sraddha and bhakti. niskala to prosperous nature from the influence of bhuta kala. the use of the field is carried out on the fifth full moon, which begins with the tradition of meboros to the forest to get a court. The results of the research obtained are as follows: (1) the procession of the use of the congregation in the ceremony of  Piodalan in Pura Desa, begins with the meboros tradition to the forest to get the deer, from preparation meboros to get a court for ceremonial facilities, and melasti carried out stream flow, 2) the function of the use of yakti religious function to increase sraddha and bhakti to god, the social function of strengthening the cord between all societies and the function of cultural preservation is to be able to preserve the use of the congregation that has long been a tradition. (3) the meaning of the use of the congregation is a form of respect for the god, as well as the importance of maintaining harmony and balance of nature and environment to achieve the welfare and prosperity of this universe.</em><strong><em></em></strong></p>

2018 ◽  
Vol 2 (1) ◽  
pp. 274
Author(s):  
I Gusti Ayu Widayanti ◽  
I Made Surada ◽  
I Made Adi Brahman

<p><em>Lontar Calonarang's literary works is a work of art. Calonarang term other than as one of the works of literature, Calonarang also means characterization</em><em> </em><em>or the name of a man in the play known as Rangda ing Girah. Calonarang is also known as art form such as wayang pacalonarangan and in staging pacalonarangan dance drama. Lontar Calonarang is a lontar manuscript that specifically tells about Calonarang revenge using black magic against the people in Girah village. This is because the people in the village of Girah no one wants to marry Calonarang child is Ratna Manggali. Lontar Calonarang literary work is interesting to read and researched because this literary work has a philosophical meaning of construct so easy to be understood in depth. </em></p><p><em>The results that can be obtained from this literary work are Teachings contained in lontar Calonarang include Rwa Bhineda, Catur Asrama, and Tantra. The function of the teachings contained in the Calonarang lontar is the religious function, the social function, and the function of cultural preservation. While the philosophical meaning derived from this literary work is the meaning of balance, meaning of education, and the meaning of divinity.</em><strong><em></em></strong></p>


2019 ◽  
Vol 6 (3) ◽  
pp. 502
Author(s):  
Indri Wahyuli ◽  
Zulfadhli Zulfadhli

The study aims to describe: (1) the structure of local legend Batu Bangkai in Kanagarian Alama Pauah Duo Sub-district Pauah Duo District Solok Selatan, and (2) the social function of local legend Batu Bangkai in Kanagarian Alama Pauah Duo Sub-district Pauah Duo District Solok Selatan. The source of this research data is story about local legend Batu Bangkai in Kanagarian Alam Pauah Duo Sub-district Pauah Duo District Solok Selatan. Based on result of the study concluded: (1) The folklore the main character of local legend Batu Bangkai  is a rebellious child, slot of the story is conventional slot, the story happened in Kanagarian Alama Pauah Duo Sub-district Pauah Duo District Solok Selatan,  the language told by informant with understoodable language, the massage of the story is to be honest, to help each other, and never give up, and (2) social function of the local legend Batu Bangkai are for entertain, education, and cultural preservation. Keywords: folklore, structure, social function


2018 ◽  
Vol 2 (1) ◽  
pp. 359
Author(s):  
Ni Kadek Dunianti ◽  
Ni Wayan Sumertini ◽  
Ida Ayu Putu Bintang

<p><em>Hindus always hold the teachings of Tri Hita Karana are three sources that bring happiness, the human relationship with Ida Sang Hyang Widhi Wasa called Parhyangan, human relations with humans called Pawongan and human relationships with the surrounding nature called Palemahan. The tradition of Tajen Don Distance is one form of implementation as a form of Sraddha and Bhakti Niskala to mensejaterahkan nature of the influence of Bhuta Kala. This tradition was done at the time of Wrespati Umanis Pagerwesi, which begins with ceremony of ceremony at Pura Alas Arum then continued with nedunin Ida Batara in Pura-Pura in Desa Pakraman Bangah. </em><em></em><em></em></p><p><em>The results obtained are as follows: (1) The procession of Tajen Don Distance Tradition at Pura Alas Arum, beginning with the matur piuning, nedunin Ida Batara, the implementation of the novelty and Tradition of Tajen Dont distance is exerted to memishnakan nature and environment of Desa Pakraman Bangah. (2) The Tradition of Tajen Don Distance is the Religion function to increase Sraddha and Bhakti to God, Social function to strengthen the relationship between Krama Desa and Culture function in order to preserve this tradition. (3) The meaning of traditional Theology of Tajen Don Distance is as a tribute to God, in this research that is Uma Goddess and Bhuta Kala.</em></p><pre><em> </em></pre>


2019 ◽  
Vol 6 (3) ◽  
pp. 337
Author(s):  
Imelia Sabrina ◽  
Hasanuddin WS Hasanuddin WS

The study aims to describe: (1) the structure of local legend Awang Tikuluak in Kanagarian Sungai Sariak Sub-district VII Koto District Padang Pariaman, and (2) the social function of local legend Awang Tikuluak in Kanagarian Sungai Sariak Sub-district VII Koto District Padang Pariaman. The source of this research data is story about local legend Awang Tikuluak in Kanagarian Sungai Sariak Sub-district VII Koto District Padang Pariaman. There are four stages to analyze the data. First, data inventory, Second, data classification. Third, conclude the data classification result. Fourth, write the research report. Based on result of the study concluded: (1) The folklore of local legend Awang Tikuluak told by informant with local language, the main character is Saleha, and theme of the story is about rebellious child, and (2) social function of the local legend Awang Tikuluak are for education, cultural preservation, and group identity.Keywords: folklore, structure, social function


2019 ◽  
Vol 6 (3) ◽  
pp. 468
Author(s):  
Welly Helmi ◽  
Zulfadhli Zulfadhli

 This study aims to describe: (1) the structure of local legend Datuak Parpatih Nan Sabatang’s grave in Munggu Tanah, Jorong Batu Palano, Nagari Salayo, District Kubung, Solok Regency, and (2) the social function of local legend Datuak Parpatih Nan Sabatang’s grave in Munggu Tanah, Jorong Batu Palano, Nagari Salayo, District Kubung, Solok Regency. The source of this research data is story about local legend Datuak Parpatih Nan Sabatang’s grave in Munggu Tanah, Jorong Batu Palano, Nagari Salayo, District Kubung, Solok Regency. There are two stages to collect the data. First, doing interview with informant and record it. Then, transcribe the recordings. Second, collecting data about informant environment. Based on result of the study concluded: (1) The folklore of local legend Datuak Parpatih Nan Sabatang’s grave told by informant with understoodable language, have ten character, the story’s background is in Nagari Salayo, and theme of the story is about Datuak Parpatiah’s body contested, and (2) social function of the local legend Datuak Parpatih Nan Sabatang’s grave are for entertain, education, cultural preservation, and group identity. Keywords: folklore, structure, social function, local legend


2018 ◽  
pp. 173-178
Author(s):  
Eric Daryl Meyer

The conclusion makes a case for the foregoing chapters’ theological work on human animality as a novel approach to ecological theology. The human relationship to the animality internal to human life shapes human relationships to nonhuman animals and the natural world in a determinative way. Where humanity is defined over against animality and performed in each human life through efforts to transcend one’s own animality—as the bulk of the Christian tradition would have it—then humanity is ill equipped to life in ecological relationships of mutuality and responsibility with fellow creatures. A theology whose account of human life is centered on human animality is one necessary piece of an adequate response to ecological degradation.


Author(s):  
Andrea Trujillo

This article describes the results of an ethnomusicological study on the carángano, a ground bow instrument played only by women in the small villages of the Colombia Caribbean region. Before the introduction of electricity, the inhabitants contemplated the full moon as the women played, danced and laughed to the sound of this instrument. This instrument is now almost extinct. In this article, the social function, organological structure and repertoire of this instrument are analysed. The relationship between the carángano and other ground bows such as the tingo-talango or the dumbu-kalinga and sekituleghe on the American and African continents is discussed. These musical practices require urgent attention since they harbour musical and identification values belonging to the Colombian Caribbean region while sharing cultural aspects which connect Africans and African descendants across vast distances.


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