scholarly journals PRENSA Y POLÍTICA AFRO URUGUAYA: NUESTRA RAZA Y EL PARTIDO AUTÓCTONO NEGRO - PRIMERA MITAD DEL SIGLO XX

2019 ◽  
Vol 1 ◽  
pp. 07
Author(s):  
Eduardo Palermo
Keyword(s):  
Black Women ◽  
20Th Century ◽  
Social Situation ◽  
Public Works ◽  
The Social ◽  
The Creation ◽  
Siglo Xx ◽  
Low Wages

En 1933 se fundó la Revista Nuestra Raza, órgano de prensa afro uruguayo que denunció la situación social de los mismos, marcada hasta mediados del siglo 20 por el analfabetismo, dificultades de acceso laboral, la prostitución de la mujer “negra”, la falta de acceso a los trabajos públicos, bajas remuneraciones, negación de los derechos jubilatorios, la vida en zonas suburbanas y muy pobres, la discriminación y el racismo. Fue un portavoz en el combate al fascismo internacional, a las dictaduras, al racismo y aportó a la unidad cultural afro uruguaya, fundando la Casa de la Raza. Entre las acciones más importantes aporto a la creación, en 1936, del Partido Autóctono Negro con el objetivo de obtener un diputado que los representara. En todos los aspectos la revista fue pionera en las acciones de resistencia y acción militante de los afro- uruguayos.Palabras-clave: Prensa afro uruguaya. Nuestra Raza. Partido Autóctono Negro.AbstractIn 1933, the magazine Nuestra Raza, an Afro-Uruguayan press body, was denounced, denouncing the social situation of the same, marked until the middle of the 20th century by illiteracy, labor access difficulties, the prostitution of "black" women, the lack of access to public works, low wages, denial of pension rights, life in suburban and very poor areas, discrimination and racism. He was a spokesman in the fight against international fascism, dictatorships, racism and contributed to the Afro-Uruguayan cultural unity, founding the Casa de la Raza. Among the most important actions contributed to the creation, in 1936, of the Partido Autoctono Negro (Black Autochthonous Party) with the aim of obtaining a deputy to represent them. In all aspects, the magazine pioneered the actions of resistance and militant action of Afro-Uruguayans.Keywords: Uruguayan afro press. Our Race. Black Autochthonous Party.

Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni

2014 ◽  
Author(s):  
Dira Herawati
Keyword(s):  
Social Situation ◽  
Work Of Art ◽  
Social Phenomena ◽  
Aesthetic Object ◽  
Human Foot ◽  
Works Of Art ◽  
The Social ◽  
The Creation ◽  
Art Photography ◽  
Artistic Images

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images

Social appreciation for the improvement of tourism management of 20th-century heritage: a methodological proposal

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Gema Ramírez-Guerrero ◽  
Javier García-Onetti ◽  
Juan Adolfo Chica-Ruiz ◽  
Manuel Arcíla-Garrido
Keyword(s):  
20Th Century ◽  
Management Tool ◽  
Future Research ◽  
Analysis Tool ◽  
Content Type ◽  
Cultural Assets ◽  
Current State ◽  
The Social ◽  
Depth Analysis ◽  
The Creation

Purpose This paper attempts to fill the gap that exists in research regarding 20th-century heritage and its social appreciation. The purpose of this paper is to explore different ways of evaluating the heritage value and tourism potential and to propose an innovative model validated in the Zarzuela Hippodrome as an example of cultural asset from 20th century with important economic, social, cultural, aesthetic and architectural aspects. Design/methodology/approach This study opted for an interpretation of heritage from an ecosystem, integrating and global paradigm, understanding the asset as a set of resources that interact with each other, generating a common and enriched tourist experience among all the elements that make it up. From this perspective, it is conceived that by modifying one of the elements, the whole (tourist) ecosystem will be equally influenced. On the other side, it was incorporated non-parametric techniques based on the implementation of surveys for the validation of the tool to the case study of the Zarzuela hippodrome. Findings The results suggest that the hippodrome's internal values have been evaluated very positively, while its external values are low. Through this study, the paper has identified several weaknesses that impede its functioning as a viable “tourist product.” The distance from the city center, the lack of available information and the scarce diffusion and tourism promotion are its main weaknesses. The proposed analysis tool reveals the importance of the active participation of visitors to evaluate cultural assets through the combination of aspects related to the conservation of cultural assets and, in turn, elements that encourage their commodification as tourist products, break down barriers between these two disciplines. Research limitations/implications The management tool proposed in this study can be used to underpin the creation of tourism experiences in cultural or heritage assets by diagnosing the current state of its tourist potential, quantifying its value in relation to the visitors’ perception and making visible those problematic aspects to develop actions to solve them. Although the present study is support for future research, as well as for improving the marketing of heritage in tourist settings, an in-depth analysis of the technical elements of heritage, as well as of its intervention (if applicable), will be necessary for the managers who want to use the tool. Social implications One of the most differentiating characteristics between the construction typology of 20th-century historical buildings is perhaps the scarcity of decorative ornamentation, with exposed concrete being the main surface coating. Many of these constructions have an important cultural and historical relevance, however, the social perception, as regards its consideration as architectural and artistic heritage seems to reflect discordant aspects. This study provides support as a decision-making tool to determine the existing valuation of a building and how to enhance it. Originality/value This study takes steps toward the creation of a model that supports decision-makers and owners of cultural assets through a measurement system that makes it possible to quantify and determine the current state of tourism use through the social evaluation of heritage criteria. It defines which are the elements that favor the resilience of the property or, on the contrary, which are those that undermine its enhancement.

scholarly journals Hacia una lectura de las instituciones culturales. la oficina de propaganda cultural en el municipio de Bogotá (1933)

2017 ◽  
Vol 12 (2) ◽  
pp. 29
Author(s):  
Marta Lucía Bustos
Keyword(s):  
20Th Century ◽  
Cultural Institutions ◽  
Cultural Policies ◽  
Intellectual Elite ◽  
State Authority ◽  
The Creation ◽  
Siglo Xx ◽  
The City ◽  
Social Sectors

ResumenEl texto examina el surgimiento de la institucionalidad cultural en el municipio de Bogotá como parte del proyecto colonial y señala cómo los discursos y prácticas que legitiman la creación de la Oficina de Propaganda Cultural en la década de los años treinta del siglo XX están anclados en la colonialidad del poder de una autoridad estatal que buscó educar a sectores sociales clasificados en la negativa categoría de masas populares. Al revisar el conjunto de prescripciones, afirmaciones, hechos, deseos e intenciones de una élite intelectual que promovió la creación de oficinas culturales, se identifica una idea de la cultura que se relaciona con un saber oculto y con una serie de prácticas en que la acción cultural destaca como vehículo para transfigurar el alma de un pueblo racialmente concebido y, por lo tanto, desposeído de cultura. Este texto hace parte de una serie de indagaciones sobre la institucionalidad cultural pública en Bogotá que tienen como propósito contribuir a ampliar el mapa interpretativo de las políticas culturales en la capital, y comprender mejor cómo se configuraron y desarrollaron formas, reglas y entidades que ordenan nuestro presente.           Palabras claves Políticas culturales; institucionalidad cultural; Bogotá; colonialidad del poder  Towards a Reading of Cultural Institutions. The Office of Cultural Propaganda in the Municipality of Bogotá (1933)Marta Lucía Bustos GómezAbstractThis article examines the emergence of cultural institutions in the city of Bogota as part of the colonial project and points out how the discourses and practices that legitimize the creation of the Office of Cultural Propaganda in the early 30s of the 20th century are anchored in the coloniality of power of a state authority that sought to educate social sectors classified in the negative category of popular masses. In reviewing the set of prescriptions, statements, facts, desires and intentions of an intellectual elite that promoted the creation of cultural offices, an idea of culture that is associated with an occult lore and a number of practices in which cultural action stands out as a vehicle to transfigure the soul of a racially conceived people and, therefore, one which is deprived of culture. This text is part of a series of inquiries into public cultural institutions in Bogota that are intended to help expand the interpretive map of cultural policies in the capital, and better understand how norms, rules and institutions that command our present were configured and developed.KeywordsCultural policies; cultural institutions; Bogotá, coloniality of power Sug  lecturakuna chi institución  culturalkuna. Chi oficina  propaganda cultural sug Municipio Bogotape (1933)Marta Lucia Bustos GómezMaillallachiska:Kai kilkaska examiname llugsirii chi institucionalidad cultural sug Municipio Bogotape sug aparte proyecto colonial  y señalanme sug discurso  y practica legitimandakuna uiñachingapa sug oficina propagandapa sulturalchi uata kimsa chunga y atun uatasiglo XX kamkuna anclareska colonialidadpe chi autoridad estatalpe markaska aichachingapa sector social clasificado negaspa  categoría masa popularkuna. Maskaspa chi conjunto prescripción, afirmación, ruraska munaikuna y Iuiaikuna sug elite iuiaiug Nirka uiñachingapa oficina cultural y regserenme sug idea chi cultural relacioname sug iachai pakalla y sug practikakuna chi acción culturalka kauachinmi sug autosina trukangapa alma pueblota racial iachaskata  y chasak mana culturaua kangapa.Kai  kilkaska  kame parte indagaska sug institucionalidad  cultural pública Bogotape y kanme aidachingapa atuniachingapa chi mapa interpretativo chi política cultural capitalpe, y entengapa imasa configuraska y desarrollaska forma, regla y entidadkuna Nukanchipa nukaurra.Rimangapa Ministidukuna:Políticas culturales; institucionalidad cultural; Bogota; colonialidad poderpe Vers une lecture des institutions culturelles. Le Bureau de propaganda culturelle à la municipalité de Bogotá (1933)Marta Lucía Bustos GómezRésuméLe texte examine l'émergence d'institutions culturelles dans la ville de Bogota dans le cadre du projet colonial et souligne la façon dont les discours et les pratiques qui légitiment la création du Bureau de propagande culturelle au début des années 30 du XXe siècle sont ancrées dans la colonialité du pouvoir d'une autorité étatique qui cherchait à éduquer les secteurs sociaux classés dans la catégorie négative des masses populaires. En examinant l'ensemble des ordonnances, des déclarations, des faits, des désirs et des intentions d'une élite intellectuelle qui a favorisé la création de bureaux culturels, une idée de la culture qui est associée à une tradition occulte et un certain nombre de pratiques don l'action culturelle se distingue comme un véhicule pour transfigurer l'âme d'un peuple racialement conçu et, par conséquent, privé de culture. Ce texte fait partie d'une série d'enquêtes sur les institutions culturelles publiques à Bogota qui sont destinés à aider à étendre la carte d'interprétation des politiques culturelles dans la capitale, et de mieux comprendre comment elles se sont configurées et ont développé des formes, des règles et des institutions qui commandent notre présent.Mots clésPolitiques culturelles; institutions culturelles; Bogotá; colonialité du pouvoirÀ LEITURA DAS INSTITUIÇÕES CULTURAIS. O ESCRITÓRIO DE PROPAGANDA CULTURAL NO MUNÍCIPIO DE BOGOTÁ (1933)Marta Lucía Bustos GómezO texto examina o surgimento da institucionalidade cultural no munícipio de Bogotá como parte do projeto colonial e assinala cómo os discursos e práticas que legitimam a criação do Escritório de Propaganda Cultural na década dos anos trinta do século XX estão ancorado na colonialidade do poder de uma autoridade no Estado que procurou educar a setores sociais classificados na negativa categoria de massas populares. Ao revisar o conjunto de prescrições, afirmações, fatos, desejos e intenções de uma élite intelectual que promoveu a criação de Escrtórios Culturais, se identifica uma ideia da cultura que se relaciona con um saber oculto e com uma série de práticas em que a ação cultural destaca como veículo para transfigurar a alma de um povo racialmente concebido e, pelo tanto, despossuídos de cultura. Este texto faz parte de uma série de inquéritos sobre a institucionalidade cultural pública em Bogotá que têm como propósito contribuir para expandir o mapa interpretativo das políticas culturais na capital, e compreender melhor como se configuraram e desenvolveram formas, regras e entidades que ordenam nosso presente. Palavras-chavePolíticas culturais; institucionalidade cultural, Bogotá; colonialidade do poder

scholarly journals Зоопоэтика текста в калмыцкой басне ХХ в.

2021 ◽  
Vol 14 (2) ◽  
pp. 393-408
Author(s):  
Rimma M. Khaninova ◽  
Keyword(s):  
Research Methods ◽  
20Th Century ◽  
Fairy Tale ◽  
Cultural Construction ◽  
Political Orientation ◽  
Past Century ◽  
Semantic Code ◽  
The Past ◽  
The Social ◽  
The Creation

Introduction. In the genre system of Kalmyk poetry, the literary fable appeared in the 1930s. When it came to master the genre, Kalmyk poets mainly focused on the traditions of Russian fable of the 19th–20th centuries, primarily on I. A. Krylov’s works which they eagerly translated. The Kalmyk authors were the least likely to rely on traditions of Eastern literature — whether Indian, Tibetan, or Oirat Mongolian — since those sources written in Tibetan, Classical Mongolian and Clear Script (Kalm. todo bichiq) were virtually unavailable to them, and not all poets had knowledge of the scripts. National folklore, including myths, animal tales, household tales, aphoristic poetry (proverbs, sayings, riddles), to a certain extent contributed to the creation of plots and motifs, a gallery of images ― people and the animal world ― in the Kalmyk literary fable. The appeal to the fable was determined by the tasks of cultural construction in Kalmykia, the satirical possibilities of the genre designed to scourge social vices and human shortcomings, contribute to the correction of morals, facilitate education of a person in the new society. Attention to the fable in 20th-century Kalmyk poetry was not that universal and constant, by the end of the century it was no longer in demand and never revived further. The Kalmyk literary fable has been little studied so far, with the exception of several recent articles by R. M. Khaninova, which determines the relevance of this study. Goals. The article aims to study zoopoetics of text of the animalistic fable in Kalmyk poetry of the past century through examples of selected works by Khasyr Syan-Belgin, Muutl Erdniev, Garya Shalburov, Basang Dordzhiev, Timofey Bembeev, and Mikhail Khoninov. Methods. The work employs a number of research methods, such as the historical literary, comparative, and descriptive ones. Results. The animalistic fable is not the leading one in the general genre system of Kalmyk poetry of the past century, including among fables with human characters. It usually includes characters of the steppe fauna whose figurative characteristics are manifested in Kalmyk folklore. The social satire and political orientation of the fables are actualized by modern reality, actual international situation and events. The paper reveals a relationship between the animal fable and — Kalmyk folklore and the Russian fable tradition. Most of the fables have not yet been translated into Russian. Conclusions. In terms of national versification patterns, the study of the Kalmyk poetic animal fable has identified such synthetic forms as fable-fairy tale, fable-proverb, and fable-dream. The genre definition is not always specified by the authors, a moral usually concludes each quatrain-structured narrative. Genre scenes, monologues, and dialogues contribute to an in-depth reading of the context, symbolism of images, and semantic code.

scholarly journals O SIQUEIRISMO NO CONTEXTO DAS FORMAS POLÍTICAS DE DOMINAÇÃO NO BRASIL

2018 ◽  
Vol 4 (2) ◽  
pp. 783
Author(s):  
Sandoval Antunes de Souza
Keyword(s):  
20Th Century ◽  
Late 20Th Century ◽  
Political Group ◽  
Palabras Clave ◽  
History Of ◽  
The Creation ◽  
Brazilian History ◽  
Siglo Xx

O siqueirismo se tornou um derivativo de uma palavra que era comum desde a criação do Estado nos meios políticos. Com a configuração de um grupo político praticamente hegemônico no Tocantins, os políticos, sejam deputados, prefeitos, vereadores e senadores ligados ao grupo de Siqueira Campos eram chamados de siqueiristas. Desta forma objetivamos fazer uma análise do siqueirismo comparativamente a outras formas de dominação, na perspectiva weberiana, no Brasil contemporâneo. O interesse é pontuar, em um recorte deliberado de algumas formas de poder que possam servir à percepção do que é o siqueirismo no Tocantins e compará-lo com outros personagens da política brasileira na segunda metade do século XX.   PALAVRAS-CHAVE: Tocantins; siqueirismo; dominação; política.     ABSTRACT Siqueirism has become a derivative of a word that was common in political circles since the creation of Tocantins state. With the configuration of a practically homogeneous political group in Tocantins, the politicians that were affiliated to Siqueira Campos were called “siqueiristas”, whether they were congressmen, mayors, councilman or senators. Thus, we aim to make an analysis of siqueirismo with respect to other forms of domination in contemporary Brazil using a Weberian perspective. Our interest is to point which forms of power can be used to built a perception of what is siqueirism and compare it to other political characters from Brazilian history of the mid-late 20th century.   KEYWORDS: Tocantins; siqueirism; domination; politics.     RESUMEN El siqueirismo se convirtió en un derivado de una palabra que era común desde la creación del Estado en los círculos políticos. Con la configuración de un grupo político prácticamente hegemónica en Tocantins, los políticos son diputados, alcaldes, concejales y senadores vinculados al grupo de Siqueira Campos fueron llamados siqueiristas. De esta manera se pretende analizar la siqueirismo en comparación con otras formas de dominación, en la perspectiva de Weber, en el Brasil contemporáneo. El interés es anotar en un corte deliberado de algunas formas de poder que puede servir a la percepción de lo que se siqueirismo en Tocantins y compararlo con otros personajes de la política brasileña en la segunda mitad del siglo XX.     PALABRAS CLAVE: Tocantins; Siqueirismo; Dominación; Política.

scholarly journals Constructing the water works, constructing the narrative

2021 ◽  
Author(s):  
Katherine Bruce
Keyword(s):  
Public Health ◽  
20Th Century ◽  
Theory And Practice ◽  
Public Works ◽  
Modern Theory ◽  
Clean Water ◽  
Municipal Politics ◽  
The Social ◽  
Hydraulic Infrastructure ◽  
Water Issues

The first decades of the 20th century were a great period in urban municipal politics that gave rise to the modern theory and practice of public health. In Toronto, the iconic R.C. Harris Filtration Plant (1941) stands as an emblem of modernity and the marvels of hydraulic engineering that assured every citizen of the social right to clean water. We no longer celebrate the material networks of water supply such as R.C. Harris and his public works department fought to achieve; filtered H20 has become another commodity with no reference to the production process. In this thesis I explore the local, historical specifics of water issues embedded in this site and suggest ways that they might contribute to the renewed visibility of hydraulic infrastructure; a re-imagined materiality that might in turn inspire a more sustainable, collective water citizenship.

scholarly journals Constructing the water works, constructing the narrative

2021 ◽  
Author(s):  
Katherine Bruce
Keyword(s):  
Public Health ◽  
20Th Century ◽  
Theory And Practice ◽  
Public Works ◽  
Modern Theory ◽  
Clean Water ◽  
Municipal Politics ◽  
The Social ◽  
Hydraulic Infrastructure ◽  
Water Issues

The first decades of the 20th century were a great period in urban municipal politics that gave rise to the modern theory and practice of public health. In Toronto, the iconic R.C. Harris Filtration Plant (1941) stands as an emblem of modernity and the marvels of hydraulic engineering that assured every citizen of the social right to clean water. We no longer celebrate the material networks of water supply such as R.C. Harris and his public works department fought to achieve; filtered H20 has become another commodity with no reference to the production process. In this thesis I explore the local, historical specifics of water issues embedded in this site and suggest ways that they might contribute to the renewed visibility of hydraulic infrastructure; a re-imagined materiality that might in turn inspire a more sustainable, collective water citizenship.

scholarly journals El bandolerismo social revisitado. El caso del Norte del Tolima (Colombia)

2012 ◽  
Vol 4 (7) ◽  
pp. 271-309 ◽  
Author(s):  
Armando Moreno Sandoval
Keyword(s):  
Case Studies ◽  
20Th Century ◽  
The Social ◽  
The One ◽  
Siglo Xx ◽  
The Way

Se trata de retomar un planteamiento que había hecho el historiador inglés Eric Hobsbawm, en el sentido de reelaborar la tipología del bandolero social. Según él, para reelaborarlo era necesario contar con muchos más estudios de casos. A partir de algunos de ellos, el artículo se centra en dar cuenta del debate que ha generado el modelo del bandolerismo de Hobsbwm desde mediados del siglo XX. En primer lugar, doy cuenta, cómo sus discípulos y críticos han interpretado su modelo, principalmente el del bandolero social. Un segundo aspecto tiene que ver con algunos casos de bandolerismo mediterráneo, principalmente el catalán, el que se ha dado en el Magreb y el itálico. Por último, doy cuenta de un caso particular de bandolerismo social en el Tolima, Colombia: el del “Palomo” Aguirre.Palabras clave: historia, bandolerismo social, Colombia, Tolima.Social Banditry. The Case of Northen Tolima (Colombia)AbstractThis paper is about retaking an approach made by the English historian Eric Hobsbawm, in the sense of reworking social bandit’s typology. According to him, in order to rework it, many more case studies were needed. Based on some of them, this paper focuses on accounting for the debate generated by Hobsbwm banditry’s model since mid-20th century. First, I account for the way his disciples and critics have interpreted his model, mainly that  of  the social bandit. A second aspect deals with some cases of Mediterranean banditry, especially the Catalan, the Italic and the one that took place in Maghreb. Finally, I account for a particular case of social banditry in Tolima, Colombia: the one of “Palomo Aguirre”.Keywords: history, social banditry, Colombia, Tolima.

scholarly journals Reflexiones sobre el espacio migrante en la narrativa de Amara Lakhous

2018 ◽  
Vol 22 ◽  
pp. 237
Author(s):  
Begoña Pozo-Sánchez
Keyword(s):  
Michel Foucault ◽  
Current Literature ◽  
Social Situation ◽  
Literary Discourse ◽  
Migrant Literature ◽  
The Social ◽  
The Creation ◽  
Theoretical Proposal ◽  
Sobre Todo

La literatura migrante italiana actual transita ciertos espacios heterotópicos que, siguiendo la propuesta teórica de Michel Foucault, inciden especialmente en la creación y el análisis de esos no-lugares que, bien desde la utopía o desde la heterotopía, analizan la situación social a través de la literatura. «Italia» se convierte así en un territorio al que llegar, conocer, habitar pero, sobre todo, desde el que construir realidades otras. Esta perspectiva de la literatura actual no aparece solo en obras escritas «en» italiano y «desde» Italia –como, por ejemplo, Scontro di civiltà per un ascensore a Piazza Vittorio, publicada por Amara Lakhous en 2006; o como las propuesta poéticas transculturales de la Compagnia delle Poete– sino también «en» otras lenguas y «desde» otras miradas –quizá uno de los ejemplos relativamente recientes sea el texto Vergogna tra le due sponde del escritor egipcio Ezzat el Kamhawi, a medio camino entre la novela y el ensayo. Nuestro artículo se centra en el estudio de la construcción de la identidad migrante a través del análisis de la poética del espacio propuesta por Amara Lakhous, evidenciando cómo desde distintas realidades transculturales se aborda y (re)crea actualmente el concepto de «Italia» a partir del discurso literario, a modo incluso de polémico «contra-espacio».Current Italian migrant literature goes along certain heterotopic spaces which, following Michel Foucault’s theoretical proposal, influence especially on the creation and analysis of those no-places that, either from utopia or heterotopia, scrutinise the social situation through literature. Thus, «Italy» becomes a place to get, discover, dwell in but, especially, from which to construe other realities. This perspective of current literature does not only feature in works written «in» Italian and «from» Italy – as, for instance, Scontro di civiltà per un ascensore a Piazza Vittorio, published by Amara Lakhous in 2006; or as transcultural poetic proposal by the Compagnia delle Poete– but also «in» other languages and «from» other stances – one of the most recent texts is perhaps Vergogna tra le due sponde by the Egyptian writer Ezzat el Kamhawi, midway between novel and essay. This articles focuses on studying the construction of migrant identity by analysing the poetics of space proposed by Amara Lakhous, showing how the idea of «Italy» is currently dealt with and recreated in literary discourse from distinct transcultural realities, even in a polemical «counter-space» way.

scholarly journals TV and School: understanding communicative ecosystem

Comunicar ◽  
2005 ◽  
Vol 13 (25) ◽  
Author(s):  
Eduardo Gutiérrez
Keyword(s):  
20Th Century ◽  
Direct Effects ◽  
Social Production ◽  
The Social ◽  
Siglo Xx ◽  
The Way

When television begins to be part of the communicative regime en 20th century society, it has had a long process of insertion, appropriation and use. This process acts complementary or opposite to another elements of established communicative ecosystem. This article points to show how a reduced version that have seen only an instrumental use or merely direct effects or influences between television and school have lost the way as those tensions have changed the howl communicative ecosystem. Then, more than instrumentalization or right uses of media we must board the social production of significance field generated by that tensions, and the location where it can be identified changes suffered by communicative ecosystem and transformations in hegemonic power inside epoch communicative regime. La televisión, al ingresar a ser parte del régimen comunicativo de la sociedad del siglo XX, ha tenido un largo proceso de inserción, apropiación y uso. Proceso en el que ha actuado de forma complementaria o en oposición a otros elementos del ecosistema de comunicación establecido. La ponencia apunta a mostrar como una versión que se ha reducido a ver el instrumento o una lectura de efectos e influencias directas entre televisión y escuela, ha perdido de vista la manera en que estas tensiones han cambiado el ecosistema comunicativo en su conjunto. Por tanto, mas que definir la instrumentalización o el uso correcto del medio lo que se debe abordar es el campo de producción social de significado generado en dichas tensiones y en el que se pueden reconocer las transformaciones que sufre el ecosistema comunicativo y los cambios en la hegemonía dentro del régimen de comunicación de una época. Para conseguir este fin se hace un recorrido que recupera desde la perspectiva histórica el debate entre televisión educación en el contexto colombiano e ilustra las formas y alternativas para abordar la relación a través de la tipología que caracteriza esta relación y su localización en el marco de los cambios en el ecosistema de comunicación en el régimen que se configura a lo largo de la historia.

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