scholarly journals Medical technologies and the social strategies of two surgical instrument makers in Denmark and Sweden, 1870–1900

2021 ◽  
Vol 14 ◽  
pp. 101-117
Author(s):  
Kristin Halverson ◽  
Keyword(s):  
Nineteenth Century ◽  
Knowledge Production ◽  
Modern Medicine ◽  
Surgical Instrument ◽  
Social Strategies ◽  
Academic Interest ◽  
Medical Technologies ◽  
Instrument Maker ◽  
The Social ◽  
Technical Professions

Technical professions were important agents in medicine and its knowledge production in the nineteenth century. This paper will look more closely at two examples of the social strategies used by Danish surgical instrument maker Camillus Nyrop and his Swedish colleague, Max Stille respectively. Although the work of these two instrument makers attracted attention both within their respective countries as well as internationally, and they were regular fixtures in medical circles, their contributions have merited little academic interest thus far. By examining the social strategies used by nineteenth century technicians, in this case surgical instrument makers, we might better understand the interrelationships between technical professions and physicians in the knowledge production of modern medicine and the interplay between medicine and commerce.

Zwischen Naturgeschichte, Statistik und Gesellschaftsroman. Soziographische Wissensordnungen im Kontext einer europäischen Publizistik im 19. Jahrhundert

2021 ◽  
Vol 2021 (2) ◽  
pp. 141-162
Author(s):  
Christiane Schwab
Keyword(s):  
Nineteenth Century ◽  
Knowledge Production ◽  
Social Research ◽  
Social World ◽  
Social Knowledge ◽  
Empirical Methods ◽  
Scientific Terminology ◽  
The Social ◽  
History Of ◽  
Periodical Publishing

During the first half of the nineteenth century, the rise of market-oriented periodical publishing correlated with an increasing desire to inspect the modernizing societies. The journalistic pursuit of examining the social world is in a unique way reflected in countless periodical contributions that, especially from the 1830s onwards, depicted social types and behaviours, new professions and technologies, institutions, and cultural routines. By analysing how these “sociographic sketches” proceeded to document and to interpret the manifold manifestations of the social world, this article discusses the interrelationships between epistemic and political shifts, new forms of medialization and the systematization of social research. It thereby focuses on three main areas: the creative appropriation of narratives and motifs of moralistic essayism, the uses of description and contextualization as modes of knowledge, and the adaptation of empirical methods and a scientific terminology. To consider nineteenth-century sociographic journalism as a format between entertainment, art, and science provokes us to narrate intermedial, transnational and interdisciplinary tales of the history of social knowledge production.

scholarly journals The transforming city in nineteenth-century literary journalism: Ramón de Mesonero Romanos’ ‘Madrid scenes’ and Charles Dickens’ ‘Street sketches’

Urban History ◽  
2018 ◽  
Vol 46 (2) ◽  
pp. 225-245 ◽  
Author(s):  
CHRISTIANE SCHWAB
Keyword(s):  
Nineteenth Century ◽  
Charles Dickens ◽  
Knowledge Production ◽  
Western Europe ◽  
Emerging Market ◽  
Urban Environments ◽  
Literary Journalism ◽  
The Social ◽  
Social Observation ◽  
The City

ABSTRACT:Nineteenth-century urbanization and industrialization in western Europe have clearly contributed to the formation of societal knowledge and self-reflexive cultural iconographies. Especially from the 1820s onwards, one major context for discussing the social and cultural diversity of the city and concomitant socio-political tensions was the emerging market of journals and magazines. Based upon the writings of two exemplary authors, this article investigates with which techniques and metaphors nineteenth-century journalistic sketches depicted urban sociability and conditions. Furthermore, it reflects on how not only the ever more differentiating urban environments but also the proximity of different networks and institutions of knowledge encouraged the refinement of social observation and thought. Exploring a neglected genre of social knowledge production, the article proposes new perspectives for urban history and aims at stimulating a critical review of contemporary research practices in all branches of the social sciences.

IDENTIFYING ANNE MOZLEY'S CONTRIBUTIONS TO THECHRISTIAN REMEMBRANCER: A COMPUTATIONAL STYLISTIC APPROACH

2014 ◽  
Vol 42 (2) ◽  
pp. 303-323 ◽  
Author(s):  
Alexis Antonia ◽  
Ellen Jordan
Keyword(s):  
Nineteenth Century ◽  
Contemporary Literature ◽  
Social Position ◽  
Women's Issues ◽  
Academic Interest ◽  
Women Journalists ◽  
Harriet Martineau ◽  
The Social ◽  
Scholarly Attention ◽  
Victorian Periodicals

Over the last thirty years thegrowing academic interest in both Victorian periodicals and women's issues in the nineteenth century has focussed interest on the women journalists who wrote for the serious quarterlies and monthlies published during this period. The part played by such writers as Harriet Martineau, Elizabeth Eastlake, and Frances Power Cobbe in the development of Victorian thought is now well known, while that of less prolific contributors is increasingly attracting scholarly attention. One of the authors gradually being rescued from oblivion is Anne Mozley (1809–1891), with her views on both contemporary literature and debates about the social position of women being seen as of interest.

Liszt at the Piano: The Impact of Iconography on mid-Nineteenth Century Musicology

2014 ◽  
Vol 55 (1-2) ◽  
pp. 131-144
Author(s):  
Suzanne Marie Francis
Keyword(s):  
Nineteenth Century ◽  
Music History ◽  
Collective Identities ◽  
Cultural Contexts ◽  
Maximum Benefit ◽  
Starting Point ◽  
The Social ◽  
Iconic Status ◽  
The Impact

By the time of his death in 1827, the image of Beethoven as we recognise him today was firmly fixed in the minds of his contemporaries, and the career of Liszt was beginning to flower into that of the virtuosic performer he would be recognised as by the end of the 1830s. By analysing the seminal artwork Liszt at the Piano of 1840 by Josef Danhauser, we can see how a seemingly unremarkable head-and-shoulders bust of Beethoven in fact holds the key to unlocking the layers of commentary on both Liszt and Beethoven beneath the surface of the image. Taking the analysis by Alessandra Comini as a starting point, this paper will look deeper into the subtle connections discernible between the protagonists of the picture. These reveal how the collective identities of the artist and his painted assembly contribute directly to Beethoven’s already iconic status within music history around 1840 and reflect the reception of Liszt at this time. Set against the background of Romanticism predominant in the social and cultural contexts of the mid 1800s, it becomes apparent that it is no longer enough to look at a picture of a composer or performer in isolation to understand its impact on the construction of an overall identity. Each image must be viewed in relation to those that preceded and came after it to gain the maximum benefit from what it can tell us.

Charles Dickens and the Properties of Fiction

2020 ◽  
Author(s):  
Ushashi Dasgupta
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Real Estate ◽  
Charles Dickens ◽  
Dense Network ◽  
Social Psychological ◽  
Domestic Ideology ◽  
The Social ◽  
Literary Collaboration ◽  
Economic Relationship

This book explores the significance of rental culture in Charles Dickens’s fiction and journalism. It reveals tenancy, or the leasing of real estate in exchange for money, to be a governing force in everyday life in the nineteenth century. It casts a light into back attics and landladies’ parlours, and follows a host of characters—from slum landlords exploiting their tenants, to pairs of friends deciding to live together and share the rent. In this period, tenancy shaped individuals, structured communities, and fascinated writers. The vast majority of London’s population had an immediate economic relationship with the houses and rooms they inhabited, and Dickens was highly attuned to the social, psychological, and imaginative corollaries of this phenomenon. He may have been read as an overwhelming proponent of middle-class domestic ideology, but if we look closely, we see that his fictional universe is a dense network of rented spaces. He is comfortable in what he calls the ‘lodger world’, and he locates versions of home in a multitude of unlikely places. These are not mere settings, waiting to be recreated faithfully; rented space does not simply provide a backdrop for incident in the nineteenth-century novel. Instead, it plays an important part in influencing what takes place. For Dickens, to write about tenancy can often mean to write about writing—character, authorship, and literary collaboration. More than anything, he celebrates the fact that unassuming houses brim with narrative potential: comedies, romances, mysteries, and comings-of-age take place behind their doors.

Who Was This Man?

2017 ◽  
Author(s):  
Mitch Kachun
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Order ◽  
Atlantic World ◽  
Life Experiences ◽  
Broad Context ◽  
Military Power ◽  
The Social ◽  
The Revolution

Chapter 1 introduces the broad context of the eighteenth-century Atlantic world in which Crispus Attucks lived, describes the events of the Boston Massacre, and assesses what we know about Attucks’s life. It also addresses some of the most widely known speculations and unsupported stories about Attucks’s life, experiences, and family. Much of what is assumed about Attucks today is drawn from a fictionalized juvenile biography from 1965, which was based largely on research in nineteenth-century sources. Attucks’s characterization as an unsavory outsider and a threat to the social order emerged during the soldiers’ trial. Subsequently, American Revolutionaries in Boston began the construction of a heroic Attucks as they used the memory of the massacre and all its victims to serve their own political agendas during the Revolution by portraying the victims as respectable, innocent citizens struck down by a tyrannical military power.

Resurrection

2009 ◽  
Author(s):  
Leo Tolstoy
Keyword(s):  
Nineteenth Century ◽  
Social Life ◽  
The Novel ◽  
Recent Scholarship ◽  
The Social ◽  
The World

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.

Landscape and Ecology

2020 ◽  
pp. 342-368
Author(s):  
Daniel M. Grimley
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Cultural Transformation ◽  
Colonial Era ◽  
Musical Thought ◽  
The Social ◽  
Representational Practice ◽  
Raymond Williams ◽  
The City ◽  
Privileged Site

Images of landscape lie at the heart of nineteenth-century musical thought. From frozen winter fields, mountain echoes, distant horn calls, and the sound of the wind moving among the pines, landscape was a vivid representational practice, a creative resource, and a privileged site for immersion, gothic horror, and the Romantic sublime. As Raymond Williams observed, however, the nineteenth century also witnessed an unforeseen transformation of artistic responses to landscape, which paralleled the social and cultural transformation of the country and the city under processes of intense industrialization and economic development. This chapter attends to several musical landscapes, from the Beethovenian “Pastoral” to Delius’s colonial-era evocation of an exoticized American idyll, as a means of mapping nineteenth-century music’s obsession with the idea of landscape and place. Distance recurs repeatedly as a form of subjective presence and through paradoxical connections with proximity and intimacy.

Fluid Multilingual Practices among Youth in Cameroon and Mozambique

2020 ◽  
Author(s):  
Torun Reite ◽  
Francis Badiang Oloko ◽  
Manuel Armando Guissemo
Keyword(s):  
Knowledge Production ◽  
Urban Youth ◽  
Social Space ◽  
Empirical Studies ◽  
Theoretical Discussion ◽  
The South ◽  
African Cities ◽  
Social Lives ◽  
The Social

Inspired by recent epistemological and ontological debates aimed at unsettling and reshaping conceptions of language, this essay discusses how mainstream sociolinguistics offers notions meaningful for studying contexts of the South. Based on empirical studies of youth in two African cities, Yaoundé in Cameroon and Maputo in Mozambique, the essay engages with “fluid modernity” and “enregisterment” to unravel the role that fluid multilingual practices play in the social lives of urban youth. The empirically grounded theoretical discussion shows how recent epistemologies and ontologies offer inroads to more pluriversal knowledge production. The essay foregrounds: i) the role of language in the sociopolitical battles of control over resources, and ii) speakers’ reflexivity and metapragmatic awareness of register formations of fluid multilingual practices. Moreover, it shows how bundles of localized meanings construct belongings and counterhegemonic discourses, as well as demonstrating speakers’ differential valuations and perceptions of boundaries and transgressions across social space.

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