scholarly journals Perception et mouvement dans la poésie de Gilles Cyr

Çédille ◽  
2020 ◽  
pp. 337-366
Author(s):  
Víctor Bermúdez ◽  

The study addresses the sensory universe of Cyr's poetry through the paradigms of neurophysiology of visual and motor perception and the phenomenology of movement. More specifically, the notions of “visual percepts” and “visuomotor representations” are examined in the text according to the specific singularities of the poetic language of Gilles Cyr, where the relationship of the body with the unknown also occupies a relevant place. Similarly, the distinction between “epistemic vision” and “non-epistemic” is taken into account throughout this study. The analysis takes into account the reflections of lite-rary criticism related to the treatment of space and movement, as well as the epistemolo-gical level of this poetry.

2017 ◽  
Vol 59 (2) ◽  
pp. 014-021
Author(s):  
Saya K. Koyshibaeva ◽  
◽  
Shokhan A. Alpeyisov ◽  
Evgeniy V. Fedorov ◽  
Nina S. Badryzlova ◽  
...  

Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


PMLA ◽  
1932 ◽  
Vol 47 (1) ◽  
pp. 89-96
Author(s):  
Daniel C. Boughner

From Plato and Aristotle, Hippocrates and Galen, through the medieval commentators, the Elizabethans inherited a body of complex psychological principles. An examination of these principles and their bearing on The Faerie Queene has so far been only casual and incidental. Since in Book ii, Canto ix, the poet combines one of the most widely used of medieval motifs—the conception of the body as a world, city, or castle—with certain current doctrines of psychology, such an inquiry is especially apposite. Spenser's use of the abundant contemporaneous literature of psychology affords material for an extended treatment such as that which Miss Anderson has made of Shakespeare's plays. The present study purposes to set forth one aspect of his system of psychology—his psychology of memory in the allegory of the Castle of Alma, to make clear the relationship of his system to the current Elizabethan doctrines, and to establish the purpose of certain departures from those doctrines.


Author(s):  
Martin Eisner

This article investigates the significance of the manuscripts of Virgil and other classical poets that Dante might have read. Calling attention to the presence of musical notation (neumes) in copies that share the particular Virgilian readings Dante quotes, this essay explores the resonance of one of those passages (Aeneas’ dream of Hector) in Dante’s poem. It shows how Dante uses this Virgilian episode to craft his encounter with Manfred where he considers the relationship of body and soul that constitutes one of the major differences between classical and Christian thought, as Augustine frequently noted. Just as Christian anthropology maintains that the body constitutes an essential element of the human person, this essay argues that the materiality of the texts Dante read constitutes a crucial source for understanding how Dante interpreted these texts.


1964 ◽  
Vol 6 (2) ◽  
pp. 169-178 ◽  
Author(s):  
R. V. Large

1. Thirty Suffolk × Half bred lambs were slaughtered at the following ages: two twin lambs at birth and two singles and two twins at 1, 2, 3, 4, 6, 8 and 16 weeks of age.2. The following weights were recorded: live-weight immediately before slaughter; and carcass, head, skin, feet, alimentary tract, heart, liver, kidneys, lungs and trachea, and blood immediately afterwards.3. The alimentary tract was emptied and weighed in four separate parts; reticulo-rumen, omasum-abomasum, small intestine, large intestine.4. The volumes of the reticulo-rumen and the omasum-abomasum were measured by immersing in water and filling the organs with water to 2 cm. pressure.5. The in vitro digestive efficiency of rumen liquor from lambs of 1, 2, 3 and 4 weeks of age was assessed.6. Empty body weight was considered to be valuable in comparing animals of different ages or from different feeding regimes or at different times of the year because variations in gut ‘fill’ were eliminated.7. There were no differences between singles and twins in the relationship of the fresh weights of the parts of the body to empty body weight, except that development of the liver and the blood was rather slower for singles.8. Little evidence was found of a difference in rate of development of the alimentary tract between singles an d twins, although the log an d square root transformation suggested a possible difference in reticulo-rumen size in favour of twins, significant at the 5% level.


Author(s):  
Luis Raul Meza Mendoza ◽  
María Elena Moya Martinez ◽  
Angelica Maria Sabando Suarez

Since the beginning of humanity, an attempt has been made to explain the way in which man acquires knowledge, the way in which he assimilates, processes and executes it in order to develop the teaching-learning process that people need throughout of his life, which forces to change the learning schemes using new study methodologies, such as neuroscience, which is a discipline that studies the functioning of the brain, the relationship of neurons to the formation of synapses creating immediate responses which transmits to the body voluntarily and involuntarily, in addition to controlling the central and peripheral nervous system with their respective functions. It is necessary to change the traditional scheme and implement new strategies that allow the teacher to venture into neuroscience, in order to individually understand the different learning processes that students do. As some authors of neuroscience say, the brain performs processes of acquisition, storage and evocation of information, which form new knowledge schemes that generate changes in the attitude of the human being, for this reason teachers are responsible for taking advantage of what It is known about the multiple functions of the brain and be clear about the various ways of acquiring knowledge.


2020 ◽  
Vol 80 (316) ◽  
pp. 441
Author(s):  
Welder Lancieri Marchini ◽  
Renan Silva Carletti

O presente artigo discute a noçao de corpo a partir do filósofo contemporâneo Byung-Chul Han e como ela pode oferecer caminhos para pensar a constituição do sujeito na atualidade. Partiremos da exposição dos conceitos de positividade e negatividade descritos em A Sociedade do Cansaco e em outras obras do autor. Em seguida, abordaremos a relação do corpo com a liberdade e pornografia. Por último, mostraremos como a inserção e o reconhecimento do sujeito em suas relações sociais pode sugerir um caminho possível para ultrapassar o excesso de positividade característico de nossa época. Abstract: This article discusses the notion of body from the contemporary philosopher Byung-Chul Han and how it can offer ways to think about the subject’s constitution today. We will start from the exposition of the concepts of positivity and negativity described in The Burnout Socieity and other works by the author. Next, we will address the relationship of the body to freedom and pornography. Finally, we will show how the subject’s insertion and recognition in his social relations can suggest a possible way to overcome the excess of positivity characteristic of our time.Keywords: Freedom; Pornography; Subject; Transparency.


2019 ◽  
Vol 4 (2) ◽  
pp. 114-129
Author(s):  
Hamam Burhanuddin

The study in this paper are explain about the studies of medical (medicine) blood type have the same relationship to human character because the blood producing antibodies and antigens. It could determine a person helpless hold strong or weak body, has an allergy to something or not, in the blood also contains various nutrients (like protein) and also the oxygen being supplied to the brain and nerves and body affect performance someone will then be emanated from the attitude of the person and social interaction. As has been explained, but keep in mind, there is blood in the genes, the nature of which is carried in the body/genotif rightly so it is, but we can not ignore the fenotif/nature arising or visible, this trait appear due to interaction between genes and the environment, so even if the person is smart in the intelligentsia and emotional, but grew up in a bad environment is going to be a bad trait. The theory of personality based on blood type can be used as a reference in parenting children through an understanding of the fundamental principles of the application of personality accompanied by parenting. Furthermore, the taking of steps in the care tailored to the stage of development of the child, in the Qur'an explicitly did not mentioned paragraph that discusses about blood type, but in the Qur'an there are blood (ad-Dam), Islamic studies in the study of Children is seen as a mandate from God, forming 3-dimensional relationships, with parents as the central figure. First, her parents relationship with God that is backed by the presence of children. Second, the relationship of the child (which still need a lot of guidance) with God through his parents. Third, the relationship of the child with both parents under the tutelage and guidance of God.


2021 ◽  
Vol 20 (4) ◽  
pp. 2746
Author(s):  
A. V. Svarovskaya ◽  
A. A. Garganeeva

Adipose tissue is currently regarded as a key organ for excess dietary lipids, which determine whether the body will maintain normal homeostasis or whether inflammation and insulin resistance will develop. In recent years, there is more information about novel prognostic models — the visceral adiposity index and the lipid accumulation product. The aim of this review was to analyze the results of studies examining the relationship between various indices of obesity and cardiometabolic risk. We analyzed 105 literature sources, 53 of which were ruled out, becausethe processes of interest were not described in detail or included anassessment of the relationship of various obesity indices with metabolic parameters. The results obtained indicate the advisability of using novel obesity indices, which have a good predictive ability and are simple and convenient to use. It is necessary to use additional methods of anthropometric and clinical examination in order to assess the metabolic phenotype of obesity, which will make it possible to stratify patients by the level of cardiometabolic risk.


2021 ◽  
Author(s):  
Iona Pelovska

Poetry and Reason departs from the question of cinema as industrial technology and as artistic language. The prosthetic relationship of industrial technologies to the body, unlike the contingency of traditional art technologies on the body, problematizes the question of cinema as art. Cinema's capacity to render thought-like environments allows its trans-mediumatic abstraction. This extends its questioning beyond the technologically cinematic, into the pre-technological moving image that animates perception, thought and dream. In scanning the field that makes cinema possible, this work questions the possibilities cinema opens as a way of knowing and assembling realities. The interpolation of language, thought and embodiment reveals a view of language as mediumatic, and of cinema as a linguistic medium that can simulate a cognitively faithful dream (the original disembodied moving image) as sensory experience. Thus cinema re-enacts a pre-technological environment while advancing the language of technology embedded in the cinematic machine. The libidinal ways solar and chthonic energies, the symbolic and the physical, interpolate in mytho-poetic thought, art and science culminate in the ways these energies unfold in the experience of cinema and illuminate human hybridization, from ancient anthropo-bestiality to the techno-human condition. Poetry and reason, as the two ways of language, outline an epistemology that foregrounds the primacy of poetry in symbolic being. This work aims to resolve tensions between the symbolic and the material both theoretically and methodologically, proposing an integration of rational and poetic (artistic) techniques. The methodological intervention brings divergent approaches into tensional dynamic that sculpts a mobile structure, necessarily open-ended and imperfect. Theoretically, it delves into the movements of poetry and reason as ways to meaning, investigating their destination in cinema. The vocabulary of reason prompts cinema to advance a technological intent to colonize reality while poetic language destabilizes that movement. Reason and poetry as the two ways of language are thus actualized in the ways cinematic language interpolates mental and sensory experience.


Sign in / Sign up

Export Citation Format

Share Document