scholarly journals Art of ancient Tuva (III – I millennium BC)

2019 ◽  
Author(s):  
Марина Евгеньевна Килуновская ◽  
Владимир Анатольевич Семенов
Keyword(s):  
Bronze Age ◽  
Middle Ages ◽  
Applied Art ◽  
Different Types ◽  
Cave Paintings ◽  
First Millennium ◽  
Ancient Civilizations ◽  
Stylistic Unity ◽  
The Bronze Age ◽  
Aesthetic Criterion

Искусство древней Тувы представлено разными типами памятников: наскальными рисунками, оленными камнями и каменными изваяниями (коже), предметами, найденными на поселениях и в погребениях, а также случайными находками. В основном они относятся к эпохе бронзы, скифскому времени и эпохе средневековья. Хронологическая граница между II и I тысячелетиями до н. э. может на полном основании называться рубежом эр. Во втором тысячелетии степи Центральной Азии представляли неразборчивый конгломерат различных племен, в которых носители духовных идей стремились выразить свои чувства и религиозные представления в тысячах наскальных изображений, в которых зачастую доминирует бык как носитель архаического мироздания, которое он держит или несет на своей спине. В первом тысячелетии до н. э. картина радикально меняется. На смену рассеянным и неупорядоченным представлениям в мире образов вырабатывается стилистическое единство, что не исключает свободы творчества, но, тем не менее, скифский звериный стиль становится основным эстетическим критерием как в монументальном, так и в прикладном искусстве. Он распространяется от Китайской стены до Венгерской Пушты, и оспаривать его значение как единого связующего звена кочевых народов Евразии бессмысленно. Даже влияние древних цивилизаций не может кардинально изменить идеологию и философию скифосибирского евразийского единства. The art of ancient Tuva is represented by different types of monuments: cave paintings, deer stones and stone sculptures, objects found in settlements and burials, as well as random finds. They mainly relate to the Bronze Age, Scythian time and the Middle Ages. Chronological boundary between the 2nd and 1st millennia BC may well be called the border of eras. In the second millennium, the steppes of Central Asia represented an indiscriminate conglomerate of various tribes, in which the carriers of spiritual ideas sought to express their feelings and religious ideas in thousands of cave paintings, in which the bull often dominates as a carrier of an archaic universe that he holds or carries on his back. In the first millennium BC the picture is radically changing. Instead of scattered and disordered ideas in the world of images, a stylistic unity is being developed, which does not exclude the freedom of creativity, nevertheless the Scythian animal style becomes the main aesthetic criterion in both monumental and applied art. It extends from the Chinese wall to the Hungarian Pushta, and it is pointless to dispute its importance as a single link between the nomadic peoples of Eurasia. Even the influence of ancient civilizations cannot radically change the ideology and philosophy of the ScythianSiberian Eurasian unity.

The ceramics of centralisation and dissolution: a case study from Rough Cilicia

2007 ◽  
Vol 57 ◽  
pp. 141-150 ◽  
Author(s):  
J.N. Postgate
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Far East ◽  
The Other ◽  
Political Control ◽  
The West ◽  
Administrative Practices ◽  
First Millennium ◽  
The Bronze Age

AbstractStarting from Kilise Tepe in the Göksu valley north of Silifke two phenomena in pre-Classical Anatolian ceramics are examined. One is the appearance at the end of the Bronze Age, or beginning of the Iron Age, of hand-made, often crude, wares decorated with red painted patterns. This is also attested in different forms at Boğazköy, and as far east as Tille on the Euphrates. In both cases it has been suggested that it may reflect the re-assertion of earlier traditions, and other instances of re-emergent ceramic styles are found at the end of the Bronze Age, both elsewhere in Anatolia and in Thessaly. The other phenomenon is the occurrence of ceramic repertoires which seem to coincide precisely with the frontiers of a polity. In Anatolia this is best recognised in the case of the later Hittite Empire. The salient characteristics of ‘Hittite’ shapes are standardised, from Boğazköy at the centre to Gordion in the west and Korucu Tepe in the east. This is often tacitly associated with Hittite political control, but how and why some kind of standardisation prevails has not often been addressed explicitly. Yet this is a recurring phenomenon, and in first millennium Anatolia similar standardised wares have been associated with both the Phrygian and the Urartian kingdoms. This paper suggests that we should associate it directly with the administrative practices of the regimes in question.

scholarly journals Princezny z Hájku. K problematice elity ve střední době bronzové

2021 ◽  
Vol 6 (1-2) ◽  
pp. 21-34
Author(s):  
Soňa Nožinová ◽  
Petr Krištuf
Keyword(s):  
Bronze Age ◽  
Female Partners ◽  
Local Elite ◽  
Different Types ◽  
Elite Status ◽  
Personal Qualities ◽  
Different Origins ◽  
The Bronze Age ◽  
Status Of Women

The topic of this study is the possibilities of archaeological identification of the local elite in the Bronze Age. We‘re targeting the female elite, who are characterized by a particular form of costume. In a case study of the barrow cemetery of Šťáhlavy – Hájek, we are trying to show that the elite status of women in the Bronze Age was not based on their personal qualities, but rather on their affinity with an elite family. Their social status may therefore have been hereditary. On the other hand, it turns out that certain particularities of the costume (different types of necklaces, etc.) may point to different origins of women and thus the exchange of female partners within the wider elite community.

scholarly journals Items of the Seima-Turbino Metal Complex from Lower Pyshma River

2020 ◽  
Vol 19 (5) ◽  
pp. 103-118
Author(s):  
Andrew P. Borodovsky ◽  
Yuri V. Oborin
Keyword(s):  
Metal Complex ◽  
Bronze Age ◽  
Middle Ages ◽  
Special Interest ◽  
Western Siberia ◽  
Processing Technologies ◽  
The Face ◽  
Middle Bronze Age ◽  
Standard Set ◽  
The Bronze Age

Purpose. This article examines the collection of recently discovered items from lower Pyshma River (Tyumen region, Tyumen district), belonging to the Seima-Turbino time, which to be found on the territory of Eurasia is rather a rare archaeological phenomenon. Results. The researchers identified a set of items encompassing bronze objects – spears, knives, celts, an ice pick and mask. This composition of items entirely reflects a standard set of artifacts belonging to the Seima-Turbino time. Furthermore, this set of items is obviously close to religious collections (Galichsky Klad), which contained anthropomorphic metal objects. Of special interest in the collection is a metal mask with a protruding nose made of bronze plates. The sharp angled upper and lower parts of the face are considered to be its culturally determining signs. The shape and appearance of the top of the head may well be classified as headgear characteristic of the Samus’sko-Seima time. Such tight-fitting hats are typical of various samples of anthropomorphic plastic art in the south of Western Siberia. The iconographic features of this toreutics item belonging to the Bronze Age largely encapsulates peculiarities of similar-purpose images that existed in the forest territories of Western Siberia up until the Middle Ages. Conclusion. It is important to emphasize that this collection presents great significance in terms of studying non-ferrous processing technologies. Overall, the discovered items can be considered as both a set of tools, and as part of cult paraphernalia and the transcultural phenomenon of Middle bronze Age, especially in connection with the discovered bronze mask.

scholarly journals Formation And Development Of Military Architecture In Fergana (Antiquity, Early Middle Ages)

2021 ◽  
Vol 12 (4) ◽  
pp. 106-109
Author(s):  
Dedakhanov Bakhodir
Keyword(s):  
Bronze Age ◽  
Middle Ages ◽  
Evolutionary Development ◽  
Historical Period ◽  
Military Architecture ◽  
Medieval Period ◽  
Early Medieval Period ◽  
Characteristic Features ◽  
The Bronze Age

The article reveals the problem of the development of military architecture in the territory of ancient Fergana, based on the long-term research of archaeologists of Uzbekistan. It identifies the main factors that have contributed to the improvement of this architecture. In each separately taken historical period, starting from the Bronze Age, the author defines the characteristic features of the fortification architecture of Fergana cities based on specific examples. At the same time, a comparative analysis with neighboring historical and cultural regions (Sogd and Khorezm) is performed, and the issues of the continuity of traditions and evolutionary development in this type of structure are revealed using the examples of military architecture of the early medieval period.

scholarly journals SHIMAILY – A NEW LOCATION OF PETROGLYPHS IN EASTERN KAZAKHSTAN 

2019 ◽  
Author(s):  
З. Самашев
Keyword(s):  
Bronze Age ◽  
Middle Ages ◽  
Iron Age ◽  
Transitional Period ◽  
New Information ◽  
Mountain Goats ◽  
East Kazakhstan ◽  
Animal Images ◽  
The Republic ◽  
The Bronze Age

В статье приводятся сведения о петроглифах урочища Шимайлы на территории Тарбагатайского района Восточно-Казахстанской области Республики Казахстан. Наскальное искусство этого памятника охватывает время от эпохи бронзы до раннего средневековья. Основные мотивы изображений бронзового века антропоморфная фигура, зооморфные изображения, колесница, знаки-символы и предметы вооружения. Основу звериного образа наскальных изображений Шимайлы бронзового века составляет триада рогатых животных: бык, горный козел/архар, олень. В репертуар петроглифов эпохи бронзы входят также и другие травоядные животные, хищные звери и птицы. Последние представлены изображениями дрофы, которые чаще всего включены в состав многофигурных композиций. Хищники представлены фигурами волков, которые преследуют или терзают парнокопытных. К переходному периоду от эпохи бронзы к раннему железному веку в Шимайлы относятся образы птицеголовых или клювастых оленей, идентичные фигурам на так называемых оленных камнях. К раннесакскому и развитому сакскому периодам относятся изображения оленей поджарых, в летящей позе и/или стоящих на кончиках копыт, с большими глазами, ветвистыми откинутыми назад рогами. Зафиксированы тамги средневековых народов. The article includes new information on the petroglyphs of the Shimaily (Tarbagatai district of the East Kazakhstan region of the Republic of Kazakhstan). The imagery of this rock art site is related to the period from the Bronze Age to the Early Middle Ages. The main images of the Bronze Age are an anthropomorphic figure, numerous zoomorphic images, a chariot, depictions of weapons, signs and symbols. Animal images are basically represented by the figures of bulls, mountain goats and deer. Other herbivores are also depicted as well as predators and birds. The latter are represented by images of bustards, which are most often included in the multi-figure compositions. Predators are mostly wolves that shown in the scenes of pursuing or tormenting the artiodactyls. Another series of images in Shimaily refers to the transitional period from the Bronze Age to the Early Iron Age. These are birdheaded or beaked deer, identical to the figures depicted on the so-called deer stones. The Early Saka and developed Saka periods include a series of typical deer figures: theiy are lean, flying and/or standing on the tips of the hoofs, with large eyes, with branchy antlers thrown back. The tamga-signs of the medieval peoples are also recorded in Shimaily.

scholarly journals Towards a prehistory of the Great Divergence:

2019 ◽  
Vol 46 ◽  
pp. 30-43 ◽  
Author(s):  
Mark J. Hudson
Keyword(s):  
Bronze Age ◽  
Fifth Century ◽  
Modern World ◽  
Agricultural System ◽  
First Millennium ◽  
Great Divergence ◽  
Premodern Japan ◽  
A Minor ◽  
The Bronze Age ◽  
Mode Of Production

This essay argues that the primary socio-economic formations of premodern Japan were formed in the Bronze Age via processes of ancient globalisation across Eurasia. Multi-crop cereal agriculture combining rice, millet, wheat and barley with a minor contribution from domesticated animals spread from Bronze Age Korea to Japan at the beginning of the first millennium BC. This agricultural system gradually expanded through the archipelago while engendering new economic niches centred on trade, raiding and specialised fishing. From the fifth century AD the horse became widely used for warfare, transport and overseas trade. While alluvial rice farming provided staple finance for the early state, it is argued here that the concept of the ‘maritime mode of production’ better explains economic processes in the nonstate spaces of Japan until the early seventeenth century. Despite this diversity in socio-economic formations, the post-Bronze Age globalisation of food in Japan appears to have been delayed compared to many other regions of Eurasia and to have been less impacted by elite consumption. Further research is required to confirm this suggestion and the essay outlines several areas where archaeological research could contribute to debates over the ‘Great Divergence’ and the economic development of the modern world.

Moving across the North Sea

2011 ◽  
Author(s):  
Robert Van de Noort
Keyword(s):  
Bronze Age ◽  
Middle Ages ◽  
North Sea ◽  
Long Distance ◽  
Prestige Goods ◽  
The North ◽  
Southern Scandinavia ◽  
The Social ◽  
The North Sea ◽  
The Bronze Age

Movements between different lands around the North Sea have always been taking place. While the North Sea was evolving gradually, over the millennia, following the melting of the Devensian ice sheet, close contacts across what remained of the North Sea Plain never ceased, as evidenced by near-parallel developments of the Maglemosian-type tools in southern Scandinavia and Britain (Clark 1936), and by particular practices such as the deliberate deposition of barbed points (see chapter 3). Connections across the North Sea throughout the Mesolithic and the beginning of the Neolithic would have been made easier because of the number of islands surviving within the rising sea. The polished axes from Dogger Bank and Brown Bank either represent human presence on these islands in the early Neolithic or else indicate that the existence of these islands sometime in the pre-Neolithic past was embedded in the social memory of later periods. Both possibilities emphasize the fact that the North Sea was a knowable and visited place. Movements across the North Sea took various forms: as exchange between elites from different regions of exotic or ‘prestige’ goods, and possibly of marriage partners; as trade in both luxury and bulk commodities; and in the transfer of people, in some cases as individuals such as pilgrims and missionaries, and in other cases as groups of pirates or as part of larger-scale migrations. Over time, connectedness across the North Sea changed both in nature and in intensity; this was due in no small part to changes in the nature of the craft available. An outline of the movement of goods from the Neolithic through to the end of the Middle Ages illustrates this. Contacts across the North Sea for the Neolithic and the Bronze Age are demonstrated in the long-distance exchange of exotic objects and artefacts, including Beaker pottery, jewellery, or other adornments of gold, amber, faience, jet, and tin; also copper and bronze weapons and tools, and flint daggers, arrowheads, and wrist guards (e.g. Butler, 1963; O’Connor, 1980; Bradley 1984; Clarke, Cowie, and Foxon 1985).

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