Discourses in the conflict of selfhood, in Jacqueline woodson’s Mesmerizing Novel “Brown Girl Dreaming”

Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 687
Author(s):  
Mrs. Jeni . S ◽  
Dr. J.G. Duresh

In this world if one is born under subjugation, then they are forced to lead a life of humiliation and degradation until death. Even after death it spreads like a disease generation after generation and spoils the name and fame even after reaching the zenith. The pain , frustration,anguish  anger, revolt felt by the oppressed section of the African society form the Afro-American writings.   Jacqueline Woodson’s “Brown Girl Dreaming” is largely about her early impulse towards narration with many of the painful aspects of her life. In her novel, the theme of segregation, racism and activism and Black power Movement is visible in and around.  Woodson’s choice to write in verse rather than prose reflects Jacqueline’s early affinity for poems. Jacqueline’s childhood dances between the North and the south’ where both the areas were filled with slavery and mocked by the people. This paper clearly exposes the inner struggles faced by the author and how the cultural and social impact has been over challenged by the belief of hope and faith.

1876 ◽  
Vol 9 (1) ◽  
pp. 147-154
Author(s):  
A. H. Schindler

The part of Belúchistán now under Persian rule is bounded upon the north by Seistán, upon the east by Panjgúr and Kej, upon the south by the Indian Ocean, and upon the west by Núrámshír, Rúdbár, and the Báshákerd mountains.This country enjoys a variety of climates; almost unbearable heat exists on the Mekrán coast, we find a temperate climate on the hill slopes and on the slightly raised plains as at Duzek and Bampúr, and a cool climate in the mountainous districts Serhad and Bazmán. The heat at Jálq is said to be so intense in summer that the gazelles lie down exhausted in the plains, and let themselves be taken by the people without any trouble.


Author(s):  
Patrick Monsieur

In Roman times there was a massive import of olive-oil from Baetica (actualAndalusia) to feed the army at the Limes in Rhineland and Scotland. ThisMediterranean product was transported in large amphorae of the Dressel 20type that bear different types of epigraphy: graffiti, stamps en tituli picti (paintedinscriptions). The Low Countries forming the Hinterland took part inthis commerce, hence the discovery of large amounts of amphora fragments,still bearing regularly epigraphy. This written heritage is not only ill-knownand neglected in the Benelux, but also threatened because of the bad conditionsin which they are collected and stored. The information provided bythese epigraphical sources is of uppermost importance to the knowledge ofthe ancient economy in the Empire, as well in the south as in the north andrepresents an important witness of romanisation. They shed light on the productionof the amphorae and the olive-oil in Baetica, and on its commercialisationto the northern fringes of the Empire, giving at the same time thenames of all the people involved in these activities.


Author(s):  
Derrick E. White

This chapter analyses the effects of FAMU’s struggles in 1964 and 1965 during the opening years of athletic integration in the South. Additionally, the Black Power movement challenged Gaither’s conservatism on racial issues. Gaither and other HBCU coaches pursued playing predominately white colleges as a means to counter the expected effects of desegregation. Gaither believed that open competition would show that FAMU was the best team in Florida.


Africa ◽  
1977 ◽  
Vol 47 (1) ◽  
pp. 1-13 ◽  
Author(s):  
Fremont E. Besmer

IntroductionThe town of Ningi is located on the western edge of the North East State of Nigeria, about 25 km from the south-eastern corner of Kano State. Old Ningi town (about 50 km from the town's present site) was founded by a Kano Qur'anic teacher-scholar, Malam Hamza, and his followers in the middle of the nineteenth century. Malam Hamza is said to have fled Kano because of political and religious disputes with the Emir of Kano which resulted in a purge of the Malam class. Moving away from the centre of Kano power to the comparative safety of the Kabara hills and the non-Hausa people who lived in them, Malam Hamza was able to establish the separatism he and his followers desired. During this period the Kabara hills were the scene of slave-raiding and warfare, constantly threatened by the Hausa-Fulani emirates which surrounded them. Fighting from the hills, the people of Old Ningi, loosely allied with their neighbours, the Butawa, Warjawa, and others, were able to maintain their independence from Bauchi, Zaria, and Kano.


1985 ◽  
Vol 27 (1) ◽  
pp. 103-121 ◽  
Author(s):  
Markos Mamalakis

Commerce and manufactures can seldom flourish long in any state which does not enjoy a regular administration of justice, in which the people do not feel themselves secure in the possession of their property, in which the faith of contracts is not supported by law, and in which the authority of the state is not supposed to be regularly employed in enforcing the payment of debts from all those who are able to pay. Commerce and manufactures, in short, can seldom flourish in any state in which there is not a certain degree of confidence in the justice of government.Adam Smith, The Wealth Of NationsBook y Chapter III, p. 862Economic relations between the United States and Central and South America are pervasive, complicated and ever changing. The nature of these relations, i.e., conflict, cooperation or neutrality in settling issues, depends on the degree and the form in which their respective markets for inputs (labor, land, capital and technology), outputs (goods and services), financial assets and unilateral transfers interact. These relations evolve around and arise from the movement of people, goods, services and financial assets between the North and the South, and within the South.


Author(s):  
Anne Best

Similarities and differences in aspects of the culture of the Aboriginal people of the Wellesley Islands, has been noted by European writers. This remote island group is situated in the southern region of the Gulf of Carpentaria, northwest Queensland. Observed differences appear to demonstrate dissimilarities in certain cultural manifestations between the North Wellesley Islands (Mornington and Forsyth) and the South Wellesley Islands (Bentinck and Sweers). These include language, social organisation, land-use, ritual and ceremonial practices and manufactured objects of material culture. However, other cultural practices, namely an economy based on marine resources, are shared throughout the region. The data used here focus on items of portable material culture used by the people of the Wellesley Islands and the adjacent mainland coast at a time before intensified social disruptions to Aboriginal people in the area was brought about by increased European presence and by the establishment of missions in the region in the first quarter of the twentieth century. All items are from museum collections and were collected no later than 1916. Using a relational database, the morphological variations present in the objects are quantified and analysed. The study area is divided into three regional zones; the North Wellesley Islands, the South Wellesley Islands and the Adjacent Mainland Coast. In the region, four different languages are spoken and the data are also analysed by language group. The aim of the study is to determine whether quantifiable regional variation can be demonstrated. This article intentionally focuses narrowly on portable objects of material culture. For references to wider cultural aspects of the study area, see Roth (1897, 1901, 1903), Tindale (1977), Trigger (1987), Robins et al. (1998), Evans (2005), Memmott (2010), whose work has previously explored similarity and difference in the culture of the region as well as theoretical discussions of the reasons for these differences.


2003 ◽  
Vol 1 (2) ◽  
pp. 10-12 ◽  
Author(s):  
Oye Gureje

Nigeria is a huge country. It covers an area of 924 000 km2 on the west coast of Africa. It has a population of about 110 million, which means that every one in six Africans is a Nigerian. It is a country of diverse ethnicity, with over 200 spoken languages, even though three of those are spoken by about 60% of the population. Administratively, it is divided into 36 states and operates a federal system of government, with constitutional responsibilities allocated to the various tiers of government – central, state and local. There are two main religions, Islam (predominantly in the north) and Christianity (predominantly in the south). However, a large proportion of the people still practise traditional religions exclusively or in addition to either Islam or Christianity.


2016 ◽  
Vol 4 (2) ◽  
pp. 405-445
Author(s):  
Justine GUICHARD

AbstractAs modern constitutions speak in the name of the people, they contribute to constituting the body politic by making potentially contentious claims about its members’ identity, rights, and duties. Focusing on the North and South Korean Constitutions, this article examines the claims about peoplehood articulated in both texts since their concurrent adoption in 1948. The analysis argues that these claims are irreducible to the North and the South competing over two ideologically antagonistic conceptions of the body politic—a rivalry supposedly embodied in and magnified by their constitutions’ use of differentiated terms to designate the people: inmin and kungmin. Instead, these categories should be seen in light of their synchronic commonalities in the North and South Korean Constitutions as well as diachronic transformations throughout the successive versions of each text, revealing that constituting the people has been less a matter of conflict between both Koreas than within each.


Author(s):  
John Roy Lynch

This chapter discusses the colored vote in the South, presenting the reason for the sanguinary revolution which resulted in the overthrow of the Republican state government in the state of Mississippi in 1875. What was true of Mississippi at that time was largely true of the other reconstructed states where similar results subsequently followed. When the War of the Rebellion came to an end, it was believed by some and apprehended by others that serious and radical changes in the previous order of things would necessarily follow. But when what was known as the Johnson plan of reconstruction was disclosed, it was soon made plain that if that plan should be accepted by the country no material change would follow, for the reason, chiefly, that the abolition of slavery would have been only in name. It was the rejection of the Johnson plan of reconstruction that upset these plans and destroyed these calculations. The Johnson plan was not only rejected, but what was known as the congressional plan of reconstruction, by which suffrage was conferred upon the colored men in all the states that were to be reconstructed, was accepted by the people of the North as the permanent policy of the government and thus made the basis of reconstruction and readmission of those states into the Union.


Author(s):  
Ann Proctor

Nguyễn Sáng was an artist born in the south of Vietnam who spent two thirds of his life working in the north of the country. Following an initial period of study at the Gia Dinh School of Fine Arts in Saigon, he moved to the École des Beaux-Arts d’Indochine in Hanoi from 1940 to 1945. Best known for his monumental paintings in lacquer and oil, Sáng also designed bank notes and prints with revolutionary themes. Students at the École des Beaux-Arts d’Indochine adapted lacquer techniques—which were previously used on three-dimensional surfaces—to two-dimensional paintings. Sáng, as an early practitioner of lacquer painting, is viewed as one of the innovators for updating and reconciling Vietnamese art with international art. Sáng’s career was not without controversy, however. He was one of the artists involved in the Nhan Van Giai Pham affair of 1956, during which artists proposed "art for art’s sake" rather than the government’s line of "art for the people." His best-known paintings include The Enemy Burnt My Village (1954) and Admission to the Party at the Ðiê.n Biên Phủ (1963), both of which are in the collection at the Museum of Fine Arts in Hanoi.


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