scholarly journals What Dreams May Come

2021 ◽  
Vol 4 (1) ◽  
pp. 124-130
Author(s):  
Fiona Murphy

What dreams may come is a piece of ethnofiction that tells the story of a young girl and her grandmother, displaced by the climate crisis and conflict. The story centres on the strong, abiding relationship between the girl and her grandmother. Their relationship is the anchor point for their survival in the new unhappy world that they find themselves in. As an anthropologist of displacement, this short story is an attempt to tell the story of climate crisis, displacement and conflict through a fictional lens, a place where fable and reality coincide and collide.

Literator ◽  
2003 ◽  
Vol 24 (1) ◽  
pp. 37-48
Author(s):  
E. Botha

The role of women in some prose works of C.M. van den Heever Re-reading the C.M. van den Heever “classics” Somer (1935) and Laat vrugte (1939) within the framework of Van den Heever criticism through the years, one becomes aware that central themes in his oeuvre are acted out by women. The beautiful young girl Linda in Somer embodies the sadness of the transcience of beauty and happiness. Through Ouma Willa, Betta and Johanna – three women from three generations in Laat vrugte – the theme of the endurance of the memory of love and passion beyond decay and death is expressed. A cursory examination of other and earlier works by Van den Heever – Op die plaas (1927), Langs die grootpad (1928), Kromburg (1937) and the short story “Leuens” (Lies) from Vuurvlieg en sterre (1934) – bears out the observation that women express core meanings in C.M. van den Heever’s prose works.


Society ◽  
2017 ◽  
Vol 5 (1) ◽  
pp. 107-112
Author(s):  
Nurvita Wijayanti

Living in the society’s expectation is like we are forced to do what they want us to do and it is in the circle of hell. At one time, we need society as the means to communicate and be a natural human being. At the other hands, its culture and custom destroy ourselves especially those who have sexist culture and custom. This Bangladesh short story titled Seduction is one of the representatives of society that has sexist culture. It tells about a young girl who is forced to marry at the young age and becomes the object of her husband’s sexual trinket. What the writer wants to emphasize is the way the author named Razia Sultana Khan describe the treatment and the culture through Paul Gee’s seven language blocks’ perspective. The result of the discussion is that this short story, indeed, contains some of the seven building blocks that are significance, activities, identities, relationships, politics, connections and sign systems and knowledge.


2021 ◽  
pp. 239-253
Author(s):  
Roberto Laghi

In this article I will explore the hypothesis that hybrid narrative forms (consisting of journalism, fiction and scientific knowledge) can be more effective in the task of narrating the present of the so-called Anthropocene, marked by the climate crisis and the consequences of neoliberal politics. As a first and fundamental step, I underline the need for a critical work on the language that dominates our societies, through the analysis of Personne ne sort les fusils by Sandra Lucbert. I then briefly consider the role that scientific information and its popularization can play in the hybridization of narrative forms, taking as an example the short story by Ted Chiang “The Evolution of Human Science”. I conclude by analysing Storie della grande estinzione by the Italian collective author TINA, which, with its coexisting different forms of fiction, essay, popular science and critical theory, is not only a clear example of this hybridization but also provides an important mythopoetic dimension based on these same forms.


2020 ◽  
Vol 32 (2) ◽  
pp. 207-221
Author(s):  
Marc Farrant

Abstract This essay reads the ungraspable relation to death in Beckett’s works as a means to think through our contemporary era of climate crisis. Beckett’s singular aesthetics of human finitude can be a powerful resource for thinking the unthinkable. By envisaging finitude in terms of the limits imposed on life by both space and time, this essay seeks to ground the existential framework of Beckett’s oeuvre in terms of an always embedded self. Looking at the short story “The End,” I show how such embeddedness may work to evade totalisation or abstraction in terms of a universal worldview, yet also how it poses problems for any privileging of materiality as such. Beckett’s writings are thereby seen to produce a dynamic ethics between world and earth, the global and the local, life and death.


2006 ◽  
Vol 20 (2) ◽  
pp. 79-93 ◽  
Author(s):  
R.C. Howard ◽  
A. Chaiwutikornwanich

This study combined an individual differences approach to interrogative suggestibility (IS) with ERP recordings to examine two alternative hypotheses regarding the source of individual differences in IS: (1) differences in attention to task-relevant vis-à-vis task-irrelevant stimuli, and (2) differences in one or more memory processes, indexed by ERP old/new effects. Sixty-five female participants underwent an ERP recording during the 50 min interval between immediate and delayed recall of a short story. ERPs elicited by pictures that either related to the story (“old”), or did not relate to the story (“new”), were recorded using a three-stimulus visual oddball paradigm. ERP old/new effects were examined at selected scalp regions of interest at three post-stimulus intervals: early (250-350 ms), middle (350-700 ms), and late (700-1100 ms). In addition, attention-related ERP components (N1, P2, N2, and P3) evoked by story-relevant pictures, story-irrelevant pictures, and irrelevant distractors were measured from midline electrodes. Late (700-1100 ms) frontal ERP old/new differences reflected individual differences in IS, while early (250-350 ms) and middle latency (350-700 ms) ERP old/new differences distinguished good from poor performers in memory and oddball tasks, respectively. Differences in IS were not reflected in ERP indices of attention. Results supported an account of IS as reflecting individual differences in postretrieval memory processes.


2020 ◽  
Author(s):  
Rubén D. Manzanedo ◽  
Peter Manning

The ongoing COVID-19 outbreak pandemic is now a global crisis. It has caused 1.6+ million confirmed cases and 100 000+ deaths at the time of writing and triggered unprecedented preventative measures that have put a substantial portion of the global population under confinement, imposed isolation, and established ‘social distancing’ as a new global behavioral norm. The COVID-19 crisis has affected all aspects of everyday life and work, while also threatening the health of the global economy. This crisis offers also an unprecedented view of what the global climate crisis may look like. In fact, some of the parallels between the COVID-19 crisis and what we expect from the looming global climate emergency are remarkable. Reflecting upon the most challenging aspects of today’s crisis and how they compare with those expected from the climate change emergency may help us better prepare for the future.


This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.


2018 ◽  
Vol 1 (1) ◽  
pp. 106-125
Author(s):  
Omama Tanvir ◽  
Nazish Amir

The aim of this research is to apply deconstructive approach to a short story. For this purpose Daniyal Mueenuddin’s short story “Saleema” is selected and analyzed. Through deconstruction the feminist reading of the story is dismantled and the power dynamics of the patriarchal Pakistani society are subverted. The research is anchored in Derrida’s concept of unreliability of language and Cuddon’s idea of reversal of binary oppositions. The paper finds that the protagonist Saleema is not as weak and oppressed as she is perceived to be, rather she is a resilient, independent woman who uses any means possible to get what she wants. The power and authority reside with her and not with any male character. The study is purely qualitative and exploratory in nature.


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