scholarly journals Vrouekarakters in enkele prosawerke van C.M. van den Heever

Literator ◽  
2003 ◽  
Vol 24 (1) ◽  
pp. 37-48
Author(s):  
E. Botha
Keyword(s):  
Short Story ◽  
Young Girl ◽  
Three Generations ◽  
Cursory Examination ◽  
Role Of Women

The role of women in some prose works of C.M. van den Heever Re-reading the C.M. van den Heever “classics” Somer (1935) and Laat vrugte (1939) within the framework of Van den Heever criticism through the years, one becomes aware that central themes in his oeuvre are acted out by women. The beautiful young girl Linda in Somer embodies the sadness of the transcience of beauty and happiness. Through Ouma Willa, Betta and Johanna – three women from three generations in Laat vrugte – the theme of the endurance of the memory of love and passion beyond decay and death is expressed. A cursory examination of other and earlier works by Van den Heever – Op die plaas (1927), Langs die grootpad (1928), Kromburg (1937) and the short story “Leuens” (Lies) from Vuurvlieg en sterre (1934) – bears out the observation that women express core meanings in C.M. van den Heever’s prose works.

scholarly journals GANGGUAN JIWA SEBAGAI BENTUK PERLAWANAN PEREMPUAN DALAM “THE YELLOW WALLPAPER” KARYA CHARLOTTE PERKINS GILMAN, SEBUAH PENDEKATAN FEMINIS PSIKOANALISIS *)

ALAYASASTRA ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 73-87
Author(s):  
Eka Harisma W
Keyword(s):  
Mental Disorders ◽  
Short Story ◽  
Theoretical Approach ◽  
Charlotte Perkins Gilman ◽  
Female Character ◽  
Karen Horney ◽  
Role Of Women ◽  
The Yellow Wallpaper

ABSTRAK Tulisan ini mengkaji cerpen “The Yellow Wallpaper” karya Charlotte Perkins Gilman dengan menggunakan pendekatan feminis psikoanalisis Karen Horney. Pendekatan teori ini digunakan untuk menganalisis bahwa bentuk perlawanan perempuan yang tecermin dalam cerpen ini antara lain perlawanan mendekati orang lain, perlawanan melawan orang lain, dan perlawanan menjauhi orang lain. Bentuk perlawanan mendekati orang lain adalah dengan aktivitas memunculkan teman khayalan yang dianggap nyata; Perlawanan melawan orang lain ditunjukkan dengan kembalinya aktivitas menulis dan aktivas yang menunjukkan gangguan jiwa; Perlawanan menjauhi orang lain adalah dengan aktivitas mengunci pintu kamar dan tidak ingin bertemu dengan orang lain. Bentuk perlawanan yang paling kuat adalah ketika tokoh perempuan dianggap mengidap gangguan jiwa. Perlawanan-perlawanan perempuan tersebut disebabkan oleh dominasi atau belenggu patriarki dalam masyarakat. Belenggu-belenggu patriarki yang tecermin dalam cerpen ini antara lain subordinasi peran perempuan, alienasi/pengasingan perempuan dari masyarakat, dan perempuan dianggap sebagai liyan.Kata kunci: feminis psikoanalisis, perlawanan, gangguan jiwa ABSTRACTThis paper examines the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman using the feminist approach of Karen Horney's psychoanalysis. This theoretical approach is used to analyze that the forms of women's resistance reflected in this short story include resistance to approaching others, resistance against other people, and resistance to staying away from others. The form of resistance to approaching others is through the activity of bringing up imaginary friends who are considered real; Resistance against others is shown by the return to writing and activities that indicate mental disorders; The resistance to staying away from others is by locking the bedroom door and not wanting to meet other people. The strongest form of resistance is when the female character is considered to have mental disorders. The women's resistance was caused by the dominance or the shackles of patriarchy in society. The patriarchal shackles that are reflected in this short story include the subordination of the role of women, alienation / alienation of women from society, and women being considered as others. Keywords: feminist psychoanalysis, resistance, neurotic insanity

scholarly journals KEKHASAN CERITA PENDEK JAWA MODERN (CERKAK) ABAD 21: KAJIAN IDEALISME PENGARANG DAN KARAKTERISTIK KARYANYA

2017 ◽  
Vol 2 (2) ◽  
pp. 121
Author(s):  
Suwarni Suwarni ◽  
Sri Sulistiani
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Real World ◽  
The Real ◽  
Java Language ◽  
The Media ◽  
Role Of Women ◽  
Status Of Women

Short story of Java language is one genre in modern Javanese literature. Short story (cerpen) in a modern Javanese literature termed insufficient story (cerkak). The focus of this study of short stories is the Java language short stories contained in the Java-language magazines, such as magazines and periodicals Panyebar Jaya Baya spirit. Both of these magazines is a barometer of Javanese literature in East Java. This paper mengulik about how the position of women in the Java language short stories in 2002 ?; the extent of short stories in 2002 Java language reflects the role and status of women as found in the real world ?; and can speak Javanese short story of 2002 is used as one of the media in an effort to improve the quality of women? This paper argues that there are substantive role and the role of Achievement in the short story is the role of women outside the home, for example, the role of women in associations, organizations, and the role of world prestatif. 

The Role of Women in Pursuing Scottish Criminal Actions, 1580–1650

2020 ◽  
Vol 24 (2) ◽  
pp. 232-250
Author(s):  
Stephanie Dropuljic
Keyword(s):  
Early Modern ◽  
Legal History ◽  
Criminal Court ◽  
Current Understanding ◽  
The Law ◽  
Role Of Women

This article examines the role of women in raising criminal actions of homicide before the central criminal court, in early modern Scotland. In doing so, it highlights the two main forms of standing women held; pursing an action for homicide alone and as part of a wider group of kin and family. The evidence presented therein challenges our current understanding of the role of women in the pursuit of crime and contributes to an under-researched area of Scots criminal legal history, gender and the law.

REGULATION OF MARRIAGE RELATIONS IN THE TURKESTAN REGION

2019 ◽  
Vol 22 (2) ◽  
pp. 27-32
Author(s):  
Khurshida Tillahodjaeva ◽  
Keyword(s):  
The Family ◽  
Role Of Women ◽  
Family And Marriage ◽  
Material Conditions ◽  
Definition Of

In this article we will talk about the scale of family and marriage relations in the early XX century in the Turkestan region, their regulation, legislation. Clearly reveals the role of women and men in the family, the definition of which is based on the material conditions of society, equality of rights and freedoms and its features.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

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