scholarly journals Ri Koran/Li Xianglan Visual Reality and Historical Truth

2021 ◽  
Author(s):  
◽  
Fan Ni

<p>Li Xianglan, or Ri Koran in Japanese, was a screen sensation and popular culture icon during the Second Sino-Japanese War. Her story of success, however, was overshadowed by her hidden identity as Yamaguchi Yoshiko, a Manchurian-born Japanese promoting Japanese imperialist ideology through the guise of her on-screen Chinese personae. The National Policy Company Manchurian Film Association (Man'ei for short) was established by the Kwantung Army to accelerate the dissemination of Japanese imperialist propaganda. The choice of Ri Koran as the face of Man'ei underlines the significance of her controversial and ambiguous allure, which enabled her to navigate, or “border cross,” the complex waters of wartime politics and popular culture during the Sino-Japanese conflict. Through a detailed analysis of one of the Continental Trilogy of films, China Nights (1940), this thesis illustrates how Ri Koran was crafted into a living embodiment of “Hakko Ichiu”, the guiding ideological principle of The Greater East Asia Co-Prosperity Sphere. I investigate the manifestation of “Hakko Ichiu” (Gozoku Kyowa in the Manchurian context) though analysis of particular scenes in the film as well as its use of music, historically known as Continental Melodies. Drawing from existing scholarship by both historians and film scholars, this thesis establishes an important link between these two previously separate scholarly discourses on Ri Koran.</p>

2021 ◽  
Author(s):  
◽  
Fan Ni

<p>Li Xianglan, or Ri Koran in Japanese, was a screen sensation and popular culture icon during the Second Sino-Japanese War. Her story of success, however, was overshadowed by her hidden identity as Yamaguchi Yoshiko, a Manchurian-born Japanese promoting Japanese imperialist ideology through the guise of her on-screen Chinese personae. The National Policy Company Manchurian Film Association (Man'ei for short) was established by the Kwantung Army to accelerate the dissemination of Japanese imperialist propaganda. The choice of Ri Koran as the face of Man'ei underlines the significance of her controversial and ambiguous allure, which enabled her to navigate, or “border cross,” the complex waters of wartime politics and popular culture during the Sino-Japanese conflict. Through a detailed analysis of one of the Continental Trilogy of films, China Nights (1940), this thesis illustrates how Ri Koran was crafted into a living embodiment of “Hakko Ichiu”, the guiding ideological principle of The Greater East Asia Co-Prosperity Sphere. I investigate the manifestation of “Hakko Ichiu” (Gozoku Kyowa in the Manchurian context) though analysis of particular scenes in the film as well as its use of music, historically known as Continental Melodies. Drawing from existing scholarship by both historians and film scholars, this thesis establishes an important link between these two previously separate scholarly discourses on Ri Koran.</p>


2012 ◽  
Vol 71 (1) ◽  
pp. 103-114 ◽  
Author(s):  
Timothy Brook

The ubiquitous experience of wartime collaboration in East Asia has not yet undergone the analysis that its counterpart in Europe has received. The difficulty has to do with the political legacies that the denunciation of collaboration legitimized, as well as the continuing hegemony of the discourse of nationalism. Both inhibitors encourage the condemnation of collaboration rather than its historicization. Reflecting briefly on the 1946 trial of Liang Hongzhi, China's first head of state under the Japanese, this essay argues that the historian's task is not to create moral knowledge, but to probe the presuppositions that bring the moral subject of the collaborator into being for us, and then ask whether real collaborators correspond to this moral subject. In the face of the natural impulse to render judgment, this essay argues for the wisdom of hesitation.


Homeopathy ◽  
2021 ◽  
Author(s):  
Renata Lemonica ◽  
Karina Pavao Patricio

Abstract Background Homeopathy has been experiencing a period of expansion in Brazil due to its practical relevance in the face of new global and national health demands, culminating in the launch in 2006 of the National Policy for Integrative and Complementary Practices (NPICP) by the Ministry of Health of Brazil, which standardized and regularized the position of homeopathy within the Brazilian Unified Health System (SUS). Aims To understand the impact of the guidelines proposed by the NPICP on homeopathy services in the SUS, specifically in the south-east region of Brazil, according to the perceptions of their managers. Methods This is a descriptive, exploratory research study with a qualitative approach, conducted in homeopathy services in the south-east region of Brazil, through semi-structured interviews and with data processed using content analysis. Results The data show the importance of the NPICP in regulating and offering homeopathy in the services studied. However, the NPICP's objective of promoting and fully developing integrative and complementary practices has not been achieved because it has failed to translate strategies into actions. Conclusions Though important to the development of homeopathy services in any given location, policies stated in the NPICP were revealed to have limited impact on the implementation and development of new services. Without further legislation, training programs and appropriate budget allocation, new services will be unable to thrive and their users unable to benefit from a more comprehensive approach to healthcare.


2014 ◽  
Vol 971-973 ◽  
pp. 1710-1713
Author(s):  
Wen Huan Wu ◽  
Ying Jun Zhao ◽  
Yong Fei Che

Face detection is the key point in automatic face recognition system. This paper introduces the face detection algorithm with a cascade of Adaboost classifiers and how to configure OpenCV in MCVS. Using OpenCV realized the face detection. And a detailed analysis of the face detection results is presented. Through experiment, we found that the method used in this article has a high accuracy rate and better real-time.


2015 ◽  
Vol 14 (2) ◽  
pp. 332
Author(s):  
Frans Magnis Suseno

The author gives a personal account of the 1965/1966 mass slaughter of so-called communists in central Java where he was living at the time, and more generally in Sumatra, Java and Bali. He continues with a detailed analysis. He then calls for fellow Indonesians to face up to the truth of the massacre, which until now has been erased from the collective historical memory of the nation. Kata-kata kunci: historical truth, Indonesian Communist Party, General Suharto, Accepting Responsibility, Reconciliation.


2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Jonathan Buck

Historically, drag is a taboo which has been marginalized in the face of centuries of repression against non-heteronormative activity. Yet today drag has become highly visible in popular culture, and this is in large part attributable to the international success of American reality TV show RuPaul’s Drag Race (2009-present). Its bold representation of drag on a mainstream television show is unprecedented and the selection of drag queen competitors by the show’s producers has demonstrated a plethora of representations as Drag Race showcases a diverse range of identifications from the world of drag performance. The blossoming of Drag Race’s success comes at a historical moment in which we are seeing a huge proliferation of queer representations (re)produced in US television and other media over the last decade. However, as I will argue, the apparent liberalization of drag queens in popular culture is not simply a celebration of so-called ‘progress’ in the recognition of the marginalized, but may also be prompting the promotion of other value changes within late capitalism’s ideals of consumerism and entrepreneurship. Contestants are increasingly pressured to construct their drag performances to conform to a recognizable brand to reach the heights of their own private ‘success’. Mainstreamed depictions of queer subjects are susceptible to co-option, particularly in televisual forms such as Drag Race which prospers by channelling the emancipatory and subversive desires of the subculture. Through trans-textual considerations and historical contextualizations, I show how the representation of drag in Drag Race is depoliticized through neoliberal discourse as the show’s continual demand for competitors to ‘work it’ privileges and maintains the impetus for competitive profitmaking above the needs and demands of disempowered groups.


2002 ◽  
Vol 36 (3) ◽  
pp. 513-534 ◽  
Author(s):  
Jihang Park

The developments in East Asia in the late nineteenth century became a matter of great interest to Britain. The rise of Japan and the wrangles among the great powers over China and Korea were some of the issues that put East Asia in the spotlight. In China, Western powers had been contending fiercely for economic and political hegemony since the Opium War. Japan, after abandoning its national policy of seclusion in 1854, carried out the Meiji Restoration in 1868 and was driving towards rapid Westernization. Here modernization took place in a relatively smooth manner and there was no need to fear external threats, but domestic tensions were inevitable. Finally Korea, after being forced to open its doors in 1876, suffered from acute dissensions between conservatives and progressives, and fierce competition between China, Japan and Russia over hegemony in Korea complicated the situation further.


2001 ◽  
Author(s):  
Terry Hause ◽  
Liviu Librescu

Abstract This paper addresses the problem of the dynamic response in bending of flat sandwich panels exposed to time-dependent external pulses. The study is carried out in the context of an advanced model of sandwich structures that is characterized by anisotropic laminated face sheets and an orthotropic core layer. A detailed analysis of the influence of a large number of parameters associated with the particular type of pressure pulses, panel geometry, fiber orientation in the face sheets and, presence of tensile uni/biaxial edge loads is accomplished, and pertinent conclusions are outlined.


Author(s):  
Ian Pickup

The level of student engagement is often seen as an indicator of quality in discourses concerning the higher-education student experience.  This opinion piece explores the inherent tensions in promoting and facilitating student engagement within the evolving Teaching Excellence Framework (TEF) landscape.  Many institutions expend energy - and in some cases significant resource - upon the development of student-engagement projects, whether through ‘partnership’, ‘change agent’ or ‘producer’ models.   But what happens when the level of student engagement is high, yet runs in direct opposition to the form of student engagement best suited to blunt measures of ‘quality’ within prevailing policy frameworks?    The TEF, with its reliance on National Student Survey (NSS) data, assumes that engaged students will comply with requirements to complete a survey without critiquing the principles on which the survey and its central link to the TEF-based judgement of teaching quality are founded. The present National Union of Students boycott of the NSS is provided as an example of student engagement that runs counter to the intentions of national policy and to some institutional necessities. In the face of such challenges, institutions could decide to eschew their commitment to student engagement. However, a strengthening of commitment to student engagement is called for, in keeping with constructivist approaches to teaching and learning and in valuing the worth of reflexive deliberations of all those involved – including those who express dissatisfaction. 


2020 ◽  
Vol 12 (12) ◽  
pp. 5177 ◽  
Author(s):  
Christine Lundberg ◽  
Kristina N. Lindström

Popular culture tourism destinations are made up of constructed realities transforming local communities into fictional servicescapes. The purpose of this study is to demonstrate how the unpacking of a key concept (servicescape), applied to destination management, can support the transition to sustainable destination development in the face of popular culture tourism. The aim is to unpack the servicescape concept by exploring how it is constructed focusing on Twilight Saga representations and production processes at four destinations. The data consists of photographs and video clips of the servicescapes and interviews with key stakeholders. The findings support previous servicescape research dimensions and elements but also identify critical areas of power, control, and conflict when introducing a process approach to the servicescape concept. The study provides insights into the complex exchanges that take place in the development of servicescapes at popular culture tourism destinations. The study thereby contributes to an elaborated and holistic servicescape model, stressing the importance of strategic design and local stakeholders’ early involvement in the preproduction of popular culture tourism phenomena.


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