scholarly journals The Sizzling of Desire A Psychoanalytic Study of Clyde’s Character in An American Tragedy

2021 ◽  
Vol 8 (4) ◽  
pp. 628-634
Author(s):  
Karzan Kawsin Babakir

An American Tragedy is a novel by Theodore Dreiser. It was published in 1925. The novel is a complicated account of an ambitious, ill-educated, and immature young protagonist named Clyde Griffith. It is a portrayal of the society whose values both shape Clyde's mimetic desires and seal his destiny. Since the novel revolves around the strong desires of Clyde and the way they reflect on him and others around him, this paper offers an analysis of the character through the lens of psychoanalysis. This study is an attempt to shed light on the deep-rooted desires of  the protagonist and how they affect him for his assumed success in life. In this regard, the beliefs of Sigmund Freud and some other writers in the field are discussed.

2020 ◽  
Vol 73 (3) ◽  
pp. 497-520
Author(s):  
Nicola Pozza

AbstractNumerous studies have dealt with the process of globalization and its various cultural products. Three such cultural products illustrate this process: Vikas Swarup’s novel Q and A (2005), the TV quiz show Kaun banega crorepati? (Who Wants to Be a Millionaire?), and Danny Boyle’s film Slumdog Millionaire (2008). The novel, the TV show and the film have so far been studied separately. Juxtaposing and comparing Q and A, Kaun banega crorepati, and Slumdog Millionaire provides an effective means to shed light on the dialogic and interactive nature of the process of globalization. It is argued through this case study that an analysis of their place of production, language and content, helps clarify the derivative concepts of “glocalization” and “grobalization” with regard to the way(s) contemporary cultural products respond to globalization.


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Ilma Fitriani ◽  
Leni Marlina

This thesis is the analysis of a novel which written by Chris Abani entitled Graceland (2004). It explores the issue of step up efforts to enlightenment which reflected by the main character. It is also intended to find out the contribution of fictional devices such as character, plot (conflict), and setting in revealing the issue of efforts to enlightenment. This analysis is related to the concept of life instinct which self-awareness by Sigmund Freud that is supported by the text-based and context-based interpretation. The result of this analysis shows about the way the main character effort to enlightenment in dealing with any situation in his life by building self-awareness, gaining thinking skill and having vocational skill.  


2020 ◽  
Vol 15 (1) ◽  
pp. 1-6
Author(s):  
Agus Hadi Puspito ◽  
Agnes Widyaningrum

This research paper analyzed the ego defense mechanism by Sigmund Freud that are found in the main character of “Fight Club“ novel. The author of novel is Chuck Palahniuk in 1996. This research applied qualitative study, and the data are derived from the novel. The researcher focuses on causes of defense mechanism, the ego defense mechanism that the main character experienced and the effect that the main character got. The researcher found that anxiety is the cause why defense mechanism of the main character can active. The main character also applied ego defense mechanism namely displacement and reaction formation. And the effect for the main character is he becomes more bravely and easier to accept the reality.             The ego defense mechanism is an unconscious psychological process that helps a person overcome anxiety due to a stressful internal or external  environment. The defense mechanism finds its origin in Freud's structural theory of mind, which divides the human mind into three parts: id, ego, and superego. The interaction of the ego and superego gives rise to morality, guilty, and a conscience.


2020 ◽  
Vol 6 (1) ◽  
pp. 41-50
Author(s):  
Maftuhah

Abstract: This research describes a personality of a character'sextrofet which is implied by the study of psychoanalysis put forward bySigmund Freud in Habiburrahman El-Shirazy's Faded PesonaCleopatra novel. The problems that the writer will study are: 1. Howare the personality forms of the character's extrofet in the novelPudarnya Pesona Cleopatra by habiburrahman el-shirazy whichincludes (1) the main character or I, (2) the raihana character or wifeof the main character, (3) the mother character , (4) the figure ofyaqulbi, and (5) the figure of yasmin or the wife of yaqulbi and 2. Howis the personality description of the character's extrophette based onthe psychoanalytic study of Sigmund Freud in the novel PudarnyaPesona Cleopatra by Habiburrahman El-Shiarzy. Research conductedon the novel Fading Pesona Cleopatra results in that in all activities oflife the personality of a character is always based on three principlesas said by Sigmund Freud namely Id, Ego, and Super Ego. These threeprinciples are the principle of constant, pleasure principle and thereality principle contained in human life


2021 ◽  
Vol 17 (2) ◽  
pp. 195
Author(s):  
Wiwik Murtiwik ◽  
Ratu Wardarita

Tujuan Penelitian ini adalah mendeskripsikan kajian psikoanalisis tokoh utama  novel “Seputih Hati yang Tercabik” karya Ratu Wardarita dengan teori Sigmund Freud sebagai pisau bedahnya untuk menganalisis kepribadian dan pertahanan tokoh utama pemeran utama dalam novel.  Peneliti menggunakan metode deskriptif analitis  dengan pendekatan kualitatif.  Sedangkan pengumpulan data dilakukan dengan tiga teknik, yaitu baca, catat dan kepustakaan.  Kutipan berupa kata, frasa dan kalimat yang didapat dalam novel yang berfungsi memperkuat analisis data terkait teori Freud, selanjutnya dianalisis dengan prosedur (1) reduksi data, (2) penyajian data, dan (3) penarikan kesimpulan. Hasil penelitian ini mendapatkan bahwa struktur kepribadian menimbulkan pergumulan antara id, ego, dan superego.   Sedangkan mekanisme pertahanan konflik menghasilkan efek represi, rasionalisasi, regresi, reaction formulation, perasaan trauma, dan intelektual. The purpose of this study is to describe the psychoanalytic study of the main character of the novel "Seputih Hati Tercabik" by Ratu Wardarita with Sigmund Freud's theory as the scalpel to analyze the personality and defense of the main character in the novel. Researchers used descriptive analytical methods with a qualitative approach. Meanwhile, data collection was carried out using three techniques, namely reading, taking notes and literature. Quotations in the form of words, phrases and sentences obtained in the novel serve to strengthen data analysis related to Freud's theory, then analyzed by procedures (1) data reduction, (2) data presentation, and (3) drawing conclusions. The results of this study indicate that the personality structure causes a struggle between the id, ego, and superego. Meanwhile, conflict defense mechanisms produce effects of repression, rationalization, regression, reaction formulation, feelings of trauma, and intellectuality.


Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 9-68
Author(s):  
Jean Du Verger

The philosophical and political aspects of Utopia have often shadowed the geographical and cartographical dimension of More’s work. Thus, I will try to shed light on this aspect of the book in order to lay emphasis on the links fostered between knowledge and space during the Renaissance. I shall try to show how More’s opusculum aureum, which is fraught with cartographical references, reifies what Germain Marc’hadour terms a “fictional archipelago” (“The Catalan World Atlas” (c. 1375) by Abraham Cresques ; Zuane Pizzigano’s portolano chart (1423); Martin Benhaim’s globe (1492); Martin Waldseemüller’s Cosmographiae Introductio (1507); Claudius Ptolemy’s Geographia (1513) ; Benedetto Bordone’s Isolario (1528) ; Diogo Ribeiro’s world map (1529) ; the Grand Insulaire et Pilotage (c.1586) by André Thevet). I will, therefore, uncover the narrative strategies used by Thomas More in a text which lies on a complex network of geographical and cartographical references. Finally, I will examine the way in which the frontispiece of the editio princeps of 1516, as well as the frontispiece of the third edition published by Froben at Basle in 1518, clearly highlight the geographical and cartographical aspect of More’s narrative.


2002 ◽  
Vol 4 (2) ◽  
pp. 127-139 ◽  
Author(s):  
Ian Patterson

This article addresses the increasingly popular approach to Freud and his work which sees him primarily as a literary writer rather than a psychologist, and takes this as the context for an examination of Joyce Crick's recent translation of The Interpretation of Dreams. It claims that translation lies at the heart of psychoanalysis, and that the many interlocking and overlapping implications of the word need to be granted a greater degree of complexity. Those who argue that Freud is really a creative writer are themselves doing a work of translation, and one which fails to pay sufficiently careful attention to the role of translation in writing itself (including the notion of repression itself as a failure to translate). Lesley Chamberlain's The Secret Artist: A Close Reading of Sigmund Freud is taken as an example of the way Freud gets translated into a novelist or an artist, and her claims for his ‘bizarre poems' are criticized. The rest of the article looks closely at Crick's new translation and its claim to be restoring Freud the stylist, an ordinary language Freud, to the English reader. The experience of reading Crick's translation is compared with that of reading Strachey's, rather to the latter's advantage.


2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.


2019 ◽  
Vol 29 (1) ◽  
pp. 243-258

The essay investigates the phenomenon of laziness by first analyzing the opposition between laziness and the good. Both utility and the good make reference to labor. This opposition between labor and laziness is pivotal in Oblomov, Ivan Goncharov’s famous novel written in 1859. It marks a radical transition from a feudal paradigm to a capitalistic one. The two main characters in the novel are Ilya Ilyich Oblomov, a Russian, and Andrey Ivanovich Stolz, a German, who together seem to personify the contradiction between laziness and labor. But the purpose of the essay is to deconstruct that opposition. In this connection, one can cite Kazimir Malevich, who maintained that laziness is the Mother of Perfection and is always unconsciously inherent in the conscious intent to work. Analysis of the Latin concepts of otium and negotium indicates that the laziness/labor opposition may be deconstructed as a dialectic between labor and its opposite. In other words, laziness does not stand in contradiction to labor but is instead its inseparable dialectical other. In the last part of the essay, the article considers the thinking of Anatoly Peregud, a poet who spent almost all his life in a psychiatric hospital. According to Peregud, Lenin derived his pseudonym from the Russian linguistic root “len” (laziness) in order to make laziness central to communism. For his part, Lenin saw Oblomov as an emblem of the main obstacle standing in the way of communism.


Author(s):  
Horace Walpole

‘Look, my lord! See heaven itself declares against your impious intentions’ The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determines to marry the bride–to–be. The virgin Isabella flees through a castle riddled with secret passages. Chilling coincidences, ghostly visitations, arcane revelations, and violent combat combine in a heady mix that terrified the novel's first readers. In this new edition Nick Groom examines the reasons for its extraordinary impact and the Gothic culture from which it sprang. The Castle of Otranto was a game-changer, and Walpole the writer who paved the way for modern horror exponents.


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