scholarly journals Debora Vogel w galicyjskim jidyszlandzie. Czasopismo „Cusztajer”

Schulz/Forum ◽  
2021 ◽  
pp. 176-190
Author(s):  
Adam Stepnowski

The paper sums up the history and analysis of Tsushteyer [Contribution] literary journal, published between 1929 and 1931 in Lviv. The goal of the group under the same name (comprising such writers as Debora Vogel, Rachela Auerbach, Ber Shnaper, Melekh Ravitsh and Mendl Neugröschl) was to create a strong Yiddish-speaking cultural centre in Galicia. One of their projects was establishing and publishing a literary journal. Three issues of Tsushteyer contained prose, poetry, essays and art reproductions. The paper describes the characteristics of the contents, emphasises the role of Debora Vogel in the editorial office and outlines the unique features of Tsushteyer in comparison with other Yiddish literary journals.

2019 ◽  
pp. 75-83
Author(s):  
S. S. Sekretov

The article presents a survey of readers’ demand for books and periodicals conducted in Moscow libraries in 2018, which analyzes readers’ tastes and preferences. The most in-demand serious fiction writers include E. Vodolazkin, A. Ivanov, Z. Prilepin, A. Rubanov, D. Rubina and G. Yakhina. The author enumerates the reasons for a particular writer, book or journal to keep their top position in the readers’ ratings over a long period of time. Also described are writers’ advertising strategies, as well as the influence of television and screen adaptations on readers’ demand for new books. Noviy Mirhas long established itself as the main thick literary journal. The article also raises the issue of dwindling circulation of literary journals, and offers advice to writers, editors, publishers and librarians about promoting their products. As a separate topic, the article examines a growing demand for translated literature (published, among others, in Inostrannaya Literatura), as well as for children’s books.


2017 ◽  
Vol 12 (2) ◽  
pp. 359-375
Author(s):  
Adam T. Sellen

Abstract The literary journal “El Museo Mexicano” (1843-1845) marked a watershed in Mexican nationalism, and sought to shape aspirations of an elite segment of nineteenth-century Mexican society eager to claim a post-colonial identity by exploring the cultural and historical strands that were combined in the young Republic. The editors solicited contributions from Mexican authors on a wide range of subjects, from descriptions of contemporary provincial life to accounts of recent discoveries of pre-Hispanic monuments and artifacts. The aim was to provide a more complete and up-to-date image of Mexico, rich in anecdotal detail and lavishly illustrated. In this paper I will explore how this new literary platform argued for the validity of archaeological investigation in the American context, and ultimately shaped how Mexicans perceived their past. Though my focus is primarily on the articles in “El Museo Mexicano” I will also analyze some of the visual tropes and traditions, from the picturesque to the grotesque that inspired illustration in other Mexican journals of the same genre.


2021 ◽  
Vol 68 ◽  
pp. 119-134
Author(s):  
Christine Lombez

The German Occupation of France (starting in summer 1940) brought about a brutal reclassification of literary values and a redefinition of “center” and “periphery” in the French Republic of Letters. The outcome of this phenomenon is particularly interesting in North Africa between 1940–1944. Indeed, the periodical Fontaine (edited in Algiers by Max Pol Fouchet), as well as Tunisie française littéraire (edited in Tunis under the aegis of Armand Guibert and Jean Amrouche), express a strong desire to take over a Parisian “center” discredited by the Occupation and the Collaboration, and create new “literary capitals” on the fringes of the metropolis. This paper focuses on Tunisie française littéraire (a very influential publication in North Africa during the war, to which A. Camus and G. Stein contributed), analyses the role of cultural mediation played by literary journals geographically “peripheral” and their members in an attempt to redefine the contours of the “center” (Paris) and the “periphery” (the French colonial Empire) — an initiative where translations, particularly of indigenous authors, proved to be an important issue.


2018 ◽  
Vol 13 (1) ◽  
pp. 77-95
Author(s):  
Alison E. Martin

Vita Sackville-West is now best known as Virginia Woolf's muse, as a horticultural journalist, and as the creator of Sissinghurst's gardens. Yet during her lifetime, her works were translated energetically into German and she was cast in some German literary journals as a leading figure on the European interwar and post-war literary scene. This essay analyses how Sackville-West's short story, Seducers in Ecuador (Hogarth Press, 1924), made its 1929 debut in Germany as ‘Verführer in Ecuador’ in the journal Die neue Rundschau [The New Review]. This offers an interesting case study not only of how a work could change its medium through translation – from a free-standing novella to a short story in a literary journal – but also its context through the new set of juxtapositions and cultural associations it acquired by being absorbed into German periodical culture. The function of small magazines in promoting new ideas or forms of art has been well researched in the context of British modernist writing, but little attention has been paid to the reception of translations of such work in European journals. Yet they often functioned as important promotional conduits and were influential in shaping how authors gained footholds in foreign markets.


Author(s):  
Małgorzata Bańkowska ◽  
Magdalena Przybysz-Stawska

Two decades after independence recovering Polish intellectuals and writers were looking for new Poland ideal form. Close to the end of the thirties in twentieth century, in view of unstable situation in Poland and into the world, book and press became important tool for promotion of political and cultural ideas coming from different political groups. Taking into account this perspective special attention should pay on the editorial and literary organisation, developed fast in last years before the World War II. The aim of this presentation is to show the role of local social and literary journals from Lodz area (“Odnowa”, “Osnowy Literackie”, “Wymiary”), issued just before WWII, in creating of cultural and social attitude. It will be analyse 20 numbers of selected periodicals, covered years 1938-1939. The collected material will be used to find answers for below listed questions: how literal taste of readers was formed; how the selected journals met needs of society in the area of culture and ideology; in this very important moment for Poland.  


Author(s):  
Matteo Cavalleri

Publishing the results of one’s research is an integral part of the scientific process, yet scholarly journals are often seen as black boxes by researchers. What happens to a paper after it is submitted? Who is deciding on its fate? What is the role of the journal editor and the editorial office? How does the peer-review process work, and are its core principles still relevant in today’s changing publishing landscape? In this talk I will discuss these questions in an attempt to de-mystify the peer review process from an editor’s perspective, and cover the whats, the hows and the whys of peer review.


PMLA ◽  
1976 ◽  
Vol 91 (5) ◽  
pp. 829-839 ◽  
Author(s):  
Bishop C. Hunt

Platonism, in its eclecticism and hidden continuity, proved congenial to Coleridge, whose conception of the nature and role of philosophy differed profoundly from the empirical orthodoxy of his time (and ours). Coleridge's conception resembles the Greek ideal, found in Plotinus and others, of philosophy as less a purely rationalistic pursuit than a form of gnosis involving the whole man and leading toward ultimate perceptions. Platonism has important literary consequences: Coleridge's “philosophical” writings may be read as a complex (and often beautiful) form of prose poetry. Analysis suggests that the mode of argument in crucial chapters of the Biographia (xxi-xiv) is substantially poetic in nature and perhaps deliberately paralogical. Coleridge attempts certainty, without attaining it, and shows, astonishingly, an equivalent of Keats's “Negative Capability” in the disinterestedness of his symbolic investigations or “constructs” of reality. Literary form and style are more important in Coleridge's intellectual prose than has been thought.


Author(s):  
Linda Crowl ◽  
Susan Fisher ◽  
Elizabeth Webby ◽  
Lydia Wevers

This chapter examines how novels in Australia, Canada, New Zealand, and the South Pacific were reviewed and publicized, and how readerships were informed and created. Literary journalism in Australia, Canada, New Zealand, and the South Pacific varies according to the populations, histories, and communications infrastructure of each location. In general, a common pattern has been initial evaluations of work against British and European, then latterly American, models, during which time commentators promoted local writing and sketched national ideals for an independent artistic expression. The chapter considers how book reviews were undertaken, as well as the role of reviewers, in newspapers, magazines, literary journals, academic periodicals, and on radio and television programmes. It shows that all the emergent national literatures in English functioned in an increasingly transnational space in the four nations from the 1950s, first under the rubric of Commonwealth literature and then as postcolonial literatures.


2021 ◽  
Vol 6 (4) ◽  
pp. 164-179
Author(s):  
Evgenia V. Belskaya

This article focuses on the issue of La Littérature Internationale, a French version of the multilingual Soviet journal Internatsionalnaya Literatura, which embodied one of the declarations of the First Congress of the Soviet writers on the key role of didacticism in the new literature. The second issue of La Littérature Internationale in 1934 contained a selection of works about children by authors from the USSR, France, United States, and Germany. The aim of this article is to analyze this selection of texts and to determine its function in the literary journal for adults. The author shows the connection of the plot schemes in the selection with the preceding folklore and literary tradition (a folk fairytale and literary Christmas tale, Victorian educational novel, romantic heroic novel). The classic storyline of these works allows us to introduce new themes and plots: re-education and correction, the story of working at the factory and at the mine, shown through the eyes of children as well as the resistance to Hitler’s regime in Germany. The conclusion shows that in this issue, the children’s selection forms a socialist realist model of world literature of a kind. Together with the stories for adults, it sets a pattern for the new universal literature whose plot schemes reflect the main trends in the literature of socialist realism and the anti-fascist literature of the 1930s–1940s.


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