scholarly journals Commodification of usada bali: between profit-oriented and negotiation of sasana balian

2019 ◽  
Vol 3 (2) ◽  
pp. 136-144
Author(s):  
Ida Bagus Suatama ◽  
Anak Agung Ngurah Anom Kumbara ◽  
A. A. Sagung Kartika Dewi

The purpose of this research is to understand and explain the discourse and practice of commodifying the usada Bali and negotiating the balian atmosphere in relation to economic interests. The method used is critical ethnography with qualitative analysis. This study found that the practice of commodifying usada Bali by balian was done by manipulating cultural capital, symbolic capital, and economic capital in the domains and dynamics of the habitus of usada Bali treatment to achieve economic goals. In medical practice, the balian people conduct negotiations in the gymnasium as a professional code of ethics in the midst of increasingly tighter competition in medical services. The findings of this study reflect the occurrence of mutual transformation in the practice of Balinese usada medicine due to the hegemony of modernity.

Author(s):  
Samsul Samsul ◽  
Zuli Qodir

The purpose of this research is to find out what causes the weakening of the capital of Andi's nobility in Palopo City in the selection of candidates for mayor and what is the role of Andi's nobility in political contestation. This type of research is descriptive qualitative. The results showed that the capital owned by Andi's aristocracy in Palopo City was. First, the social capital built by Andi's nobility had not been carried out in a structured way from relations with the general public, community leaders, with community organizations, to officials in the bureaucracy and most importantly, Political parties. Second, economic capital is an important thing that used in the Mayor Election contestation in the City of Palopo, Bangsawan Andi figure who escaped as a candidate for mayor does not yet have sufficient capital in terms of funds. Third, the cultural capital owned by Bangsawan Andi, who escaped as a candidate for mayor, still lacked a high bargaining value in political contestation in Palopo City. Fourth, the Symbolic Capital is a capital that sufficiently calculated in the mayor election dispute in Palopo City, namely the title of nobility obtained from the blood of the descendants of the Luwu kings, only it must be accompanied by other capital to elected in political contestation.


2020 ◽  
Vol 15 (01) ◽  
pp. 25-46
Author(s):  
Triesya Melinda ◽  
Budi Rajab ◽  
Ardini S. Raksanagara

Indonesian society has the diversity and uniqueness of every treatment practices. The practice of treatment in Kampung Tarung community is a fascinating study of which it combines the practice of modern medical treatment with local medicine practices. This practice became a pluralistic medical practice often used by the society to treat the sick using Karodduka Tuba Marapu procedure. The study used a qualitative approach, while data collection was done by participatory observation, living with the community of Kampung Tarung and conducting a thorough interview to the community. Qualitative descriptive design is to explain and describe the choosing of medical practice and treatment of Karodduka Tuba Marapu from an emic point of view. The findings of this research show that in the practice of Karodduka Tuba Marapu in Kampung Tarung community has habituation formed based on local knowledge. The view of this practice by mixing the concept of ancestral belief (Marapu) in every life includes the use of the Uma (house), and the community's kinship system, that has an influence in local knowledge such as economic capital, cultural capital, social capital or social networking, and symbolic capital.  Keywords: Anthropology of Health, Kampung Tarung, Karodduka Tuba Marapu, Medical Practice Abstrak Praktik pengobatan yang terdapat pada Masyarakat Kampung Tarung menjadi kajian menarik, memadukan antara praktik pengobatan medis modern dengan praktik pengobatan lokal. Praktik ini menjadi suatu Praktik medis pluralistik yang sering kali digunakan Masyarakat dalam upaya pengobatan sakit Karodduka Tuba Marapu. Metode penelitian adalah penelitian kualitatif. Pengumpulan data dengan partisipasi observasi dengan ikut tinggal bersama Masyarakat Kampung Tarung dan melakukan wawancara mendalam kepada Masyarakat Kampung Tarung. Desain penulisan deskriptif kualitatif untuk menjelaskan dan mendeskripsikan pemilihan praktik medis serta melakukan praktik pengobatan dalam penanganan Karodduka Tuba Marapu dari sudut pandang emik. Temuan penelitian ini menunjukkan bahwa dalam praktik pengobatan Karodduka Tuba Marapu masyarakat Kampung Tarung memiliki pembiasaan yang terbentuk berdasarkan pengetahuan lokal. Pandangan mengenai Karodduka Tuba Marapu dengan pencampuran adanya konsep mengenai kepercayaan leluhur (Marapu) dalam setiap kehidupan meliputi pemaknaan pada Uma (rumah), dan sistem kekerabatan masyarakat yang memiliki pengaruh dalam pengetahuan lokal seperti modal ekonomi, modal budaya, modal sosial atau jaringan sosial, dan modal simbolik. Kata Kunci: Antropologi Kesehatan,  Kampung Tarung, Karodduka Tuba Marapu, Praktik Medis


KRITIS ◽  
2016 ◽  
Vol 25 (1) ◽  
pp. 71-96
Author(s):  
Yerik Afrianto Singgalen ◽  
Titi Susilowati Prabawa

The silver handicrafts industry in the Celuk Village is growing rapidly along with the development of Bali's tourism sector. The number of tourists visiting Bali has increased from time to time and it affects the increase of souvenir purchases number, including silver-crafts. Celuk Viillage is a traditional Balinese village that has changed into a tourist attraction with its trademark in the form of gold and especially, silver. The sustainability of the silver handicraft industry in Celuk Village is supported by the harmony of the collaboration between entrepreneurs and craftsmen in running the business. This research found that the Celuk Village silver handicrafts industry shows ability to develop and maintains its business, also to face many different challenges. The entrepreneurs and craftsmen in Celuk Village not only from local residents but also include migrants from outside Bali. This paper describes the habitus, realm, capital (social, cultural, economic and symbolic capital) and practice through Pierre Bourdieu’s perspective. The explanation is based on the empirical experience of local and migrant populations as craftsmen and entrepreneurs when pioneering, developing, and maintaining silver-craft business in Celuk. The research found that different from the locals, who can utilize social capital and cultural capital when pioneering, use economic capital when developing business, then symbolic capital in sustaining business, the access of the migrants to economic capital and symbolic capital is very limited. Therefore migrants use social capital and cultural capital when pioneering, developing and sustaining their business. Regarding to Bourdieu, the difference findings between local and migrants in Celuk Village shows that there is a fight over resources (capital) in the realm, and it forms a new habitus which is differentiation in social stratification between locals as dominant and migrant entrepreneurs as subordinate entrepreneurs.


QOF ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 97-111
Author(s):  
Ahmad Solahuddin Dunkring

Ḥijāb or jilbāb no longer hold to cover the aurat only, but also demanded an interesting aspect, beautiful and unique. Jilbāb is no longer considered an ancient dress, but a fashion-able outfit. Muslimah who carries jilbāb fashion was gathering and organizing in one community. One such community is the Ḥijābie Community. As a community that must contest in the fashion market event, Ḥijābie must have a unique 'style' from other communities. The uniqueness that emerged for example, ḥijāb style on which wearing a cowboy hat, not a helmet; or, ḥijāb style with Indian decoration; or, the style of hijāb with the roof of a European house, etc. From this background, the authors will analyze the style of this community Ḥijāb Ḥijābie using Pierre Bourdie's theory of taste. In the end, the results of this study are: 1. The mention of the name Ḥijābie is built on the prestigious contained in the word Ḥijāb (Distinction) 2. Like Ḥijābie, it can be called a domain because it is in the battle for domination between agencies. 3. Like members of the Ḥijābie habitus in using Ḥijāb, they adhere to the Shafi'i school. This opinion is an opinion that is considered true because it becomes a general consciousness (doxa) 4. The capital that is in the realm of Ḥijābie is symbolic capital owned by Atika, Economic Capital owned by Atika and Cultural Capital owned by Pipit, et al. People who have this capital are called agencies.


Author(s):  
Ida Ayu Gede Artayani ◽  
I Wayan Ardika ◽  
I Nyoman Suarka ◽  
I Wayan Suwena

Pottery craftsmen in Pejaten Village still survive producing traditional pottery amid changes in their socio-cultural space. This study aims to analyze the reasons they persist in the realm of traditional pottery crafts today. This study uses the paradigm of critical thinking with a qualitative approach that views social reality as something that is intact, complex, dynamic, full of meaning with interactive symptom relationships. This research, analyzed by the generative structural theory of Pierre Bourdieu. Theory to explain the practice in the realm of pottery crafts in Pejaten Village. Bourdieu made a generative formula about practice, namely: (Habitus x Capital) + Domain = Practice. The results of this study indicate the survival practice of these pottery craftsmen by applying the habitus cutting strategy, in the form of intergenerational skills through informal education between families. Habitus they have internalized in individuals and make them have cultural capital. Ownership of cultural capital can be converted into other forms of capital, but the ability to convert capital cannot be done by all individuals, even though they grow and have a similar habitus. This is influenced by cognitive abilities, reasoning power, episteme, and individual experiences. This results in a class structure in the realm. Ownership of habitus and cultural capital is not sufficient to survive in this realm. Other capital ownership is needed, such as: economic capital, social capital, and symbolic capital. The results of this study can be used as a reference for developing the cultural sustainability of the traditional heritage between generations in responding to the changes that have occurred in the social space for pottery handicrafts in Pejaten Village today.  Keywords: sustainability, habitus, capital, traditional pottery craftsmen.


2011 ◽  
Vol 47 ◽  
pp. 112-124
Author(s):  
Katharine Sykes

This paper uses Bourdieu’s model of the three forms of capital — economic capital, social capital and cultural capital — to explore the complex relationship between the spiritual and temporal spheres described in medieval hagiographical texts. It focuses on the vita of Hugh of Avalon, Bishop of Lincoln, composed in the early thirteenth century during a period of important procedural developments in the process of papal canonization. This paper argues that the two necessary prerequisites for canonization by the beginning of the thirteenth century, namely miracles and sanctity of life, can be analysed as forms of symbolic capital, which could be transformed into material goods through the mechanism of divine providence. Thus sanctity — in particular, a reputation for ascetic behaviour — was not merely a form of capital: it was also the mechanism through which one form of capital could be transformed into another.


2018 ◽  
Vol 8 (1) ◽  
pp. 159
Author(s):  
I Nengah Punia ◽  
Ni Luh Nyoman Kebayantini ◽  
Wahyu Budi Nugroho

This research examines the habitus creation in the neighborhood of Al-Amin which is located at Banjar Sanglah, Denpasar City. This neighborhood evidently is able to actualize the inter-religious harmony since 1970 until now. In the related study, the concept of habitus from Pierre Bourdieu with formulation (Habitus x Capital) + Field = Practice was applied, while adopted the ethnography method. Through the conducted study, Bourdieu’s concept of habitus was able to explain the cognitive structure of various actors who play an essential role in the creation of the Al-Amin neighborhood, starting from the system of symbolic capital disposition, social capital, economic capital and cultural capital. Furthermore, the continuous harmony in the neighborhood of Al-Amin is due to its strong social and cultural capital. However, the harmony is inseparable from the framework between majority with minority, thus the character of social capital and especially the cultural capital in the neighborhood of Al-Amin tend to coopt other forms of capital.


VISUALITA ◽  
2009 ◽  
Vol 1 (1) ◽  
pp. 19
Author(s):  
Kankan Kasmana

Darso, seorang artis calung dan pop Sunda di Jawabarat, ia menjadiikon artis Sunda yang cukup terkenal. Dengan gaya berbusana, cara berbicara, serta bagaimana ia menampilkan dirinya, ia mampu menciptakan sebuah identitas yang cukup menarik untuk diteliti. Keberadaannya yang fenomenal, menciptakan sebuah daya tarik tersendiri bagi dirinya untuk disukai maupun dibenci oleh masyarakat disekelilingnya. Tulisan ini akan memaparkan tentang citra serta selera seorang pribadi Darso dalam cara berbusana, bertujuan untuk memahami konsep serta latar belakang dibalik pemilihan gaya berbusana tersebut dengan menggunakan pendekatan analisa interpertatif, yang didukungoleh data-data dan hasil wawancara yang pernah dilakukan oleh penulis.Untuk mengetahui tentang citra serta selera seorang pribadi Darso makadiuraikan tentang cara berbusana, konsep yang dimunculkan serta karakter lain yang mendukung perwujudan identitas dalam masalah selera dan apa saja halhal yang terkait. Dapat ditarik sebuah kesimpulan bahwa identitas Darso diwujudkan bukan hanya dalam berbusana saja, ia muncul dalam ungkapan lain seperti karakter, sifat, dan pandangan terhadap modal. Bagi segelintir orang modal utama bukan hanya dalam bentuk status ekonomi (economic capital), social capital, atau cultural capital saja namun symbolic capital bisa menjadi yang utama dalam beberapa kasus. Darso dengan gaya busana dan karakternya adalah gambaran identitas diri, yang dengannya khalayak dapat mengenali image/citra yang dibangun.Kata kunci: artis, image, fashion, selera/taste, identitas


2019 ◽  
Vol 24 (1) ◽  
pp. 101-121
Author(s):  
Deepmala Baghel ◽  
D. Parthasarathy

This article addresses links between entrepreneurs’ cultural and symbolic capital and their practices of knowledge generation for innovation. Through an ethnographic study of four Ayurvedic cosmetics manufacturing MSMEs in Mumbai, we argue that innovation in cosmetics MSMEs is the result of conversion of cultural capital into symbolic capital that in turn converts into economic capital. The study shows that Ayurveda knowledge resides in the entrepreneur’s family tradition and mostly transfers in a tacit form. The entrepreneurs’ acquisition of symbolic capital intertwines with the discourse of ‘sustainable development’, which makes ‘natural’ fashionable and ‘traditional’ knowledge prestigious. Within this discourse, Ayurveda knowledge acquires symbolic value which makes entrepreneurs’ cultural knowledge valuable and legitimate. The analyses of representative cases show how cultural capital and symbolic capital impact acquisition of knowledge in ways that facilitate entrepreneurs to attain legitimacy through innovations. We argue that appropriation of different forms of capital by entrepreneurs reinforces the beauty field’s normative structure which in turn facilitates knowledge generation for innovation in cosmetics MSMEs.


2021 ◽  
Vol 9 (1) ◽  
pp. 100-115
Author(s):  
Ruruh Jatmiko ◽  
Muhammad Abdullah

AbstractThis study aims to reveal the habitus, capital, and arena in Pakne Puri's “Salindri Kenya Kebak Wewadi” based on the perspective of Bourdieu's literary sociology. Related to this, the formulation of the problem in this research is: how are the habitus, capital, and arena in the “Salindri Kenya Kebak Wewadi” by Pakne Puri? This research method uses an objective approach and a discursive approach using Bourdieu's theory, namely habitus, capital, and the arena in the “Salindri Kenya Kebak Wewadi” by Pakne Puri. The data used in this study are in the form of words, phrases, clauses, or sentences taken from one of the literary works in the form of a cursive. The source of the data for this research is the story of “Salindri Kenya Kebak Wewadi” by Pakne Puri published by “Panjebar Semangat” magazine edition No. 33-15 August 2009 to 50-12 December 2009. The results of this study are a description of the habitus, capital, and arena in “Salindri Kenya Kebak Wewadi”. Based on the habitus found in the Salindri character who wants to be successful in continuing his parents' batik business. These habits include the habitus of capital, the habitus of hard workers, and the habitus of never giving up. Based on the capital from Salindri, there are economic capital, cultural capital, social capital, and symbolic capital. Based on the arena, there is a business arena in which Salindri's business arena tries to carry out its functions as well as possible so that the business that is built remains afloat even at the expense of itscompetitors.  Keywords: “Salindri Kenya Kebak Wewadi”, habitus, modal, arena, Pierre Bourdieu


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