scholarly journals “HUMANIST” MARXISM AND THE COMMUNIST REGIME WITH “SPARKLES” OF TOTALITARIANISM: THE YUGOSLAV COMMUNIST TOTALITARIAN EXPERIMENT (RESPONSE TO FLERE AND KLANJŠEK)

2021 ◽  
Vol 39 (2/2021) ◽  
pp. 479-500
Author(s):  
Josip Mihaljević ◽  
Goran Miljan

This paper is a response to the article “What Typological Appellation is Suitable for Tito’s Yugoslavia” published by Sergej Flere and Rudi Klanjšek in Istorija 20. veka, in which the two authors responded to our criticism of their previously published article. Unfortunately, the two authors saw our paper as an attack, either on them personally or on their academic merits and research, which was neither the aim nor desire of our response. In this article, we contest and dispute the arguments and claims made by Flere and Klanjšek, and especially their attempt to discredit us by actually fabricating our words. Instead of engaging in an open academic debate, Flere and Klanjšek attempt to derail this debate from its core by focusing solely on some minor mistakes, thus trying to show that we were superficial and counter-factual. Our decision to reflect on some of their statements served the purpose of demonstrating that Flere and Klanjšek’s response was far from an expected academic debate. In fact, in their response Flere and Klanjšek avoided addressing the crucial issues pertaining to the question of totalitarianism and the occurring dynamics of the Yugoslav communists’ idea on how to structure, rule, and supervise Yugoslav society. On the contrary, they decided to resolve this issue by introducing new views on the subject and new “solutions,” which deliver little substance to the key issues of this debate. However, our article reveals that the majority of their arguments is questionable or can be outright refuted by taking into consideration contemporary views on totalitarianism and the existing empirical data. This is evident with regard to the questions of historical dynamism, secret services, unified foreign policy, the role and position of the individual, Tito’s role and power, and Flere and Klanjšek’s distorted view of communist legitimacy. In our conclusion we point to the key aspects that need to be taken into consideration when discussing the nature of Tito’s Yugoslavia. Namely: (i) citizens were unable to cast their votes in free elections and were thus denied the opportunity to have any impact on the political, social, or economic politics that influenced their lives; (ii) the only “legitimate” way to exert individual influence in the political, social or economic area was to conform to and accept the prevalent idea of the communist interpretation of Marxism, the communist worldview, and the political power of the communist party; (iii) any attempt to openly oppose and/or criticize the regime was met with repercussions and punishment; (iv) any such activities were suppressed by the state apparatus on the republic and federal levels; (v) every individual or group active within the political structures was aware of Tito’s power to remove whomever he and his closest associates deemed “dangerous” or “destructive” elements; (vi) the communist leadership in the federal republics was faced with forceful removal and suppression when their policies were evaluated as non-compliant or dangerous; (vii) from an early age, individuals were immersed into the collective where they had to learn what it meant to be a “proper” and “respected” citizen. All these aspects were in force until the breakdown of Tito’s Yugoslavia. In conclusion, the occurring changes and dynamics never altered this totalitarian experiment’s core idea and its primary goal: to establish a socialist/communist society ruled by one party, the LCY, supervised by its police, secret service, army, and guided by a single ideological framework of the communist interpretation of Marxism.

2021 ◽  
pp. 193-246
Author(s):  
Jennifer Walker

This chapter takes for its focus the high point of the Parisian musical season in 1900: the ten state-sponsored concerts officiels of the 1900 Exposition Universelle de Paris. As had been the case in 1878 and 1889, the goal of these concerts was to promote specifically Republican ideals through music. Yet in 1900, these ideals had transformed into a secular construction of Frenchness that absorbed Catholicism as a foundational trait of national identity. Although the Church was not represented in any official capacity either on the musical planning commission or on the concert programs themselves, the repertoire performed throughout these concerts created a narrative that centered around a sense of reconciliation between Church State. The carefully crafted vision put forth by the State relied heavily on transformations of the Church for the formation of a cohesive Republican identity such that the Church was present in its displays, theaters, and concerts in a way not seen in any previous Exposition. In the heart of Paris, the Trocadéro hosted a significant amount of explicitly religious music that, when mediated through actors deployed through the state apparatus on an international stage, transformed the Church into an integrated facet of French Republicanism that could be proudly displayed to the Exposition’s international audiences. These concerts functioned not as nostalgic emblems of a Revolutionary past nor as attacks against the political and religious right, but, rather, as a site of transformation at which the Republic co-opted Catholicism as an indispensable aspect of its own French identity.


2021 ◽  
Vol V (4) ◽  
pp. 175-200
Author(s):  
Olga Bychkova ◽  
Artem Kosmarsky

This paper focuses on the political genealogy of one of the most promising and influential IT technologies of our time: the blockchain (or distributed registry). We point at important commonalities between the principles of blockchain projects and models of republican governance. In contrast to techno-anarchist and democratic ideas, the republican genealogy of blockchain has so far failed to attract the attention of researchers. After examining the basic technical properties and ideological images of blockchain, we explore how the four main principles of classical republicanism (personal freedom and autonomy of the individual; civic virtues; common good; recognition of great causes) are realized in influential blockchain projects — Bitcoin (developed by the pseudonymous Satoshi Nakamoto) and Ethereum (developed by Vitalik Buterin). The functioning of blockchain nodes is supported by a community of miners, who are free, but at the same time agree to act for the development of a common thing. What the republic and the blockchain have in common is that it is impossible to have a community without cooperative action. At the same time, blockchain is a vivid illustration of Bruno Latour's argument on the role of non-humans in social relations: his code seeks to replace untrustworthy humans with rule-acting nodes, and to create a cryptographic society where untrustworthy human relations are replaced by computers' relations. This article is an invitation to begin a discussion of the political ideas that are embedded in new technologies and the models of governance that are mobilized through them, often without proper reflection on the nature of such ideas by their creators.


2021 ◽  
Vol 10 (88) ◽  

The second half of the 20th century witnessed many political and social upheavals in the Republic of Turkey as well as in the rest of the world. The political turmoil and chaos that occurred after 1970, which we determined as the limit of our study, and the social values that started to change with the introduction of technology in the institutional field after 1980 and in the individual life after 1990 caused the Turkish society to change at different speeds. Mehmet Güleryüz, who is the artist of the is a sensitive painter who observes, assimilates and has succeeded in reflecting these problems in his works by passing these problems through his intellectual filter with his ability to analyze with universal accuracy. In this study, the subject and drawing of Guleryuz's paintings were studied in this context. Keywords: Mehmet Guleryuz, 70’s, oil painting


1978 ◽  
Vol 72 (3) ◽  
pp. 888-901 ◽  
Author(s):  
Arlene W. Saxonhouse

The political society founded by Socrates in the Republic has been seen by many as Plato's conception of the ideal political community, his Callipolis. However, a study of the language used by Socrates as he builds his perfect city reveals an unusually heavy concentration of animal images. This language seems to undercut the ostensible perfection of Socrates' city and illustrates rather its connections to the comic world of Aristophanes, whose comedy the Birds offers the model according to which the Republic is built. It is suggested that the city of the Republic is comic and ugly, indicating the limitations of politics rather than its potentialities. The Republic argues for the need to reorient the concept of justice away from social life and towards the individual. Ultimately, the Republic suggests that the notion of social justice is laughable and fit for the comic Stage.


2016 ◽  
Vol 4 (2) ◽  
pp. 140-155

The article deals with the way the ruler of Communist Romania from 1965 to 1989 Nicolae Ceaușescu used various national and international celebrations in order to forge his cult of personality that exceeded even the one of his predecessor, Gheorghe Gheorghiu-Dej. The author focuses especially on the following celebrations like the National Day – 23rd of August (1944), the Day of the Republic – 30th of December (1947), the second being a kind of the second National Day; as well as May 1 – the international Workers’ Day. The celebrations and the way they were used are contextualized in relation to the political, ideological and international dimensions of the Communist regime in Romania from mid 1960s to the late 1989.


Author(s):  
Nicholas Allen

John McGahern was sensitive to the political shape of the communities he imagined in his fiction. These communities were scarred by the violence of historical events, the significance of which remained in recent memory. McGahern often chose the family as the social unit by which to gauge the effect of public events on the individual consciousness, and this rendered mass events, like the War of Independence and Civil War, as conflicts between people who could not escape their aftermath, even generations later. This chapter considers how for McGahern, as well as for the generation before him, the idea of the republic represented not only national separation from a larger power, but was the troubled symbol of a society that was divided uncomfortably between loyalty to community and to the state.


2020 ◽  
Vol 73 (1) ◽  
pp. 133-138
Author(s):  
A. Abikulova ◽  

The article deals with the peculiarities of legal culture and the multifaceted aspects of the process of forming a political and legal culture. The formation of legal consciousness is comprehensively revealed. The activity of political culture and legal culture as a channel of interaction between the individual, society and the state is revealed. The commonality of skills and values associated with the approval, evaluation, testing and implementation of the political and legal system can be defined as the common legal culture of the Kazakh society.


2019 ◽  
Vol 36 (3) ◽  
pp. 295-330
Author(s):  
Mary Ellen Ryan

The return of the Florentine republic (1527–30) ushered in a tense period of political upheaval. As the city faced an imperial siege and bouts of famine and plague, the government promoted a vibrant spiritual program to combat dangers to its independence. The motet flourished within this environment, but the connections between this repertory and civic life in early sixteenth-century Florence have yet to be fully explored. Since the mid-twentieth century, music historians have examined Florentine manuscript sources of the motet (the Newberry Partbooks and Vallicelliana Partbooks) and have articulated various arguments for the political significance of these collections and the individual pieces they contain. Viewed as a whole, however, the repertory does not typically express partisan support for the Medici or the republic. One underlying thread tying many of these motets together is their function within ritual celebrations, particularly in uniting the community in prayer for collective relief. Philippe Verdelot’s wartime Congregati sunt inimici nostri exemplifies the multiple performance uses of motets in Florentine ritual contexts. Its compositional design and content reveal how Florentines turned to the motet to demonstrate communal solidarity and to seek divine aid in times of crisis.


ΠΗΓΗ/FONS ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 55
Author(s):  
Álvaro Pablo Vallejo Campos

Resumen: La tesis principal de este artículo es que la trascendencia política de las pasiones determina en Platón sus planteamientos éticos y políticos. La primera vez que se ocupa de ellas más sistemáticamente, como ocurre en el Gorgias, aparecen directamente involucradas en la crítica del imperialismo y de los procedimientos retóricos propios de la democracia ateniense, y su tratamiento debe ser uno de los ingredientes esenciales de la política concebida como un arte. Pero en la República el estado ideal surge de una reflexión sobre la necesidad de realizar una purgación de las pasiones en la ciudad lujosa y afiebrada que se trata de reformar. La importancia de la cuestión se deriva del hecho de que una teoría de la justicia en el individuo y en el estado consiste, en definitiva, en formular un ideal normativo de las relaciones que deben establecerse entre la razón y las pasiones del alma. A consecuencia de ello, las formas degeneradas del estado ideal pueden interpretarse como una secuencia en sentido creciente de la ilegítima irrupción de las pasiones en la sociedad enferma que se opone a aquel.Palabras clave: Platón, pasiones, política, retórica, estado ideal, justicia, populismo.Abstract: The main thesis of this paper is that the political transcendence of passions determines Plato’s ethical and political points of view. The first time that he deals systematically with passions, as occurs in the Gorgias, they are directly implicated in the critic of imperialism and the rhetorical procedures of Athenian democracy. They are also an essential part of politics conceived as an art. In the Republic , the ideal city emerges as the necessity of practicing a purge of passions in the luxuriant or feverish city that has to be purged. The importance of this issue derives from the fact that the theory of justice in the individual and the city consists of a normative ideal on the relations that have to be established between passions and reason. As a consequence, the sequence of the degenerated forms of the ideal state can be interpreted as an increasing model of the illegitimate irruption of passions in the ill society opposed to it.Keywords: Plato, passions, politics, rhetoric, ideal state, justice, populism.


Politeja ◽  
2020 ◽  
Vol 16 (3(60)) ◽  
pp. 303-322
Author(s):  
Jovan Bazić

This paper deals with the relations between the Republic of Serbia and the European Union, with special attention to the key issues in the process of its accession to the EU, as well as the political moods of the Serbian citizens towards that membership. There are many problems and misunderstandings in the process of Serbia’s accession to the European Union which are expressed through conflicts of different interests, the EU’s asymmetrical and ultimatumbased relationship with Serbia, a different perception and assessment of reality in Serbia, the value system and other cultural factors. These problems are manifested through many issues, and essentially, they stem from the consequences of the break-up of Yugoslavia and the political conditions for Serbia’s admission to EU membership, such as: the support of the secessionist processes in the Federal Republic of Yugoslavia, first in case of secession of Montenegro from the FR Yugoslavia and then of Kosovo and Metohija from Serbia, as well as in the issues of Serbia’s cooperation with the Hague Tribunal. The core standards for EU membership from Copenhagen and Madrid remain in the shadow of these problems. This is one of the reasons why in Serbia the skepticism towards its membership in the European Union has been on the rise. Other contributing reasons for skepticism include the current processes within the Union, such as economic, monetary and institutional crisis, Brexit; the strengthening of conservatism and separatism, as well as the increasingly noticeable initiatives for the reorganization of the Union. That is why Serbia’s path to EU membership has become more complicated and why it seems more and more like a road without a final destination.


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