scholarly journals Formal Functions of Metric Dissonance in Rock Music

2014 ◽  
Vol 20 (2) ◽  
Author(s):  
Nicole Biamonte
Keyword(s):  
Cross Section ◽  
Rock Music ◽  
Phrase Structure ◽  
Comparative Analyses ◽  
Metric Dissonance ◽  
Corpus Studies ◽  
History Of

This article explores the interactions of metric dissonance with phrase structure and form in rock music, offers categorization schemes for common formal functions of metric dissonance, and presents several corpus studies of metric dissonance in the works of single artists and bands as well as in a cross-section of rock songs. These data allow for comparative analyses of the metric profile of a given artist or band, suggest genre correlations with particular metric patterns, and demonstrate a trend of increasing metric dissonance throughout the history of rock.

The New Chinese Communist

1955 ◽  
Vol 7 (4) ◽  
pp. 592-605 ◽  
Author(s):  
Allen S. Whiting
Keyword(s):  
Cross Section ◽  
Communist Party ◽  
Chinese Communist Party ◽  
Korean War ◽  
Rapid Expansion ◽  
Major Obstacle ◽  
Communist Movement ◽  
The Korean War ◽  
History Of ◽  
The Chinese Communist Party

A Major obstacle to analysis of Communist movements is the, absence of firsthand evidence on attitudes and motivations affecting tension and cohesion. The refusal of four thousand members of the Chinese Communist Party and the Chinese Communist Youth Corps to return to the mainland after the Korean War offered an unusually large and representative cross-section of these two organizations for systematic interrogation. The results of such an interrogation conducted by the author in April 1954, while in no way conclusive, provide suggestive statistical and analytical information concerning the composition and motivations of the post-Yenan Chinese Communist.According to official Communist figures, the Chinese Communist Party numbered approximately three million in December 1948 and more than five million in June 1950. This increase of two million members in eighteen months represents the most rapid expansion of Party rolls in the history of the Chinese Communist movement. It occurred after victory was in sight, but before rigorous measures to consolidate control erupted in the “Three Anti” and “Five Anti” movements of 1951. Those who joined the Party during this period form a group strikingly different from the elite of the Chinese Communist movement, which is composed of devoted revolutionaries trained in the rigorous experiences of the Long March and the wartime days of Yenan.

History, Politics, Law

2021 ◽  
Keyword(s):  
Cross Section ◽  
Political Thought ◽  
International Institutions ◽  
The Political ◽  
Global Order ◽  
The World ◽  
History Of ◽  
And Gender ◽  
The Many

Historians of political thought and international lawyers have both expanded their interest in the formation of the present global order. History, Politics, Law is the first express encounter between the two disciplines, juxtaposing their perspectives on questions of method and substance. The essays throw light on their approaches to the role of politics and the political in the history of the world beyond the single polity. They discuss the contrast between practice and theory as well as the role of conceptual and contextual analyses in both fields. Specific themes raised for both disciplines include statehood, empires and the role of international institutions, as well as the roles of economics, innovation and gender. The result is a vibrant cross-section of contrasts and parallels between the methods and practices of the two disciplines, demonstrating the many ways in which both can learn from each other.

scholarly journals Features of positioning of German university libraries on official websites

2021 ◽  
pp. 43-52
Author(s):  
N. Khymytsia ◽  
M. Kuchma
Keyword(s):  
Rock Music ◽  
Music Programs ◽  
University Libraries ◽  
Sound Recordings ◽  
Cultural Phenomenon ◽  
Creative Music ◽  
History Of ◽  
Historical Phenomenon ◽  
First Time

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

scholarly journals Dark Stars: Dark matter in the first stars leads to a new phase of stellar evolution

2008 ◽  
Vol 4 (S255) ◽  
pp. 56-60 ◽  
Author(s):  
Katherine Freese ◽  
Douglas Spolyar ◽  
Anthony Aguirre ◽  
Peter Bodenheimer ◽  
Paolo Gondolo ◽  
...  
Keyword(s):  
Black Holes ◽  
Dark Matter ◽  
Cross Section ◽  
Stellar Evolution ◽  
Weakly Interacting Massive Particles ◽  
First Stars ◽  
History Of ◽  
Born Again ◽  
The Universe ◽  
New Phase

AbstractThe first phase of stellar evolution in the history of the universe may be Dark Stars, powered by dark matter heating rather than by fusion. Weakly interacting massive particles, which are their own antiparticles, can annihilate and provide an important heat source for the first stars in the the universe. This talk presents the story of these Dark Stars. We make predictions that the first stars are very massive (~800M⊙), cool (6000 K), bright (~106L⊙), long-lived (~106years), and probable precursors to (otherwise unexplained) supermassive black holes. Later, once the initial DM fuel runs out and fusion sets in, DM annihilation can predominate again if the scattering cross section is strong enough, so that a Dark Star is born again.

ALLERGIC COLIC IN INFANTS IN THE GENERAL PRACTICE OF PEDIATRICS

PEDIATRICS ◽  
1956 ◽  
Vol 18 (5) ◽  
pp. 832-832
Author(s):  
Frederick J. Martin
Keyword(s):  
Cross Section ◽  
Migraine Headache ◽  
Social Classes ◽  
Basic Question ◽  
Perennial Allergic Rhinitis ◽  
Pediatric Practice ◽  
Gastrointestinal Allergy ◽  
The Family ◽  
History Of ◽  
Broad Cross Section

Gastrointestinal allergy has been said to be a rare cause of colic in infancy. We had been impressed by the family history of allergy elicited in many cases. Frequent occurrence in colicky babies of stools containing mucus, eosinophils, and sometimes blood, was also noted. The Nance method of staining stool mucus for eosinophils was used. A point was made of inquiring concerning hay fever, allergic asthma, perennial allergic rhinitis, atopic dermatitis, frequent and severe sinusitis and migraine headache, in the mother, father, siblings, grandfathers, uncles, aunts and first cousins. This has been done in the case of all newborns. The following data were accumulated from newborns whom we treated throughout the course of their complaint. We found 367 colicky infants among 611 who came from allergic families, an incidence of 60.1 per cent; among 296 infants from non-allergic families, 74 had colic, an incidence of 25 per cent. Where the father and mother both suffered from major manifestations of allergy, out of 55 infants, 43 had colic, an incidence of 78.2 per cent. A total of 814 infants had 308 colicky babies among them, an incidence of 36.1 pen cent in our practice. These data were gathered because we could find none in the literature answering the basic question of the incidence of colic in private pediatric practice. A broad cross-section of social classes and nationalities found in a metropolitan area were included. The over-all incidence of 36.1 per cent was a surprise to us. The incidence of 60.1 per cent of colic found in allergic families was impressive.

scholarly journals The History of the Cross Section of Stock Returns

2016 ◽  
Author(s):  
Juhani T. Linnainmaa ◽  
Michael R. Roberts
Keyword(s):  
Stock Returns ◽  
Cross Section ◽  
History Of ◽  
The Cross

scholarly journals The Politics of Rammstein’s Sound

2021 ◽  
Vol 33 (2) ◽  
pp. 51-76
Author(s):  
Jan-Peter Herbst
Keyword(s):  
Rock Music ◽  
German Reunification ◽  
Pop Music ◽  
Fine Line ◽  
German Identity ◽  
History Of ◽  
Music Market ◽  
To Come

Germany’s premier rock music export Rammstein has been controversial since its formation in 1994. This article analyzes Rammstein’s sonic signature from the perspective of the “art of record production.” It decodes the politics of Rammstein’s sound, which is inextricably linked to the exaggeration of German attributes and the associations attached to them. The findings suggest that although Rammstein productions emphasize some specific German stereotypes in their sound, their overall aesthetic is international. This carefully crafted fine line between exotic otherness and conformity to pop standards has made Rammstein successful on the global pop music market for more than two decades. The production aesthetic must be understood against the background of the band’s experience of German reunification. Rammstein were founded as a means for the band members to come to terms with their new “German” identity. Initially, the band dealt with the shock of reunification and the realities of Western capitalist societies. Later the band pursued two further goals: to improve the history of their country in foreign perception and to help the Germans make peace with their nation’s past. These goals are achieved by adopting strategies of industrial music for their course, such as provocation, ambiguity, contrast, recontextualization, and humor.

scholarly journals Ivan Brkljačić: Love!: Saxophone concerto

New Sound ◽  
2020 ◽  
pp. 65-75
Author(s):  
Asja Radonjić
Keyword(s):  
Rock Music ◽  
Symphony Orchestra ◽  
Musical Language ◽  
Moving Force ◽  
History Of ◽  
Orchestral Work ◽  
Creative Life

The text examines Ivan Brkljačić's most recent orchestral work entitled: Love!-Saxophone Concerto, composed in 2018 as commissioned by the Belgrade Philharmonic. Love! was chosen as a universal theme, but also as the moving force behind the composer's personal and creative life. The composition corresponds to the stylistic expression that is characteristic of Brkljačić. His contemporary musical language is complemented by his own quotes and unequivocal references to popular, primarily rock music, but also to pop, jazz, and other genres that have formed his artistic persona. This work will remain chronicled as the first performed concert for saxophone and symphony orchestra in the history of Serbian music.

scholarly journals A Comparison of the Economic Situation of Tyrol, Austria in Three Key Periods: 1908-1913, 1945-1950 and 2008-2013

2015 ◽  
Vol 5 (1) ◽  
pp. 93-108
Author(s):  
Dirk-Hinnerk Fischer
Keyword(s):  
Cross Section ◽  
First World War ◽  
Second World War ◽  
World War ◽  
The First World War ◽  
History Of ◽  
Second Period ◽  
Second World ◽  
First World ◽  
Exclusive Focus

AbstractThe development of a formerly poor state in a great European power to a rich state in a small European country is remarkable. But the interest of this article is mainly on the methodology which is based on the exclusive focus on three key periods in the history of the observed region. This methodology leads to a very specific understanding of development and economic growth. The periods chosen in this example are the five years before the First World War, as it was a period of development and growth that in the end led to the fundamental crisis in the 20th century. The second period consists of five years following the Second World War. This period was crucial, as many fundamental developments were laid in this time. The final period begins with another big economic crisis in 2008. The selection is based on three rationales. First, it allows a comparison of how the population deals with crisis. Second, it provides a cross-section of over hundred years, and third, the topicality of these years increase the relevance of the paper.

scholarly journals Proměny Brněnského varhanního festivalu

2020 ◽  
Author(s):  
Judita Kučerová ◽  
Hana Bartošová ◽  
Alena Veselá ◽  
Jan Bejček ◽  
Marek Sedláček
Keyword(s):  
Cross Section ◽  
Performing Arts ◽  
Historical Development ◽  
Historical Study ◽  
History Of ◽  
The Individual

The presented publication brings knowledge about the cultural-historical development of the festival, dramaturgical concept, choice of artists, the character of concert instruments, etc.  The first chapter contains a cross-section of the 40-year history of the festival (Judita Kučerová). The historical study is followed by 3 chapters, first including the personal memories and experiences of the contemporary dramaturg and festival organizer Hana Bartošová. The essay on the organist's mission as a concert artist was contributed by the founder of the organ festival, prof. Alena Veselá, former rector of the Janáček Academy of Performing Arts in Brno and still active concert organist. The chapter on the concert organs, which the individual music evenings are played, was prepared by P. Jan Martin Bejček, OSB. The last part of the collective monograph consists of overviews of concerts held since the first years of the festival (Hana Bartošová), then in the period when the artistic and financial patronage of the Brno Organ Festival was taken over by the Club of Moravian Composers (Marek Sedláček) and an overview of non-Brno concerts (Hana Bartošová). The text has a source nature, the authors draw on preserved written documents and interviews with witnesses and festival organizers.

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