scholarly journals Proměny Brněnského varhanního festivalu

2020 ◽  
Author(s):  
Judita Kučerová ◽  
Hana Bartošová ◽  
Alena Veselá ◽  
Jan Bejček ◽  
Marek Sedláček
Keyword(s):  
Cross Section ◽  
Performing Arts ◽  
Historical Development ◽  
Historical Study ◽  
History Of ◽  
The Individual

The presented publication brings knowledge about the cultural-historical development of the festival, dramaturgical concept, choice of artists, the character of concert instruments, etc.  The first chapter contains a cross-section of the 40-year history of the festival (Judita Kučerová). The historical study is followed by 3 chapters, first including the personal memories and experiences of the contemporary dramaturg and festival organizer Hana Bartošová. The essay on the organist's mission as a concert artist was contributed by the founder of the organ festival, prof. Alena Veselá, former rector of the Janáček Academy of Performing Arts in Brno and still active concert organist. The chapter on the concert organs, which the individual music evenings are played, was prepared by P. Jan Martin Bejček, OSB. The last part of the collective monograph consists of overviews of concerts held since the first years of the festival (Hana Bartošová), then in the period when the artistic and financial patronage of the Brno Organ Festival was taken over by the Club of Moravian Composers (Marek Sedláček) and an overview of non-Brno concerts (Hana Bartošová). The text has a source nature, the authors draw on preserved written documents and interviews with witnesses and festival organizers.

Rusologia as a complex scientific study of Early Rus

Servis plus ◽  
10.12737/3900 ◽  
2014 ◽  
Vol 8 (2) ◽  
pp. 98-106
Author(s):  
Валерий Чудинов ◽  
Valeriy Chudinov
Keyword(s):  
Research Methods ◽  
Historical Development ◽  
Cultural Anthropology ◽  
Scientific Discipline ◽  
Russian Language ◽  
Historical Study ◽  
Resource Base ◽  
Scientific Methods ◽  
History Of ◽  
Definition Of

The article provides a definition of a prospective complex scientific discipline on Rus — rusologia (russologie). The author dwells on the resource-base and borrowed names of individual periods of history of Rus, demonstrates nomination analogies relevant for a complex historical study of states other than Rus, and lists innovative scientific methods peculiar to this particular discipline. The article contains illustrations, which serve to demonstrate the potential of the new epigraphic research methods, and presents critical views of them, as well as the author´s arguments in their favour. The author dares to assume that rusologia (russologie) is to become a complex scientific discipline, a distinct study of Rus and its inhabitants (the rusiches). With Rus´s population worshiping different Vedic gods on an alternating basis, the author deems it consistent to nominalise each period of Rus´s history accordingly. Thus, the subdisciplines of rusologia (rossulogie) are Mokosh/ (Mokos) — rusologia, Mara-rusologia, Rod-rusologia, Yar-rusologia, Arctorusologia, Slavic-rusologia and Pre-Romanov-rusologia. Each subdiscipline is responsible for a particular period of the historical development of Rus and the rusiches. Later periods are central to the study of such disciplines as Russian cultural anthropology, Russian historiography, the old and modern Russian language etc.

MUSLIM HISTORIES, AFRICAN SOCIETIES: THE VENTURE OF ISLAMIC STUDIES IN AFRICA Muslim Societies in African History. By DAVID ROBINSON. Cambridge: Cambridge University Press, 2004. Pp. xx+220. £35/$55 (ISBN 0-521-82627-6); £14.99/$19, paperback (ISBN 0-521-53366-X). The History of Islam in Africa. Edited by NEHEMIA LEVTZION and RANDALL L. POUWELS. Athens OH: Ohio University Press, 2000. Pp. xii+591. $75 (ISBN 0-8214-1296-5); $26.95, paperback (ISBN 0-8214-1297-3).

2005 ◽  
Vol 46 (3) ◽  
pp. 479-491 ◽  
Author(s):  
SEAN HANRETTA
Keyword(s):  
Sub Saharan Africa ◽  
Historical Study ◽  
Ohio University ◽  
African History ◽  
Cambridge University ◽  
Islamic Studies ◽  
History Of ◽  
Sub Saharan ◽  
The Individual ◽  
Comprehensive Reference

WITH the publication of these two volumes, the historical study of Islam in sub-Saharan Africa has reached its maturity. Drawing on five decades of scholarship since the professionalization of African history, and the long traditions of Islamic and African studies before that, these works – one the first truly usable textbook survey of the field, the other the first comprehensive reference – are both a successful culmination of what has gone before and guides to the paths ahead. In some cases the authors' and editors' careers are virtually synonymous with the field as a whole, as with the late Nehemia Levtzion, and all are among the acknowledged authorities on their specialties. David Robinson, author of Muslim Societies in African History, is one of the few who have established themselves as authorities on both the precolonial and colonial periods, and his work is central to active debates in each subfield. The individual and collective stature of Levtzion and Randall L. Pouwels, editors of The History of Islam in Africa, along with that of the twenty-two other contributors, makes the authority of the volume unprecedented.

Shanghai

2021 ◽  
Vol 65 (2) ◽  
pp. 150-166
Author(s):  
Changyong Huang
Keyword(s):  
Urban Development ◽  
Urban Space ◽  
Performing Arts ◽  
Historical Development ◽  
Modern History ◽  
Theatre Arts ◽  
Modern Development ◽  
City Culture ◽  
History Of ◽  
Treaty Ports

From the opening of treaty ports in 1843, the modern history of performing arts in Shanghai traces more than 170 years of development. This history not only summarizes the modern development of Chinese performing arts; it is also representative of the historical development of Chinese urban space and city culture. Theatre arts, culture, and urban development intertwine, as they are refracted through the rise and fall of theatre buildings, yielding a fascinating legacy of cosmopolitan Shanghai.

CHINESE TRADITIONAL ART — QUYI

2020 ◽  
Vol 1 (1) ◽  
pp. 134-136
Author(s):  
Wei Pengfei ◽  
◽  
Keyword(s):  
Performing Arts ◽  
Sound Production ◽  
Chinese Art ◽  
Vocal Performance ◽  
Cultural Significance ◽  
Historical Sources ◽  
Traditional Art ◽  
History Analysis ◽  
History Of ◽  
The Individual

The purpose of this article is to provide a comprehensive cultural and art history analysis of such a form of performing arts as Quyi, which has deep historical roots in China. Quyi art is endowed not only with a unique aesthetic function, but also has cultural significance and plays an important role in the history of China. Based on the study of historical sources, the article analyzes the traditions of vocal performance of Quyi, taking into account the cultural characteristics of certain regions of China and dialect differences, vocal variations, types of performing techniques, styles, schools, etc. Key objects of the review are the individual vocal schools and the typology of Quyi. In connection with changes in cultural trends and anatomical justifications of sound production, the author proposes an updated classification of schools and styles of traditional Chinese art, which represents an innovative approach to the theory of studying the debated form of vocal performance art. Currently, in the background of the rapidly developing society, the accumulation of knowledge, the improvement of the cultural level of the population as a whole and the development of vocal traditions don't look optimistic. Most young people in China are not familiar with this form of traditional art and identify Quyi with singing, dancing, and other forms of musical creativity. In connection with the above, the study and the systematization of information about Quyi are relevant for modern musicology.

Film Literacy, Visual Culture, and Film Language

2020 ◽  
pp. 1-17
Author(s):  
Fatma Gürses
Keyword(s):  
Visual Culture ◽  
Media Literacy ◽  
Historical Development ◽  
Visual Representations ◽  
Film Analysis ◽  
General Terms ◽  
History Of ◽  
Film Literacy ◽  
The Individual ◽  
Film Language

This chapter, in the age when we experience the supremacy of the visual dominance, sustains the assumption that political power has infiltrated the lives of the individual as a subject in visual representations, and that films, which can be a medium where the individual may oppose the domination against the struggle for power, produce both hegemonic discourses and counter rhetoric. Based on this assumption, it aims to explain the content required for film literacy in general terms. For this purpose, the concept of media literacy covering the mass media and the historical development process are summarized, followed by a brief overview of the history of film and the scope of film literacy. Then cinematographic image and film analysis methods are explained, and finally, the results of the content in the context of film literacy are evaluated and suggestions are offered.

Investigating the Relationship Between Self-Esteem and Stigma Among Young Adults With History of Suicide Attempts

Crisis ◽  
2016 ◽  
Vol 37 (4) ◽  
pp. 265-270 ◽  
Author(s):  
Meshan Lehmann ◽  
Matthew R. Hilimire ◽  
Lawrence H. Yang ◽  
Bruce G. Link ◽  
Jordan E. DeVylder
Keyword(s):  
Young Adults ◽  
Suicide Attempts ◽  
Self Esteem ◽  
High Risk Population ◽  
High Functioning ◽  
People With Mental Illness ◽  
History Of ◽  
The Individual ◽  
The Impact ◽  
The Relationship

Abstract. Background: Self-esteem is a major contributor to risk for repeated suicide attempts. Prior research has shown that awareness of stigma is associated with reduced self-esteem among people with mental illness. No prior studies have examined the association between self-esteem and stereotype awareness among individuals with past suicide attempts. Aims: To understand the relationship between stereotype awareness and self-esteem among young adults who have and have not attempted suicide. Method: Computerized surveys were administered to college students (N = 637). Linear regression analyses were used to test associations between self-esteem and stereotype awareness, attempt history, and their interaction. Results: There was a significant stereotype awareness by attempt interaction (β = –.74, p = .006) in the regression analysis. The interaction was explained by a stronger negative association between stereotype awareness and self-esteem among individuals with past suicide attempts (β = –.50, p = .013) compared with those without attempts (β = –.09, p = .037). Conclusion: Stigma is associated with lower self-esteem within this high-functioning sample of young adults with histories of suicide attempts. Alleviating the impact of stigma at the individual (clinical) or community (public health) levels may improve self-esteem among this high-risk population, which could potentially influence subsequent suicide risk.

Migration and Modernities

2019 ◽  
Keyword(s):  
Native Americans ◽  
Literary History ◽  
Historical Study ◽  
Racial Categories ◽  
Geographic Boundaries ◽  
The Us ◽  
Technological Developments ◽  
History Of ◽  
The Aesthetic ◽  
Eighteenth And Nineteenth Centuries

Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.

Victorian Pain

2017 ◽  
Author(s):  
Rachel Ablow
Keyword(s):  
Nineteenth Century ◽  
Victorian Literature ◽  
Social Life ◽  
Charles Darwin ◽  
Harriet Martineau ◽  
The Status ◽  
History Of ◽  
The Individual ◽  
Natural Philosophers ◽  
First Time

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.

Apuntes para la historia de una fraseología del español americano

2020 ◽  
Vol 65 (4) ◽  
pp. 367-382
Author(s):  
Juan Pedro Sánchez Méndez
Keyword(s):  
Spanish Language ◽  
Historical Study ◽  
History Of ◽  
American Spanish

"Notes for the History of a Phraseology of American Spanish. This paper presents the characteristics that would define the historical Hispano-American phraseology as opposed to the European Spanish one. Phraseology is one of the areas in which the greatest variation is perceived among the different Hispanic countries. In this paper I will try to point out the main historical foundations that would explain this variation and the characteristics assumed by what we call the indian or colonial phraseology. This would be the origin of what today we can consider a phraseological Americanism, which presents some characteristics that allow establishing its historical study differentiated from the European Spanish and justifies the necessary diastematic vision of the general historical phraseology of the Spanish language. Keywords: history of American Spanish, historical Hispano-American phraseology, phraseological Americanism, Indian or colonial phraseology. "

A Left History of Liquorice: What It Means to Write "Left" History

2019 ◽  
Vol 23 (1) ◽  
Author(s):  
Bryan D. Palmer
Keyword(s):  
Historical Study ◽  
Right Wing ◽  
Special Edition ◽  
Political Climate ◽  
Historical Approach ◽  
History Of ◽  
The Impact

This article is part of a special Left History series reflecting upon changing currents and boundaries in the practice of left history, and outlining the challenges historians of the left must face in the current tumultuous political climate. This series extends a conversation first convened in a 2006 special edition of Left History (11.1), which asked the question, “what is left history?” In the updated series, contributors were asked a slightly modified question, “what does it mean to write ‘left’ history?” The article charts the impact of major political developments on the field of left history in the last decade, contending that a rising neoliberal and right-wing climate has constructed an environment inhospitable to the discipline’s survival. To remain relevant, Palmer calls for historians of the left to develop a more “open-ended and inclusive” understanding of the left and to push the boundaries of inclusion for a meaningful historical study of the left. To illustrate, Palmer provides a brief materialist history of liquorice to demonstrate the mutability of left history as a historical approach, rather than a set of traditional political concerns.

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