scholarly journals Cage’s Imitation Game: Cheap Imitation and Song Books through the sketches

2021 ◽  
Vol 27 (3) ◽  
Author(s):  
Jeffrey Perry
Keyword(s):  
Henry David Thoreau ◽  
The Other ◽  
Imitation Game ◽  
Solo Piano ◽  
Erik Satie

The theme of John Cage’s Song Books (1970), according to Cage, is contained in the statement “We connect Satie with Thoreau” (".fn_cite($cage_1970).", 1). Previous studies of Cage’s Song Books have not asked what I feel to be obvious questions: how, precisely, does Cage connect Satie with Thoreau? To what end? And how does Cage connect to Satie and Thoreau (and to the other sources from which he borrows)? I make use of Cage’s sketch materials to seek answers. I examine three of the Solos for Voice from Song Books that make use of the cheap-imitation procedure that Cage had devised for his work of that name in 1969. Because Song Books is a work for vocalists while Cheap Imitation is a work for solo piano, Cage needed to apply analogous processes of textual “imitation” and mixture to the words of Thoreau to accompany the cheap imitations of the music of Satie. This article explores the persistence of compositional choice in Song Books as revealed by the sketches, in so doing exploring themes of duality in Cage’s pursuit of “poetry as I need it” in the music of Erik Satie, the words of Henry David Thoreau, and in the imitation game that he devises to connect them with one another.

NEGATIVE POLITENESS STRATEGIES USED BY MAIN CHARACTER IN “THE IMITATION GAME”

IdeBahasa ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 81-92
Author(s):  
Julius ◽  
Ambalegin Ambalegin
Keyword(s):  
Qualitative Research ◽  
General Rule ◽  
The Other ◽  
Main Character ◽  
Imitation Game ◽  
Alan Turing ◽  
Politeness Strategies ◽  
Participatory Method ◽  
Descriptive Qualitative

This research aims to find out types of negative politeness strategies expressed by the main character in the movie titled The Imitation Game. This research is categorised as descriptive qualitative research. The data of the research were taken from utterances identified as negative politeness strategies by the main character “Alan Turing” and analysed with theory proposed by (Brown & Levinson, 1988). Data were collected using the observation and non-participatory method. Additionally, to analyse the data, pragmatic identity method were used. The result discovered in this research are; 5 be conveniently indirect, 16 question and hedge, 1 be pessimistic,   6 give deference, 4 impersonalise interlocutors, and 4 state the FTA as the general rule, totalling to 36 indication of negative politeness strategies. Question and hedge became the most frequently used strategy the main character tends to assume unwillingness to comply to the other characters in The Imitation Game movie.

Introduction

2017 ◽  
Author(s):  
Hervé Vanel
Keyword(s):  
Comparative Evaluation ◽  
The Other ◽  
Background Music ◽  
The Arts ◽  
Lower Case ◽  
Erik Satie ◽  
A Company

This introductory chapter discusses composer John Cage's views about Muzak and his interest in the work of French composer Erik Satie. Muzak is a company that provides functional music as a tool of management in environmental situations. The term has nonetheless a double entendre: muzak (lower case) refers to the genre of background music in general, while Muzak (with a capital) refers specifically to the trademarked product. For Cage, Muzak's discourse clarified the stakes of a competition in which both the arts and the products of industry were engaged. His comparative evaluation of furniture music and muzak may have stressed the possibility of separating one from the other, but by the same token it also indicated that they share a parallel if irreconcilable ambition.

Political Obligation(s)

2018 ◽  
Author(s):  
Candice Delmas
Keyword(s):  
Henry David Thoreau ◽  
Civil Disobedience ◽  
Theory And Practice ◽  
Political Obligation ◽  
The Other ◽  
Political Obligations ◽  
Key Concepts ◽  
The Face ◽  
Set Up ◽  
The One

The introduction uses the Freedom Rides to set up the book’s discussion of our responsibilities in the face of injustice. It highlights the following gap between theory and practice: on the one hand, philosophers concerned with the rights and duties of citizens often defend a moral duty to obey the law, and consider civil disobedience in terms of permission or right only. On the other hand, activists from Henry David Thoreau to Black Lives Matter have long appealed to a responsibility to resist injustice. The introduction takes seriously both the traditional notion of political obligation and activists’ appeals by outlining a duty to resist injustice, and insisting it is among our political obligations. This chapter also presents the book’s key concepts: injustice, oppression, ideology, legitimacy, resistance, principled disobedience, and civil and uncivil disobedience.

scholarly journals The Imitation Game and the Nature of Mixed Methods

2015 ◽  
Vol 11 (4) ◽  
pp. 510-527 ◽  
Author(s):  
Harry Collins ◽  
Robert Evans ◽  
Martin Weinel ◽  
Jennifer Lyttleton-Smith ◽  
Andrew Bartlett ◽  
...  
Keyword(s):  
Mixed Methods ◽  
Scientific Knowledge ◽  
Quantitative Data ◽  
Research Method ◽  
The Other ◽  
Imitation Game ◽  
Qualitative And Quantitative ◽  
Sociology Of Scientific Knowledge ◽  
Cultural Foundations ◽  
New Research

We describe the Imitation Game, a new research method that collects both qualitative and quantitative data, and which can be used as a mixed methods procedure in many disciplines. Drawing on two projects, one investigating gender, the other sexuality, we show that the quantitative and qualitative aspects of the Game combine in four different ways, from more quantitative to more qualitative, involving increasing cultural understanding by the researchers. Crucially, deep cultural input is initially supplied by the players of the Game, who act as “proxy researchers,” enabling data to be gathered quickly and efficiently. The analysis has its roots in sociology of scientific knowledge and studies of expertise and experience, hence the emphasis on the cultural foundations of methods and the nature of expertise.

GIBRAN'S THE PROCESSION IN THE TRANSCENDENTALIST CONTEXT

Arabica ◽  
2002 ◽  
Vol 49 (4) ◽  
pp. 477-493
Author(s):  
Ahmad Majdoubeh
Keyword(s):  
New England ◽  
Ralph Waldo Emerson ◽  
Henry David Thoreau ◽  
The Other ◽  
Precise Nature ◽  
Other Hand ◽  
New England Transcendentalism ◽  
The One ◽  
The Relationship ◽  
Do So

AbstractThe aim of this article is to examine Gibran Kahlil Gibran's ideas, as articulated in The Procession (Al-Mawākib), in the context of New England Transcendentalism, in particular Emerson's and Thoreau's. Even though critics recognize Ralph Waldo Emerson (and less frequently Henry David Thoreau) as an influence on Gibran, the precise nature of the influence has not been spelled out clearly. In this study, I shall attempt to do so. To the end of establishing the New England Transcendentalist influence on Gibran more firmly and coherently, I locate, explain, and highlight some of the striking echoes, similarities, and analogies (linguistic, philosophic, as well as structural) in Gibran's The Procession, on the one hand, and Emerson's essays and Thoreau's Walden, on the other hand. Such an examination of the relationship will certainly enrich the meanings of Gibran's poem, shed a new light on his ideas, and suggest an angle from which his philosophy is best viewed.

ARCHAEOLOGY OF THE SELF: MICHAEL FINNISSY'S ‘FOLKLORE’

Tempo ◽  
2003 ◽  
Vol 57 (223) ◽  
pp. 46-56
Author(s):  
Maarten Beirens
Keyword(s):  
Instrumental Music ◽  
The Self ◽  
The Other ◽  
History Of Photography ◽  
Late 20Th Century ◽  
Solo Piano ◽  
Piano Solo ◽  
History Of ◽  
Extended Duration ◽  
The Subject

The compositional output of Michael Finnissy includes several major cycles for piano solo, which stand out by reason of their dimensions and their scope. English Country-Tunes (1977/1982–85), Verdi Transcriptions (1972–92/1988–95/2002-), Gershwin Arrangements (1975–88) and Folklore (1993–94) are all long, technically demanding and full of expressive potential. Yet they have been outdone by Finnissy's most recent piano cycle: The History of Photography in Sound (1995–2001), a phenomenal endeavour, lasting over five and a half hours and employing every conceivable means of articulating musical expression and intellectual significance. Speaking of the scope of these works, however, does not merely entail their unusual length – although the extended duration, in comparison to what is considered customary for a solo piano piece, is indeed one of their prominent features. What is more significant here is their scope in terms of the wide array of ideas, concepts and statements that make up the musical text. In that respect, Folklore (like the other pieces mentioned here) is an unrelenting statement, reflecting upon or formulating a critique of many issues that are crucial to late-20th-century human existence. This article tries to demonstrate how all these layers of significance can indeed form the subject of a piece that is supposed to be ‘abstract’ (because textless, instrumental) music.

Basic Enzymology of Blood Coagulation*

1965 ◽  
Vol 14 (01/02) ◽  
pp. 213-228 ◽  
Author(s):  
W. H Seegers
Keyword(s):  
Blood Clotting ◽  
Henry David Thoreau ◽  
The Other ◽  
Clotting Factor ◽  
Factor Xii ◽  
Enzyme Cascade ◽  
Multiple Frequencies ◽  
Autoprothrombin C ◽  
Chemical Events ◽  
Prothrombin Activation

SummaryI have considered the accuracy of the “enzyme cascade” sequence or “waterfall sequence” for blood clotting proposed recently. My remarks are not intended to be exhaustive, but rather representative of a perspective. I regard these presentations as being at the speculative level of science, created with a wild use of the imagination. Some of the clotting factor precursors that are supposed to be converted in succession to active enzymes may not exist and certainly are not known to be enzymes. I find it against my sense of order to believe that six proteolytical enzymes are needed to get thrombin. That would require six special sites in proteins where each enzyme does its work. Each enzyme would not split the other five sites if located as single or multiple frequencies in the five other substrates. While creating hypothetical enzymes and assigning Roman numerals to them the well documented function of the best known enzyme; namely, thrombin is disregarded. The capacity of prothrombin to form derivatives is disregarded. This immediately places the superstructure on a false base. The sequence is definitely not in accurate order. There is no elaborate mobilization of chemical events on the periphery of prothrombin which leads to doing something to prothrombin. The second known enzyme, autoprothrombin C, is included in the plasma-platelet system (intrinsic) whereas its main, if not exclusive place, is in the conversion of prothrombin to thrombin when tissue-plasma-platelet mechanisms are in operation. What is meant by t he term prothrombin is not clarified, and the way in which the required phospholipid originates is not accounted for. If there is a factor XII it is not the exclusive way to create conditions that will initiate prothrombin activation in the plasma-platelet system. Most of the steps postulated could only be accurate if it were possible to deny important conclusions stated in papers which are not at all considered. Evidently refutation of facts in these papers was not possible and a parochial kind of authority was promoted1 ) on the basis of “consistent with most of the current investigations”. I like to recal11 ) the words of Henry David Thoreau: “Any man more right than his neighbor, constitutes a majority of one.” The advances in prothrombin chemistry are sufficiently substantial for the formulation of a conceptual theme consistent with principles of enzymology, and as I have indicated above, can also serve as a clarification of the proposed cascade or waterfall diagrams.

scholarly journals Chaos as a Source of Complexity and Diversity in Evolution

1993 ◽  
Vol 1 (1_2) ◽  
pp. 163-177 ◽  
Author(s):  
Kunihiko Kaneko
Keyword(s):  
Nonlinear Dynamics ◽  
Dynamical System ◽  
Degrees Of Freedom ◽  
The Other ◽  
High Dimensional ◽  
Dynamic Clustering ◽  
Top Down ◽  
Imitation Game ◽  
Edge Of Chaos ◽  
Maintenance Of Diversity

The relevance of chaos to evolution is discussed in the context of the origin and maintenance of diversity and complexity. Evolution to the edge of chaos is demonstrated in an imitation game. As an origin of diversity, dynamic clustering of identical chaotic elements, globally coupled each to the other, is briefly reviewed. The clustering is extended to nonlinear dynamics on hypercubic lattices, which enables us to construct a self-organizing genetic algorithm. A mechanism of maintenance of diversity, “homeochaos,” is given in an ecological system with interaction among many species. Homeochaos provides a dynamic stability sustained by high-dimensional weak chaos. A novel mechanism of cell differentiation is presented, based on dynamic clustering. Here, a new concept—“open chaos”—is proposed for the instability in a dynamical system with growing degrees of freedom. It is suggested that studies based on interacting chaotic elements can replace both top-down and bottom-up approaches.

Stromatoporoids from the Famennian (Devonian) Wabamun Formation, Normandville oilfield, north–central Alberta, Canada

1988 ◽  
Vol 62 (03) ◽  
pp. 411-419 ◽  
Author(s):  
Colin W. Stearn
Keyword(s):  
Patch Reef ◽  
Abundant Species ◽  
The Other ◽  
North Central ◽  
Biotic Crisis

Stromatoporoids are the principal framebuilding organisms in the patch reef that is part of the reservoir of the Normandville field. The reef is 10 m thick and 1.5 km2in area and demonstrates that stromatoporoids retained their ability to build reefal edifices into Famennian time despite the biotic crisis at the close of Frasnian time. The fauna is dominated by labechiids but includes three non-labechiid species. The most abundant species isStylostroma sinense(Dong) butLabechia palliseriStearn is also common. Both these species are highly variable and are described in terms of multiple phases that occur in a single skeleton. The other species described areClathrostromacf.C. jukkenseYavorsky,Gerronostromasp. (a columnar species), andStromatoporasp. The fauna belongs in Famennian/Strunian assemblage 2 as defined by Stearn et al. (1988).

D. The Line Spectrum of Pulsating Variable Stars

1967 ◽  
Vol 28 ◽  
pp. 207-244
Author(s):  
R. P. Kraft
Keyword(s):  
Variable Stars ◽  
The Other ◽  
Line Spectrum ◽  
Afternoon Session ◽  
Empirical Information ◽  
Pulsating Variable Stars ◽  
Almost Continuous ◽  
Informal Approach

(Ed. note:Encouraged by the success of the more informal approach in Christy's presentation, we tried an even more extreme experiment in this session, I-D. In essence, Kraft held the floor continuously all morning, and for the hour and a half afternoon session, serving as a combined Summary-Introductory speaker and a marathon-moderator of a running discussion on the line spectrum of cepheids. There was almost continuous interruption of his presentation; and most points raised from the floor were followed through in detail, no matter how digressive to the main presentation. This approach turned out to be much too extreme. It is wearing on the speaker, and the other members of the symposium feel more like an audience and less like participants in a dissective discussion. Because Kraft presented a compendious collection of empirical information, and, based on it, an exceedingly novel series of suggestions on the cepheid problem, these defects were probably aggravated by the first and alleviated by the second. I am much indebted to Kraft for working with me on a preliminary editing, to try to delete the side-excursions and to retain coherence about the main points. As usual, however, all responsibility for defects in final editing is wholly my own.)

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