scholarly journals Planning and Orientation Analysis of Urban Environmental Landscape Aesthetic Value

2019 ◽  
Vol 2 (3) ◽  
pp. 15
Author(s):  
Wei Wei
Keyword(s):  
Urban Environment ◽  
Aesthetic Value ◽  
Orientation Analysis ◽  
Planning Orientation ◽  
The Aesthetic ◽  
Good Environment ◽  
The City ◽  
Environmental Landscape

Landscape is people’s evaluation of the environment which is better and more meaningful to visit. Therefore, a landscape must have a good environment. Landscape exists in nature as well as in cities. Every corner of a city can be a landscape. Its connection with the city and the citizens is inseparable. However, due to the acceleration of urbanization, there are still many problems in the urban environment. To solve these problems perfectly, we should work from the aesthetic value and planning orientation of the landscape. Therefore, this paper discusses and analyzes the problems of urban environment and how to use the aesthetic value and orientation to construct urban environmental landscape.

scholarly journals Urban Tree Selection for Diversity

EDIS ◽  
2020 ◽  
Vol 2020 (5) ◽  
Author(s):  
Deborah R. Hilbert ◽  
Andrew K. Koeser ◽  
Robert J. Northrop
Keyword(s):  
New Species ◽  
Urban Environment ◽  
Urban Forest ◽  
Tree Planting ◽  
Aesthetic Value ◽  
Maintenance Costs ◽  
Urban Tree ◽  
Different Types ◽  
Selection For ◽  
The Aesthetic

Urban tree diversity is important when attempting to create a healthy, beneficial, and resilient urban forest. Having a variety of trees can increase the aesthetic value for residents and create habitats for plants and animals. Some common street trees currently in the landscape are not site-appropriate and create infrastructure damage. By planting different types of trees in these locations, maintenance costs and infrastructure damage can be reduced and tree longevity increased. This new 4-page fact sheet is intended to provide urban foresters, arborists, landscape designers, and others in charge of tree planting with a process for introducing new species into the urban environment. Written by Deborah R. Hilbert, Andrew K. Koeser, and Robert J. Northrop, and published by the UF/IFAS Environmental Horticulture Department.https://edis.ifas.ufl.edu/ep589

scholarly journals Building Preservation Case Study of Pancasila Building in Pasuruan City

2021 ◽  
Vol 04 (08) ◽  
Author(s):  
Prof. Dr. Lalu Mulyadi ◽  
Keyword(s):  
Urban Development ◽  
Feasibility Study ◽  
Descriptive Analysis ◽  
Field Observations ◽  
City Development ◽  
Aesthetic Value ◽  
History Of ◽  
The Aesthetic ◽  
The City

Some cities in Indonesia have a long history of city development, in East Java, for example the cities of Surabaya, Malang, Blitar, Kediri and Pasuruan are cities that have a history of urban development that still maintains the identity of the city. old buildings or colonial buildings, these buildings can still be suspected through the characteristics of building shapes and the use of ornaments that are characterized by European buildings. For this European building to be preserved, it is necessary to conduct a feasibility study of the aesthetic value contained in the building. The case study taken in writing this article is the Pancasila Building in the city of Pasuruan. The method used is descriptive analysis topically. To support the discussion in this article, field observations and literature studies were conducted. The findings in this study were to determine the physical identity of the building and the meaning of building ornaments.

Urban Aesthetics and Technology

2021 ◽  
Author(s):  
Sanna Lehtinen
Keyword(s):  
Urban Design ◽  
Aesthetic Experience ◽  
Philosophy Of Technology ◽  
Urban Life ◽  
Urban Mobility ◽  
Aesthetic Value ◽  
Recent Developments ◽  
The Aesthetic ◽  
Urban Aesthetics ◽  
The City

Technology in one form or another has always been a part of urban life. Its development and uses have traditionally been dictated by the practical needs of the community. However, technologies also impact how a city looks and feels. Some technologies have a clear perceivable presence, whereas others are more invisibly embedded into the material structures of the city. This chapter is a study of how the aesthetic features of cities manifest through and in relation to technologies. The chapter bridges recent developments in philosophical urban aesthetics and contemporary approaches in the philosophy of technology. Central concepts include perception, aesthetic experience, aesthetic value, affordance, and attention. The chapter presents urban mobility as an example of how technology can be studied through the framework of urban aesthetics. The final part of the chapter highlights some implications of the aesthetics of technology for urban design.

scholarly journals Estetik Ornamen Masjid di Kota Padang

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Sri Sundari ◽  
Yulimarni Yulimarni
Keyword(s):  
Aesthetic Value ◽  
Changing Times ◽  
The Aesthetic ◽  
Almost All ◽  
Asymmetrical Balance ◽  
The City ◽  
Aesthetic Values

<p>The study was conducted aiming to find the aesthetic values that exist in the mosque building ornament in the city of Padang. The development and spirit of changing times has accompanied the development of the Mosque in Padang City, not only in the function and role of the Mosque, but also seen from the model of the mosque building and ornaments attached to the building. To achieve this goal the approach used in this paper is the aesthetic approach, and multi-disciplinary approach. The aesthetic value of mosque building ornaments can be viewed through the quality structures that make up beauty; first, unity; that each element in the mosque's ornament is a unified and mutually supportive unit, summarized in the quality of art consisting of rhythm, lines and shapes. Second, harmony (harmony); placement of motifs on the mosque building shows harmony by considering the balance between the shape of the motif with the field of placement. Third; symmetry; Almost all the ornaments contained in the mosque building contain symmetrical elements in vertical and horizontal forms. Symmetry can be seen in the motif lines and also the building lines themselves. Fourth; balance (balance); Mosque ornaments in the city of Padang, has three types of balance, namely; symmetrical balance, asymmetrical balance, and centering balance. And the fifth resistance (contras); the contrast does not only occur because of differences in the size of the motif, the contrast can also be seen from the shape and color of the ornament attached to the mosque building.</p>

scholarly journals Evaluasi nilai keindahan dan indeks kenyamanan taman kota Lumintang Denpasar

2019 ◽  
pp. 150
Author(s):  
Ignasia G.M. Rada ◽  
Ni Wayan Febriana Utami ◽  
I Nyoman Gede Astawa
Keyword(s):  
Open Space ◽  
Psychological Needs ◽  
Aesthetic Value ◽  
Public Park ◽  
Scenic Beauty ◽  
The People ◽  
Recreation Area ◽  
The Aesthetic ◽  
The City ◽  
City Park

Evaluation of aesthetic value and humadity index of Lumintang city park Denpasar. This research isbased on the needs of the people on recreation area that meets aesthetic and comfortness aspects inaccordance with the standards of a city park. Aesthetic is considered as important as a means of supportingthe beauty of the city and framed the landscape to soften the stiff impression of the city buildings, beside thathumadity is considered important as an effort to improve the microclimate of the city so that the communitymore comfortable to indulge in and around the public park. This study aims to evaluate the two main aspectsin Lumintang city park which meet the psychological needs of the community by using indicators of aestheticand comfort assessment of Scenic Beauty Estimation (SBE) and Thermal Humadity Index (THI). The method was field survey with observation technique to determine the value of temperature and humidity alsoquestionnaires technique to determine the value of SBE and the preception dan preferences of visitors. Theresult of data analysis showed that the value of aesthetic in Lumintang city park belong to moderate category.The lowest value located in the easthern area which wasfountain and the highest value was located in theeastern area which wasparking lot. The comfortness index showed that Lumintang city park was belong tocomfort with the most comfortable area located in southern area which was a sport area (25,10). Inconclusion, the environmental enhancement necessary in order to evaluate the aesthetic value and humadityindex to be a better condition for the user and meet the two aspects in a green open space.  

Street art between business and resistance

2020 ◽  
Vol 7 (2-3) ◽  
pp. 187-198
Author(s):  
Tijen Tunali
Keyword(s):  
Urban Environment ◽  
Urban Landscape ◽  
Street Art ◽  
Unequal Distribution ◽  
Political Situation ◽  
Liberal Economy ◽  
Distribution Of Resources ◽  
The Aesthetic ◽  
The City ◽  
Institutional Order

Street art, with its subcultural character, has been looked upon for its potential for social aesthetic and political dissidence. While some accounts have diverted attention to street art’s utopia with its creative dissidence and regenerative potential, others have insisted that street art has already been coopted by the aesthetic and institutional order of the neo-liberal economy. Street art has been both a product of and a response to the unequal distribution of resources and visibility in the city. A dialectical study that investigates both sides of the coin showing art’s aesthetic, spatial, social and political situation in the changing neo-liberal urban landscape is needed. Analysing simultaneously the hegemonic restructuring of the urban environment and the growth of counter-hegemonic resistance on the streets requires taking into account the plurality and complexity of the links between the urban environment, society and arts. This thematic journal issue offers a multi-geographical and interdisciplinary perspective to analyse how street art, as an aesthetic dispositive, functions dialectically as both resource and resistance in the sociopolitical make-up of the urban landscape.

AESTHETIC VALUES ON TIME LAPSE AND CINEMATIC VIDEOS

2019 ◽  
Vol 7 (2) ◽  
pp. 1-15
Author(s):  
RUDY W HERLAMBANG ◽  
MOHAMAD SUHARTO ◽  
TRI MARUTAMA ◽  
NADIA SIGI PRAMESWARI
Keyword(s):  
Cultural Heritage ◽  
Time Lapse ◽  
Human Potential ◽  
Aesthetic Value ◽  
Object A ◽  
Use Of Time ◽  
The Aesthetic ◽  
The City ◽  
Aesthetic Values ◽  
Time Lapse Video

Perkembangan teknologi maklumat semakin mendorong manusia untuk membangun dan mencipta inovasi. Teknologi dapat mengembangkan potensi manusia dalam mencipta produk moden. Transformasi teknologi yang pesat dari semasa ke semasa dengan meluasnya perkembangan media audiovisual, serta teknik dalam penggambaran video seperti selang masa dan sinematik. Kajian ini bertujuan untuk mengkaji nilai estetika teknik video selang masa dan sinematik dengan mengambil kajian kes dua video, iaitu Exploring Cultural Heritage: The Old Wall in Solo and The Beauty of the City of Solo (Surakarta). Analisis dilakukan dalam lima aspek, iaitu keunikan idea, isi atau mesej, aspek komunikatif, nilai estetika, dan kualiti teknik penggambaran dan teknik suara. Penulis memfokuskan pada analisis video teknik selang masa dan teknik video sinematik berdasarkan nilai estetik yang muncul. Nilai estetik kedua-dua video dapat dilihat dari penggunaan teknik selang masa yang mendorong perspektif penonton mengenai aktiviti semula jadi dan aktiviti sosial yang berlaku dari sesuatu objek. Setelah disatukan ke dalam projek media audio-visual, keindahan objek dapat dipaparkan. Sebaliknya, perspektif yang dihasilkan melalui teknik video sinematik memberikan rasa objek, iaitu video yang mewakili kemegahan objek warisan budaya dengan sudut tinggi terus bergerak di atas objek. Hal Ini mendorong penonton untuk memperoleh maklumat dan nilai, yang disertakan melalui teknik video selang masa dan teknik video sinematik.   The development of information technology increasingly encourages people to develop and create innovation. Technology can develop human potential in creating a modern product. The rapid technological transformation from time to time is marked by the widespread of developing audiovisual media, as well as by techniques in video shooting such as time lapse and cinematic. This study examines the aesthetic values of time lapse and cinematic video techniques by taking a case study of two videos, namely Exploring Cultural Heritage: The Old Wall in Solo and The Beauty of the City of Solo (Surakarta). Analysis was done in five aspects, namely the uniqueness of ideas, content or message, communicative aspects, aesthetic values, and the quality of shooting and sound techniques. The authors focused on video analysis of time-lapse video technique and cinematic video technique based on aesthetic value which emerge. The aesthetic value of both videos can be seen from the use of time-lapse technique that encourages perspective viewers about the natural and social activities that occur from an object. Having been assembled into an audio-visual media project, the beauty of an object can be projected. On the other hand, the perspective developed through cinematic technique video media is to provide a sense of object, a video that represents the splendor of a cultural heritage object with a high angle continuously moving over the object. This is to lead the audience to be able to obtain messages and values, which are embedded through both time-lapse video technique and cinematic video technique.

Estetik Ornamen Masjid di Kota Padang

2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Sri Sundari ◽  
Yulimarni Yulimarni
Keyword(s):  
Aesthetic Value ◽  
Changing Times ◽  
The Aesthetic ◽  
Almost All ◽  
Asymmetrical Balance ◽  
The City ◽  
Aesthetic Values

<p align="center"><strong>Abstract</strong></p><p><em>The study was conducted aiming to find the aesthetic values that exist in the mosque building ornament in the city of Padang. The development and spirit of changing times has accompanied the development of the Mosque in Padang City, not only in the function and role of the Mosque, but also seen from the model of the mosque building and ornaments attached to the building. To achieve this goal the approach used in this paper is the aesthetic approach, and multi-disciplinary approach. The aesthetic value of mosque building ornaments can be viewed through the quality structures that make up beauty; first, unity; that each element in the mosque's ornament is a unified and mutually supportive unit, summarized in the quality of art consisting of rhythm, lines and shapes. Second, harmony (harmony); placement of motifs on the mosque building shows harmony by considering the balance between the shape of the motif with the field of placement. Third; symmetry; Almost all the ornaments contained in the mosque building contain symmetrical elements in vertical and horizontal forms. Symmetry can be seen in the motif lines and also the building lines themselves. Fourth; balance (balance); Mosque ornaments in the city of Padang, has three types of balance, namely; symmetrical balance, asymmetrical balance, and centering balance. And the fifth resistance (contras); the contrast does not only occur because of differences in the size of the motif, the contrast can also be seen from the shape and color of the ornament attached to the mosque building.</em></p><p><strong><em>Keywords :</em></strong><em> Aesthetic, Ornaments, Mosque</em></p><p align="center"><strong>Abstrak</strong></p><p><em>Penelitian dilakukan ber</em><em>tujuan </em><em>untuk me</em><em>nemukan </em><em>nilai-nilai</em><em> estetik </em><em>yang ada pada </em><em>ornament b</em><em>angunan Masjid di Kota Padang</em><em>. P</em><em>erkembangan dan semangat zaman yang berubah telah mengiringi perkembangan Masjid di Kota Padang, tidak hanya dalam fungsi dan peran Masjid, tetapi juga terlihat dari model bangunan Masjid dan ornamen yang melekat pada bangunannya.Untuk mencapai tujuan tersebut p</em><em>endekatan yang digunakan dalam </em><em>tulisan</em><em> ini adalah pendekatan estetika, dan pendekatan multi disiplin.</em><em> </em><em>Nilai estetik ornamen bangunan </em><em>M</em><em>asjid dapat ditinjau melalui struktur kualitas pembentuk keindahan; pertama, kesatuan (unity); </em><em>bahwa s</em><em>etiap unsur dalam ornamen Masjid merupakan satu kesatuan yang utuh dan saling mendukung, yang terangkum dalam kualitas seni yang terdiri dari irama, garis dan bentuk. </em><em>Kedua, keselarasan (harmony); penempatan motif pada bangunan Masjid menunjukan keselarasan dengan mempertimbangkan keseimbangan antara bentuk motif dengan bidang penempatannya. Ketiga; kesetangkupan (symetry); </em><em>Hampir semua ornamen yang terdapat pada bangunan Masjid mengandung unsur simetris dalam bentuk vertikal maupun horizontal. Simetri dapat terlihat pada garis motif dan juga garis bangunan itu sendiri.</em><em> </em><em>Keempat; keseimbangan (balance); ornamen bangunan Masjid di kota Padang, memiliki tiga jenis keseimbangan yaitu; keseimbangan simetris, keseimbangan asimetris, dan keseimbangan memusat. Dan kelima perlawanan (contras); k</em><em>ontras tidak hanya terjadi karena perbedaan ukuran </em><em>motif </em><em>saja, </em><em>kontras </em><em>juga </em><em>terlihat dari</em><em> bentuk dan warna ornament yang melekat pada bangunan Masjid.</em></p><strong><em>Kata kunci </em></strong><em>: Estetik, Ornamen, Masjid</em>

scholarly journals Design Modeling of the City Environment as an Object of Perception

2020 ◽  
pp. 17-19
Author(s):  
Grigorii Anatolevich Tkachuk
Keyword(s):  
Social Identity ◽  
Urban Environment ◽  
Social Environment ◽  
City Environment ◽  
Social Reactions ◽  
The Social ◽  
The Aesthetic ◽  
Negative Social Reactions ◽  
The City ◽  
Public Environment

The article discusses the need to find new modern approaches to formation of the urban public environment, which has the necessary qualities for the accumulation, development and improvement of the intellectual and psycho-emotional potential of society. The author describes certain distortions and destructive phenomena in the social environment of the city, which lead to negative social reactions. An opinion about the ongoing loss of social identity and degeneration of the aesthetic and creative context in the society’s mentality is expressed. The ways of solving the problems of creating sustainable positive conditions for the transformation of the urban environment are proposed.

the Unknown Person: Post-Colonial Fictioning, Personal Stories and Surveillance

Leonardo ◽  
2020 ◽  
Vol 53 (4) ◽  
pp. 442-445
Author(s):  
Eddie Wong
Keyword(s):  
Control Systems ◽  
Aesthetic Value ◽  
Post Colonial ◽  
Liminal Spaces ◽  
The Gaze ◽  
Video Documentary ◽  
Final Output ◽  
The Aesthetic ◽  
City Of London ◽  
The City

the Unknown Person connects the artist's family history to Britain's postcolonial “fictioning.” The project interrogates the gaze of surveillance and social control systems to explore the fiction of the self, data and liminal spaces of the City of London. The final output of this research is a video documentary that employs machine learning processes and facial recognition techniques to generate visuals to reveal the aesthetic value of a neural network. The project culminated as an installation of multiple screens mounted on a scaffolding structure.

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