AESTHETIC VALUES ON TIME LAPSE AND CINEMATIC VIDEOS

Perkembangan teknologi maklumat semakin mendorong manusia untuk membangun dan mencipta inovasi. Teknologi dapat mengembangkan potensi manusia dalam mencipta produk moden. Transformasi teknologi yang pesat dari semasa ke semasa dengan meluasnya perkembangan media audiovisual, serta teknik dalam penggambaran video seperti selang masa dan sinematik. Kajian ini bertujuan untuk mengkaji nilai estetika teknik video selang masa dan sinematik dengan mengambil kajian kes dua video, iaitu Exploring Cultural Heritage: The Old Wall in Solo and The Beauty of the City of Solo (Surakarta). Analisis dilakukan dalam lima aspek, iaitu keunikan idea, isi atau mesej, aspek komunikatif, nilai estetika, dan kualiti teknik penggambaran dan teknik suara. Penulis memfokuskan pada analisis video teknik selang masa dan teknik video sinematik berdasarkan nilai estetik yang muncul. Nilai estetik kedua-dua video dapat dilihat dari penggunaan teknik selang masa yang mendorong perspektif penonton mengenai aktiviti semula jadi dan aktiviti sosial yang berlaku dari sesuatu objek. Setelah disatukan ke dalam projek media audio-visual, keindahan objek dapat dipaparkan. Sebaliknya, perspektif yang dihasilkan melalui teknik video sinematik memberikan rasa objek, iaitu video yang mewakili kemegahan objek warisan budaya dengan sudut tinggi terus bergerak di atas objek. Hal Ini mendorong penonton untuk memperoleh maklumat dan nilai, yang disertakan melalui teknik video selang masa dan teknik video sinematik. The development of information technology increasingly encourages people to develop and create innovation. Technology can develop human potential in creating a modern product. The rapid technological transformation from time to time is marked by the widespread of developing audiovisual media, as well as by techniques in video shooting such as time lapse and cinematic. This study examines the aesthetic values of time lapse and cinematic video techniques by taking a case study of two videos, namely Exploring Cultural Heritage: The Old Wall in Solo and The Beauty of the City of Solo (Surakarta). Analysis was done in five aspects, namely the uniqueness of ideas, content or message, communicative aspects, aesthetic values, and the quality of shooting and sound techniques. The authors focused on video analysis of time-lapse video technique and cinematic video technique based on aesthetic value which emerge. The aesthetic value of both videos can be seen from the use of time-lapse technique that encourages perspective viewers about the natural and social activities that occur from an object. Having been assembled into an audio-visual media project, the beauty of an object can be projected. On the other hand, the perspective developed through cinematic technique video media is to provide a sense of object, a video that represents the splendor of a cultural heritage object with a high angle continuously moving over the object. This is to lead the audience to be able to obtain messages and values, which are embedded through both time-lapse video technique and cinematic video technique.

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Estetik Ornamen Masjid di Kota Padang

Besaung : Jurnal Seni Desain dan Budaya ◽

10.36982/jsdb.v5i1.1454 ◽

2021 ◽

Vol 5 (1) ◽

Author(s):

Sri Sundari ◽

Yulimarni Yulimarni

Keyword(s):

Aesthetic Value ◽

Changing Times ◽

The Aesthetic ◽

Almost All ◽

Asymmetrical Balance ◽

The City ◽

Aesthetic Values

The study was conducted aiming to find the aesthetic values that exist in the mosque building ornament in the city of Padang. The development and spirit of changing times has accompanied the development of the Mosque in Padang City, not only in the function and role of the Mosque, but also seen from the model of the mosque building and ornaments attached to the building. To achieve this goal the approach used in this paper is the aesthetic approach, and multi-disciplinary approach. The aesthetic value of mosque building ornaments can be viewed through the quality structures that make up beauty; first, unity; that each element in the mosque's ornament is a unified and mutually supportive unit, summarized in the quality of art consisting of rhythm, lines and shapes. Second, harmony (harmony); placement of motifs on the mosque building shows harmony by considering the balance between the shape of the motif with the field of placement. Third; symmetry; Almost all the ornaments contained in the mosque building contain symmetrical elements in vertical and horizontal forms. Symmetry can be seen in the motif lines and also the building lines themselves. Fourth; balance (balance); Mosque ornaments in the city of Padang, has three types of balance, namely; symmetrical balance, asymmetrical balance, and centering balance. And the fifth resistance (contras); the contrast does not only occur because of differences in the size of the motif, the contrast can also be seen from the shape and color of the ornament attached to the mosque building.

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Estetik Ornamen Masjid di Kota Padang

Besaung : Jurnal Seni Desain dan Budaya ◽

10.36982/jsdb.v5i1.957 ◽

2020 ◽

Vol 5 (1) ◽

Author(s):

Sri Sundari ◽

Yulimarni Yulimarni

Keyword(s):

Aesthetic Value ◽

Changing Times ◽

The Aesthetic ◽

Almost All ◽

Asymmetrical Balance ◽

The City ◽

Aesthetic Values

AbstractThe study was conducted aiming to find the aesthetic values that exist in the mosque building ornament in the city of Padang. The development and spirit of changing times has accompanied the development of the Mosque in Padang City, not only in the function and role of the Mosque, but also seen from the model of the mosque building and ornaments attached to the building. To achieve this goal the approach used in this paper is the aesthetic approach, and multi-disciplinary approach. The aesthetic value of mosque building ornaments can be viewed through the quality structures that make up beauty; first, unity; that each element in the mosque's ornament is a unified and mutually supportive unit, summarized in the quality of art consisting of rhythm, lines and shapes. Second, harmony (harmony); placement of motifs on the mosque building shows harmony by considering the balance between the shape of the motif with the field of placement. Third; symmetry; Almost all the ornaments contained in the mosque building contain symmetrical elements in vertical and horizontal forms. Symmetry can be seen in the motif lines and also the building lines themselves. Fourth; balance (balance); Mosque ornaments in the city of Padang, has three types of balance, namely; symmetrical balance, asymmetrical balance, and centering balance. And the fifth resistance (contras); the contrast does not only occur because of differences in the size of the motif, the contrast can also be seen from the shape and color of the ornament attached to the mosque building.Keywords : Aesthetic, Ornaments, MosqueAbstrakPenelitian dilakukan bertujuan untuk menemukan nilai-nilai estetik yang ada pada ornament bangunan Masjid di Kota Padang. Perkembangan dan semangat zaman yang berubah telah mengiringi perkembangan Masjid di Kota Padang, tidak hanya dalam fungsi dan peran Masjid, tetapi juga terlihat dari model bangunan Masjid dan ornamen yang melekat pada bangunannya.Untuk mencapai tujuan tersebut pendekatan yang digunakan dalam tulisan ini adalah pendekatan estetika, dan pendekatan multi disiplin. Nilai estetik ornamen bangunan Masjid dapat ditinjau melalui struktur kualitas pembentuk keindahan; pertama, kesatuan (unity); bahwa setiap unsur dalam ornamen Masjid merupakan satu kesatuan yang utuh dan saling mendukung, yang terangkum dalam kualitas seni yang terdiri dari irama, garis dan bentuk. Kedua, keselarasan (harmony); penempatan motif pada bangunan Masjid menunjukan keselarasan dengan mempertimbangkan keseimbangan antara bentuk motif dengan bidang penempatannya. Ketiga; kesetangkupan (symetry); Hampir semua ornamen yang terdapat pada bangunan Masjid mengandung unsur simetris dalam bentuk vertikal maupun horizontal. Simetri dapat terlihat pada garis motif dan juga garis bangunan itu sendiri. Keempat; keseimbangan (balance); ornamen bangunan Masjid di kota Padang, memiliki tiga jenis keseimbangan yaitu; keseimbangan simetris, keseimbangan asimetris, dan keseimbangan memusat. Dan kelima perlawanan (contras); kontras tidak hanya terjadi karena perbedaan ukuran motif saja, kontras juga terlihat dari bentuk dan warna ornament yang melekat pada bangunan Masjid.Kata kunci : Estetik, Ornamen, Masjid

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The Cultural Revolution in David Lodge’s Changing Places

10.31235/osf.io/pfz4c ◽

2019 ◽

Author(s):

AWEJ-tls for Translation & Literary Studies ◽

Noureddine Friji

Keyword(s):

Adverse Effects ◽

University Students ◽

Cultural Heritage ◽

Cultural Revolution ◽

Aesthetic Value ◽

Cultural Traditions ◽

One Dimensional ◽

German Philosopher ◽

The Aesthetic ◽

The University

Utilizing Herbert Marcuse’s One-Dimensional Man (1962) and Counterrevolution and Revolt (1972) as a theoretical backdrop, this article seeks to gauge the extent to which the teachings of the German philosopher and political theorist lay the groundwork for the protests mounted by the university students in David Lodge’s campus novel Changing Places (1975). Admittedly, the Student Revolution spilled over into numerous fields. However, given space restrictions, only its cultural manifestations will be examined. It will be clear that at the root of Lodge’s students’ uprising lies an overpowering urge to break with the cultural heritage and with the academics upholding it. It will be equally clear, nonetheless, that these young activists’ faith in Marcuse’s political doctrine is unwelcome to conservative academics on the ground that it has diverse adverse effects on universities. Not only are politically oriented texts and discourses given precedence over traditional ones but also teachers and administrators are, at times, hindered from doing their duties. The plausible conclusion to draw, in the light of the research’s findings, is that although cultural revolutions undeniably pave the way for a number of personal and collective achievements and help us modernize many aspects of life, they should not blind us to the enduring significance of previous cultural traditions and of the aesthetic value of literary works.

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Dataset for the Aesthetic Value Automatic Prediction

Proceedings ◽

10.3390/proceedings2019021031 ◽

2019 ◽

Vol 21 (1) ◽

pp. 31

Author(s):

Rodriguez-Fernandez ◽

Santos ◽

Torrente

Keyword(s):

Computational System ◽

Aesthetic Value ◽

Relevant Issue ◽

Different Populations ◽

The Aesthetic ◽

Aesthetic Values ◽

Sample Set

One of the most relevant issue in the prediction and classification of the aesthetic value of an image is the sample set used to train and validate the computational system. In this document the limitations found in different datasets used to classificate and predict aesthetic values are exposed, and a new dataset is proposed with images from the DPChallenge.com portal, with evaluations of three different populations.

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Use of time-lapse video cameras to determine causes of nest failure of Slavonian GrebesPodiceps auritus

Bird Study ◽

10.1080/00063650509461386 ◽

2005 ◽

Vol 52 (2) ◽

pp. 159-165 ◽

Cited By ~ 10

Author(s):

Allan J. Perkins ◽

Mark H. Hancock ◽

Nigel Butcher ◽

Ron W. Summers

Keyword(s):

Time Lapse ◽

Nest Failure ◽

Video Cameras ◽

Use Of Time ◽

Time Lapse Video

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Brześć – the city of an eastern borderlands, architecture of the 2nd Republic of Poland

Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych ◽

10.35784/teka.1803 ◽

1970 ◽

Vol 14 (3) ◽

pp. 96-101

Author(s):

Krystyna Paprzyca

Keyword(s):

Cultural Heritage ◽

Present Moment ◽

Modern Life ◽

Object A ◽

The Past ◽

Life Styles ◽

The City

The borderland, often called „ land lost” are becoming the places we often return to in our memories, the need of rediscovering them arises. The past might be described in a different way: through pictures of different life styles, architecture, people, tradition. It is natural they create longing and sorrow caused often by the lack of acceptance of modern life styles. Because borderland towns are located abroad, their architecture, tradition, culture, literature are our cultural heritage and we shall not forget it. The phenomenon of the lack of bond of people and places observed today, makes “places with no soul”. Steering and controlling people, people’s needs, emotions, make a person an object. A man loses oneself, loses one’s soul. Many places are being ruled by a moment, similarity, rush and loneliness There are no history, past in them, there is only the present moment and they are characterized by the similarity. We cannot interpret them and we have no bonds with them.

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Aesthetic Factor of Customer Perception and Its Role in Managing Company Competitiveness

Vestnik of the Plekhanov Russian University of Economics ◽

10.21686/2413-2829-2021-5-193-200 ◽

2021 ◽

pp. 193-200

Author(s):

S. A. Afonsky

Keyword(s):

Aesthetic Value ◽

Public Places ◽

Customer Perception ◽

Goods And Services ◽

Art Object ◽

The Arts ◽

The Aesthetic ◽

Aesthetic Values ◽

Made In

The article advances the idea about a drop in people interest in buying similar goods and services, especially in conditions of uncertainty, in particular corona-virus epidemic, when people care less about external things, such as their clothes for visiting public places. Today we observe the necessity in meeting aesthetic needs through different tools and artistic objects. Therefore, we can say that it is a certain return to those times, when in public places and even in the Underground you can see real works of art that were not made in a hurry, according to the principle ‘the cheaper the better', but those of full value. In spring 2021 we conducted a survey of students of the Russian Plekhanov University of Economics and the Arts College RGGU to find the role of the aesthetic (emotional, sensual) element - the art-object (in this case - a poster) - in conditions of uncertainty, i. e. COVID-19 epidemic. The findings of this research showed that aesthetic value of graphics takes a foreground, it should be connected with specialization of the trade enterprise, its historic and other factors. The author demonstrates that availability of aesthetic values can form a motivating platform for repeated visits to the store and thus shape its competitive advantage.

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ANALISIS NILAI ESTETIS KERAJINAN MINIATUR KAPAL PADA PENGRAJIN KRIYA ASMIDAR DI MEDAN PERJUANGAN

Gorga Jurnal Seni Rupa ◽

10.24114/gr.v7i2.11898 ◽

2018 ◽

Vol 7 (2) ◽

pp. 284

Author(s):

Dailami Tanjung ◽

Azmi Azmi ◽

Tetty Mirwa ◽

Triyanto Triyanto

Keyword(s):

Sampling Technique ◽

Aesthetic Value ◽

Qualitative Descriptive ◽

The Aesthetic ◽

Aesthetic Values ◽

Descriptive Method

AbstrakPenelitian ini di latar belakangi untuk mendeskripsikan nilai estetis pada kerajinan miniatur kapal pada pengrajin kriya Asmidar Di Medan Perjuangan.Pembatasan masalah dalam penelitian ini berfokus pada penerapan nilai estetis dan hasil karya kerajinan miniatur kapal pada pengrajin kriya Asmidar di Medan Perjuangan. Populasi dalam penelitian ini yaitu seluruh kerajinan miniatur kapal pada pengrajin kriya Asmidar. Dalam penelitian ini penulis mengambil teknik sampling jenuh, yaitu teknik penentuan sampel bila semua anggota populasi digunakan sebagai sampel sebanyak 8 karya kerajinan miniatur kapal. Dalam hal ini penulis akan meneliti karya kerajinan miniatur kapal tersebut berdasarkan aspek proporsi, keseimbangan, kesatuan, dan finishing. Adapun metode yang digunakan dalam penelitian ini adalah metode deskriftif kualitatif. Berdasarkan data yang telah diperoleh, maka semua hasil penilaian dari ke dua ahli secara keseluruhan pada kerajinan miniatur kapal karya pengerajin Kriya Asmidar ditinjau berdasarkan aspek proporsi, keseimbangan, kesatuan, dan finishing, secara umum dikategorikan baik dengan jumlah nilai = 703 dan rata-rata (r) = 88 (baik). Kata Kunci:analisis, kerajinan, miniatur kapal.AbstractThis research is in the background to describe the aesthetic value of miniature craft shipments at the craftsmen of Asmidar craft in Medan Perjuangan. The problem limitation in this study focuses on the application of aesthetic values and the work of ship miniature crafts to the craftsmen of Asmidar craft in Medan Perjuangan. The population in this study is all miniature craft of craft in the craft of the Asmidar craft. In this study the author takes a saturated sampling technique, which is a sample determination technique if all members of the population are used as a sample of 8 ship miniature craft works. In this case the author will examine the ship's miniature craft based on aspects of proportion, balance, unity and finishing. The method used in this research is qualitative descriptive method. Based on the data that has been obtained, all the results of the assessment of the two experts as a whole on the miniature craft of the work of the craftsmen KriyaAsmidar are reviewed based on the aspects of proportion, balance, unity, and finishing, generally categorized as good with a number of values = 703 and average ( r) = 88 (good).Keywords:analysis, crafts, miniature’s ship.

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Use of Time-lapse Video to Demonstrate Plant Growth Regulator (PGR) Responses

HortScience ◽

10.21273/hortsci.39.4.875a ◽

2004 ◽

Vol 39 (4) ◽

pp. 875A-875

Author(s):

Derek D. Woolard* ◽

Judy Fugiel ◽

F. Paul Silverman ◽

Peter D. Petracek

Keyword(s):

Treatment Effects ◽

Digital Camera ◽

Time Lapse ◽

Strong Impact ◽

Digital Cameras ◽

Camera Placement ◽

Use Of Time ◽

Notebook Computers ◽

Visual Record ◽

Time Lapse Video

Tables, graphs, and photographs can effectively convey detailed results of a PGR experiment. However, we have observed that demonstrating PGR treatment effects by time-lapse video creates a strong impact on both scientists and non-technical audiences. Time-lapse video also provides a method for obtaining a continuous visual record that can be used to establish the precise chronology of a slow process. Recent advances in notebook computers, inexpensive digital cameras (e.g. 3Com HomeConnect™), and time-lapse software (e.g. Picture WorkLive™) allow scientists and teachers to inexpensively prepare time-lapse videos. Important considerations for the production of quality time-lapse videos include: 1. treatment effects should be substantial, consistent, and visible, 2. digital camera images should be clear, 3. lighting should be constant and provide adequate brightness and proper color, 4. camera movement such as those due to vibrations should be minimal, 5. camera placement should simplify composition. Time-lapse videos of PGR treatment effects will be shown, and methods of production will be discussed.

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Building Preservation Case Study of Pancasila Building in Pasuruan City

International Journal of Current Science Research and Review ◽

10.47191/ijcsrr/v4-i8-23 ◽

2021 ◽

Vol 04 (08) ◽

Author(s):

Prof. Dr. Lalu Mulyadi ◽

Keyword(s):

Urban Development ◽

Feasibility Study ◽

Descriptive Analysis ◽

Field Observations ◽

City Development ◽

Aesthetic Value ◽

History Of ◽

The Aesthetic ◽

The City

Some cities in Indonesia have a long history of city development, in East Java, for example the cities of Surabaya, Malang, Blitar, Kediri and Pasuruan are cities that have a history of urban development that still maintains the identity of the city. old buildings or colonial buildings, these buildings can still be suspected through the characteristics of building shapes and the use of ornaments that are characterized by European buildings. For this European building to be preserved, it is necessary to conduct a feasibility study of the aesthetic value contained in the building. The case study taken in writing this article is the Pancasila Building in the city of Pasuruan. The method used is descriptive analysis topically. To support the discussion in this article, field observations and literature studies were conducted. The findings in this study were to determine the physical identity of the building and the meaning of building ornaments.

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