scholarly journals Acculturation of local and non-local architecture on the scoping elements of the Merah Panjunan Mosque building in Cirebon

2021 ◽  
Vol 6 (2) ◽  
pp. 295-304
Author(s):  
Arita ◽  
Hartanto Budiyuwono ◽  
Yuswadi Saliya
Keyword(s):  
Cultural Heritage ◽  
Research Method ◽  
Architectural Design ◽  
Two Dimensions ◽  
Modern Architecture ◽  
Hindu Temple ◽  
Architectural Elements ◽  
Non Local ◽  
Conclusion Section

Architectural acculturation has a significant and uniform impact on modern architecture. However, the misunderstanding of this phenomenon tends to occur due to its inability to match its context's function and meaning. Therefore, this study aims to examine the acculturation of local and non-local architecture in mosque buildings. Previous research only focuses on mosque buildings as a syncretic factor, with none on the attributed topic. The research object is the Merah Panjunan Mosque in Cirebon City. This object was chosen based on the building age, the acculturation phenomenon that occurs, and because it is one of the cultural heritage in Cirebon City. The research method includes redrawing the Merah Panjunan Mosque's entire mass in three and two dimensions, making it easy to parse based on architectural anatomy. The study object's decomposition is intended to facilitate analysis in each unit of architectural elements, which is read based on the elaboration of the balance and orientation principles. The analysis results are interpreted in the conclusion section with the Merah Panjunan Mosque capable of displaying local and non-local architecture characterized by Javanese and Chinese architectures as well as a Hindu temple. The dominant composition of the Merah Panjunan Mosque acculturation is shown in the roof elements. Therefore, this research implies that Merah Panjunan acts as a reference for architectural design with the acculturation concept.

scholarly journals Analysis on Application of Traditional Architectural Elements in Modern Architectural Design

2015 ◽  
Vol 4 (3) ◽  
pp. 24
Author(s):  
Lihong Tong ◽  
Xueliang Zhu
Keyword(s):  
Architectural Design ◽  
Modern Architecture ◽  
Traditional Architecture ◽  
Architectural Space ◽  
Architectural Elements ◽  
Space Design ◽  
Important Significance

<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>

scholarly journals Analysis on Application of Traditional Architectural Elements in Modern Architectural Design

2015 ◽  
Vol 4 (3) ◽  
pp. 24
Author(s):  
Lihong Tong ◽  
Xueliang Zhu
Keyword(s):  
Architectural Design ◽  
Modern Architecture ◽  
Traditional Architecture ◽  
Architectural Space ◽  
Architectural Elements ◽  
Space Design ◽  
Important Significance

<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>

Analysis and Design of Environmental Protection and Energy Saving in Modern Society Building

2014 ◽  
Vol 908 ◽  
pp. 355-358
Author(s):  
Jie Zhao
Keyword(s):  
Energy Saving ◽  
Environmental Protection ◽  
Architectural Design ◽  
New Technology ◽  
Modern Society ◽  
Modern Architecture ◽  
Analysis And Design ◽  
The People ◽  
Development Direction ◽  
Design Requirements

With the development of economy and the improvement of people's living level, improving living conditions and public buildings, architectural design requirements are also constantly improved. Modern architecture should consider not only beautiful and comfortable, but also take into account the design individuality, while taking into consideration the people-oriented design concept of environmental protection and energy saving. This also makes the environmental friendly and energy-saving building is the development direction of future architecture. This paper analyzes the modern architecture of the ecological and environmental protection, gives the method to realize the construction of energy-saving environmental protection design and the use of new materials, new equipment and new technology of the existing.

scholarly journals “‘But the Fountain Sprang Up and the Bird Sang Down’: Heidegger’s Gathering of the Fourfold and the Seven-Sacraments Font at Salle, Norfolk.”

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 464
Author(s):  
Marie Clausén
Keyword(s):  
Cultural Heritage ◽  
Art History ◽  
Architectural Elements ◽  
15Th Century ◽  
The Earth ◽  
Medieval Church ◽  
The Church ◽  
As If

My paper analyses the 15th-century seven-sacraments font at the medieval church of St Peter and St Paul at Salle in Norfolk (England). The church guides and gazetteers that describe the font, and the church in which it is situated, owe both their style and content to Art History, focusing as they do on their material and aesthetic dimensions. The guides also tend towards isolating the various elements of the font, and these in turn from the rest of the architectural elements, fittings and furniture of the church, as if they could be meaningfully experienced or interpreted as discrete entities, in isolation from one another. While none of the font descriptions can be faulted for being inaccurate, they can, as a result of these tendencies, be held insufficient, and not quite to the purpose. My analysis of the font, by means of Heidegger’s concept of Dwelling, does not separate the font either from the rest of the church, nor from other fonts, but acknowledges that it comes to be, and be seen as, what it is only when considered as standing in ‘myriad referential relations’ to other things, as well as to ourselves. This perspective has enabled me to draw out what it is about the font at Salle that can be experienced as not merely beautiful or interesting, but also as meaningful to those—believers and non-believers alike—who encounter it. By reconsidering the proper mode of perceiving and engaging with the font, we may spare it from being commodified, from becoming a unit in the standing reserve of cultural heritage, and in so doing, we, too, may be momentarily freed from our false identities as units of production and agents of consumption. The medieval fonts and churches of Norfolk are, I argue, not valuable as a result of their putative antiquarian qualities, but invaluable in their extending to us a possibility of dwelling—as mortals—on the earth—under the sky—before the divinities.

scholarly journals Maribor Synagogue: Between Facts and Reinterpretation

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 5
Author(s):  
Janez Premk
Keyword(s):  
Cultural Heritage ◽  
Central Europe ◽  
Reference Point ◽  
Scientific Publication ◽  
Convincing Evidence ◽  
Archaeological Research ◽  
Architectural Elements ◽  
Significant Step ◽  
Visual Reconstruction ◽  
Material Evidence

Maribor Synagogue is one of the few preserved medieval synagogues in Central Europe. The renovation of the building between 1992 and 1999, undertaken by the Institute for the Protection of Cultural Heritage of Slovenia, proved to be much more demanding than originally foreseen. Its architectural shell and architectural elements have served as a reference point for the (visual) reconstruction of related monuments in the wider region. However, the renovation itself has left numerous unanswered questions, especially in regard to the building phases during the Jewish and later Christian use of the building. The present article is the first scientific publication to thoroughly examine the medieval building phases, based on the findings of archaeological research and investigation of the documented and preserved architectural elements. Ground plans are attached for the initial two building phases, related to the archeological charts. The last phase corresponds to the reconstructed version of the synagogue, but convincing evidence relating to its appearance is missing. Although it is practically impossible to provide an entirely accurate building history based on the archival, oral and material evidence so far available, a significant step toward its general comprehension is made.

EFFECTS OF CLIMATE ON THE ARCHITECTURAL AND URBAN DESIGN OF TRIPOLI

2021 ◽  
Vol 3 (4) ◽  
pp. 295-311
Author(s):  
AbuRawi Mustafa ALMARKIYAH ◽  
Fouziya Alzarqani Ipraheem FADHLULLAH
Keyword(s):  
Urban Design ◽  
Architectural Design ◽  
Building Design ◽  
Active Role ◽  
Motion Path ◽  
Qualitative And Quantitative ◽  
Architectural Elements ◽  
Study Case ◽  
The City

Tripoli is a city of a Mediterranean Sea climate; this has contributed with some social and religious factors to affect the architectural and urban design, which all originally has come from the Islamic content. This study argues the climatic features of Tripoli in order to show the ways followed by the Libyan Muslim architect. In other words, these ways were used to adapt with the climate and create the demanding architectural treatments, which have served the building units. This is considered as a study case that can discuss the possibility of the climatic reflection on the walls. That is to say, the walls’ thickness, the type of the used substance in building, the substance’s properties, the type of roof used in covering the building units and the architectural design of the building as treatments achieved professionally by the architect in decreasing the heat in summer and increasing the heat in winter through the mass block. Additionally, the researchers have stated that Tripoli’s building design respected the privacy of the inhabitants and their isolation from the world outside their buildings. That is because they wanted to have their own cold spaces inside which were rich of light, air and shadow. As a result of the aforementioned considerations, the architectural buildings contained the uncovered space and the broken entrance to keep the privacy from the passengers and to protect the inhabitants from wind and sand. These were regarded as final solutions for the architectural and climatic problem. Further, this study illustrates the active role of using the planning including the architectural formations and the treatments of motion path. That is according to their width, their length, their form, their guidance and their direction change in order to make shadow and isolate the front of buildings. This also contributed to give the streets the northern wind which in turn helped to keep the air moving as long as possible to tone down the climatic influences. Moreover, the planning aimed to show its turn through analytical, architectural and documentary survey for realistic examples in the archeological registrar of the potential city treatments. These architectural elements were important in making the sustainable architecture in respect to the environment and human relaxation requirements. Finally, the researchers measured the following factors temperatures, wind, rain, and ratio humidity for variety of spaces in the city. That was followed by qualitative and quantitative statistical analysis supported by graphs

Metal Coat of Modern Architecture

2013 ◽  
Vol 357-360 ◽  
pp. 1379-1382
Author(s):  
Tie Xin Dong
Keyword(s):  
Architectural Design ◽  
Building Materials ◽  
Steel Structure ◽  
Structural Materials ◽  
Modern Architecture ◽  
Office Buildings ◽  
Metal Material ◽  
History Of

There has been a long history of applying metal to architecture. At the beginning, they just appeared in the structure of bridges, factories and storages, and then gradually turned up as a form of building structural materials in civil architecture such as markets, schools and office buildings. So all the time, metal like steel structure or hardware impresses people as a kind of industrialized building materials. With the development of architectural technology and the researching of characteristics of building materials, metal material has been brought in building skin design with brand-new appearance, and coruscate new vitality in the field of architectural design depending on full of variety of expressions and economic environmental character.

scholarly journals KONSEP PERLINDUNGAN PACU JALUR KABUPATEN KUANTAN SINGINGI

2020 ◽  
Vol 2 (01) ◽  
pp. 1-16
Author(s):  
Adi Tiaraputri ◽  
Ledy Diana
Keyword(s):  
Intellectual Property ◽  
Cultural Heritage ◽  
Research Method ◽  
Intangible Cultural Heritage

Pacu jalur merupakan salah satu tradisi dari Kabupaten Kuantan Singingi Provinsi Riau. Pacu jalur juga termasuk dalam ruang lingkup kebudayaan. Untuk ada kelestarian kebudayaan tentunya harus ada perlindungan terhadap kebudyaan tersebut. Tulisan ini mengkali terkat konsep perlindungan yang dapat diberikan pada tradisi pacu jalur. Metode penelitian dalam tulisan ini melalui pendekatan yuridis normatif.  Dalam tulisan ini mengkaji konsep perlindungan untuk pacu jalur dapat melalui perlindungan warisan budaya tak benda dan kekayaan intelektual komunal. Pacu Jalur is one of the traditions of Kuantan Singingi Regency, Riau Province. Pacu jalur is also included in the scope of culture. For there to be preservation of culture, of course, there must be protection of that culture. This paper examines the concept of protection that can be given to the tradition of racing lanes. The research method in this paper is through a normative juridical approach. In this paper, we examine the concept of protection for the runway through the protection of intangible cultural heritage and communal intellectual property.

scholarly journals ARSITEKTUR MELAYU: IDENTIFIKASI RUMAH MELAYU LONTIAK SUKU MAJO KAMPAR

2019 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Gun Faisal
Keyword(s):  
Research Method ◽  
Background Knowledge ◽  
Analysis Data ◽  
Qualitative Inquiry ◽  
Study Approach ◽  
Ethnic Chinese ◽  
Architectural Elements ◽  
Wood Carving ◽  
Vernacular Buildings ◽  
Main House

Arsitektur melayu memiliki tipologi yang sangat banyak, diantaranya rumah melayu Limas, rumah Lontiak, rumah Begonjong, rumah beratap Layar dan Bersayap, rumah Melayu Peranakan (campuran etnis China), serta beberapa tipikal rumah melayu lainnya. Selain memiliki 4 (empat) ruangan yaitu selasar, rumah induk, telo dan penanggah, rumah melayu juga memiliki ornamen yang terdapat pada atap lisplank dan dinding serta tiang rumah. Salah satu rumah tradisional yang ada di kabupaten Kampar yaitu Rumah Lontiok (Lentik) Melayu Majo. Tulisan ini mengidentifikasi dan mendokumentasikan rumah ini sebagai salah satu bangunan melayu yang perlu dijaga dan dilestarikan. Metode penelitian kualitatif dengan pendekatan studi kasus digunakan dalam penelitian ini dikarenakan objek penelitian yang sudah hilang dimakan usia. Teori tentang arsitektur Melayu dan ornamen bangunan Melayu sebagai background knowledge dengan didukung informasi yang diperoleh dari literatur dan data dilapangan serta pelaku kegiatan dalam lingkup penelitian. Pengolahan dan analisis data dilanjutkan dengan mengevaluasi dan membuat sketsa dan penggambaran ulang, kemudian diakhiri dengan penyusunan hasil temuan lapangan. Secara umum rumah ini dibagi kedalam 2 (dua) masa bangunan, bagian pertama yaitu rumah induk, dan yang kedua yaitu dapur, terdapat penghubung antara rumah induk dan dapur. Rumah melayu Majo merupakan bangunan bertipologi panggung dengan ciri khas atap Lontiak. Ornamen yang pertama kali terlihat pada rumah ini adalah Selembayung atau Tanduk Buang, terdapat pula ornamen seperti tombak terhunus yang disebut tombak-tombak begitu juga dengan sayap layang-layang yang terletak pada keempat sudut atap. Bermacam jenis ukiran juga terdapat pada setiap sudut bangunan ini.Kata-kata Kunci: Arsitektur Melayu, Kampar, Riau, Rumah Lontiak, UkiranMALAY ARCHITECTURE: IDENTIFICATION MALAY LONTIAK HOUSE OF KAMPAR MAJO TRIBEMalay architecture has a lot of typologies in roof forms, such as Limas, Lontiak, Begonjong, Layar and Sayap, Peranakan (a mixture of ethnic Chinese), and several other typical Malay houses. One of the traditional houses in Kampar regency is the Lontiok (Lentik) Melayu Majo house which was built involving the wider community and traditional ceremonies. This paper identifies and documents this house as one of the Malay buildings that need to be preserved. The research method used is a qualitative research method with a case study approach. The theory of Malay architecture and ornaments as background knowledge is supported by information obtained from the literature, field data, and activity actors within the scope of research. Processing and analysis data is continued by evaluating, sketching, and re-drawing, then ending with the preparation of field findings. In general, this house is divided into 2 (two) building part, the first line is the main house, and the second building mass is the kitchen, there is a connection between the main house and the kitchen. Majo Melayu House is a stage building with the characteristic of Lontiak roof. The ornaments that were first seen in this house is Selembayung or Tanduk Buang; there were also ornaments such as unsheathed spears called Tombak-tombak and Sayap Layang-layang on the four corners of the roof. Various types of carvings are found in every segment of this building.Keywords: Malay Architecture, Kampar, Riau, Lontiak House, CarvingREFERENCESCreswell, John W. (1998). Qualitative Inquiry and Research Design: Choosing Among Five Tradition. SAGE Publications, London.Efendi, Tenas. (2007). “Bangunan Tradisional Melayu dan Nilai Budaya Melayu” dalam Heddy Shri Ahimsa-Putra (Ed). Masyarakat Melayu dan Budaya Melayu dalam Perubahan. Hal. 597-626. Adicitra Karya Nusa, Yogyakarta.Efendi, Tenas. (2014). Rumah, An Ode to the Malay House. Areca Books, Penang.Faisal, Gun. (2017). Transformasi Identitas Arsitektur Vernakular Pesisir: Tinjauan Kasus Permukiman Suku Akit Di Pulau Rupat, Proseding Seminar Nasional II Arsitektur USU. Medan: Universitas Sumatera Utara.Firzal, Yohannes. (2015). Reconstructing Socio-Cultural Identity: Malay Culture and Architecture in Pekanbaru, Indonesia, Ph.D. dissertation, Newcastle University, Newcastle.Husny, M. L. (1976). Bentuk Rumah Tradisi Melayu. B.P. Husni, Medan.J. K. Shireen, A. M. Nor Hanita and N. M. Nawawi. (2017). The Resilience of Tradition: Malay Allusions in Contemporary Architecture. Areca Books, Penang.Moleong, Lexy J. (2011). Metode Penelitian Kualitatif. Remaja Rosdakarya, Bandung.Mudra, Mahyudin Al. (2004). Rumah Melayu: Memangku Adat Menjemput Zaman. Adi Cita Karya Nusa, Yogyakarta.Nazuki, Siti Najwa dan Kamarudin, Zumahiran. (2017). Techniques of wood carving applied in the architectural elements of malay vernacular buildings. Journal of Built Environment, Technology and Engineering Vol. 2, Hal. 198-202.Rashid, Mohd Sabrizaa B. Abd. (2017). Rumah Kutai: Documentation of Memories.  Institut Darul Ridzuan, Malaysia.Rumiawati, Asnah dan Prasetyo, Yuri Hermawan. (2013). “Identification Typology of Architecture Traditional Malay Houses in Langkat District and Its Changes”. Jurnal Permukiman, Vol. 8, No. 2, Hal. 78-88.Wahyuningsih dan Abu, R. (1986). Arstektur Traditional Daerah Riau. Depdikbud Provinsi Riau, Pekanbaru.Waterson, Rexona. (1997). The Living House: An Anthropology of Architecture in South-East Asia. Thames and Hudson, London.Yuan, L.J. (1987). The Malay House: Rediscovering Malaysia's Indigenous Shelter System. Institut Masyarakat, Pulau Pinang, Malaysia.Zain, Zairin dan Fajar, Indra Wahyu. (2014). “Disain Struktural Dalam Perspektif Kearifan Lokal (Local Wisdom Perspective) pada Rumah Tradisional Melayu di Kota Sambas Kalimantan Barat”.  Langkau Betang, Vol. 1, No. 2, Hal. 17-29.Zain, Zairin. (2017).  “Identifikasi Pola Struktur Rumah Tinggal, Studi Kasus: Arsitektur Tradisional Melayu Di Kota Pontianak”.  Langkau Betang, Vol. 4, No. 1, Hal. 44-66.

scholarly journals GONDANG DAN SISTEM KEKERABATAN ETNIK ANGKOLA

2018 ◽  
Vol 7 (2) ◽  
pp. 129
Author(s):  
LIDIA EPANGELIA
Keyword(s):  
Cultural Heritage ◽  
Research Method ◽  
Kinship System ◽  
Relationship Of ◽  
The Relationship

This study aims to find out the Angkola ethnic kinship system, to know Angkolagondang shape and to interpret the relationship of gondang and the ethnickinship system of Angkola. This research is based on a theoretical explainingthe understanding of gondang and the Angkola ethnic kinship system by usingthe theory of deconstruction, semiotics and ethnomusicology. This researchwas conducted from September 2017 to October 2017 in Kecamatan Arse,Simangambat Street, KM. 11, Arse Nauli. The research method used isdescriptive qualitative. The population in the study was non-existent and theresearch sample consisted of five indigenous figures and Angkola artists. Theresearch result explores that gondang and relatives of ethnic Angkola areneeded in showing their identity as ancestral cultural heritage which deservesto be appreciated by society. The relationship between gondang and the ethnickinship system of Angkola states that gondang is a representation of the kinshipsystem by looking at the relationship between each instrument in Angkolagondang ensemble which is a manifestation of na tolu transition in traditionalceremony.

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