scholarly journals Body As Media In Action Drawing Titled Metamorposer 6

2018 ◽  
Vol 33 (3) ◽  
pp. 383
Author(s):  
Luna Dian Setya Avissa ◽  
Agus Purwantoro
Keyword(s):  
Space Time ◽  
The Body ◽  
Blank Field ◽  
Her Family ◽  
Surrounding Environment ◽  
Right Hand ◽  
The Media

The artist observe her own life and choose metamorphosis of butterfly as a metaphor. The idea of a visual artwork entitled Metamorposer 6 particulary taken from the phase of metamorphosis called pupa stage, the work is about the artist who needs to be alone like a caterpillar in a chrysalis to contemplate her selfish side and the desire to devote to her family. Action of drawing as a form of art is chosen to represent the process of making a distance with the surrounding environment and building a space of seclusion. The artist tried to improve her way of creation through media exploration, she also make some conventional result-oriented drawing on the transparant media prior to her action drawing. The idea is communicated not only through strokes of pigment on the transparent panel but also through a process that unifies the space, time and body as media in action drawing. The blank field on the panel is filled with drawings made analogously by the artist throuh manipulating the alkohol-based permanent marker with her right hand and the execution takes about 16 hours in total. The performance in this action drawing displays the drawing lines that slowly covered the body of the artist in a vitrine or transparent case constructed on a table. The present of the body in the action drawing as one of the media being compared with other previous works of notorious artist in an effort to conclude its meaning, function and experience.Seniman mengamati kehidupannya sendiri dan memilih metamorfosis kupu-kupu sebagai metafora. Ide karya seni visual yang berjudul Metamorposer 6 secara partikular berfokus pada fase metamorfosis yang disebut pupa, karya adalah tentang seniman yang perlu sendirian seperti ulat di dalam kepompong untuk merenungkan sisi egoisnya dan keinginan untuk berbakti kepada keluarganya . Action drawing sebagai sebuah bentuk seni dipilih untuk mewakili proses pembuatan jarak dengan lingkungan sekitar dan membangun ruang pengasingan. Sang seniman berusaha memperbaiki cara kreasinya melalui eksplorasi media, ia juga membuat beberapa gambar berorientasi hasil pada media transparan sebelum action drawing. Idenya dikomunikasikan tidak hanya melalui goresan pigmen pada panel transparan tetapi juga melalui proses yang menyatukan ruang, waktu dan tubuh sebagai media dalam aksi menggambar. Bidang kosong pada panel diisi dengan gambar yang dibuat secara analog oleh seniman yang memanipulasi marker permanen berbasis alkohol dengan tangan kanannya. Eksekusi karya memakan waktu sekitar 16 jam secara total. Seniman melalui action drawing menampilkan garis gambar yang perlahan-lahan menutupi tubuhnya yang dipajang dalam vitrine atau kotak transparan yang biasa untuk menyajikan benda seni. Kehadiran tubuh dalam action drawing sebagai salah satu media perlu dibandingkan dengan karya seniman terkenal lainnya yang berbasis aksi dan tubuh guna menemukan makna, fungsi dan menjabarkannya sebagai sebuah pengalaman. 

Suicide and the Media

Crisis ◽  
2001 ◽  
Vol 22 (4) ◽  
pp. 163-169 ◽  
Author(s):  
R. Warwick Blood ◽  
Jane Pirkis
Keyword(s):  
Social Learning Theory ◽  
The Body ◽  
Media Content ◽  
Causal Association ◽  
Media Messages ◽  
Film And Television ◽  
Media Portrayal ◽  
The Media ◽  
Actual Suicide ◽  
Multiple Meanings

Summary: The body of evidence suggests that there is a causal association between nonfictional media reporting of suicide (in newspapers, on television, and in books) and actual suicide, and that there may be one between fictional media portrayal (in film and television, in music, and in plays) and actual suicide. This finding has been explained by social learning theory. The majority of studies upon which this finding is based fall into the media “effects tradition,” which has been criticized for its positivist-like approach that fails to take into account of media content or the capacity of audiences to make meaning out of messages. A cultural studies approach that relies on discourse and frame analyses to explore meanings, and that qualitatively examines the multiple meanings that audiences give to media messages, could complement the effects tradition. Together, these approaches have the potential to clarify the notion of what constitutes responsible reporting of suicide, and to broaden the framework for evaluating media performance.

scholarly journals Thoughts on the Ageing Body

2021 ◽  
Author(s):  
Francesca Ghillani
Keyword(s):  
Older Adults ◽  
Older People ◽  
Active Role ◽  
The Body ◽  
Negative Stereotypes ◽  
Artificial Image ◽  
The Media ◽  
Ageing Body ◽  
The Individual ◽  
Positive Representations

AbstractRecent studies have taken into account the fact that the lives of older people have changed drastically in the past fifty years. Older people today engage more with society and are also expected to maintain an active role in their communities. In order to maintain a positive social status, todays older adults need both to challenge negative stereotypes and also to achieve the “unachievable” positive representations in the media. Society plays a complex game of bodily images: the artificial image of the human body in the media, the image that individuals try to project, and the image that society reflects back to the individual. When the three don’t coincide, the collision creates a distancing effect. To truly understand the lived experiences of older adults in contemporary society we must explore the changing perceptions of the body. This review will illustrate the arguments both classical and contemporary through an exploration of the ageing female body, which remains the focus of most of the literature.

Tiresian Journeys

2008 ◽  
Vol 52 (4) ◽  
pp. 174-182 ◽  
Author(s):  
Petra Kuppers
Keyword(s):  
New York ◽  
The Body ◽  
Public Performance ◽  
Public And Private ◽  
The Gaze ◽  
Disability Culture ◽  
The Media ◽  
Extreme Performance ◽  
Performance Project ◽  
Union Square

Given the media frenzy over Hillary Clinton's unsuccessful presidential bid, and the ensuing questions about the state of feminism, it seems a serendipitous moment to feature two pieces—written by the women who conceived and performed them—that offer very different but complementary takes on agency, identity, and the conflation of the public and private as one's body becomes the locus of the gaze. Petra Kuppers's dramaturgical meditation on her experiences as part of Tiresias, a disability culture performance project, investigates erotics, change, mythology, and identity. A collaboration between photographers, writers, and dancers, the project, occurring over six months in 2007, posits the body as the site at which myth might be reshaped and movement might become poetry. Lián Amaris critically analyzes her feminist public performance event Fashionably Late for the Relationship, which took place over three days in July 2007 on the Union Square traffic island in New York City. Informed by Judith Butler's citational production of gender, the piece focused on exposing and critiquing the marked visibility of gender construction and maintenance within an extreme performance paradigm.

Morphology and Distribution of Cutaneous Sensory Organs on the Digits of Anolis carolinensis and A. sagrei (Squamata: Dactyloidae) in Relation to the Adhesive Toepads and Their Deployment

2021 ◽  
Vol 28 (5) ◽  
pp. 249-266
Author(s):  
Anthony Patrick Russell ◽  
Lisa D. McGregor ◽  
Aaron M. Bauer
Keyword(s):  
Anolis Carolinensis ◽  
The Body ◽  
Differential Sensitivity ◽  
Sensory Organs ◽  
Surrounding Environment ◽  
Topographical Distribution ◽  
Sensory Modalities ◽  
Varying Length ◽  
Surface Ornamentation ◽  
And Control

Cutaneous sensory organs are characteristic of many squamate lineages. Such organs may occur on the surface of scales as button-like, circular protuberances set off from their surroundings by a noticeable boundary, often taking the form of a moat or furrow. They may be relatively unadorned, clad with the surface micro-ornamentation of the scales on which they are carried, or they may carry one or more bristles of varying length and surface ornamentation. Such bristles may extend away from the body of the organ to interface with the surrounding environment or to contact adjacent scales. Cutaneous sensory organs have been physiologically demonstrated to have a mechanoreceptive function but have also been posited to potentially be involved with additional sensory modalities. Their distribution and structure across the body surface has been shown to be unequal, with some regions being much more extensively endowed than others, indicative of regional differential sensitivity. The digits of Anolis (Iguania: Dactyloidae) carry adhesive toepads that are convergent with those of geckos (Gekkota). Geckos exhibit a high density of cutaneous sensory organs on their toepads and their form and distribution has been associated with the operation and control of the toepads during locomotion. Investigation of the form and topographical distribution of cutaneous sensory organs on the toepads of Anolis shows them to be convergent in these attributes with those of geckos and quite distinct from those of the ancestrally padless Iguana (Iguania: Iguanidae). Their location at scale margins and the direction of their bristles towards adjacent scales indicates that the cutaneous sensory organs play an important role in proprioception during toepad deployment in Anolis.

Distant time, distant gesture: speech and gesture correlate to express temporal distance

Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Daniel Alcaraz Carrión ◽  
Javier Valenzuela
Keyword(s):  
Television News ◽  
Space Time ◽  
The Body ◽  
Temporal Distance ◽  
Distant Future ◽  
Axis Direction ◽  
Spatial Properties ◽  
Multimodal Corpus ◽  
Future Data ◽  
Near Future

Abstract This study investigates whether there is a relation between the semantics of linguistic expressions that indicate temporal distance and the spatial properties of their co-speech gestures. To this date, research on time gestures has focused on features such as gesture axis, direction, and shape. Here we focus on a gesture property that has been overlooked so far: the distance of the gesture in relation to the body. To achieve this, we investigate two types of temporal linguistic expressions are addressed: proximal (e.g., near future, near past) and distal (e.g., distant past, distant future). Data was obtained through the NewsScape library, a multimodal corpus of television news. A total of 121 co-speech gestures were collected and divided into the two categories. The gestures were later annotated in terms of gesture space and classified in three categories: (i) center, (ii) periphery, and (iii) extreme periphery. Our results suggest that gesture and language are coherent in the expression of temporal distance: when speakers locate an event far from them, they tend to gesture further from their body; similarly, when locating an event close to them, they gesture closer to their body. These results thus reveal how co-speech gestures also reflect a space-time mapping in the dimension of distance.

The Tale of Fabled Creatures

2021 ◽  
pp. 215-233
Author(s):  
M. Nur Erdem
Keyword(s):  
Digital Media ◽  
Daily Life ◽  
Space Time ◽  
Point Of View ◽  
The Other ◽  
Other Hand ◽  
The Media ◽  
The Subject ◽  
Physical Beauty

Violence has been a part of daily life in both traditional and digital media. Consequently, neither the existence of violence in the media nor the debates on this subject are new. On the other hand, the presentation of violence in fictional content should be viewed from a different point of view, especially in the context of aesthetization. Within this context, in this chapter, the serial of Penny Dreadful is analyzed. As analyzing method, Tahsin Yücel's model of the “space/time coordinates of narrative” is used. And the subject of “aestheticization of violence” is analyzed through a serial with the elements of person, space, and time. Thus, the role of not only physical beauty but also different components in the aestheticization of violence is examined.

The Cranio-Sacral Approach for Defining Embodied “Coherence”

2022 ◽  
pp. 332-344
Author(s):  
Patrick Botte
Keyword(s):  
Stress Management ◽  
The Body ◽  
Wave System ◽  
Brain Waves ◽  
Relaxation Stress ◽  
The Media

The premise of this book is that applying principles of electromagnetic (EM) resonant coherence to the media field is the key to generating a more harmonious culture. The advent of new types of sensors, quite affordable and increasingly sensitive, now provides an easy way to measure frequencies and rhythms of the body and to create applications that visualize brain waves and waves extracted from cardiac parameters. The term “coherence” used in physics defines the correlations of a wave system. More recently, this term has been used increasingly to define an inner state of “centering” and harmony that presents as relaxation, stress management, deep meditation, and state of transcendent bliss. The craniosacral approach provides important information on how that can be achieved.

scholarly journals “BUT WE ARE NOT POWERLESS AGAINST THIS PROBLEM”: OLDER PEOPLE, LONELINESS AND THE MEDIA

2019 ◽  
Vol 3 (Supplement_1) ◽  
pp. S373-S374
Author(s):  
Mary Pat Sullivan
Keyword(s):  
Older People ◽  
Social Issues ◽  
Qualitative Content Analysis ◽  
Critical Role ◽  
The Body ◽  
Ageing Population ◽  
Media Campaigns ◽  
Key Policy ◽  
The Media ◽  
Cultural Constructions

Abstract Media campaigns play a critical role in framing public perceptions or ‘public talk’ around social issues. The media’s role in characterizing the loneliness ‘problem’ is, however, an under explored area. This paper presents the language of loneliness and loneliness representations in the media in Canada and England over a 10-year period (2009-2018) and their relationship with key policy initiatives specific to an ageing population. Using qualitative content analysis, the findings illustrate the use of skilled marketing techniques and highly stigmatizing discourse. These media approaches act to: (1) reinforce the threat of an ageing population; (2) endorse responsibilization and governmentality of the body; and (3) promote individual and/or family shame and morally responsible actions by charities and volunteers. We conclude that there is a need for a critical analysis of loneliness from the perspective of social and cultural constructions of ageing, the positioning of older people in society, and neo-liberalist ideology

The Female Body in Global Media

2018 ◽  
pp. 544-560
Author(s):  
Tuija Parikka
Keyword(s):  
Female Body ◽  
The Body ◽  
Global Media ◽  
The Media ◽  
The Relationship

This chapter examines the relationship between the body, globalization, and the media. It discusses how the female body is subjected to being “played” in the global media and what that reveals of gender and minority–majority relationships and of global aims and fears. The cases presented in this chapter serve as samples of “sexy violence” imagery that cannot be thoroughly explained by theories of objectification, liberation, or commodification of women but, rather, are considered in reference to the socially constitutive role of globalization. Although the female body may function to discursively dissolve, enforce, or alleviate conflicts embedded in the processes and discourses of globalization, the preoccupation with “sexy violence” imagery in the global media does not necessarily offer a solution to global concerns but, rather, plays out the fears, aims, and anxieties about globalization through violence and aggression.

Bioethical Considerations on Cloning and Twinning

1997 ◽  
Vol 46 (3) ◽  
pp. 135-137 ◽  
Author(s):  
M. Milani-Comparetti
Keyword(s):  
Public Opinion ◽  
Scientific Community ◽  
The Body ◽  
Single Individual ◽  
Biological Processes ◽  
Deep Impact ◽  
Potential Applications ◽  
The Media ◽  
The Subject ◽  
Immortality Of The Soul

The subject of cloning has had a deep impact on both public opinion and the scientific community, asking themselves about its meaning, its possible extension to humans, its potential applications and implications.Cloning was often presented by the media as a technique that would allow perpetuating oneself.The resulting impact of cloning on public opinion might be interpreted, in part at least, as making real the dream of reincarnation.In the Christian faith cloning, as a hypothesis of reincarnation, has no place, since the soul is already immortal, while the body dies (excepting its reunion with its soul on the resurrection of the last day).Thus a person's immortality is a dogma of faith for the believer, but only as immortality of the soul, that will rejoin its body only at the end of earthly time, while in our “earthly time” the body is-mortal.The body's mortality is part of natural biological processes. Only in primitive organisms, such as bacteria, and in organisms reproducing through scions or similar processes (as farmers and florists well know) it is harder to set a definite moment for the birth or death of a single individual. But in sexually reproducing higher organisms, such as we are, the cycle of individual life is clearly encompassed and expressed by the well-known sequence whereby each individual “is born, grows, reproduces and dies”.If we consider the individual in all its manifestations – what we geneticists call the “phenotype”, resulting from the interactions between genotype and environment – each subject is undoubtedly endowed with his individuality.The repetition of the very same genotype does not mean repetition of the same individual, as clearly evidenced by the observation of identical twins (monozygotic, i.e., both derived from the same fertilized egg, the zygote) who, much as so closely resembling each other, are each endowed with his or her unique individuality.

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