Getting Real: Work, Coolness and Nobokov’s Despair
Modernist aesthetics emphasised the representation of states of mind over the "blessed matter" of the everyday real. This shift from "substance to subtlety" licensed modernist protagonists like Hermann Karlovich from Vladimir Nabokov's Despair to engage in a narcissism that ignored real world contingencies in order to legitimate an aesthetic transcendence based upon inspiration rather than work, memory over creative reconstruction and lies instead of truths. The dissociative heat of Karlovich 's literary inspiration lacks the cool, remote thought Nabokov considered necessary for the associative work of artistic creation. His effort to communicate beyond the self fails because he never understands that while art may be an inspired lie, life is not. Nabokov therefore provides a critique of those strains of modernist aesthetics that understood the real as merely a set conventions rather than a constellation offorces that have the power to disrupt and overturn the best of human intentions.