7 The Mysteries of Moscow: In Which Boris Akunin Impersonates a French Writer and Reveals a Buried Secret

2021 ◽  
pp. 131-155
Author(s):  
Elizabeth Richmond-Garza
Keyword(s):  
French Writer

Temps du deuil, temps du récit. Le renversement du temps dans La première année de Jean-Michel Espitallier

2020 ◽  
pp. 71-82
Author(s):  
Despina Jderu
Keyword(s):  
Narrative Structure ◽  
Literary Discourse ◽  
Prominent Feature ◽  
Literary Space ◽  
French Writer ◽  
Recent Activity ◽  
Nature Of Time ◽  
Denial Of Death ◽  
The Relationship

This paper aims to analyze the nature of time as identified in the narrative structure built by the French writer, Jean-Michel Espitallier, in his novel, La première année. We are considering how the author perceives the relationship between time and mourning through the ability of literary space to provide a compensatory universe. We are looking to observe recent activity in French mourning literature through the lens of this particularly novel, namely its perspective on processing mourning and trauma. This paper also highlights a prominent feature of French mourning literature: how the narrator’s literary discourse is used to fight against the passing of time. The fight against time is an implicit denial of death and mourning.

La transposition profane de l’Exode dans Moïse fiction de Gilles Rozier

2013 ◽  
pp. 174-183
Author(s):  
Piotr Sadkowski
Keyword(s):  
Present Article ◽  
Old Testament ◽  
The Other ◽  
Jewish Tradition ◽  
Human Being ◽  
The Novel ◽  
Jewish Origin ◽  
French Writer ◽  
The World ◽  
Jewish Writers

Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.

State Violence, Justice, And The Suffering Of Others

2021 ◽  
pp. 1-13
Author(s):  
Sandrine Sanos
Keyword(s):  
Cold War ◽  
Soviet Union ◽  
State Violence ◽  
Crimes Against Humanity ◽  
The Soviet Union ◽  
French Writer ◽  
Painful Experience ◽  
Tzvetan Todorov ◽  
Nazi Camps ◽  
Do So

In 1955, Alain Resnais's now canonical documentary, Nuit et Brouillard (Night and Fog) ended with an ominous question, asking “who, among us, is keeping watch from this strange watchtower [of the ruins of Auschwitz] to warn of the arrival of our new executioners” who might bring about the return of the “concentrationary plague?” One man had already made it his mission to do so: the French writer and former political deportee David Rousset. Rousset had shaken the French world of letters and politics with the 1946 publication of L'univers concentrationnaire (The Concentrationary Universe), which warned of the civilizational and moral cesura that the Nazi camps had been. The term quickly became a widely used conceptual framework. Former deportee and Catholic writer Jean Cayrol borrowed from it to write his voice-over to Night and Fog. In 1949, Rousset published another text that created a scandal in Cold War France: an Appeal to “fellow deportees” calling upon them to “investigate the USSR's concentrationary universe” (Kuby, 46). This indictment fiercely divided the French left. In 1950, he brought a libel suit against another former deportee, communist writer Pierre Daix, who had accused him of amnesiac “apoliticism” (Kuby, 65–6; Dean, 61). Just before, in the wake of his Appeal, Rousset had founded an organization against concentrationary regimes with those, like him, who had been political deportees. In 1951, it put the Soviet Union on trial for crimes against humanity. Rousset and his organization were involved in many trials, eager to denounce the “new executioners” who had revived the “scourge of the camps” in the postwar world. For many today, he is an “exceptional” man because, as philosopher and critic Tzvetan Todorov argues, he was not paralyzed by the memory of “this painful experience”; instead, he harnessed it into action against dehumanizing state violence. For Todorov, Rousset had allowed morality to prevail over base political considerations.

Calamitas terrena ou Poena divina : Une approche éliadienne de la peste dans le roman Sortez vos morts de Bruno Leydet

2021 ◽  
Vol 66 (1) ◽  
pp. 87-96
Author(s):  
Ciprian Onofrei
Keyword(s):  
Human Being ◽  
The Novel ◽  
Bubonic Plague ◽  
Southern France ◽  
Mircea Eliade ◽  
Divine Will ◽  
French Writer ◽  
The Dead ◽  
Black Plague

"Calamitas terrena or Poena divina: An Eliadian Approach to the Plague in the Novel Sortez vos morts by Bruno Leydet. The article proposes a dichotomous analysis of the outbreak of the Black Plague in Marseille (1720), described by French writer Bruno Leydet in the novel Sortez vos morts, which appeared in 2005. According to the grid established by Mircea Eliade, the analysis is built on two levels: the sacred and the profane. The religious as well as the modern perception of the disease and the use of a relevant lexis allow the bubonic plague to transgress the historical space, passing into the literary one. The plague epidemic in southern France is, in our view, not only a manifestation of the divine will to punish the sinful souls of the dead, but also the incarnation of greed and vicious side of the human being. Keywords: plague, Bruno Leydet, Mircea Eliade, holy, unholy "

La réception des notions philosophiques de trace, d’arkhé et de document dans l’œuvre d’Alain Nadaud

Labyrinth ◽  
2020 ◽  
Vol 22 (2) ◽  
pp. 91-105
Author(s):  
Gianluca Chiadini
Keyword(s):  
Jacques Derrida ◽  
Research Method ◽  
Historical Research ◽  
Philosophical Analysis ◽  
Western Society ◽  
Philosophical Theory ◽  
Philosophical Interpretation ◽  
French Writer ◽  
Contemporary Western Society

The reception of the notions of trace, arkhé, and document in the work of Alain Nadaud This paper intends to point out the philosophical features in the novels of the French writer Alain Nadaud and their links with the philosophical theory concerning the concepts of trace, arkhé and document elaborated by Jacques Derrida in the second half of the XX century. This subject, related to the contemporary socio-historical concept of post-truth, reveals the originality and the up-to-date tendency in the novels of Alain Nadaud. This paper uncovers new important aspects of his work by proposing a solid philosophical interpretation of its main theoretical principles. In particular, it uncovers the philosophical reasons at the origin of his writing, which is based on the historical research method. Furthermore, it reveals the sense of dystopia of his novels and relates it with the most recent socio-philosophical analysis of contemporary western society.

Neo-Royalists in the Third Republic. The History of Origin and Formation of the “Action française”

2020 ◽  
Vol 65 ◽  
pp. 492-504
Author(s):  
Sergey V. Zelenin
Keyword(s):  
Third Republic ◽  
The Other ◽  
Present Review ◽  
Life Activity ◽  
The Third ◽  
Concise Review ◽  
French Writer ◽  
History Of ◽  
The Right

The present review is devoted to Vasiliy Molodyakov’s book “Charles Morraus and the “Action française” against Germany: from Kaiser to Hitler”. The review examines the main thoughts and postulates of the book. The book represents the first part of the trilogy on the life, activity and views of the French writer, publicist ad thinker Charles Morraus, as well as on the history of the right monarchic movement “Action française”. The article also gives a concise review of the other works of this author.

Unidentified narrative objects: Approaching instant history through experiments with literary journalism in Beppe Sebaste’s H. P. Lady Diana’s Last Driver and Frédéric Beigbeder’s Windows on the World

Journalism ◽  
2017 ◽  
Vol 21 (7) ◽  
pp. 1007-1022
Author(s):  
Kate Willman
Keyword(s):  
New York ◽  
Detective Fiction ◽  
World Trade Center ◽  
Literary Journalism ◽  
Journalism History ◽  
Global Issues ◽  
Car Crash ◽  
French Writer ◽  
The World ◽  
Trade Center

The subjects of the two texts analysed in this article are two highly significant recent historical events: the death of Lady Diana in a car crash after being chased by paparazzi on 31 August 1997 and the attacks on the World Trade Center in New York City on 11 September 2001, which are addressed by the Italian writer Beppe Sebaste and the French writer Frédéric Beigbeder, respectively. An analysis of each text shows that they not only examine the events in question through reportage, but they are also strongly personal and subjective. Both texts also put forward literary writers to help ‘read’ extensively mediated events, provoking reflection on how news travels and is mediated in increasingly immediate ways in today’s world, while also harking back to New Journalism. They could be called ‘unidentified narrative objects’, a label I borrow from the Italian writer Roberto Bui, alias Wu Ming 1, who has applied it to a corpus of recent Italian texts (including that of Sebaste), that combine modes of writing – such as journalism, history, detective fiction and life-writing – often blurring the boundaries between fiction and nonfiction, in order to more effectively draw their readers’ attention to the national and global issues they address. Here, I extend the term unidentified narrative objects beyond Italy’s borders to the work of Beigbeder and others, suggesting that such hybridity is connected to how we process the world around us today and a new iteration of literary journalism.

scholarly journals La recepción de tres novelas de George Sand en España a través de sus ediciones y (re)traducciones

Çédille ◽  
2020 ◽  
pp. 623-647
Author(s):  
Caterina Riba ◽  
◽  
Carme Sanmartí ◽  
Keyword(s):  
George Sand ◽  
Tourist Attractions ◽  
French Writer ◽  
Publishing Practices

This article is an analysis of the Spanish and Catalan retranslations of three works by the French writer George Sand (1804-1876): La mare au diable, Un hiver à Majorque and La petite Fadette. This study looks both at various factors and at a number of interre-lated individuals and groups, all of which played a role in determining the fate of these works. The analysis includes a look at the consequences of the inclusion of the author’s works on the Index Librorum Prohibitorum and at the effects of the Franco regime’s censorship. There is also a discussion of the feminist movement’s embrace of this author, the fact that her life and work have become the focus of tourist attractions, the publishing practices associated with her books and the main challenges involved in translating the works.

scholarly journals INNOVATIVE LANGUAGE TECHNIQUES OF THE MODERN FRENCH WRITER C. DELAUME

2019 ◽  
pp. 276-280
Author(s):  
Natal'ya Mikhailovna Kleimenova ◽  
◽  
Anastasiya Borisovna Bragina ◽  
Keyword(s):  
French Writer

scholarly journals Interview to Jean-Pierre Brouillaud

2016 ◽  
pp. 119-125
Author(s):  
Elisabeth Doustin
Keyword(s):  
High School ◽  
High School Students ◽  
School Students ◽  
French Writer

Interview to French writer Jean-Pierre Brouillaud, carried out by French high school students, under the guide of their Literature professor, Elisabeth Doustin. After an introduction to the didactic experience and to Brouillaud’s life and multifarious production, the author is interviewed about his novel Les petites rébellions (2015) and general issues of writing.

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