Built Women in Men’s Paradises: A Critical Analysis of the Garden of Eden Narrative and Alex Garland’s Ex Machina

Author(s):  
Cynthia R. Chapman

Bringing the biblical story of the Garden of Eden (Genesis 2-3) into conversation with Alex Garland’s 2014 film Ex Machina, this paper examines and compares the male-scribed nature of paradise stories that describe the “building” of woman-creatures. From ancient Judean scribes to modern film-makers and computer coders, male-guarded forms of literacy enabled and continue to enable storytelling and world-building. A comparison of the accounts of the creation of Eve of the Garden with Ava of Ex Machina highlights that male control over literacy more generally and creation accounts more specifically yields diminished woman-creatures designed to serve the specific needs of men in male-imagined paradise settings. Although separated by millennia, ancient Judean scribes and modern computer programmers have imagined and built woman-creatures with a limited set of functions and programmed routines that include providing help, serving as a companion, and heterosexual receptivity.

Author(s):  
Lesley S. J. Farmer

This chapter explains how case studies can be used successfully in higher education to provide an authentic, interactive way to teach ethical behavior through critical analysis and decision making while addressing ethical standards and theories. The creation and choice of case studies is key for optimum learning, and can reflect both the instructor's and learners' knowledge base. The process for using this approach is explained, and examples are provided. As a result of such practice, learners support each other as they come to a deeper, co-constructed understanding of ethical behavior, and they make more links between coursework and professional lives. The instructor reviews the students' work to determine the degree of understanding and internalization of ethical concepts/applications, and to identify areas that need further instruction.


Lateral ◽  
2017 ◽  
Vol 6 (1) ◽  
Author(s):  
Tania Lizarazo ◽  
Elisa Oceguera ◽  
David Tenorio ◽  
Diana Pardo Pedraza ◽  
Robert McKee Irwin

This article outlines the digital storytelling methods used for a community based research project focused on issues of sexuality among California farmworkers: Sexualidades Campesinas (http://sexualidadescampesinas.ucdavis.edu/). We note how our process of collaboration in the creation and production of digital stories was shaped by the context and our envisioned storytellers. We then offer a critical analysis of our own unique experience with digital storytelling in this project, focusing on a handful of concepts key to understanding the nature of our collaborative production process: community, affect and collaboration, storytelling, performance, and mediation, with an eye to the problem of ethics.


2013 ◽  
Vol 1 (1) ◽  
pp. 15-24
Author(s):  
Alex Christison

The author of this paper investigates how blood has been constructed as a gendered and heteronormative cultural product, explored through the use of critical analysis of historical and contemporary uses of blood. Heteronormativity and the fallacy of discrete sexes are then defined and explored to give context to the argument. It is found that through gendering under the two-sex model of opposing male and female sexes, blood is heteronormative. A case study of Canadian Blood Services was used to show how governance is enacted based upon the limitation of a heteronormative construction. This argument is bolstered in a theoretical discussion of the nation-state and the creation of the archetypical citizen, part of which is a compulsory heterosexuality.


2019 ◽  
Vol 8 (2) ◽  
pp. 91-104
Author(s):  
Md. Habibur Rahman ◽  
Sabbrina Choudhury

The study deals with the blue ocean strategy (BOS) that offers users a framework for making uncontested market space and diverts the outlooks from the existing competition to the creation of innovative value and demand. The purpose of the study is to determine the influence of BOS on organizational performance. In this study, we systematically examine previous research on these topics of BOS. The findings show that there is a significant contribution of BOS to the enhancement of organizational performance. The study recommends that the policymakers should perform a critical analysis of BOS before implementation to see its suitability in the desired organization. Additionally, we identify future research areas that provide scholars opportunities to push theoretical boundaries and offer further insights into the study of BOS. JEL Classification Codes: M31, L25


2020 ◽  
Vol 3 (5) ◽  
pp. 1360-1378
Author(s):  
V. A. Drozdov

The poem ‘Ushshaq-nama by Fakhr ad-Din ‘Iraqi (610–688 / 1213–1289) is the first poetical writing on the subject of mystical love in Persian literature. ‘Iraqi’s authorship of this work has never been questioned by researchers. However, the English orientalist J. Baldick 1973 cast a doubt on ‘Iraqi’s authorship of this poem. The article examines in detail the arguments of J. Baldick both from the point of view of the context of the creation of the poem, as well as the methods of the latest computational methods, in particular stylometry. Boldik's arguments concern both the historical and religious context in which ‘Iraqi lived and the peculiarities of his works, primarily the poem‘Ushshaq-name. The paper demonstrates that this computational method may be used for the study of the features of the style of Persian poetry and the confirmation of the authorship of doubtful Persian writings. Further expert decision full-field by Artjoms Šeļa based on stylometric methods for the establishment of the poem ‘Ushshaq- nama is expounded. While the results of the analysis of the historical and religious contexts of the poem may serve as confirmation of the authorship of ‘Iraqi and the refutation of the Baldick hypothesis, the results of the stylometric analysis do not give an unambiguous answer to the question of its authorship.


2018 ◽  
Vol 20 (1) ◽  
pp. 55-72
Author(s):  
Natasha Tanna

A number of feminist critics of Latin American women writers in exile have suggested that women in exile may flourish as they are freed from the traditional gender restrictions imposed on them in their home countries. In this article I reexamine the association of exile with liberation through analysing Cristina Peri Rossi’s 1984 novel La nave de los locos ( The Ship of Fools) in the light of the tension between Rosi Braidotti’s Deleuzian affirmation of feminism as a ‘joyful nomadic force’ (1994: 8) and Sara Ahmed’s critique of compulsory happiness (2010). Peri Rossi juxtaposes the prescriptive worldview of the captivating medieval ‘Tapestry of the Creation’ in the Cathedral of Girona in Catalonia, which depicts the Biblical story of Genesis, and the diasporic and unpredictable wanderings of the protagonist Ecks on his journey to feminist enlightenment. I argue that while the novel seems to champion nomadic subjectivity, it also highlights the deceptive charm of imperative positive affect that may function as a disciplinary force, compelling subjects to follow a conventional path in life, and invalidating those who ‘stray’ from it. My reading of the novel calls for a nuanced approach to exile and diaspora that takes into account wider questions of the privilege and ease of movement – or, indeed, settling – enjoyed by or denied to various subjects.


Author(s):  
Michael Bull

This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores the creation of an urban sonic aesthetic through a critical analysis of Apple iPod use. Based on original ethnographic material, it chapter explores the differing audiovisual ways in which urban space is mediated through communication technologies like the Apple iPod. It divides the experience of urban space into Fordist aesthetics and hyper-post-Fordist aesthetics and strategies and situates these aesthetic “moments” within a critical analysis informed by the work of a range of urban and critical theorists. In doing so, the chapter re-evaluates the meaning of an everyday audiovisual aesthetic that challenges accepted explanations of urban aesthetic experience, such as flânerie and the cosmopolitan subject that is located in the works of Auge, Benjamin, Sennett, Simmel, and others.


Author(s):  
Shafiu Ibrahim Abdullahi

Studies have been conducted focusing on the role of trust, integrity, and reputation on the image and reputations of Islamic charities. But, these are not the only challenges faced by contemporary Waqf. While the world outside the Waqf institutions has changed, Awqaf are stuck in centuries-old procedures and management practices. This must change for Awqaf to be up to the challenges of modern world. This work focuses on proposing a mechanism that explains how possible it is for Awqaf to improve their image given their unique features and environment. The process through which Waqf improves its relationship with stakeholders such as donors, beneficiaries, and government is as important as other aspects of Waqf operation that have been traditionally covered by scholars. The methodology followed for conducting this work is mainly literature review and critical analysis of the state of Waqf in the Muslim world. Thus, the work is a deductive analysis in Islamic economics and marketing, borrowing from Islamic and conventional fields of marketing and branding.


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