scholarly journals Institutional Aspects of Development of Contemporary Ukrainian Art

2021 ◽  
pp. 112-117
Author(s):  
Tatiana Mironova
Keyword(s):  
Contemporary Art ◽  
Fine Arts ◽  
The Internet ◽  
Creative Activity ◽  
Cultural Industry ◽  
General Development ◽  
The Public ◽  
Art Practices ◽  
Institutional Aspects ◽  
In The Beginning

The publication considers the institutional aspects of the development of Ukrainian art in the beginning of the 21st century. Understanding ofspace of artistic culture is narrower than the concept of traditional cultural space and is mostly limited to institutions, activities of which are focused on the sphere of art. The basis for the formation of the space of artistic culture isthe synergy of creative activity of the artists, managers, collectors, gallery owners, auctioneers, curators, critics, scientists, and other professionals. This space expands due to the institutional activities, analytical texts of specialists, collective performative actions of artists, as well as the processes of promotion (management), interpretation, museum storage, auction and gallery sales, exhibition at the biennial, fairs, exhibitions, distribution of photos and texts on the Internet. Thus, art practices in their activities today are transformed into an established non-subordinate cultural industry of active cooperation of all these entities. The demarcation of the boundaries between the fine arts and “free locations” not only creates a special sphere of culture that exists between art and life, but also opens contemporary art to the public, as both trained spectators and casual witnesses are involved in the work. Exposition practices, evolving in the process of general development of culture, choose the ways of their development in accordance with the requirements of the time, and their formation and style are based on the main trends and criteria of contemporary art.

scholarly journals Subjugated in the Creative Industries: The Fine Arts in Singapore

2011 ◽  
Vol 3 (2) ◽  
pp. 119-137 ◽  
Author(s):  
Can-Seng Ooi
Keyword(s):  
Fine Arts ◽  
Economic Value ◽  
Creative Industries ◽  
Work Place ◽  
Art World ◽  
The Public ◽  
The Arts ◽  
Art Practices ◽  
City State ◽  
The City

The arts and culture are considered core in a creative industries strategy. But the promotion of the creative industries brings about revised notions of creativity. These revised notions are being applied to the arts. Creativity is now seen to be largely manageable. All individuals are made to believe that they can be creative. Not only that, creativity is seen to be a money spinner. Workers should tap into their creativity and bring about innovations in the work place. Pupils are taught to tap into their creativity and to think outside the box. Such views on creativity galvanize the public and enthuse many people into the creative industries. Such notions of creativity contrast against the fine arts. Regardless, as this paper examines the situation in Singapore, shows that fine artists in the city-state are finding themselves internalizing a market logic and have tied their art practices to economic value. Fine arts practices will not be as lucrative or popular as their counterparts in the other creative businesses; they will remain poor cousins in the creative industries. Essentially, the fine arts are being subjugated in the creative industries and the Singaporean art world is being changed.

scholarly journals The Forgotten Women: Investigating the Absence of the Female Artist from Traditionally Male-Centric Southeast Asian Contemporary Art Historical Narratives

2021 ◽  
Author(s):  
Vasanth Narayanan ◽  
Keyword(s):  
Contemporary Art ◽  
Modern Art ◽  
Southeast Asian ◽  
Historical Narratives ◽  
The Internet ◽  
The Public

Until recently, Southeast Asian contemporary art’s historical narratives overlooked the influence of female artists. This underrepresentation of female artists is not unique to Asia, nor is it exclusive to contemporary art. Curators’ decisions and other factors may have contributed to the trend in part. However, within the realm of modern art, possibilities have lately developed that may expose the public to the work of more female artists. These include curating shows exclusively for female artists and prominently showcasing the work of female artists on the Internet.

scholarly journals Contemporary Art Gallery (Expressionism Architecture)

2020 ◽  
Vol 4 (2) ◽  
pp. 174-180
Author(s):  
Fazra Risky Nasution ◽  
Morida Siagian
Keyword(s):  
Literature Review ◽  
Contemporary Art ◽  
Fine Arts ◽  
Building Design ◽  
Local People ◽  
Art Gallery ◽  
The Public ◽  
Art Activities ◽  
A Site ◽  
The City

Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likeness of the City of Medan. This gallery plans to be a productive place or place to introduce and provide attractive insights or knowledge to local people and tourists and to be able to preserve and preserve the fine arts in the city of Medan. The methodology used in this project is by collecting data through from literature review and by doing a site surveys. This building design uses the theme of expressionism architecture, where this building can express the meaning of art that it can be enjoyed visually.

scholarly journals Museum and Gallery of Contemporary Art Medan (Contemporary Architecture)

2017 ◽  
Vol 1 (1) ◽  
pp. 82-90
Author(s):  
Imam Faisal Pane ◽  
Rahmita Dewi Lubis
Keyword(s):  
Contemporary Art ◽  
Art Museum ◽  
Internet Survey ◽  
The Internet ◽  
Main Function ◽  
The Public ◽  
Architecture Style ◽  
Contemporary Architecture ◽  
Made In

The Museum is a place to see showpieces as art, artifacts, and other cultural relics. The purpose of the museum is not only for education but also as entertainment. This design takes the case study of a contemporary art museum. This museum has a gallery, which function is to sell and auction the contemporary art. This Museum and Gallery designed with contemporary architecture style, suitable for the main function of the building which is museum and gallery of contemporary art. The museum and gallery will also help to develop the tourism in Medan and to be an education facility to the public. There are few steps made in the process of completing the design; the first one is by collecting data from the literature, books, journal, magazine, the internet, survey, and interview. And from the data collected, the design for Museum and Gallery of Contemporary Art will be produced. 

scholarly journals Identity Remix – A Simulacrum of the Self in Contemporary Art

2018 ◽  
Vol 28 ◽  
pp. 177-199
Author(s):  
Jessica Janeiro Obernyer
Keyword(s):  
Genetic Engineering ◽  
Contemporary Art ◽  
The Self ◽  
The Internet ◽  
Online Identity ◽  
Self Identity ◽  
Digital Era ◽  
Art Practices

This article analyses the conceptions of identity in contemporary times by delving into art practices from the 1970s onwards that deal with topics such as the construction of the self, identity as simulacrum, gender as masquerade, cyberfeminism, the cyborg, the techno-medical body or online identity fluidity. In the information and digital era, new technological, medical and scientific developments like genetic engineering, biotechnology, surgical and hormonal procedures and the Internet permeate our lives, affecting the perception, representation and understanding of the self. Through the analysis of the work of Lynn Hershman Leeson, ORLAN and Francesca da Rimini, this article examines contemporary art practices that reflect on these current issues, mirroring contemporary changes, subverting homogenising and repressive articulations of identity, and considering the new malleability, reproducibility and plurality of the self. These art practices ultimately represent the merging of human and machine, of original and copy, of natural and artificial, of the corporeal and the virtual.

scholarly journals HAK CIPTA DAN KARYA SENI DI ERA DIGITAL

2020 ◽  
Vol 12 (1) ◽  
pp. 44-58
Author(s):  
Fitri Murfianti
Keyword(s):  
Fine Arts ◽  
The Internet ◽  
Study Program ◽  
New Era ◽  
Course Content ◽  
The Public ◽  
Visual Communication Design ◽  
Digital Era ◽  
Art And Technology ◽  
Limitations And Exceptions

ABSTRACT In the past two decades, art and technology have increasingly become inseparable. Technology, in this case the internet, has produced a new era known as the digital era followed by the emergence of many problems, one of which is in the field of copyright. There are many cases of copyright infringement committed by art creators and the public both consciously and unconsciously due to lack of knowledge about copyright. Moreover, all the required information, now, is available on the Internet. This condition gives a big opportunity to plagiarize an art work. Through literature studies, this study focuses on the perspective of the limitations and exceptions of arts work copyright in the digital age and explains the concepts of regulation and protection. The results of this study will be very useful in developing the course content of Etika Profesi (Professional Ethics) and HAKI (IPR) in Visual Communication Design Study Program, the Faculty of Fine Arts and Design. Keywords: Copyright, Artworks, Digital Era  ABSTRAK Dalam dua dekade terakhir, seni dan teknologi semakin tidak bisa dipisahkan. Teknologi dalam hal ini internet telah melahirkan suatu era baru yang dikenal dengan era digital yang diikuti oleh munculnya banyak permasalahan, salah satunya di bidang hak cipta. Banyak kasus-kasus pelanggaran hak cipta yang dilakukan oleh kreator seni maupun masyarakat pada umumnya baik disadari maupun tidak disadari karena minimnya pengetahuan tentang hak cipta, terlebih saat ini semua informasi yang dibutuhkan sudah tersedia di Internet. Kondisi ini memberi peluang yang sangat besar untuk melakukan penjiplakan terhadap sebuah karya seni. Melalui studi pustaka, kajian ini fokus pada perspektif pembatasan dan pengecualian hak cipta karya seni di era digital serta memaparkan konsep pengaturan serta perlindungannya. Hasil penelitian ini akan sangat bermanfaat dalam mengembangkan konten mata kuliah Etika Profesi dan HAKI di Program Studi Desain Komunikasi Visual, Fakultas Seni Rupa dan Desain. Kata Kunci : Hak Cipta, Karya Seni, Era Digital 

Screening Statues

2017 ◽  
Author(s):  
Steven Jacobs ◽  
Susan Felleman ◽  
Vito Adriaensens ◽  
Lisa Colpaert
Keyword(s):  
Contemporary Art ◽  
Three Dimensional ◽  
Interdisciplinary Approach ◽  
Film History ◽  
Two Dimensional ◽  
Artistic Practice ◽  
Experimental Art ◽  
Broad Scope ◽  
Art Practices ◽  
Extensive Reference

Sculpture is an artistic practice that involves material, three-dimensional, and generally static objects, whereas cinema produces immaterial, two-dimensional, kinetic images. These differences are the basis for a range of magical, mystical and phenomenological interactions between the two media. Sculptures are literally brought to life on the silver screen, while living people are turned into, or trapped inside, statuary. Sculpture motivates cinematic movement and film makes manifest the durational properties of sculptural space. This book will examine key sculptural motifs and cinematic sculpture in film history through seven chapters and an extensive reference gallery, dealing with the transformation skills of "cinemagician" Georges Méliès, the experimental art documentaries of Carl Theodor Dreyer and Henri Alekan, the statuary metaphors of modernist cinema, the mythological living statues of the peplum genre, and contemporary art practices in which film—as material and apparatus—is used as sculptural medium. The book’s broad scope and interdisciplinary approach is sure to interest scholars, amateurs and students alike.

Detecting “DeepFakes” in H.264 Video Data Using Compression Ghost Artifacts

2020 ◽  
Vol 2020 (4) ◽  
pp. 116-1-116-7
Author(s):  
Raphael Antonius Frick ◽  
Sascha Zmudzinski ◽  
Martin Steinebach
Keyword(s):  
Image Forensics ◽  
Video Data ◽  
Experimental Results ◽  
Video Sequences ◽  
The Internet ◽  
Video Content ◽  
High Quality ◽  
The Public

In recent years, the number of forged videos circulating on the Internet has immensely increased. Software and services to create such forgeries have become more and more accessible to the public. In this regard, the risk of malicious use of forged videos has risen. This work proposes an approach based on the Ghost effect knwon from image forensics for detecting forgeries in videos that can replace faces in video sequences or change the mimic of a face. The experimental results show that the proposed approach is able to identify forgery in high-quality encoded video content.

The Internet Trap

2018 ◽  
Author(s):  
Matthew Hindman
Keyword(s):  
The Internet ◽  
Net Neutrality ◽  
The Public ◽  
Attention Economy ◽  
Digital News ◽  
The Cost ◽  
Over Time

The Internet was supposed to fragment audiences and make media monopolies impossible. Instead, behemoths like Google and Facebook now dominate the time we spend online—and grab all the profits from the attention economy. This book explains how this happened. It sheds light on the stunning rise of the digital giants and the online struggles of nearly everyone else—and reveals what small players can do to survive in a game that is rigged against them. The book shows how seemingly tiny advantages in attracting users can snowball over time. The Internet has not reduced the cost of reaching audiences—it has merely shifted who pays and how. Challenging some of the most enduring myths of digital life, the book explains why the Internet is not the postindustrial technology that has been sold to the public, how it has become mathematically impossible for grad students in a garage to beat Google, and why net neutrality alone is no guarantee of an open Internet. It also explains why the challenges for local digital news outlets and other small players are worse than they appear and demonstrates what it really takes to grow a digital audience and stay alive in today's online economy. The book shows why, even on the Internet, there is still no such thing as a free audience.

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