scholarly journals Contemporary Art Gallery (Expressionism Architecture)

2020 ◽  
Vol 4 (2) ◽  
pp. 174-180
Author(s):  
Fazra Risky Nasution ◽  
Morida Siagian
Keyword(s):  
Literature Review ◽  
Contemporary Art ◽  
Fine Arts ◽  
Building Design ◽  
Local People ◽  
Art Gallery ◽  
The Public ◽  
Art Activities ◽  
A Site ◽  
The City

Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likeness of the City of Medan. This gallery plans to be a productive place or place to introduce and provide attractive insights or knowledge to local people and tourists and to be able to preserve and preserve the fine arts in the city of Medan. The methodology used in this project is by collecting data through from literature review and by doing a site surveys. This building design uses the theme of expressionism architecture, where this building can express the meaning of art that it can be enjoyed visually.

scholarly journals THE IMPLEMENTATION OF THE ORGANIC ARCHITECTURE THEORY IN CONTEMPORARY ART GALLERY DESIGN STRATEGY IN SURAKARTA

Arsitektura ◽  
2019 ◽  
Vol 17 (1) ◽  
pp. 15
Author(s):  
Alenda Khoirunnisa Wibisono ◽  
Hardiyati Hardiyati ◽  
Rachmadi Nugroho
Keyword(s):  
Contemporary Art ◽  
Building Design ◽  
Design Strategies ◽  
Art Gallery ◽  
The People ◽  
Organic Architecture ◽  
Architecture Theory ◽  
Art Activities ◽  
The Moment ◽  
The Right

Surakarta has various potentials in contemporary art, namely the potential of artists, the intensity of activities, as well as formal and informal art groups and institutions. Unfortunately, those potentials are not equal with the availability of facilities to accommodate them. Therefore, a Contemporary Art Gallery in Surakarta is needed as a place of appreciation, recreation and education. Gallery is a fixed container in the form of a closed building to accommodate visual communication activities through exhibitions and other artistic activities (Webster, 1979). Contemporary art is a developing art that responds to and reflects the situation at the moment (Maria & Belle Bintang Biarezky, 2016). To be able to accommodate contemporary art, Organic Architecture is the right approach to be applied to building design strategies. Organic Architecture is radical, free, flexible, dynamic (Pearson, 2002). Organic Architecture has 8 design principles, namely building as nature, continuous present, form follows flow, of the people, of the hill, of the materials, youthful and unexpected, and living music, which will be studied to determine design strategies. The principles that can be applied will be applied to the analysis process that will result in the design of the Contemporary Art Gallery which can accommodate various contemporary art activities, represent them and accommodate possible changes.

scholarly journals Poetic Examination of Spatial Experience: Suprematist Composition No. 1, Black on Grey by Kristina Leko

2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina
Keyword(s):  
Public Space ◽  
Contemporary Art ◽  
Virtual Space ◽  
Spatial Experience ◽  
The Public ◽  
Social Sphere ◽  
The Social ◽  
Material Goods ◽  
Art Intervention ◽  
The City

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.

Lacking conviction: Inquiries and trials after Bristol

2019 ◽  
pp. 73-97
Author(s):  
Simon Peplow
Keyword(s):  
Party Politics ◽  
Local People ◽  
Left Wing ◽  
Law And Order ◽  
Political Issues ◽  
The Public ◽  
Public Inquiry ◽  
The City

This chapter charts the divided response to the St Pauls disturbance, through rejected appeals for a public inquiry and the authorities’ alternative reaction, which attempted to divert attention onto law and order and away from governmental policies. There was a clear division of local attitudes between moderates, who desired the societal legitimisation of a public inquiry, and radical or younger groups, more likely to have been involved in disturbances, who believed it would be a diversion or ‘whitewash’. Other government measures that were implemented – such as select committees turning their focus to the city – were thus boycotted by various groups, who thought their attendance would imply satisfaction with this limited response; similarly, attempted left-wing inquiries were snubbed by local people who rejected attempts to introduce party politics. This chapter lastly examines failed court trials to convict twelve locals under the serious charge of riotous assembly; influenced by criticism directed towards Bristol police for their temporary withdrawal during the disorder, authorities continued their focus upon law and order to the detriment of wider social or political issues, attempting to obtain criminal sentences to reassure the public and deter future violence.

scholarly journals Does Immigration Affect Space Identity? Kastamonu Cumhuriyet Square Sample

SAGE Open ◽  
2019 ◽  
Vol 9 (4) ◽  
pp. 215824401989427
Author(s):  
Nur Belkayali ◽  
Elif Ayan Çeven
Keyword(s):  
Public Space ◽  
Cultural Differences ◽  
Open Space ◽  
Local People ◽  
Important Place ◽  
The Public ◽  
Public Open Space ◽  
Significant Difference ◽  
The City ◽  
Intended Use

Humans change places voluntarily or involuntarily because of many factors, such as life struggle, wars, and diseases. The most intense city environments in which these translocations are observed are cities where many native and foreign individuals1 settle with the purposes of job, education, sheltering, and protection. Today, as in many cities of Turkey, it can be observed that the population of neighboring countries’ citizens in Kastamonu is increasing, mostly for educational purposes. The purpose of this study is to determine the effect of cultural differences that especially take place due to migration on the use of public open space. Since squares are the vital points of cities, can be accessed easily by everyone, appeal to everyone, provide opportunity to socializing and they are the democratic environments that symbolize the culture of the city, they were considered to be the public open space which can define the effect of cultural differences in the use of public space the best and in this context Cumhuriyet Square was chosen as the study area which has an important place in the history of the city. In accordance with the aim of the study, the intended use of the square by foreign individuals from different cultures was determined, and therefore, it was aimed to reveal in what way the square was affected by this movement of migration. In the scope of the study, observations were made with area studies, and also 170 questionnaire studies were conducted with the users of the area. As a result of the study, a statistically significant difference was determined between the intended use of the Cumhuriyet Square, which has an important value for the identity of the city, by the local people and foreign individuals. It is required for foreign individuals to socialize with the local people in relation to adopting the space by improving their sense of belonging to prevent the identity of the space to be affected negatively and to create a common value on the emergence of a common culture, and it is considered that the most appropriate place for these values to emerge is squares which are one of the public open spaces.

scholarly journals Subjugated in the Creative Industries: The Fine Arts in Singapore

2011 ◽  
Vol 3 (2) ◽  
pp. 119-137 ◽  
Author(s):  
Can-Seng Ooi
Keyword(s):  
Fine Arts ◽  
Economic Value ◽  
Creative Industries ◽  
Work Place ◽  
Art World ◽  
The Public ◽  
The Arts ◽  
Art Practices ◽  
City State ◽  
The City

The arts and culture are considered core in a creative industries strategy. But the promotion of the creative industries brings about revised notions of creativity. These revised notions are being applied to the arts. Creativity is now seen to be largely manageable. All individuals are made to believe that they can be creative. Not only that, creativity is seen to be a money spinner. Workers should tap into their creativity and bring about innovations in the work place. Pupils are taught to tap into their creativity and to think outside the box. Such views on creativity galvanize the public and enthuse many people into the creative industries. Such notions of creativity contrast against the fine arts. Regardless, as this paper examines the situation in Singapore, shows that fine artists in the city-state are finding themselves internalizing a market logic and have tied their art practices to economic value. Fine arts practices will not be as lucrative or popular as their counterparts in the other creative businesses; they will remain poor cousins in the creative industries. Essentially, the fine arts are being subjugated in the creative industries and the Singaporean art world is being changed.

scholarly journals Cities of "others" : public space and everyday practices

2009 ◽  
Vol 64 (1) ◽  
pp. 11-20 ◽  
Author(s):  
D. Vaiou ◽  
A. Kalandides
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Public Deliberation ◽  
The Public ◽  
Everyday Practices ◽  
The Public Sphere ◽  
Material Space ◽  
A Site ◽  
Relations Of Power ◽  
The City

Abstract. This paper deals with the concept of «public space». It works with the ambiguities embedded therein, contrasting material space/s – the streets, squares, parks, public buildings of the city – with the other spaces created through the functions and institutions of the «public sphere» as a site of public deliberation. Focussing on the ambiguities of the concept allow questions of access, interaction, participation, cultural and symbolic rights of passage to be posed. Public space is approached here as constituted through the practices of everyday life: it is produced and constantly contested, reflecting – among other things – relations of power. Differences in gender, ethnicity or sexuality often lead to binary thinking, such as inside/outside, inclusion/exclusion, local/stranger. The way that such categories intertwine in everyday life, though, unsettle easy categorisations and force a questioning of strict lines of division. It is in this context that a proposal is made to discuss the city of «others», drawing from research examples which cross over such lines.

scholarly journals Meganarratives of Supermodernism: The Spectre of the Public Sphere

PhaenEx ◽  
2006 ◽  
Vol 1 (1) ◽  
pp. 197
Author(s):  
Mark Kingwell
Keyword(s):  
Public Sphere ◽  
The Political ◽  
Architectural Theory ◽  
Political Consequences ◽  
The Public ◽  
Political Theories ◽  
The Public Sphere ◽  
A Site ◽  
The City ◽  
Large Research

Political-theoretic discussions of the public sphere, common at least since Habermas as a site of both crisis and justification, are rarely if ever animated by a sense of public spaces as what phenomenology calls 'real places.' Indeed, the space/place distinction is an important lever of critique for the transcendental rationalism operative in many political theories, even when unavowed. At the same time, architectural theory, even when itself informed by a laudable marriage of concrete and abstract, often seems uninterested in pursuing the political consequences of the built environment. This paper outlines the beginning steps in a large research project that might be labelled 'the political phenomenology of the city.'

scholarly journals Metode Komunikasi Dakwah Majelis Ulama Indonesia (MUI) Dalam Mengatasi Paham Radikal Di Kabupaten Labuhanbatu

An Nadwah ◽  
2021 ◽  
Vol 27 (1) ◽  
pp. 65
Author(s):  
Muhammad Ferry Syahputra ◽  
Muktarruddin Muktarruddin ◽  
Elfi Yantii Ritonga
Keyword(s):  
Qualitative Research ◽  
Literature Review ◽  
Research Data ◽  
The Public ◽  
Communication Method ◽  
Study Circle ◽  
The City ◽  
Communication Methods

This research is motivated by the rise of radicalism ideology lately, especially in one of the organizations in the city of Rantau Prapat. The purpose of this study was to find out the dangers of radical understanding conveyed by Muhamamd Gaddafi and members of the Islamic Generation Study Circle (LSGI) to the Labuhanbatu Rantauprapat community and the application of MUI da'wah communication methods in overcoming radical LSGI understanding in Labuhanbatu, and how the Indonesian Ulema Council in overcoming obstacles. - Barriers to the communication of the da'wah. This research uses qualitative research. Data were collected by interview, observation, documentation and literature review. This research was analyzed inductively. The results obtained show that the Labuhanbatu MUI has succeeded in reducing the expansion of radical understanding brought by Muhammad Gaddafi and members of the LSGI in Labuhanbatu Rantauprapat, by applying the da'wah communication method, with this success it is expected to there will be no more people who are tempted by this radical understanding. MUI itself has provided guidance to Muhammad Gaddafi and members of the LSGI by applying the da'wah communication method, the public is no longer restless and afraid of the spread of this understanding, because they are no longer radical

Precarious, fragile and temporary interactions between the public sculpture collection of Santo Tirso and its non-specialized audience

2020 ◽  
Vol 6 (2) ◽  
pp. 95-111 ◽  
Author(s):  
Rita Costa
Keyword(s):  
Public Space ◽  
Fine Arts ◽  
Ongoing Research ◽  
Physical Relationship ◽  
The Public ◽  
Museum Displays ◽  
Online Archive ◽  
Contemporary Sculpture ◽  
The University ◽  
The City

The following article depicts ongoing research from the project Quiet Dialogues, part of a Ph.D. thesis in artistic education in the Faculty of Fine Arts of the University of Porto. Quiet Dialogues is a project that aims to map, explore and materialize the interactions that occur between the passer-by audience of the city and the International Museum of Contemporary Sculpture of Santo Tirso. The project’s resulting map will be in a public online archive showcasing all the interactions collected during the research. As the museum displays its artworks in the public space, this research explores three behavioural categories the audience may react towards the artwork. They are as follows: a mental relationship (a stand-off with the memory), a physical relationship (using the sculpture as shelter or support) and a playful interaction (using the sculpture as a game or in a ludic approach).

scholarly journals INNOVACIÓN EN EL MERCADO TURÍSTICO: EXPERIENCIAS EN ARTE URBANO

2021 ◽  
pp. 25-48
Author(s):  
Montse Crespi Vallbona ◽  
Oscar Mascarilla Miró
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Street Art ◽  
Art Gallery ◽  
The Public ◽  
The City ◽  
Permanent Presence

El turismo es una de las actividades que más encarecidamente precisa de la innovación y la creatividad para mantenerse constantemente en auge. Las tendencias actuales de la demanda exigen experiencias activas, que generen emociones, esten repletas de contenido, tengan dosis de placer. El arte urbano siempre presente en los espacios públicos de las ciudades, emerge como una propuesta innovadora, atendiendo a su capacidad de provocación e interacción con el peatón espectador. Barcelona es el actual laboratorio turístico en el que se lleva a cabo la denominada Pinacoteca a Cel Obert, una galeria de arte abierta que ocupa el espacio público de la ciudad, con 24 obras pictóricas clásicas en el sí de calles comerciales, en las puertas de sus establecimientos. El análisis cualitativo de la información recopilada en la encuesta a 150 visitantes y las entrevistas a los stakeholders del proyecto, conduce a determinar que esta galeria de arte urbano y su itinerario ofrecen una satisfactoria experiencia turística, repleta de emociones y vivencias. Tourism is one of the activities that most urgently requires innovation and creativity to keep its constantly booming. The current demand tendencies require active experiences, that generate emotions, experience content, doses of pleasure. The permanent presence of street art in public spaces emerge now as an innovative proposal due to its capacity of provocation and interaction with the pedestrian observar. Barcelona is the present tourism lab where the Pinacoteca a Cel Obert is implemented, an open gallery in the public space of the city, with 24 classic paintings into the street, on the business doors. Cualitative analysis of collected data in the survey to 150 visitors and the interviews to the project stakeholders, lead to conclude that this street art gallery and its itinerary offer a satisfactory tourist activity, pleint of emotions and experiences.

Sign in / Sign up

Export Citation Format

Share Document