Set of graphic symbols for visual modeling in social-humanitarian knowledge

2021 ◽  
Vol 4 (2) ◽  
pp. 107-124
Author(s):  
Dmitriy Koshlakov
Keyword(s):  
Theoretical Basis ◽  
Cognitive Process ◽  
Research Problem ◽  
Visual Language ◽  
Visual Languages ◽  
Visual Modeling ◽  
Graphic Symbols ◽  
Aesthetic Consciousness ◽  
The Aesthetic ◽  
High Level

The paper raises and discusses the research problem of knowledge visualization. It is stated that the scientific knowledge knows a lot of visual languages that allow us to describe and transmit knowledge, stimulate the cognitive process and provide it with a sufficiently high level of formalizing. However, as mentioned in the paper, the availability of visual languages in social and humanitarian knowledge is currently insufficient, which is due to the fact that there are no general and rich in content visual languages describing social and humanitarian processes. The paper considers the theoretical basis of the author’s proposed solution to the previously posed problem of deficit of available visual languages. The author notes that visual epistemology should be one of theoretical statements of research into the uses of visual languages. Another significant theoretical basis suggested for solving the problem are the ideas of functional asymmetry of the human brain, considered in the context of so-called computer metaphor. The third theoretical basis of the solution embraces the concepts of visual language, visual modeling, and visual model. The author proposes the set of graphic symbols, the basic elements of which are two signs – the sign of the object and the sign of the relationship between objects. Furthermore, the author proposes additional signs for indicate various types of links and relations between objects. The paper states that in addition to cognitive functions, visual modeling performs a significant communicative function, as it makes the results of the cognitive process more visible and more convenient for perception. The author emphasizes the variability of visual modeling processes and stresses that these processes largely depend on the aesthetic consciousness of the cognizing subject. Such dependence indicates that epistemology and aesthetics are somehow intertwined in visual modeling. The final part of the paper summarizes the results of the research. The author notes that the set of visual signs as components of the visual language proposed by the author can be successfully used in solving such problems as: systematic description and visual modelling of complex processes and systems, both in social and humanitarian fields and beyond them; modelling, description and analysis of text, discourse, reasoning.

Factors affecting 13C/12C ratios of inland halophytes. I. Controlled studies on growth and isotopic composition of Puccinellia nuttalliana

1986 ◽  
Vol 64 (11) ◽  
pp. 2693-2699 ◽  
Author(s):  
Robert D. Guy ◽  
David M. Reid ◽  
H. Roy Krouse
Keyword(s):  
Isotope Composition ◽  
Stable Carbon Isotope ◽  
Isotope Analysis ◽  
Research Problem ◽  
Carbon Isotope Composition ◽  
Stable Carbon ◽  
Factors Affecting ◽  
Plant Parts ◽  
High Level ◽  
Puccinellia Nuttalliana

Studies on various factors affecting the growth and stable carbon isotope composition of the graminaceous C3 halophyte Puccinellia nuttalliana (Schultes) Hitch. were initiated as a step towards interpreting δ13C variations in nature. For isotope analysis, combustion at 900 °C resulted in higher CO2 yield than at 550 °C but did not affect δ13C values. Differences in δ13C between leaves of different insertion level were unimportant, but roots were about 1‰ more positive than shoots. Trends in δ13C with salinity were the same in all plant parts. Depressions of growth by NaCl or Na2SO4 were similar, but plants grown in Na2SO4 displayed a greater shift in δ13C relative to controls. Growth rates were affected more by salinity than were previously reported photosynthetic rates. At typical salinities, δ13C changed linearly with salinity. The supply of nitrate to stressed and unstressed plants had no important influence on δ13C. Growth in polyethylene glycol produced δ13C values consistent with a high level of stress. After a salinity step-up, changes in δ13C were complete within 10 days. During winter, data were found to be heavily influenced by unintentional, human-respired CO2 enrichment. This represents a potentially serious research problem in laboratories of temperate climes.

scholarly journals Generating Collaborative Systems for Digital Libraries: a Model-Driven Approach

2010 ◽  
Vol 29 (4) ◽  
pp. 171 ◽  
Author(s):  
Alessio Malizia ◽  
Paolo Bottoni ◽  
S. Levialdi
Keyword(s):  
Digital Library ◽  
User Interfaces ◽  
Digital Libraries ◽  
Automatic Generation ◽  
Visual Language ◽  
Domain Experts ◽  
Model Driven ◽  
Neutral Models ◽  
Definition Of ◽  
High Level

The design and development of a digital library involves different stakeholders, such as: information architects, librarians, and domain experts, who need to agree on a common language to describe, discuss, and negotiate the services the library has to offer. To this end, high-level, language-neutral models have to be devised. Metamodeling techniques favor the definition of domainspecific visual languages through which stakeholders can share their views and directly manipulate representations of the domain entities. This paper describes CRADLE (Cooperative-Relational Approach to Digital Library Environments), a metamodel-based framework and visual language for the definition of notions and services related to the development of digital libraries. A collection of tools allows the automatic generation of several services, defined with the CRADLE visual language, and of the graphical user interfaces providing access to them for the final user. The effectiveness of the approach is illustrated by presenting digital libraries generated with CRADLE, while the CRADLE environment has been evaluated by using the cognitive dimensions framework.

scholarly journals Ear Reconstruction Simulation: From Handcrafting to 3D Printing

2019 ◽  
Vol 6 (1) ◽  
pp. 14 ◽  
Author(s):  
Elisa Mussi ◽  
Rocco Furferi ◽  
Yary Volpe ◽  
Flavio Facchini ◽  
Kathleen S. McGreevy ◽  
...  
Keyword(s):  
Costal Cartilage ◽  
Surgical Reconstruction ◽  
Ear Reconstruction ◽  
Autologous Tissue ◽  
Aesthetic Appearance ◽  
History Of ◽  
Common Clinical Practice ◽  
The Aesthetic ◽  
Manufacturing Technologies ◽  
High Level

Microtia is a congenital malformation affecting one in 5000 individuals and is characterized by physical deformity or absence of the outer ear. Nowadays, surgical reconstruction with autologous tissue is the most common clinical practice. The procedure requires a high level of manual and artistic techniques of a surgeon in carving and sculpting of harvested costal cartilage of the patient to recreate an auricular framework to insert within a skin pocket obtained at the malformed ear region. The aesthetic outcomes of the surgery are highly dependent on the experience of the surgeon performing the surgery. For this reason, surgeons need simulators to acquire adequate technical skills out of the surgery room without compromising the aesthetic appearance of the patient. The current paper aims to describe and analyze the different materials and methods adopted during the history of autologous ear reconstruction (AER) simulation to train surgeons by practice on geometrically and mechanically accurate physical replicas. Recent advances in 3D modelling software and manufacturing technologies to increase the effectiveness of AER simulators are particularly described to provide more recent outcomes.

scholarly journals Cultural based preconceptions in aesthetic experience of architecture

Spatium ◽  
2011 ◽  
pp. 20-25 ◽  
Author(s):  
Vladimir Stevanovic
Keyword(s):  
Comparative Analysis ◽  
Cultural Context ◽  
Aesthetic Experience ◽  
Visual Language ◽  
Cultural Backgrounds ◽  
Cultural Contexts ◽  
Historical Perspectives ◽  
Perceived Reality ◽  
The Aesthetic ◽  
Eastern Traditions

On a broader scale, the aim of this paper is to examine theoretically the effects a cultural context has on the aesthetic experience of images existing in perceived reality. Minimalism in architecture, as direct subject of research, is a field of particularities in which we observe functioning of this correlation. Through the experiment with the similarity phenomenon, the paper follows specific manifestations of general formal principles and variability of meaning of minimalism in architecture in limited areas of cultural backgrounds of Serbia and Japan. The goal of the comparative analysis of the examples presented is to indicate the conditions that may lead to a possibly different aesthetic experience in two different cultural contexts. Attribution of different meanings to similar formal visual language of architecture raises questions concerning the system of values, which produces these meanings in their cultural and historical perspectives. The establishment of values can also be affected by preconceptions resulting from association of perceived similarities. Are the preconceptions in aesthetic reception of architecture conditionally affected by pragmatic needs, symbolic archetypes, cultural metaphors based on tradition or ideologically constructed dogmas? Confronting philosophical postulates of the Western and Eastern traditions with the transculturality theory of Wolfgang Welsch, the answers may become more available.

scholarly journals Features of translation into Uigur languageof children's fairy tale "Shuburshun" by A. Karlyukevich

Keruen ◽  
2020 ◽  
Vol 3 (68) ◽  
Author(s):  
A.T. Khamraev ◽  
Keyword(s):  
Fairy Tale ◽  
Literary Translation ◽  
Reverse Effect ◽  
Dominant Feature ◽  
Aesthetic Consciousness ◽  
The Aesthetic

“Shuburshun” is the work of the Belarusian writer A. Karlyukevich and its figuratively and metaphorically is replete with an abundance of tropes with elements of national irony. The text is structurally complex, spiritually rich and elegant. The translator was able to show in translation the national color, spirit and ideal of the fairy tale, he felt the literary world behind the text that inspired the author and sought to recreate it in a holistic way. A significant amount of literary and aesthetic information is encoded in the work as well. Moreover, some words, in particular: “Shuburshun”, “Svisloch’”, etc., appear as the dominant units of the Uighur text. Authors lexemes and glossaries “entered” into the Uyghur text make the work mysterious, because of it they have a reverse effect. The Uygur translation of “Shuburshun” as a new independent aesthetic phenomenon, due to the interpenetration of various contents and forms, is experiencing internal implicit conjugation changes that rigidly interlink textual connections at a new level. This is how the principles of aesthetic interferences work and interact in any literary translation that acts as the dominant feature of bicultural aesthetics. It is about the emergence of a “different”literary and aesthetic reality in translation. In particular, we are witnessing an objective process of “entering” (or “invasion”) of Belarusian words into the Uyghur text, which affect the aesthetic consciousness of the reader.

scholarly journals Unsur Budaya Material dalam Novel Entrok Karya Okky Madasari

ATAVISME ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 200-216
Author(s):  
Miftahurohmah Hikmasari ◽  
Wening Sahayu
Keyword(s):  
Material Culture ◽  
Research Problem ◽  
Literary Work ◽  
Aesthetic Value ◽  
Literary Works ◽  
Descriptive Research ◽  
The Third ◽  
Qualitative Descriptive ◽  
The Aesthetic

This research aims to classify and describe the material culture elements contained in Okky Madasari’s novel Entrok. The research problem includes the classification of material culture elements which only exist in Indonesia, and most of them are related to Javanese culture. This research was a qualitative descriptive research. The data were in the form of words and phrases obtained from Okky Madasari’s Entrok. The result showed that there were six elements of material culture. The most commonly found material culture element was food, the second was house, the third was clothes, and the least found were vehicle, daily equipment, and art tool. The use of material culture elements in literary works, such as novel, not only improves the aesthetic value of the work, but also can be used as a media of education, so that the literary work enthusiasts can recognize better and are able to preserve the cultures in Indonesia.

scholarly journals [DESIGN INDEPENDENCE A COMPLEMENTARY PRINCIPLE IN THE DESIGN OF INTERIOR SPACES OF MALAYSIAN MOSQUE CASE STUDY] الاستقلالية التصميمية مبدأ تكميلي في تصاميم الفضاءات الداخلية للمساجد الماليزية دراسة حالة

2020 ◽  
Vol 4 (2) ◽  
pp. 94-125
Author(s):  
Mohammed Jarallah Tewfik ◽  
Ahmed Mohammed Yahya Al-Abbasi
Keyword(s):  
Interior Design ◽  
Research Study ◽  
Research Problem ◽  
Design System ◽  
Interior Spaces ◽  
Design Creativity ◽  
The Aesthetic ◽  
Relationship Of ◽  
The Relationship

The interior design of Malaysian Islamic mosques is a vivid example of further innovation and innovation based on design creativity in design relationships.As a result of the interaction of this level, the design process shows a clear independence as a result of the interaction of the subjective capabilities factor of the interior designer based on the study of the specificity of the objective capabilities that govern the processes of drafting innovative decorative arts.Therefore, it was necessary to study this issue by identifying the research problem, which is summarized by: showing the features of design independence as a complementary principle in the designs of the interior spaces of Malaysian mosques,While the aim of the research focuses on identifying the features of design independence that are adopted as a complementary principle in the designs of the interior spaces of Malaysian mosques,While the importance of research is evident in presenting a clear picture of the concept of design independence, as it represents the theoretical base that can be used in practical application in designs of interior spaces for the chapel of the Malaysian Islamic mosques,The research study also includes both (research limits, theoretical framework, as well as research procedures based on the descriptive analytical approach (content analysis - case study)) leading to the results of the research study, which was among the most important: 1- Design configurations of all kinds and design configurations emerged within the designs of the internal determinants, based on the study of the interior designer, to the aesthetic independence of the division of space and size as a complementary principle within the internal determinants of the mosque of the two mosques. 2- The relationship of the principle of the independence of convergence as a complementary principle contributed to determining the distances between shapes, which can be perceived as a unified whole, through the distribution of units and shapes within a consecutive visual design system. While the most important recommendations emerged through the necessity of studying the choice of levels of internal determinants of the chapel of the Malaysian Islamic mosques.With the demonstration of the expressive characteristic of civilization development through design recruitment of appropriate vocabulary and design units with a careful selection of modern materials and materials in line with the innovative design path to achieve the requirements of design independence within the chapel of the Malaysian Islamic mosques.

The development of features in object concepts

1998 ◽  
Vol 21 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Philippe G. Schyns ◽  
Robert L. Goldstone ◽  
Jean-Pierre Thibaut
Keyword(s):  
Cognitive Processes ◽  
Category Learning ◽  
Cognitive Process ◽  
Conceptual Development ◽  
Object Categorization ◽  
Constructive Induction ◽  
Fixed Space ◽  
Functional Features ◽  
High Level ◽  
Perceptual Changes

According to one productive and influential approach to cognition, categorization, object recognition, and higher level cognitive processes operate on a set of fixed features, which are the output of lower level perceptual processes. In many situations, however, it is the higher level cognitive process being executed that influences the lower level features that are created. Rather than viewing the repertoire of features as being fixed by low-level processes, we present a theory in which people create features to subserve the representation and categorization of objects. Two types of category learning should be distinguished. Fixed space category learning occurs when new categorizations are representable with the available feature set. Flexible space category learning occurs when new categorizations cannot be represented with the features available. Whether fixed or flexible, learning depends on the featural contrasts and similarities between the new category to be represented and the individual's existing concepts. Fixed feature approaches face one of two problems with tasks that call for new features: If the fixed features are fairly high level and directly useful for categorization, then they will not be flexible enough to represent all objects that might be relevant for a new task. If the fixed features are small, subsymbolic fragments (such as pixels), then regularities at the level of the functional features required to accomplish categorizations will not be captured by these primitives. We present evidence of flexible perceptual changes arising from category learning and theoretical arguments for the importance of this flexibility. We describe conditions that promote feature creation and argue against interpreting them in terms of fixed features. Finally, we discuss the implications of functional features for object categorization, conceptual development, chunking, constructive induction, and formal models of dimensionality reduction.

Sign in / Sign up

Export Citation Format

Share Document