La construcción del yo-lírico y el nihilismo. Concepciones barrocas y la filosofía de Kierkegaard en Nostalgia de la muerte de Villaurrutia.
The present work is an interpretation of Nostalgia de la Muerte by Xavier Villaurrutia based on some interconnected philosophical concepts from the Baroque, Idealism and Nihilism, notions that conceive the subject (lyrical ego) as locked in itself, without the possibility or the need of coming into contact with the outside. These notions threaten the integrity of the subject and support its reconstruction regardless of the outside world. The work of the mexican poet is influenced by the concepts of horror vacui (Pascal) and the monad (Leibniz); it shows affinity with the idea of the subject as an absolute and as nothing (Hegel), and with the dialectical constitution of the subject in times of nihilism (Kierkegaard).
1966 ◽
Vol 25
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pp. 363-371
1966 ◽
Vol 27
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pp. 159-161
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1973 ◽
Vol 31
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pp. 122-123
1970 ◽
Vol 28
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pp. 26-27
Keyword(s):
1969 ◽
Vol 27
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pp. 152-153
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Keyword(s):
1973 ◽
Vol 31
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pp. 380-381
Keyword(s):
1971 ◽
Vol 29
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pp. 346-347
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1982 ◽
Vol 40
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pp. 724-725
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