scholarly journals Re-emergence of paper marriage discourse as immigration fraud

2021 ◽  
Author(s):  
Sugandha Chatterjee
Keyword(s):  
Public Opinion ◽  
Moral Panic ◽  
Media Representations ◽  
The Other ◽  
Opinion Leaders ◽  
Marriage Migration ◽  
Residency Status ◽  
The Media ◽  
Moral Entrepreneurs

This paper examines marriage fraud to bypass immigration restrictions. It assesses media representations of marriage fraud for the purpose of immigration in Canada and Germany between 2000-2019. Paper marriages refer to a marriage which is not bonafide but is done to get residency status in a country by at least one of the partners. In this study, I will examine the media’s role as an agency that both shapes and reflect public opinion on this issue. I am interested in understanding what led to the rise of the discourse of paper marriages? Is this an attempt to bypass tightening of immigration rules, or is it because of the rising tide of xenophobia and distrust to foreigners? I will also examine two competing perspectives on paper marriages. The first approach looks negatively and sees paper marriages as a form of deceit or fraud. The other, takes a more compassionate perspective and sees it as an attempt to help others gain residency status. I will examine the role of the media as a moral entrepreneur in creating “moral panic” about immigration fraud. Keywords: Paper marriages, marriage migration, marriages of convenience, marriage fraud, moral panic, moral entrepreneurs, opinion leaders.

scholarly journals Re-emergence of paper marriage discourse as immigration fraud

2021 ◽  
Author(s):  
Sugandha Chatterjee
Keyword(s):  
Public Opinion ◽  
Moral Panic ◽  
Media Representations ◽  
The Other ◽  
Opinion Leaders ◽  
Marriage Migration ◽  
Residency Status ◽  
The Media ◽  
Moral Entrepreneurs

This paper examines marriage fraud to bypass immigration restrictions. It assesses media representations of marriage fraud for the purpose of immigration in Canada and Germany between 2000-2019. Paper marriages refer to a marriage which is not bonafide but is done to get residency status in a country by at least one of the partners. In this study, I will examine the media’s role as an agency that both shapes and reflect public opinion on this issue. I am interested in understanding what led to the rise of the discourse of paper marriages? Is this an attempt to bypass tightening of immigration rules, or is it because of the rising tide of xenophobia and distrust to foreigners? I will also examine two competing perspectives on paper marriages. The first approach looks negatively and sees paper marriages as a form of deceit or fraud. The other, takes a more compassionate perspective and sees it as an attempt to help others gain residency status. I will examine the role of the media as a moral entrepreneur in creating “moral panic” about immigration fraud. Keywords: Paper marriages, marriage migration, marriages of convenience, marriage fraud, moral panic, moral entrepreneurs, opinion leaders.

Sports News, Commentary and Interviews, From the Other Side: Journalists Seen Through the Eyes of Athletes

2021 ◽  
pp. 216747952199237
Author(s):  
Ondřej Trunečka
Keyword(s):  
Athletic Performance ◽  
The Other ◽  
Professional Athletes ◽  
Main Role ◽  
Cast Doubt ◽  
The Media ◽  
Sports News

This study explores how professional athletes perceive sports journalists and the role of the media. They acknowledge that communication with journalists is an essential part of their profession and appreciate the verified information, knowledge, and dutiful preparation. They consider the main role of media as monitorial. In some cases, they cast doubt on journalists’ ability to evaluate athletic performance accurately, and they are also critical of errors in interviews, however they acknowledgethat there are good, and possibly excellent journalists as well.

The American Ghetto, Gangster, and Respect on the Streets of Copenhagen: Media(tion)s between Structure and Street Culture

2021 ◽  
pp. 089124162110569
Author(s):  
Hakan Kalkan
Keyword(s):  
Mass Media ◽  
Cultural Factors ◽  
Media Representations ◽  
Structural Factors ◽  
Perceived Similarity ◽  
Ethnographic Fieldwork ◽  
Street Culture ◽  
The Media ◽  
The Relationship

“Street culture” is often considered a response to structural factors. However, the relationship between culture and structure has rarely been empirically analyzed. This article analyzes the role of three media representations of American street culture and gangsters—two films and the music of a rap artist—in the street culture of a disadvantaged part of Copenhagen. Based on years of ethnographic fieldwork, this article demonstrates that these media representations are highly valuable to and influential among young men because of their perceived similarity between their intersectional structural positions and those represented in the media. Thus, the article illuminates the interaction between structural and cultural factors in street culture. It further offers a local explanation of the scarcely studied phenomenon of the influence of mass media on street culture, and a novel, media-based, local explanation of global similarities in different street cultures.

scholarly journals ‘Do We Look like Boy Racers?’ The Role of the Folk Devil in Contemporary Moral Panics

2009 ◽  
Vol 14 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Karen Lumsden
Keyword(s):  
Moral Panic ◽  
Qualitative Interviews ◽  
Moral Panics ◽  
Ethnographic Fieldwork ◽  
Young Drivers ◽  
The Media ◽  
Collective Process ◽  
The Subject ◽  
Societal Reaction

This article addresses the failure of studies concerning moral panics to take into account the reaction of those individuals who are the subject of social anxiety. It responds to the suggestion by McRobbie and Thornton (1995) that studies of moral panic need to account for the role played by the ‘folk devils’ themselves, for a moral panic is a collective process (Young, 2007). The paper presents findings from ethnographic fieldwork with the ‘boy racer’ culture in Aberdeen, qualitative interviews with members of outside groups, and content analysis of media articles. The societal reaction to the ‘boy racer’ subculture in Aberdeen is evidence of a contemporary moral panic. The media's representation of the subculture contributed to the stigmatization of young drivers and the labelling of the subculture's activities as deviant and antisocial. The drivers were aware of their negative portrayal in the media; however their attempts to change the myth of the ‘boy racer’ were unsuccessful. Although subcultural media can provide an outlet of self-expression for youths, these forms of media can also become caught-up in the moral panic. Ironically the youths’ own niche and micro media reified the (ir)rationality for the moral panic.

scholarly journals Media Massa dalam Situasi Konflik: dari Bandwagon Effect Sampai Peace Narrative

2017 ◽  
Vol 1 (6) ◽  
pp. 503
Author(s):  
Aloysius Ranggabumi Nuswantoro
Keyword(s):  
Public Opinion ◽  
Public Space ◽  
Theoretical Studies ◽  
Bandwagon Effect ◽  
Conflict Situations ◽  
The Media ◽  
The Relationship

Conflict occurs between two or more parties with different interests. Media related to conflict. The ability of the media to influence public opinion is the biggest element in the relationship between media with conflict. The media in this context can be a party that sparked the conflict but could also act as resolutor conflict. Media as a provocateur when play became an arm of one of the conflicting parties, while a conciliator conflict when showing neutrality and information that tends to peace (peace narrative). And theoretical studies should be conducted searches empirical facts on this subject, to clarify the position, the position and role of media in conflict situations. The results can also be used to see the extent to which the media contribute to creating conditions of public space and democratic deliberative. Against this, the choice to stick with journalism be the most appropriate choice for the media in an effort to maintain its position as an agent of democracy in society.

scholarly journals Serbs as threat the extreme negative portrayal of the Serb “minority” in Albanian-language newspapers in Kosovo

Balcanica ◽  
2011 ◽  
pp. 165-215 ◽  
Author(s):  
Helena Zdravkovic-Zonta
Keyword(s):  
Critical Discourse Analysis ◽  
Identity Politics ◽  
The Other ◽  
Critical Discourse ◽  
Master Narrative ◽  
Negative Stereotypes ◽  
Natural Response ◽  
The Media ◽  
State Of Affairs

Through perpetuating negative stereotypes and rigid dichotomous identities, the media play a significant part in sustaining conflict dynamics in Kosovo. Examining their discourse in terms of ideological production and representations is crucial in order to understand the power relations between the majority and the minority, the identity politics involved in sustaining them, and the intractability of the conflict. In an effort to provide a deeper understanding of the intractable conflict in Kosovo, and the role of the media in protracting it, this study uses critical discourse analysis to examine articles related to issues affecting the Serb community, published in Albanian language print media. The master narrative that comes out of the analysis is that of ?threat? - the threat that Kosovo Albanians continue to face from Serbs and Serbia; a threat that is portrayed as historical and constant. The discourse further strengthens the conflict dynamics of opposition, polarization and even hatred. This master narrative implies that Serbs are enemies, to be feared, contested, fought against; conflict is thus the normal state of affairs. The study also looks at the implications of media discourse for reconciliation efforts and the prospects of the Serb minority in Kosovo society, arguing that when the Other is presented as dangerous and threatening, fear of the Other and a desire to eliminate the threat, physically and symbolically, become perceived as a ?natural? response, and thus constitute a significant conflict-sustaining dynamic.

scholarly journals Media and War

2015 ◽  
Vol 10 ◽  
Author(s):  
Jennifer Ellis
Keyword(s):  
Media Representations ◽  
Spanish American ◽  
Spanish American War ◽  
Media Portrayals ◽  
The Future ◽  
Yellow Journalism ◽  
The Media ◽  
Television Media ◽  
Over Time

Representations of war in the media have changed drastically over time. Like the media representations of war, the American public's view of wars has also shifted over time; this is often a result of the media portrayals of war events. This paper examines the role of newspaper, yellow journalism, and sensationalism writing during the Spanish-American War on the American public's support for the war and juxtaposes this with television media accounts of the American war in Vietnam and how this created public disapproval for the war. Both had everlasting effects on US war policy for the future.

Celebrity

2017 ◽  
pp. 71-104
Author(s):  
Gian Maria Annovi
Keyword(s):  
Culture Industry ◽  
The Other ◽  
Short Film ◽  
Symbolic Form ◽  
Orson Welles ◽  
Celebrity Culture ◽  
The Media ◽  
Marilyn Monroe

Chapter Three discusses the conditions for the strategic branding of Pasolini’s authorship in the Italian media during the 60s, and his attitude to celebrity culture. In this chapter, I consider the idea of performing authorship in the terms of self-fictionalization and masquerade. In particular, in his short film La ricotta (The Ricotta, 1964), which represents the first example of the spectacularization of Pasolini’s authorship, he projects his authorial self onto the figure of American star director Orson Welles. An outsider of the studio system, Welles furnishes Pasolini a model for an auteur who persistently seeks out a performative mode, putting himself in play as the author alongside the other characters. At the same time, through the figure of this star director, Pasolini also expresses his uncompromising attitude toward celebrity culture and culture industry. In La rabbia (The Rage, 1963)—created through montages of unused film footage from a film archive—Pasolini uses another international star, Marilyn Monroe, to stage his ambivalence towards the role of his own representation in the media. For Pasolini, Monroe’s death becomes a tragic, symbolic form of subjective resistance and a protest against the conformist system of celebrity that they both confronted.

The Tale of Fabled Creatures

2021 ◽  
pp. 215-233
Author(s):  
M. Nur Erdem
Keyword(s):  
Digital Media ◽  
Daily Life ◽  
Space Time ◽  
Point Of View ◽  
The Other ◽  
Other Hand ◽  
The Media ◽  
The Subject ◽  
Physical Beauty

Violence has been a part of daily life in both traditional and digital media. Consequently, neither the existence of violence in the media nor the debates on this subject are new. On the other hand, the presentation of violence in fictional content should be viewed from a different point of view, especially in the context of aesthetization. Within this context, in this chapter, the serial of Penny Dreadful is analyzed. As analyzing method, Tahsin Yücel's model of the “space/time coordinates of narrative” is used. And the subject of “aestheticization of violence” is analyzed through a serial with the elements of person, space, and time. Thus, the role of not only physical beauty but also different components in the aestheticization of violence is examined.

Political Leadership Performance in a Mediatized World

2020 ◽  
pp. 111-132
Author(s):  
Eva Sørensen
Keyword(s):  
Leadership Styles ◽  
Leadership Style ◽  
Political Communication ◽  
Political Leadership ◽  
Active Role ◽  
Spillover Effects ◽  
The Other ◽  
Leadership Performance ◽  
The Media

Political communication is becoming increasingly mediatized. Mediatization refers both to a gradual increase in the role of the media in political communication and the spillover effects that this increase has had on the way politics takes place and is organized and relatedly, the performance of political leadership. Of particular importance for political leadership styles is the surge of drama politics, the fragmentation of political communication and the active role of citizens in political communication. Chapter 9’s typology of democratic political leadership performance lays the ground for an analysis of how paternalist, populist, engaged, and interactive political leadership styles are affected by the increased mediatization. The analysis suggests that an interactive political leadership style is more viable than the other three political leadership styles to patterns of mediatization in the age of governance.

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