scholarly journals Social and Historic Contextuality of Contemporary Albanian Literature

2018 ◽  
Vol 2 (3) ◽  
pp. 79
Author(s):  
Vjollca Dibra
Keyword(s):  
World War Ii ◽  
Contemporary Literature ◽  
Socialist Realism ◽  
World War ◽  
The Past ◽  
History Of ◽  
The Subject ◽  
Literature History ◽  
The 1960S ◽  
Contemporary Education

To reach the reader of 2018, Contemporary Albanian literature has overcome many obstacles and politics ideology. It felt violated by a certain, imposing and savage ideology. The method of socialist realism by some writers was embraced with delight and conviction, and from some others it was used for compromise to bring to light their works, which, in case of incompatibility with the relevant ideology, was banned from publishing. However, given that literature is the creation of the human spirit, it is unnatural to think that all this literature of this period has not expressed their feelings, sorrows, dreams and their love. Perhaps, we can argue with conviction, which has been a memory for the past and also a dream for the future. This literature overwhelmed the content imposed in 1945 and continued to be the most rebellious. The national liberation war was not the subject of the 1960s literature, which was more stubborn than what was written fifteen years ago, even by the same authors. Here, summed up as a great deal in the history of contemporary literature, find the first and the foremost authors of this literature, their best works, publishers, and their echoes in the language of translation. Key words: Literature, History, World War II, Writer, Contemporary, Education, Publisher.

scholarly journals War and humanity in historical perspective: Bosniak experiences in Sandžak in 1941.

2021 ◽  
Vol 4 (6) ◽  
pp. 23-70
Author(s):  
Safet Bandžović ◽  
Keyword(s):  
World War Ii ◽  
Interdisciplinary Studies ◽  
Multiple Perspectives ◽  
World War ◽  
Social Phenomena ◽  
The Past ◽  
Historical Processes ◽  
History Of ◽  
The Subject ◽  
Post War

Complex socio-historical processes and turning epochs, as well as numerous segments that are an integral part of people's lives, are the subject of interdisciplinary studies. War is one of the most dramatic, most complex social phenomena. In addition to armed operations, there are a number of other dimensions related to war, starting from psychological, legal, sociological, social, economic, cultural to others. Critical and multiple perspectives contribute to the completion of images of politics, wars and their relations. The disintegrations of the ideological paradigm and the Socialist Federal Republic of Yugoslavia were accompanied by the (re)construction of new national identities, the outbreak and duration of „wars“ of different memories, the reshaping of consciousness and the re-examination of history, especially those related to World War II. The history of that war in Yugoslavia was undoubtedly the history of several wars which were stacked on top of each other. The main issue with Bosniaks in that war is a multiperspectival topic that requires a multidimensional and deideologized presentation of the position and the position of all involved actors. Numerous issues related to that war, the complex position of Bosniaks in Bosnia and Herzegovina and Sandžak, the emergence of civic responsibility, Bosniak protection of the vulnerable Serb Orthodox population, humanity and assistance, beyond post-war ideological premises and „official truths“ remained more or less marginalized, although they seek more objective and complete answers from multiple angles, for the sake of a more complete view of the past. What is called „local“ or „regional history“, as evidenced by diverse experiences, indicates the multidimensionality of the past, its features and specifics in a certain area. The Second World War in Sandžak could not be understood more objectively outside the broader Yugoslav context. This is also special for the history of Novi Pazar, the largest city in Sandžak which was the subject of many different political plans and conceptions. The history of this city has several sections. After the withdrawal of German forces from Novi Pazar, the Chetniks tried to conquer this city for three times in the fall of 1941. However, thanks to the dedicated defense and the help of Albanian armed groups from Kosovo, Bosniaks managed to defend themselves and Novi Pazar. Even in such a dramatic situation, numerous examples of humanity, solidarity and assistance of Bosniaks to the intimidated Serb urban population have been recorded. In the most difficult days of the war, when Novi Pazar was exposed to Chetnik attacks, a significant part of Bosniaks took actions to prevent anarchy, to save Serbs from terror and revenge. The task of science is to constantly discover forgotten and unknown parts of the past, to re-examine previous knowledge. Everything that happened has a whole range of perspectives. It is necessary to have a multidimensional understanding of the causes and course of events, circuits and time limits, to explain narrowed alternatives. Any reduction of historical totality to only one dimension is problematic. Every nation, every state, in a way, write their „histories“, remember different personalities, events, dates, emphasize various roles, perpetuates monuments, emphatize with different causes and consequences. Contemporary abuses of the interpretation of the war past, one-sided approaches, fierce prejucides and quasi-historical analyzes in the service of the politics damage interethic relations and lead to further growth of tensions and distancing between nations and states in their region.

scholarly journals Leonard Hawkes, 6 August 1891 - 29 October 1981

1982 ◽  
Vol 28 ◽  
pp. 125-139
Keyword(s):  
World War Ii ◽  
World War I ◽  
Early Years ◽  
World War ◽  
Igneous Petrology ◽  
The Past ◽  
Field Worker ◽  
History Of ◽  
The Subject ◽  
The University

Leonard Hawkes, during the past three decades one of the elder statesmen of British geology, was one of the few remaining leaders in the subject who received their training before World War I. A lifelong academic, he devoted his best years to the service of Bedford College in the University of London. A very active field-worker in early years, he became in his time a leading authority on the geology of Iceland, pursuing studies in volcanology, igneous petrology and glaciology. He served as a Secretary of the Geological Society of London for a long period at a critical stage in the history of that Society, and was later on its President. He will be remembered as one of the most amiable of characters in the post World War II scene.

scholarly journals Preface: The Historical Geography of the Hungarian Nation

1996 ◽  
Vol 24 (3) ◽  
pp. 371-376
Author(s):  
Andrew Ludanyi
Keyword(s):  
World War Ii ◽  
World War I ◽  
Status Quo ◽  
World War ◽  
East Central Europe ◽  
East Central ◽  
East European ◽  
The Past ◽  
French And English ◽  
The Subject

The fate of Hungarian minorities in East Central Europe has been one of the most neglected subjects in the Western scholarly world. For the past fifty years the subject—at least prior to the late 1980s—was taboo in the successor states (except Yugoslavia), while in Hungary itself relatively few scholars dared to publish anything about this issue till the early 1980s. In the West, it was just not faddish, since most East European and Russian Area studies centers at American, French and English universities tended to think of the territorial status quo as “politically correct.” The Hungarian minorities, on the other hand, were a frustrating reminder that indeed the Entente after World War I, and the Allies after World War II, made major mistakes and significantly contributed to the pain and anguish of the peoples living in this region of the “shatter zone.”

scholarly journals Aristocratic libraries in Slovakia – status, research, history

2021 ◽  
Vol 15 (3) ◽  
pp. 427-441
Author(s):  
Michaela Sibylová
Keyword(s):  
World War Ii ◽  
Public Libraries ◽  
Adverse Impact ◽  
World War ◽  
The Past ◽  
Research History ◽  
The Enlightenment ◽  
The Status ◽  
History Of ◽  
The Times

The author has divided her article into two parts. The first part describes the status and research of aristocratic libraries in Slovakia. For a certain period of time, these libraries occupied an underappreciated place in the history of book culture in Slovakia. The socialist ideology of the ruling regime allowed their collections (with a few exceptions) to be merged with those of public libraries and archives. The author describes the events that affected these libraries during and particularly after the end of World War II and which had an adverse impact on the current disarrayed state and level of research. Over the past decades, there has been increased interest in the history of aristocratic libraries, as evidenced by multiple scientific conferences, exhibitions and publications. The second part of the article is devoted to a brief history of the best-known aristocratic libraries that were founded and operated in the territory of today’s Slovakia. From the times of humanism, there are the book collections of the Thurzó family and the Zay family, leading Austro-Hungarian noble families and the library of the bishop of Nitra, Zakariás Mossóczy. An example of a Baroque library is the Pálffy Library at Červený Kameň Castle. The Enlightenment period is represented by the Andrássy family libraries in the Betliar manor and the Apponyi family in Oponice. 

Ruger’s ‘Old Model’ Single-action Revolvers: A Cautionary Tale of Reproducing Historical Firearms in a Litigious Age

2021 ◽  
Vol VII (1) ◽  
pp. 61-76
Author(s):  
Ashley Hlebinsky
Keyword(s):  
World War Ii ◽  
Product Liability ◽  
Cautionary Tale ◽  
World War ◽  
Single Action ◽  
Handling Characteristics ◽  
History Of ◽  
Safety Precaution ◽  
The Subject ◽  
Initial Line

In 1953, Ruger released a single-action revolver—patterned after the original Colt Single Action Army. Whilst some changes had been made, this firearm possessed, for all intents and purposes, the handling characteristics of the original Colt design. As a result, the safety precaution was as per the original: the revolver should be loaded with five rounds, rather than six, and the hammer positioned such that it rested over an empty chamber. Despite outlining the recommended carry methods in their instruction manual, Ruger became the subject of product liability lawsuits from purchasers who incorrectly loaded and carried the firearm, resulting in negligent discharges. This article explores the history of Colt-type single-action revolvers in the post-World War II period, analyses the availability of historic mechanical safety mechanisms for double-action revolvers in the 19th and 20th centuries, and summarises the patents on single-action safeties that Ruger had received by 1973. That year, the company discontinued their initial line of Single Action Army-style revolvers—known as ‘Old Models’—for a visibly similar, but mechanically different, ‘New Model’ line of single-action revolvers featuring newly developed safety mechanisms.

Drysdale, Russell (1912–1981)

2018 ◽  
Author(s):  
Anne Gray
Keyword(s):  
World War Ii ◽  
Indigenous People ◽  
Subject Matter ◽  
New South ◽  
New South Wales ◽  
World War ◽  
Railway Stations ◽  
South Wales ◽  
The Subject ◽  
The 1960S

Russell Drysdale was an Australian artist who created an original vision of the Australian landscape from the 1940s to the 1960s, portraying the emptiness and loneliness of the Australian outback and country townships in his paintings, drawings, and photographs. During World War II, he depicted everyday subjects, including groups of servicemen waiting at railway stations. He traveled numerous times to the interior of Australia, including a trip to record the drought devastation in South Western New South Wales in 1944, where he created images that convey the environmental degradation of the landscape. In 1947, he explored the Bathurst region with Donald Friend where he discovered Sofala and Hill End, an area that served as the subject matter for his art for a number of years. Drysdale painted many images of deserted country towns as well as brooding landscapes peopled with stockmen and station hands. In his paintings of Aborigines, Drysdale expressed a deep concern for the Indigenous people, often placing them within his paintings in a manner that conveys a sense of dispossession. His work was singled out by Kenneth Clark in 1949 as being among the most original in Australian art, and his exhibition at the Leicester Galleries, London, in 1950 convinced British critics that Australian artists had an original vision.

You're a Better Filipino than I Am, John Wayne: World War II, Hollywood, and U.S.-Philippines Relations

2002 ◽  
Vol 71 (3) ◽  
pp. 389-414 ◽  
Author(s):  
Charles V. Hawley
Keyword(s):  
World War Ii ◽  
The Philippines ◽  
Turn Of The Century ◽  
Power Relationship ◽  
Colonial Rule ◽  
Colonial Power ◽  
World War ◽  
Government Officials ◽  
History Of ◽  
The Subject

Between 1939 and 1945 several Hollywood studios produced significant films set in the war-torn Philippines, including Bataan (MGM, 1943), So Proudly We Hail (Paramount, 1943),and Back to Bataan (RKO,1943). Although these films immediately preceded Philippines independence in 1946, they do not position the Philippines as a soon-to-be autonomous nation. Instead, these films reaffirm, and even celebrate, the unequal colonial power relationship that marked the history of U.S. occupation of the archipelago. A careful reading of these films, which is the subject of this article, reveals the stamina of this colonial ideology (colonial uplift, tutelage, and nation-building) that legitimized U.S. colonial rule in the Phillapines and dates back to the turn of the century. What the perpetuation of this ideology suggests is the postwar neocolonial relationship between the two nations that U.S. government officials anticipated. This revised neocolonial ideology is expressed through the racialized and gendered images of Filipino characters and their interaction with U.S. American characters. The U.S. government attempted to control such images as part of its wartime propaganda, but had to rely on the voluntary compliance of the major Hollywood studios. While the Filipinos in films like Back to Bataan, made at the war's end, appear to challenge the racist stereotypes of prior films, they are re-inscribed by a neocolonial form of U.S. supremacy—— framed as wartime U.S. guidance and Filipino dependency.

Family and Childhood

2010 ◽  
Author(s):  
Margaret L. King
Keyword(s):  
World War Ii ◽  
World War ◽  
Cambridge University ◽  
Theoretical Perspectives ◽  
Childhood And Youth ◽  
The Social ◽  
The Family ◽  
History Of ◽  
The 1960S ◽  
Annales School

Scholars largely neglected the history of the family until after World War II, when they began to employ theoretical perspectives imported from the social sciences. In the 1960s, two principal figures triggered its study: Philippe Ariès, associated with the French Annales school, and Peter Laslett, cofounder at Cambridge University, England, of the Cambridge Group for the History of Population and Social Structure. Since that period, studies have proliferated on the history of family and household in Europe and its subregions and on the related topics of childhood and youth.

BCLM: Forging Ahead: building a new urban history of the Black Country

Urban History ◽  
2020 ◽  
pp. 1-17
Author(s):  
Simon Briercliffe
Keyword(s):  
World War Ii ◽  
Public History ◽  
Large Scale ◽  
Historical Research ◽  
World War ◽  
Public Project ◽  
The Past ◽  
History Of ◽  
Historical Moment ◽  
Country Town

Abstract The recreation of urban historical space in museums is inevitably a complex, large-scale endeavour bridging the worlds of academic and public history. BCLM: Forging Ahead at the Black Country Living Museum is a £23m project recreating a typical Black Country town post-World War II. This article uses case-studies of three buildings – a Civic Restaurant, a record shop and a pub – to argue that urban-historical research methodology and community engagement can both create a vivid sense of the past, and challenge pervasive prejudices. It also argues that such a collaborative and public project reveals much about the urban and regional nature of industrial areas like the Black Country in this pivotal historical moment.

Sign in / Sign up

Export Citation Format

Share Document