scholarly journals Metaphorless of Speechless: Stylistic and Actantial Study of Lyric Speechless by Naomi Scott

Tamaddun ◽  
2019 ◽  
Vol 18 (1) ◽  
pp. 1-9
Author(s):  
Saifur Rohman Rohman

Studying of poems have fallen into searching of social values and diction, while the social reality is still being behind the text. Hence, this paper it to unlocks the plung of reality in Speechless (2019) that is being a song of Aladdin cinematography. To explore empirical data is to use stylistic design of research and to understand social fact is to use actantial schem of Greimas. Then social reality of the text is being reflected to the reality developed by women writer in the poems of Sajak 33 (1974). The result that the lyrics has shown negative soul, temperament, and less of metaphor. As a trending of teenages lifestyle, the negative soul will have influenced them over the world. Keywords: Social soul, literature, Speechless, Analisis puisi selama ini jatuh pada pencarian nilai-nilai dan analisis diksi, sementara itu realitas social yang bersembunyi di balik teks kurang mendapatkan perhatian. Karena itulah, makalah ini bermaksud menganalisis yair lagu Speechless (2019) dalam film Aladdin. Analisis dilakukan melalui desain stilistika untuk memperoleh arti secara gramatikal dan skema aktansial untuk memahami peta kemanusiaan. Realitas social yang muncul dari teks lagu tersebut kemudian direfleksikan ke dalam realitas yang dibangun di dalam teks puisi yang ditulis oleh sastrawan perempuan, Toeti Heraty dalam kumpulan piisi Sajak 33 (1974). Hasil kajian menunjukkan, syair lagu tersebut menggambarkan jiwa yang negatif, temperamen, dan miskin metafora. Rekomendasinya, ketika syair lagu tersebut menjadi minat remaja kontemporer di seluruh dunia, hal itu akan membawa pengaruh besar terhadap pembentukan jiwa sosial remaja yang temperamen, negative, dan miskin metafora. Kata kunci: Jiwa Sosial, sastra, Speechless,

Author(s):  
Ralph Henham

This chapter sets out the case for adopting a normative approach to conceptualizing the social reality of sentencing. It argues that policy-makers need to comprehend how sentencing is implicated in realizing state values and take greater account of the social forces that diminish the moral credibility of state sponsored punishment. The chapter reflects on the problems of relating social values to legal processes such as sentencing and argues that crude notions of ‘top down’ or ‘bottom up’ approaches to policy-making should be replaced by a process of contextualized policy-making. Finally, the chapter stresses the need for sentencing policy to reflect those moral attachments that bind citizens together in a relational or communitarian sense. It concludes by exploring these assertions in the light of the sentencing approach taken by the courts following the English riots of 2011.


In trying to show you the character of social anthropology as an academic discipline, I might try to sketch some substantive and perhaps intriguing findings in the field, or the history of its development, or some of its major intellectual problems today. I have chosen the last of these alternatives, because by showing the general problems we are grappling with I hope to reveal to you, in part no doubt inadvertently, the ways that anthropologists think, and also how our difficulties in part arise from the character of the social reality itself, which we confront and try to understand. The fundamental questions which social anthropology asks are about the forms, the nature, and the extent of order in human social life, as it can be observed in the different parts of the world. There is no need to prejudge the extent of this order; as members of one society we know how unpredictable social life can be. But concretely, human life varies greatly around the world, and it seems possible to characterize its forms to some extent. We seek means systematically to discover, record and understand these forms.


2020 ◽  
Vol 12 (4-2) ◽  
pp. 351-371
Author(s):  
Vladimir Ignatyev ◽  

The article considers the phenomenon of augmented reality as a special hybrid reality and a part of social space. The author compares the differences in approaches to the interpretation of reality in philosophy, social theory and natural science. The provisions of phenomenological sociology are used as a methodological basis for the study. The author substantiates the necessity of conjugation of ontological and epistemological perspectives of interpretation of the “multilayer” social reality. The lack of concentration of attention in most studies on distinguishing these angles leaves the category of social reality on the periphery of the construction of social ontologies. And this is not a paradox, but a desire to avoid difficulties in choosing a research position when solving a problem of a certain class each time that arises: either to build ontological models of each layer of the social, or to re-enter into polemics about the permissible limits of avoiding solipsism. The article shows one of the possible ways out of the vicious circle of polemics about the demarcation of ontology and epistemology by presenting the concepts of ‘social reality’ and ‘social actuality’ as a means of separating research angles. Their application makes it possible to establish that the environment formed by augmented reality is much more complex than it seems to the individual in his direct perception. It includes four spaces: 1) the objective world; 2) the mental world; 3) a hybrid world as a symbiosis of real and imaginary worlds; 4) symbiosis of fragments of the real world - torn apart in space and time and combined with the help of technologies in devices, which make it possible for an individual to be present while observing their combined existence and to operate with them. The author comes to the conclusion that this feature of the organization of space with the help of augmented reality implies the specificity of the changed social space in which individuals have to interact. There is a transformation of the basic ‘cell’ of society - the system of social interaction. It has been established that augmented reality technologies provide additional, qualitatively new opportunities for influencing individual pictures of the world. Augmented reality also complicates virtual reality, introducing, in addition to fictional characteristics, the content of practical actions. Augmented reality not only ‘comprehends’ the world, but is in direct practical contact with it, turning into a special side of constant reality. It was found that the interaction of augmented reality with social reality is reversible. Thanks to this process, social reality from ‘augmented’ reality is transformed into a ‘complex’ one, the qualitative determination of which can be designated as ‘hybrid social reality’. Its mode of existence is more complex than that of the human community, and is inaccessible to them as long as they retain the biological substrate of their corporeity. But no less significant consequence for social and anthropogenic transformation is the emergence in society of its new structural unit - a techno-subject, as an actor of a new species and a new agent that forms a hybrid society. It has been established that the user of augmented reality transforms the provided visual effects in his imagination into really (beyond imagination) existing things and phenomena (ontologization). A reverse movement also takes place - from illusions fixed in the imagination as objects (created by augmented reality), back to pure illusions (reverse hypostatization). The distinction between the observed and the hidden through the introduction of the concepts of social reality and social actuality makes it possible to discover a more complex structure of the social - its multi-layered nature, supplementing the ontology of social reality and, in particular, P. Donati’s relational theory of society, with ideas about such layers as actual and potential, virtual and valid. The article considers the possibility of extending the idea of the heterarchical principle of the structure of society (developed in the works of I.V. Krasavin on the basis of the model of W. McCulloch) to the further development of the augmented reality ontology. The formation of space connections using AR technology is a continuation of the embodiment of the heterarchy principle, which brings the social structure beyond the structures of a constant society.


Author(s):  
Harvey Cox

This chapter looks at the contemporary extension of exorcism in the ministry of the church in the secular city. Men must be called away from their fascination with other worlds—astrological, metaphysical, or religious—through which they wrongly perceive the social reality around them, and from habitual forms of action or inaction stemming from these illusions. This is the work of social exorcism. The ministry of exorcism in the secular city requires a community of persons who, individually and collectively, are not burdened by the constriction of an archaic heritage. It requires a community which, if not fully liberated, is in the process of liberation from compulsive patterns of behavior based on mistaken images of the world. In performing its function, the church should be ready to expose the fallaciousness of the social myths by which the injustice of a society is perpetuated and to suggest ways of action which demonstrate the wrongness of such fantasies.


Author(s):  
David MacDougall

Research in the sciences, including the social sciences, is usually supposed to be conducted in a systematic way, working from research questions to the gathering of empirical data, to conclusions. But in an analogy drawn from the art of fencing, the author argues for an alternative approach in visual anthropology. Films look at the world differently from the ways we conventionally see, and these differences have optical, social, and structural origins. To overcome these differences, filmmakers may have to voluntarily ‘dislocate’ themselves in order to put themselves in a position to view their subject from a different perspective, and so uncover new knowledge. The argument is supported by a discussion of the realities of ethnographic fieldwork, the processes of filmmaking, and the role of play and improvisation in the arts and other human endeavours.


Author(s):  
Mete Yildiz ◽  
Nihan Ocak ◽  
Caglar Yildirim ◽  
Kursat Cagiltay ◽  
Cenay Babaoglu

Social media use is on the rise throughout the world. Influenced by this trend, governments of all levels and sizes are establishing their social media (like Facebook) presence due to the communication and interaction capabilities that such a presence brings. This study examines and explains the social media presence of Turkish local governments from a usability perspective. Usability studies provide governments with important empirical data about the citizens'/users' view/perception of the efficiency, effectiveness and satisfaction of web-based content. Consequently, there is a need for usability testing of government social media services.The analysis of local government social media sites through scientific usability methods, such as expert review, guidelines and eye-tracking, reveals the strengths and weaknesses of government social media services in terms of usability. The study concludes with specific recommendations for improvement of government social media presence, which are applicable, to a great extent, to governments of all levels and sizes in Turkey and elsewhere.


2010 ◽  
Vol 22 (1) ◽  
pp. 1-22 ◽  
Author(s):  
Dalit Assouline

This paper demonstrates the rise of a new distinction in the first-person plural pronouns in Jerusalemite Yiddish, a contemporary dialect of Yiddish spoken in Israel by ultra-orthodox (Haredi) Jews. The distinction is semantically-pragmatically motivated, where a particular pronoun is used to refer to a specific subgroup of “us” compared with “them.” This innovation evolved as a result of both dialect contact and of the special sociolinguistic characteristics of the Haredi community in Israel. A rare phenomenon in the languages of the world, it reflects the unique self-imposed seclusion that is the social reality of speakers of Haredi Yiddish.*


2014 ◽  
Vol 13 (3) ◽  
pp. 222-231
Author(s):  
Philip Joseph Wells

Purpose – The purpose of this paper is to provide a holistic and cohesive overview of the development of GATT, Article XX; critically focussing, in particular, on whether the interpretation of the provision permits developed member states to embark on unilateral and protectionist actions. Design/methodology/approach – The methodology for this paper was to assess and review the developing jurisprudence of the World Trade Organization (WTO) that relates to the use of Article XX. The paper adopts a chronological critique to analyse the development of the law; included in this is academic theory that underpins and proffers an explanation for the development. Findings – This paper suggests that while Article XX exists as a potential target to permit unilateral action by developed nations, it does not create a guise for unilateralism and protectionism due to the interpretation afforded to the “Chapeau”. Practical implications – The paper demonstrates an expansive collection of WTO jurisprudence and case authorities to illustrate the overarching interpretation of Article XX; in doing so, it allows those associated with the WTO to gain a practical overview of the holistic workings of Article XX. Social implications – Through demonstration of Article XX, and its interpretation, this paper outlines the social values and norms most likely to enjoy a privileged status to override WTO obligations. This paper also espouses what social values may develop in the future to be classified within Article XX. Originality/value – This paper provides an original insight by considering holistically, rather than narrowly, the interpretation of Article XX.


2021 ◽  
Vol 3 (2) ◽  
pp. 79-88
Author(s):  
Komal Prasad Phuyal

Prema Shah’s “A Husband” and Rokeya S. Hossain’s “Sultana’s Dream” present two complementary versions of women’s world: the real in Shah and the imagined in Hossain aspire to make the other complete. The worldview that each author projects in their texts reasserts the latent spirit of the other one. The embedded interconnectedness between the authors under discussion reveals their unique association and bond of women’s creative unity towards paving a road for the upliftment of women in general. The paper seeks to find out the historical forces leading to the formation of a certain type of bond between these two authors from different historical and socio-cultural realities. Shah locates a typical Nepali woman in the protagonist in the patriarchal order while Hossain pictures the contemporary Bengali Islamic society and reverses the role of men and women. Hossain’s ideal world and Shah’s real world form two complementary versions of each other: despite opposite in nature, each world completes the other. Sultana moves to the world of dream to seek a new order because Nirmala’s world exercises every form of tortures upon the women’s self. Shah exposes the social reality dictating upon the women’s self while Hossain’s protagonist escapes into the world of dream where women control the social reality effectively and successfully. Overall, Shah and Hossain complement each other’s world by presenting two alternative versions of the same reality, creating the feminist utopia.


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