scholarly journals RELASI TIMUR DAN BARAT DALAM KARYA TIGA SENIMAN YOGYAKARTA Kajian Poskolonial pada karya Nano Warsono, Utin Rini, dan Eddy Susanto

2021 ◽  
Vol 12 (2) ◽  
pp. 173-187
Author(s):  
M. Rain Rosidi
Keyword(s):  
Power Relations ◽  
Postcolonial Theory ◽  
Power Relation ◽  
Psychological Recovery ◽  
Works Of Art ◽  
The Relationship

ABSTRACTThe traces of colonialism were not only exploitation, but also 'civilization'. The relationship between the master (colonizer) and the slave (the colonized), although not equal, did not mean without negotiation. For colonized nations, colonialism was both hated and longed for and admired, which in the Postcolonial concept is called 'ambivalence'. The postcolonial theory aims to carry out historical and psychological recovery, by decomposing the residues of colonization, dismantling past power relations, and initiating collaboration between the colonizers and the colonized. The postcolonial perspective is used to observe three pieces of art produced by Yogyakarta artists. Through these three works of art, discussion of the residues of colonialism, ambiguity, the power of knowledge, and collaboration can be discussed. Keyword: postcolonial, civilisation, ambivalence, residues, power-relation, collaboration ABSTRAKJejak kolonialisme bukan hanya eksploitasi, tapi juga ‘sivilisasi’ (pemeradaban).  Hubungan antara tuan (penjajah) dan budak (si terjajah) walau tidak setara tetapi bukan berarti tanpa negosiasi. Bagi bangsa terjajah kolonial itu dibenci sekaligus dirindukan dan dikagumi, yang dalam konsep Poskolonial disebut sebagai 'ambivalensi'. Teori Poskolonial bertujuan untuk melakukan pemulihan historis dan psikologis, dengan mengurai (decomposing) residu-residu kolonisasi, membongkar hubungan-hubungan kuasa di masa lalu, dan merintis terjadinya kolaborasi antara penjajah – terjajah. perspektif poskolonial digunakan untuk mengamati tiga buah karya seni yang diproduksi oleh seniman Yogyakarta. Melalui ketiga karya seni itu pembahasan mengenai residu kolonialisme, ambivelansi, kuasa pengetahuan, dan kolaborasi dapat dibicarakan. Kata kunci: poskolonial, sivilisasi, ambivalensi, residu, kuasa pengetahuan, kolaborasi.  

Accent Policy and Accent Modification Enterprises as Potential Indicators of Intercultural Power Relations: A Call for an Updated Research Agenda

2013 ◽  
Vol 3 (1) ◽  
pp. 22-33 ◽  
Author(s):  
Brynne D. Ovalle ◽  
Rahul Chakraborty
Keyword(s):  
International Relations ◽  
Identity Construction ◽  
Social Theory ◽  
Power Relations ◽  
Linguistic Diversity ◽  
Cultural Organization ◽  
Using Data ◽  
The Individual ◽  
The Impact ◽  
The Relationship

This article has two purposes: (a) to examine the relationship between intercultural power relations and the widespread practice of accent discrimination and (b) to underscore the ramifications of accent discrimination both for the individual and for global society as a whole. First, authors review social theory regarding language and group identity construction, and then go on to integrate more current studies linking accent bias to sociocultural variables. Authors discuss three examples of intercultural accent discrimination in order to illustrate how this link manifests itself in the broader context of international relations (i.e., how accent discrimination is generated in situations of unequal power) and, using a review of current research, assess the consequences of accent discrimination for the individual. Finally, the article highlights the impact that linguistic discrimination is having on linguistic diversity globally, partially using data from the United Nations Educational, Scientific and Cultural Organization (UNESCO) and partially by offering a potential context for interpreting the emergence of practices that seek to reduce or modify speaker accents.

Retroaktive Neuverhandlung

2018 ◽  
Vol 63 (1) ◽  
Author(s):  
Daniel Martin Feige
Keyword(s):  
Original Work ◽  
The Other ◽  
Final Part ◽  
Critical Reading ◽  
The Third ◽  
Works Of Art ◽  
The Relationship

Der Beitrag widmet sich der Frage historischer Folgeverhältnisse in der Kunst. Gegenüber dem Gedanken, dass es ein ursprüngliches Werk in der Reihe von Werken gibt, das späteren Werken seinen Sinn gibt, schlägt der Text vor, das Verhältnis umgekehrt zu denken: Im Lichte späterer Werke wird der Sinn früherer Werke neu ausgehandelt. Dazu geht der Text in drei Schritten vor. Im ersten Teil formuliert er unter der Überschrift ›Form‹ in kritischer Abgrenzung zu Danto und Eco mit Adorno den Gedanken, dass Kunstwerke eigensinnig konstituierte Gegenstände sind. Die im Gedanken der Neuverhandlung früherer Werke im Lichte späterer Werke vorausgesetzte Unbestimmtheit des Sinns von Kunstwerken wird im zweiten Teil unter dem Schlagwort ›Zeitlichkeit‹ anhand des Paradigmas der Improvisation erörtert. Der dritte und letzte Teil wendet diese improvisatorische Logik unter dem Label ›Neuaushandlung‹ dann dezidiert auf das Verhältnis von Vorbild und Nachbild an. The article proposes a new understanding of historical succession in the realm of art. In contrast to the idea that there is an original work in the series of works that gives meaning to the works that come later, the text proposes to think it exactly the other way round: in the light of later works, the meanings of earlier works are renegotiated. The text proceeds in three steps to develop this idea. Under the heading ›Form‹ it develops in the first part a critical reading of Danto’s and Eco’s notion of the constitution of the artworks and argues with Adorno that each powerful work develops its own language. In the second part, the vagueness of the meaning of works of art presupposed in the idea of renegotiating earlier works in the light of later works is discussed under the term ›Temporality‹ in terms of the logic of improvisation. The third and final part uses this improvisational logic under the label ›Renegotiation‹ to understand the relationship between model and afterimage in the realm of art.

PLAYING WITH FIRE COLLECTIVELY: CONTEMPORARY CULTURAL RITES AS DEVISERS AND OUTCOMES OF COMMUNITY NETWORKS

2020 ◽  
Author(s):  
Alba Colombo ◽  
Jaime Altuna ◽  
Esther Oliver-Grasiot
Keyword(s):  
Social Networks ◽  
Social Context ◽  
Power Relations ◽  
Symbolic Capital ◽  
Community Networks ◽  
Mutual Dependence ◽  
Community Solidarity ◽  
Symbolic Content ◽  
The Relationship

Popular festivities and traditional events are important moments in which symbolic content, deep emotions and community solidarity are developed. However, there has been little research on the relationship between such events and their social networks and the power relations within these networks. This paper explores the ability of community events and networks to reflect and strengthen social context. Rather than observing the capacity of the event to generate a network, we focus on identifying how the event network is constructed, and how it creates relationships between the different groups, or nodes, within broader social networks. The case analysed is the Correfoc de la Mercè, a traditional firework event in Barcelona involving the Colles de diables, or Catalan popular fire culture groups. Our findings show that there is a bidirectional link or a mutual dependence between the groups (or nodes) and the event, which also support the development of shared social and symbolic capital.

The power of disclosure

2011 ◽  
Vol 37 (9) ◽  
pp. 1025-1031
Author(s):  
Amy Allen
Keyword(s):  
Power Relations ◽  
The Relationship

This article discusses the relationship between power and reflective disclosure in Nikolas Kompridis' book Critique and Disclosure. Although the concept of power is not explicitly theorized in great detail in this book, I argue that power is highly relevant for Kompridis' account of reflective disclosure. I offer a few ways in which a thematization of power relations might complicate and enrich Kompridis' understanding of disclosure.

scholarly journals Resituating the political in cultural intermediary work: Charity sector public relations and communication

2021 ◽  
pp. 136754942199423
Author(s):  
Anne M Cronin ◽  
Lee Edwards
Keyword(s):  
Public Relations ◽  
Power Relations ◽  
Party Politics ◽  
The Political ◽  
Depth Analysis ◽  
Cultural Intermediary ◽  
Cultural Intermediaries ◽  
The Uk ◽  
The Relationship

Drawing on a case study of public relations in the UK charity sector, this article argues that cultural intermediary research urgently requires a more sustained focus on politics and the political understood as power relations, party politics and political projects such as marketization and neoliberalism. While wide-ranging research has analysed how cultural intermediaries mediate the relationship between culture and economy, this has been at the expense of an in-depth analysis of the political. Using our case study as a prompt, we highlight the diversity of ways that the political impacts cultural intermediary work and that cultural intermediary work may impact the political. We reveal the tensions that underpin practice as a result of the interactions between culture, the economy and politics, and show that the tighter the engagement of cultural intermediation with the political sphere, the more tensions must be negotiated and the more compromised practitioners may feel.

scholarly journals Hybrid Hydraulics: Colonialism and the Archaeology of Water Management in the Maghreb

2021 ◽  
Vol 10 (1) ◽  
pp. 39-56
Author(s):  
Lena Johansson de Château
Keyword(s):  
Water Management ◽  
Indigenous People ◽  
Postcolonial Theory ◽  
Strong Relationship ◽  
Roman Period ◽  
Archaeological Practice ◽  
Classical Archaeology ◽  
Alternative Approach ◽  
Rural Water ◽  
The Relationship

In this paper, colonialism is used as a key concept for a discussion on the relationship between classical archaeology and archaeological practice in the Maghreb region. Archaeological studies of rural water management in Algeria, Tunisia and Libya are reviewed, focussing on the representation of the Romans and the indigenous people. Drawing on postcolonial theory, an alternative approach to water management in the Maghreb during the Roman period is suggested. A strong relationship between modern colonialism and the representation of ancient colonialism in archaeological writings is evident from my analysis. It is suggested that postcolonial approaches may contribute to a revaluation of the Maghreb as an archaeological region.

scholarly journals Practice in fi eld of artistic culture

2017 ◽  
pp. 49-56
Author(s):  
N. N. Suvorov ◽  
Keyword(s):  
Art Market ◽  
Art Collecting ◽  
Works Of Art ◽  
Different Types ◽  
Relationship Of ◽  
The Relationship

Culture is considered as a set of practices whose purpose is the establishment of entity, product and percipient activities. In the artistic practices used versatile technology. They include Museum, gallery, curator, art collecting. Characteristics of different types of practices are private, but there are recurring characteristics. Discusses the relationship of artistic practices and the art market, which is one of the forms of circulation of works of art.

scholarly journals Ambivalent Modernities: Foucault’s Iranian Writings Reconsidered

2013 ◽  
pp. 27-51 ◽  
Author(s):  
Corey McCall
Keyword(s):  
Power Relations ◽  
Iranian Revolution ◽  
Lecture Courses ◽  
Political Spirituality ◽  
The Relationship

This essay reconsiders Foucault’s writings on the Iranian Revolution in the context of his thought during 1977-1979. The essay defends three related claims: (1) Foucault does not turn away from power toward ethics as many scholars have claimed, (2) Careful interpretation of the texts on the Iranian Revolution will help us to better understand Foucault’s essays and lecture courses from this period (in particular, the relationship between political spirituality and counter-conduct), and (3) During this period Foucault is working on conceptualizing modernity as a multivalent set of practices—some that reinforce power relations and some that resist them.

scholarly journals A Relação de Poder e as Ações de Responsabilidade do Controlador nas Sociedades Anônimas ## The Relationship of Power and Responsibility Actions of the Controller in Corporations

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Thales Janguiê Silva Diniz
Keyword(s):  
Empirical Analysis ◽  
Power Relations ◽  
Real Case ◽  
Controlling Shareholder ◽  
Control Power ◽  
Relationship Of ◽  
The Relationship

O presente estudo tem como objetivo analisar as relações de poder e a responsabilidade do acionista controlador, conjuntamente com suas ações correlatas, nas sociedades anônimas. Serão analisados quais os modelos de controle na sociedade anônima, os deveres e responsabilidades do controlador e os tipos de ação para sua responsabilização em caso de abuso do poder desse controle. Um caso real foi apresentado para demonstrar como é possível discutir a responsabilidade do controlador por possível abuso na companhia. Foram utilizados os métodos dedutivo, com análise legislativa e doutrinária e o empírico. ABSTRACTThis study aims to analyze the power relations and the responsibility of the controlling shareholder, together with their related actions, in public limited companies. It will be analyzed what are the types of control in the corporation, the duties, and responsibilities of the controller and what are the types of actions for its accountability in case of abuse of the control power. A real case was presented to demonstrate how it is possible to discuss the controller's responsibility for possible abuse in the company. Deductive methods were used, with legislative and doctrinal and empirical analysis.

Pleasure, Tragedy and Aristotelian Psychology

1985 ◽  
Vol 35 (2) ◽  
pp. 349-361 ◽  
Author(s):  
Elizabeth Belfiore
Keyword(s):  
Cognitive Responses ◽  
Works Of Art ◽  
The Relationship ◽  
Complete Account

Aristotle'sRhetoricdefines fear as a kind of pain (lypē) or disturbance (tarachē) and pity as a kind of pain (2.5.1382 a 21 and 2.8.1385 b 13). In hisPoetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ (τ⋯ν ⋯π⋯ ⋯λέου κα⋯ ɸόβου δι⋯ μιμήσεως δεῖ ⋯δον⋯ν παρασκευάζειν14.1453 b 12–13). The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in connection withcatharsis.Catharsis, however, raises more problems than it solves. Aristotle says nothing at all about the tragiccatharsisin thePoeticsexcept to state that tragedy accomplishes it. Though he gives a more complete account ofcatharsisin thePolitics, the context of this passage is so different from that of thePoeticsthat its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of thePoeticsaccording to which (1) a tragedy is pleasurable in one respect and painful in another, and (2) pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of theoikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view ofcatharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works.

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