On the Environmental Design Illumination Teacher’s Attitude

2018 ◽  
pp. 48-56
Author(s):  
Elena A. Zaeva-Burdonskaya ◽  
Yuri V. Nazarov

As a special professional discipline the design of lighting is a part of learning program of the department of Environmental Design in Moscow State Stroganov Academy of Design and Applied Arts. The training of designers working with light and lighting equipment requires the special methodize, and the elaboration of such methodize becomes more and more urgent in modern school. We see solution in the combination of traditional art studies and environmental design with modern digital design technologies. All the factors of the lighting content of our environment such as lighting technique and technologies are considered during the learning process. Those branches of professional training are closely connected with the whole design culture and that gives us an opportunity to use a multidisciplinary approach. The study in the lighting design takes one term. That’s enough for the concept of the fragment of urban environment including the elements of the lighting content. The basics of art and the skills of creative thinking also help to achieve a high level of final design and to develop aesthetic skills of students. The new horizons of the lighting design are opened with the new profile of education on our department: a Multimedia Design providing an extensive digital ground for design process. All these means can help us to create a unique ground for the design education, for the contacts between students and possible customers, and also to attract some new, talented tutors.

2017 ◽  
Vol 2 (3) ◽  
pp. 133-140
Author(s):  
Danuta Umiastowska

Physical activity has direct effects on good physical and mental health, develops the skills of resourcefulness and independence in children as well as builds confidence and self-esteem. In modern school tremendous mental efforts as well as a high level of self-control are expected from a child in order to gain certain learning skills. This is expected with the minimum physical activity. This situation leads to frustration, fear, and learning anxiety. It also inhibits the enjoyment of learning, human development, spontaneity and creative thinking. The aim of the study is to show how one can shape long-lasting attitudes to undertake physical activity through out the course of one’s life.


2021 ◽  
Vol 1 (194) ◽  
pp. 208-213
Author(s):  
Nadia Kaida ◽  
◽  
Nataliia Pasyk-Kosarieva ◽  
Antonina Rozum ◽  
◽  
...  

The article focuses on the problem of forming of the university teacher’s methodological culture. Modernization and reorganization of the national higher education system requires teachers who have deep professional and methodological knowledge, have a high level of formation of methodological culture, have an active professional position and a creative style of activity. The analysis of approaches of scientists concerning essence of methodological culture is implemented. The author's position on the interrelation and interdependence of the formed high level of teacher’s methodological culture and the teacher’s readiness to carry out it’s methodological activity at a high level is substantiated. The formation of the methodological culture of freelance teachers involves the content of professional training of future teachers on the formation of values necessary for interactive teaching and the appropriate orientation of the individual, self-improvement, self-determination, and at the same time focuses on innovative experience for successful implementation as, in particular, methodological activities. and in general the professional pedagogical activity of the teacher. In the methodical activity of the teacher of ZVO it can be reflected in real practice of professional preparation of students: new methods of teaching, new ways of diagnostics of quality of training of students, development and use in initial process of author's methodical products, etc. Also, formed at a high level methodological culture of the teacher will be reflected in pedagogical communication in the system «teacher - student (students)», for example, in finding new communication tasks, new means of activating interpersonal communication of students during classes, new forms of student communication. process of group work, pedagogical interaction of the teacher with students on the basis of co-creation and commonwealth. In the personal sphere it is shown in definition by the teacher of individual ways of the professional development, construction of the program of self-improvement. As a result, the teacher, basing his practical activity on the basis of creative thinking, creative approach to teaching, self-improvement, begins to play an active role in regulating their professional activities.


Author(s):  
Людмила Базиль ◽  
Валерій Орлов ◽  
Оксана Фурса

The paper deals with one of the areas in the development of pedagogical skills of art teachers and the role of reflexive pedagogy in shaping creative personality in the system of training of future designers. One of the critical issues in design education is to bridge the gap between the information provided and its practical demand. During their years of study, students acquire too much and too little knowledge at the same time. Much knowledge refers to its volume, whereas little knowledge implies their adequacy to particular circumstances under which they have to work. Reflexive pedagogy can help to solve this issue. The paper considers the most common definitions of the term “reflection”. It indicates that pedagogical reflection of a design teacher is a system of linguistic and thinking processes, ensuring the realization of goals of future designers’ professional training and education in the system of artistic and pedagogical interaction. It demonstrates that cultural reflection is aimed at rethinking cultural acts and one’s cultural experience. It justifies the obtained results to reveal fundamentally essential conditions for developing professional reflection. It proves that many psycho-pedagogical studies cover the issue of professional reflection of art teachers, and there is no concept of its development for future designers. Therefore, it is essential to find out how to develop reflexion of students and university teachers. The paper concludes that one’s ability to generate new and non-standard ideas should be considered as one of the conditions for developing creative thinking of university teachers, boosting their self-confidence and promoting individual independence of vision.


HUMANITARIUM ◽  
2019 ◽  
Vol 44 (2) ◽  
pp. 106-114
Author(s):  
Tetiana Nosachenko ◽  
Elmira Haybatovа

The article deals with the problems of studying modern painting as a basic academic discipline in the modern system of artistic and pedagogical training of future teachers of the visual arts. The study of painting provides for the formation of artistic excellence in students on the basis of visual literacy, practical skills in working with color, and the ability to organize a harmonious color scheme.Teaching the basics of painting is built on the study of the techniques and means of composite construction on the plane of the pictorial form, the transfer of its proportions, volume, textural and spatial qualities. The implementation of educational tasks in painting requires the inclusion of students to productive educational, creative and artistic activities, stimulates creative thinking, motivation for self-improvement and self-development.The basis of study of warehouse painting is practical, the process of which students have the necessary professional skills and knowledge, to develop the intellectual and logical mission, become an active process of aesthetic drawing.The picking up a picture for students of pedagogical mortgages at the knowledge of students with theoretical studies about the main aspects of the genre of painting, straightforward storyboard development, materials and tools.The main component of the complex of forms and methods is to achieve the success of the professional and individual self-development of the future teachers of the creative-learning, self-designed robot of students. The target – form of self-sustainability, activate of creative activity, love of creativity, development of creativity, mastery of different technical and material materials, satisfactory training and security.An important condition for students to achieve a high level of professional mastery in painting is adherence to the basic didactic principles of teaching, the formation of subject competences in drawing, composition, color science, an individual approach to the artistic and educational activities of each student.


2021 ◽  
Vol 2021 (02) ◽  
pp. 175-185
Author(s):  
Ye. Fediun ◽  

This article examines the stylistic and imaginative features of the academic portraits created by the students of Kharkiv Art and Industry Institute (the KAII) in the 1950s and 1970s, which are now kept in the collections of the Kharkiv State Academy of Design and Arts (KSADA). It was found that the leading principle in the KAII teaching system during that period was the tradition of realistic portraiture, which was based on the principles of academic tonal drawing and volumetric-plastic representation of the form. The KAII applicants had a high level of professional training in art disciplines, and later the administration of the institution offered the best of them to join the teaching staff of the Institute (O. Martynets, N. Mynko, A. Demura, Ye. Bondarenko). The main components of the art education system of the Kharkiv Academic School of Painting in the 1970s underwent some changes due to the revision of the course of training for artists. Thus, in the 1950s the institute trained specialists only in the fields of “easel painting”, “theatrical and decorative painting”, “sculpture” and “easel graphics”, and in the 1960s new specializations in design education were opened: “interior and equipment”, “industrial design”, “industrial graphics and packaging”. Curricula for teaching drawing and painting for the new specializations were created on the basis of methodological materials of I. Repin Leningrad Institute of Painting, Sculpture and Architecture; V. Mukhina Moscow Higher Art and Industrial School, and Leningrad Higher Art and Industrial School. The paper shows that later the teaching methods for all the professional disciplines were adapted and improved by the KAII teachers under the influence of the latest requirements of that time. It is outlined that under the guidance of artists-teachers Yefrem Svitlychnyi and Mykhailo Rybalchenko, their students performed academic works that were influenced by monumental and decorative art and design, which flourished in Ukraine at that time. In most of the educational works in the 1960s and 1970s, certain stylistic changes can be traced in comparison with the paintings of the previous years. The analysis of academic works of that period shows a symbiosis of the easel and decorative forms.


Author(s):  
V. Kovpak ◽  
N. Trotsenko

<div><p><em>The article analyzes the peculiarities of the format of native advertising in the media space, its pragmatic potential (in particular, on the example of native content in the social network Facebook by the brand of the journalism department of ZNU), highlights the types and trends of native advertising. The following research methods were used to achieve the purpose of intelligence: descriptive (content content, including various examples), comparative (content presentation options) and typological (types, trends of native advertising, in particular, cross-media as an opportunity to submit content in different formats (video, audio, photos, text, infographics, etc.)), content analysis method using Internet services (using Popsters service). And the native code for analytics was the page of the journalism department of Zaporizhzhya National University on the social network Facebook. After all, the brand of the journalism department of Zaporozhye National University in 2019 celebrates its 15th anniversary. The brand vector is its value component and professional training with balanced distribution of theoretical and practical blocks (seven practices), student-centered (democratic interaction and high-level teacher-student dialogue) and integration into Ukrainian and world educational process (participation in grant programs).</em></p></div><p><em>And advertising on social networks is also a kind of native content, which does not appear in special blocks, and is organically inscribed on one page or another and unobtrusively offers, just remembering the product as if «to the word». Popsters service functionality, which evaluates an account (or linked accounts of one person) for 35 parameters, but the main three areas: reach or influence, or how many users evaluate, comment on the recording; true reach – the number of people affected; network score – an assessment of the audience’s response to the impact, or how far the network information diverges (how many share information on this page).</em></p><p><strong><em>Key words:</em></strong><em> nativeness, native advertising, branded content, special project, communication strategy.</em></p>


2021 ◽  
pp. 147402222110074
Author(s):  
Kelly Bylica ◽  
Sophie Louise Roland ◽  
Laura Benjamins

Formal music performance studies within university settings strive to prepare the next generation of performers and pedagogues for musical engagement beyond university. Yet literature suggests that these spaces of study do not always lead to a sense of readiness for potential professional worlds, due in part to a lack of opportunities for guided, in-depth, critical reflection that helps students connect theory and practice. This article articulates findings from a study that sought to consider the impact of deliberate opportunities for reflection in The Accademia Europea dell’Opera (AEDO), a university-affiliated summer opera intensive experiential learning program. Utilizing a communities of musical practice framework, researchers worked collaboratively to help participants engage in guided critical reflection as they developed high-level musical skills through rehearsals and performances. This article specifically considers the ways in which a ‘broker’ helped participants develop practices of reflection and personal agency both within and beyond this context.


2019 ◽  
Vol 84 (3) ◽  
pp. 55-60
Author(s):  
V.V. Vyun

A comprehensive examination of 213 interns of both sexes was carried out. A system of psychotherapeutic correction of maladaptive states and psycho-preventive support of interns during the period of professional training has been developed. Levels of adaptation of internship doctors for professional activity were emphasized: high (14,1 %), average (20,2 %) and low level (65,7 %). It was described the asthenical (25,8 % of men and 22,5 % of women), hypersthenic (20,6 % of men and 23,2 % of women), anxiodepressive (11,3 % and 20,6 % respectively), psychosomatic (14,5 % of men and 18,1 % of women), asthenic-apathetical (12,3 % and 11,2 % respectively) and addictive (15,5 % of men and 4,4 % of women) variants of maladaptive reactions among the internship doctors. The developed model of the formation of disorders of adaptation of internship doctors is presented by a complex of pathogenic factors. It was established that the basis for the formation of maladaptive reactions among the internship doctors is the presence of somatic pathology, craniocerebral injury and neuroinfection in the anamnesis and the tendency to addictive behavior. Prognostically important factors in the formation of adaptation disorders are conflicts of family and professional relations, disturbing suspiciousness, low communicativeness, difficult working conditions, lack of positive emotions, awareness of inadequate level of competence, low level of motivation, and imperfectiveness of mechanisms of psychological protection. Triggers for the development of maladaptive states are the high level of professional stress, depletion of adaptation, prolonged mental stress, frustration of significant basic needs, and high rates of clinical scale of anxiety and depression HDRS. An individualized three-stage system of medical and psychological support during the professional training period, which involves the application of complex psychodiagnostic, psychotherapeutic, psychoeducational and psychoprophylactic influences, has been developed and tested.


2019 ◽  
Vol 9 (1) ◽  
pp. 88-96
Author(s):  
Olena Moshenets

Abstract The article analyzes the goals, objectives and content of professional training for international communication specialists in the UK universities. It is found that professional training of international communication specialists aims to prepare a competent and competitive expert under the rapidly changing requirements of British society and the international labour market. They are expected to have the relevant basic professional knowledge, practical abilities and skills (leadership and managerial skills, high-level political and information culture, active social position, high responsibility, willingness and capacity for self-study). It is indicated that British degree programmes mainly seek to train specialists based on interdisciplinary and competency-based principles, focusing on learning outcomes. Upon the successful completion of the degree programme, the graduate must possess not only theoretical knowledge but also special and general abilities and skills, which are necessary for effective functioning in various contexts of public life. It is specified that in the context of competency-based approach, the UK higher education aims to develop future specialists’ ability to independently acquire new knowledge throughout life, identify and realize their own intellectual and creative potential, strive for self-determination, social integration and self-development, which creates relevant conditions for acquiring high-level professional competency in general and nurture professional culture in particular. It is concluded that British degree programmes in international communication consist of compulsory and optional modules. Each university is entitled to choose the number and content of compulsory and optional modules in accordance with the directions of scientific research of the department and scientific interests of students and lecturers.


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