scholarly journals Morfologi dan Citra Kota Kawasan Kauman, Kecamatan Juwana, Kabupaten Pati

2021 ◽  
Vol 17 (1) ◽  
pp. 1-16
Author(s):  
Wildansyah Firdaus Adiguna ◽  
Marisa Triyanti
Keyword(s):  
Urban Area ◽  
Qualitative Method ◽  
Descriptive Analysis ◽  
Urban Morphology ◽  
City Image ◽  
Edge Elements ◽  
Mental Map ◽  
Single Block ◽  
Physical Elements ◽  
The City

ENGLISHPhysical elements to form city image that can be perceived through the function, location, and character of a certain urban area, are the keys to obtain the image of city. Kauman is a developing urban area in Juwana Sub-district, Pati Regency. This research aims to identify the elements of urban morphology and the forming elements of the city image in Kauman through the mental map method, based on the perceptions, experiences, memories, and feelings of its community. This study uses a qualitative method with a descriptive analysis approach. This study used Trancik’s theory to investigate urban morphology and used Lynch's theory to identify the forming elements of the city image. The urban morphology of Kauman was arranged as follows: solid elements were found in figure-ground, 1 point single block, and 2 groups at Jalan W.R. Supratman as multiple blocks. Meanwhile, void elements found 2 points. Linkage elements found a point. There are 3 styles of architecture still founded in Kauman, including Colonial, Javanese traditional, and Chinese style. Based on the analysis of the physical elements forming the Kauman Juwana image, it is arranged through 13 objects, there are 2 path elements, 4 edge elements, 3 district elements, 1 node element, and 3 landmark elements. INDONESIAElemen fisik pembentuk citra kota yang dapat dirasakan melalui fungsi, lokasi, dan karakter merupakan kunci untuk mengetahui gambaran citra kota tersebut. Kauman merupakan kawasan perkotaan di Kecamatan Juwana, Kabupaten Pati yang terus mengalami perkembangan berikut citranya. Penelitian ini bertujuan untuk mengidentifikasi elemen morfologi kota dan elemen pembentuk citra kota di Kauman melalui metode peta mental berdasarkan persepsi, pengalaman, ingatan, dan perasaan masyarakat Kauman. Penelitian menggunakan metode kualitatif dengan analisis deskriptif. Penelitian ini mengkaji elemen morfologi kota berdasarkan teori Trancik dan elemen pembentuk citra kota berdasarkan teori Lynch. Hasil penelitian menunjukkan bahwa morfologi Kota Kauman disusun melalui objek sebagai berikut elemen solid ditemukan pada figure ground, blok tunggal 1 titik, dan blok ganda ditemukan 2 kelompok di koridor Jalan W. R. Supratman, sedangkan elemen void ditemukan 2 elemen; linkage ditemukan 3 elemen; dan place ditemukan 1 titik. Penampakan bangunan berkarakter kuat yang mewakili suatu langgam atau gaya bangunan tertentu yang ditemukan yaitu bangunan bergaya Kolonial, Tradisional Jawa, dan Cina. Berdasarkan analisis, elemen fisik pembentuk citra Kauman Juwana disusun melalui 13 objek, meliputi 2 elemen jalur (path), 4 elemen batas (edge), 3 elemen kawasan (district), 1 elemen titik temu (nodes), dan 3 elemen penanda kawasan (landmark).

scholarly journals PERAN BANK SYARIAH MANDIRI DALAM MENGEMBANGKAN WISATA HALAL

El Dinar ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 77-93
Author(s):  
Inayatillah Djakfar ◽  
Isnaliana Isnaliana ◽  
Yossie Kenanga Putri
Keyword(s):  
Qualitative Method ◽  
Service Providers ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Tourism Industry ◽  
Primary Data ◽  
Business Sector ◽  
The People ◽  
The City

This study aims to see the role of Bank Syariah Mandiri Kcp Ulee Kareng in developing halal tourism in the city of Banda Aceh. This study uses a qualitative method using a descriptive analysis approach. This research uses primary data and secondary data, namely by conducting interviews and centering studies and documentation which is analyzed in several stages, namely editing data, classifying, reducing, presenting data, and finally verifying. The results showed that Bank Syariah Mandiri Kcp Ulee Kareng has a role in developing halal tourism, namely in the Culinary Business Sector, Travel Service Providers and Lodging Providers. The financing provided to business actors is the financing of Micro Businesses. With the financing provided by this institution to players in the halal tourism industry, it has an impact on improving the economic welfare of the people.

scholarly journals CREATIVE URBAN KAMPUNG BASED ON LOCAL CULTURE, A CASE OF KAMPUNG BUSTAMAN SEMARANG

2020 ◽  
Vol 44 (2) ◽  
pp. 128-137
Author(s):  
Nany Yuliastuti ◽  
Annisa Mu'awanah Sukmawati
Keyword(s):  
Food Processing ◽  
Qualitative Method ◽  
Local Community ◽  
Social Ties ◽  
Descriptive Analysis ◽  
Local Economy ◽  
Local Culture ◽  
Local Institution ◽  
Qualitative Descriptive ◽  
The City

Urban kampung has the uniqueness and becomes the historical development of the city. Urban kampung has local culture, which potentially purposes to create a creative urban kampung. Kampung Bustaman in Semarang City allegedly has some local asset to develop towards a creative kampung by using its local culture. This study employed a qualitative method through a qualitative descriptive analysis to formulate the creative kampung concept on Kampung Bustaman. The findings show that Kampung Bustaman has local culture as local assets – goat processing and culinary related to goat. Local community assisted by the other parties and local institution should develop these local assets to enhance the local economy and strengthen social ties. It can be realized by food processing to be more valuable, kampung events, and art. A strong commitment of community is required to ensure the creative activities and promote creative urban kampung. It concludes that creative kampung is a kampung that can optimize its local assets for communities’ welfare of through creative ideas.

ELEMEN-ELEMEN PEMBENTUK SISTEM KOTA-LAMA KUPANG

2019 ◽  
Vol 12 (3) ◽  
pp. 257
Author(s):  
Reginaldo Christophori Lake ◽  
Yuliana Bhara Mberu ◽  
Avitu Diaz
Keyword(s):  
Economic Development ◽  
Urban Area ◽  
City Area ◽  
The Past ◽  
Old City ◽  
Physical Elements ◽  
The City

Abstract: This research focuses on the old city-area of Kupang as a historical area formed based on the typology and morphology of the city of Kupang in the past. In the study of the existence of the city-old Kupang is associated with aspects of the function and development of the city. The problems studied are what physical elements exist in the old city area that needs to be emphasized in order to be able to support the activities and functions of the old city-area of Kupang and its preservation. The purpose of revealing the physical elements of the old city of Kupang is to become a concept or direction for the design of the morphology of the city of Kupang on an ongoing basis. The results of the study indicate that changes in the Kupang city-old region are influenced by the elements forming the urban area that are in line with the socio-cultural and economic development of the community in the region.Keywords: physical elements, morphology, heritage, city of KupangAbstrak: Penelitian ini berfokus pada kawasan kota-lama Kupang sebagai kawasan bersejarah yang terbentuk berdasarkan tipologi dan morfologi kota Kupang tempo dulu. Dalam kajian keberadaan kota-lama Kupang dikaitkan dengan aspek fungsi dan perkembangan kota. Permasalahan yang dikaji adalah apa saja elemen fisik yang terdapat pada kawasan kota-lama yang perlu dipertegas agar mampu mendukung kegiatan dan fungsi kawasan kota-lama Kupang dan pelestariannya. Tujuan dari mengungkapkan elemen fisik dari kota-lama Kupang dijadikan sebuah konsep atau arahan desain morfologi kota Kupang secara berkelanjutan. Hasil penelitian menunjukkan bahwa perubahan pada kawasan kota-lama Kupang dipengaruhi oleh elemen-elemen pembentuk kawasan kota yang sejalan dengan perkembangan sosial budaya dan ekonomi masyarakat dalam kawasan.Kata Kunci: elemen fisik, morfologi, kota-lama, kota Kupang

scholarly journals Assessing Destination Brand Image Chinatown In Term of Semarang City Branding Implementation

2018 ◽  
Vol 20 (2) ◽  
pp. 107-116
Author(s):  
Novia Sari Ristianti ◽  
Santy Paulla Dewi
Keyword(s):  
Qualitative Method ◽  
Brand Image ◽  
City Branding ◽  
City Image ◽  
History Of ◽  
Two Stages ◽  
Destination Brand ◽  
The City ◽  
Confucian Temple

Abstract. Concerning to city branding, the role of brand image is very important for visitors to remember the tourism destination. The destination brand image can identify by 5 elements of city image, namely path, edge, node, district, and landmark. Semarang Chinatown is one of the historical tourism sites in Semarang that can represent the Semarang's city branding as a "variety of culture" with various cultures and interactions. The aim of this research is to identify the Semarang's City Branding (variety of culture) through destination brand image that revealed by 5 elements of city image. Research methods are carried out in two stages. The first step analysis was described the image of Chinatown area using the descriptive qualitative method. The second step was tried to find the correlation between image of the Chinatown area and the Semarang city branding. Descriptive comparative technique used to compare between the existing and the trend of Chinatown development with theory image of the city. The result of this reserach is identification destination brand image based on 5 elements of the city image. The first element is path with character toponym of alley based on its history as well as the special function as trading area, namely the Gang Baru as traditional market path and Gang Warung as semicircular market path. The second element is edge that shown by the form of Kali Semarang and Gang Beteng which has a history of Chinatown development as centre trade zone in Semarang at the past until now. The third element is node that can be seen from every pagoda located at Chinatown junction (skewers location) because of the fengshui that is embraced by Chinatown communities and it is believed that the location of pagoda can protect against evil and crime. The fourth and fifth elements are districts and landmarks that represented by the Semawis Market and pagoda as the Confucian temple. As a conclusion, Semarang Chinatown's destination brand image as a historical and cultural tourism area of China is memorable and has a strong character.

Planning of Disaster Prevention Space System Based on Urban Morphology - Take Suzhou Old Urban Area as an Example

2012 ◽  
Vol 226-228 ◽  
pp. 2462-2466
Author(s):  
Ying Zhu ◽  
Yao Zhi Huang ◽  
Jia Yi Jiang
Keyword(s):  
Urban Area ◽  
Urban Morphology ◽  
Disaster Prevention ◽  
Space Systems ◽  
Space System ◽  
Urban Disaster ◽  
Resilient Function ◽  
The City ◽  
Different Levels ◽  
Secure Channel

Urban morphology analysis is the basis of cognition of city and making plan of disaster prevention space system. According to urban morphology of Suzhou old urban area of the double chessboard of River Street parallel and a moat surround the city, explores the construction of prevention space system combined with urban morphology: disaster prevention units are based on neighborhood in the old area and all kinds of space are organized to form order disaster prevention space system. Exploiting new function of the moat waterfront outside the old area, enhance the capabilities to form a " Resilient function" waterfront space; strengthen the construction of land and water secure channel, ensure that evacuation channels are unblocked in disaster. Combine three different levels of disaster prevention space to construct disaster prevention space systems of Suzhou old urban area. It can strengthen the efficiency of Suzhou comprehensive urban disaster prevention.

Urban Morphology

Urban Studies ◽  
2020 ◽  
Author(s):  
Vítor Oliveira
Keyword(s):  
Public Space ◽  
20Th Century ◽  
Urban Form ◽  
Urban Morphology ◽  
Urban Forms ◽  
Urban Structures ◽  
Physical Form ◽  
Physical Elements ◽  
The 19Th Century ◽  
The City

Urban morphology is the study of urban forms and of the agents and processes responsible for their transformation over time. Urban form refers to the main physical elements that structure and shape the city including streets, squares (the public space), street blocks, plots, and buildings, to name the most important. The word “morphology” was first proposed by Goethe, the German writer and thinker, who devoted part of his work to biology. Goethe used the word “morphology” to designate the science that deals with the essence of forms. Although it was proposed as a branch of biology, the general and abstract nature of morphology enabled its application in many different fields, and at the end of the 19th century in central Europe, it started to be used in the study of cities. Urban morphology had a golden age in the first three decades of the 20th century, and then it lost importance, as urban functions and urban structures become the major concerns of urban geographers. In the second half of the 20th century, there were again innovative contributions to the study of urban form, stimulated by the activities of geographers and architects. Some of these individual contributions led to the development of schools of thought, fed by an increasing number of researchers in different parts of the world. Nowadays, four dominant schools of thought in urban morphology can be identified, with their own theories, concepts, and methods to address the physical form of cities and, as such, their impact on the social, economic, and environmental aspects of life in cities. The article is divided into thirteen sections. After this brief introduction and the presentation of some pioneer texts and general overviews on this field of knowledge, it moves to the presentation of works on the elements of urban form, on agents and processes of transformation, and then to the identification of some key works on the history of urban form. The article then shifts the focus from the “object” (the city) to the “researcher,” addressing classics in urban studies and four dominant approaches in urban morphology: historico-geographical, process-typological, space syntax, and spatial analysis. After addressing books and papers on the main theories, concepts, and methods proposed by these approaches, the article focuses on works on how these are applied in professional practice and on their relationship with wider environmental, social, and economic dimensions of cities.

scholarly journals ELEMEN FISIK PEMBENTUK PUSAT KOTA JEPARA BERDASARKAN PETA MENTAL MASYARAKAT

2019 ◽  
Vol 3 (2) ◽  
pp. 100
Author(s):  
Muhammad Bagas Ramadan ◽  
Suzana Ratih Sari ◽  
Edward E. Pandelaki
Keyword(s):  
Qualitative Research ◽  
Mental Maps ◽  
City Center ◽  
Positive Image ◽  
Physical Element ◽  
Central Image ◽  
Mental Map ◽  
Physical Elements ◽  
The City ◽  
People’S Perceptions

Abstract: City’s imagery formation consist of physical elements that can be seen in terms of function, location, shape, magnitude, uniqueness, character. The exploratory of image forming elements is one of the important keys to get a positive image of the city. By using the community mental map method based on Lynch's theory, this study is expected to be able to purify the elements that make up the image of Jepara city that are built through people's perceptions, experiences, imagination and feelings. This study used qualitative research with exploration method, in order to understand the physical elements forming the city center, since the informant must freely provide an understanding of the meaning of the object that would represent the physical element forming the center of Jepara. Based on the analysis results, it can be concluded that the physical elements forming the central image of the city of Jepara are physical elements formed through the of the objects that make up the physical elements forming the image of the city of Jepara which are are arranged through physical objects Alun - Alun, Pendopo, SCJ (Jepara Culinary Place), Kaliwiso Bridge, Kaliwiso River, Jalan Brigjen Katamso, Jalan Yos Sudarso, Jalan Wolter Monginsidi, Chinatown.Keywords: Physical elements, mental maps, Jepara Abstrak: Pembentukan citra dari kota dibangun elemen fisik yang dapat dilihat dari segi fungsi, lokasi, bentuk, besaran, keunikan, karakter. Penggalian elemen pembentuk citra merupakan salah satu kunci penting untuk mendapat citra yang positif dari kota. Jepara merupakan kota dalam proses berkembang menguatkan citra dalam kotanya. Dengan menggunakan metode peta mental masyarakat berdasarkan teori Lynch, penelitian ini diharapkan akan dapat mengerucutkan elemen yang menjadi pembentuk citra kota Jepara yang dibangun melalui persepsi, pengalaman, imajinasi dan perasaan masyarakatnya. Metodologi yang digunakan dalam penelitian ini adalah metode penelitian kualitatif. Penelitian ini dilakukan dengan cara eksplorasi,karena untuk memahami elemen fisik pembentuk pusat kota informan harus secara bebas memberikan pemahaman makna terhadap obyek yang akan mewakili elemen fisik pembentuk pusat kota Jepara. Berdasarkan pada hasil analisis maka dapat ditarik kesimpulan bahwa elemen fisik pembentuk citra pusat kota jepara adalah Elemen fisik dibentuk melalui fungsi atau cara kerja dari obyek – obyek yang menyusun elemen fisik pembentuk citra kota jepara. Elemen fisik pembentuk citra pusat kota jepara disusun melalui obyek – obyek fisik  Alun - Alun, Pendopo, SCJ(Tempat Kuliner Jepara), Jembatan Kaliwiso, Sungai Kaliwiso, Jalan Brigjen Katamso, Jalan Yos Sudarso, Jalan Wolter Monginsidi, Pecinan.Kata Kunci: Elemen fisik, peta mental,  Jepara.

Pedestrian Traffic Planning and the Perception of the Urban Environment: A French Example

1974 ◽  
Vol 6 (5) ◽  
pp. 491-507 ◽  
Author(s):  
B Marchand
Keyword(s):  
Urban Environment ◽  
Qualitative Method ◽  
Traffic Planning ◽  
Mental Maps ◽  
Transportation Modes ◽  
Pedestrian Traffic ◽  
Mental Map ◽  
The Mean ◽  
Metric Topology ◽  
The City

Planning pedestrian traffic in the city involves a better understanding of pedestrians' behavior and their perception of the urban environment. Lynch's (1961) studies proposed a qualitative method. An alternative method, essentially quantitative, is proposed here: pedestrians surveyed are asked to locate on a paper some well-known landmarks (six in all). Distances between each pair of them are measured. The model allows (1) interpretation of the degree of agreement between mental maps, and (2) a study of the ‘mean’ map. Perception seems to make space more symmetrical. Distortions can be explained by two effects: differences in transportation modes, and a particular knowledge of the neighborhood. The mental map recovered through multidimensional scaling is compared with the topographic one. It does not have the metric topology.

Book reviews

2016 ◽  
Vol 4 (2) ◽  
pp. 159-162
Author(s):  
Evinc Dogan ◽  
Efe Sevin
Keyword(s):  
Food Culture ◽  
City Image ◽  
Culture Consumption ◽  
The City

Corvo, Paolo (2015). Food Culture, Consumption and Society. Basingstoke: Palgrave Macmillan (ISBN: 9781137398161)Dogan, Evinc (2016). Image of Istanbul: Impact of ECOC 2010 on the City Image, London: Transnational Press London (ISBN: 978-1-910781-22-7)

The impact of a mega-event on city branding: The European Capital of Culture 2010 and the image of Istanbul

2013 ◽  
Vol 3 (1) ◽  
pp. 29-50 ◽  
Author(s):  
Evinç Doğan ◽  
Ibrahim Sirkeci
Keyword(s):  
Visual Analysis ◽  
Place Branding ◽  
World City ◽  
City Branding ◽  
City Image ◽  
European Capital Of Culture ◽  
National Boundaries ◽  
Symbolic Production ◽  
The Impact ◽  
The City

This study examines the ways in which the city image of Istanbul is re-created through the mega-events within the context of the European Capital of Culture (ECoC) 2010. Istanbul “took the stage” as one of the three ECoC cities (Essen for the Ruhr in Germany and Pécs in Hungary), where the urban spaces were projected as the theatre décor while residents and visitors became the spectators of the events. Organisers and agents of the ECoC 2010 seemed to rebrand Istanbul as a “world city” rather than a “European capital”. With a series of transnational connotations, this can be considered as part of an attempt to turn Istanbul to a global city. In this study we examine posters used during the ECoC 2010 to see whether this was evident in the promoted images of Istanbul. The research employs a hermeneutic approach in which representations, signs and language are the means of symbolic meaning, which is analysed through qualitative methods for the visual data (Visual Analysis Methods), namely Semiotics and Discourse Analysis. The analysed research material comes from a sample of posters released during the ECoC 2010 to promote 549 events throughout the year. Using stratified random sampling we have drawn 28 posters (5% of the total) reflecting the thematic groups of events in the ECoC 2010. Particular attention is also paid to the reflexivity of the researchers and researchers’ embeddedness to the object of research. The symbolic production and visual representation are therefore investigated firstly through the authoritative and historically constituted discourses in the making of Istanbul image and secondly through the orders of cultural consumption and mediatisation of culture through spectacular events. Hence enforcing a transnationalisation of the image of the city where the image appears to be almost stateless transcending the national boundaries. Findings and methodology used in this study can be useful in understanding similar cases and further research into the processes of city and place branding and image relationships. 

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