The Desarrollismo Years: The Failures of Sexualised Nationhood in 1960s Spain
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This chapter explores the transformative power of newly introduced neoliberal economic policies in 1960s Spain. Focusing on films including Jaime Camino’s Los felices sesenta/The Happy Sixties and Jorge Grau’s Noche de verano/Summer Night, the chapter teases out the tensions that the films establish between the allure of capitalism, consumerism or the potential for social upward mobility on the one hand, and erotic frustration on the other. Moreover, while the films suggest a certain sexual liberalisation both of the characters and 1960s Spanish cinema and Spanish society more widely, they also commodify bodies. In the new neoliberal regime, bodies become consumers as well as consumer objects.