Migration Without a Face
The author addresses three major case studies which articulate the notion of a refugee crisis in thought-provoking ways. Indeed, The Suspended Step of the Stork (1991), Ephemeral Town/Efimeri Poli (2000) and The Way to the West/O Dromos Pros ti Dysi (2003) merge conventions of art cinema and documentary in order to challenge discourses of charity and the very concept of a ‘crisis’. In their venture, filmmakers convey mass migration as a tragedy of displacement and homelessness. They expose the reluctance of Greece in its role as host, the new world order of globalization and the hardships of refugees, trapped in prostitution rings and in perpetual search for a home away from home. The debate on representation is extended in order to critically engage with problematic notions of anonymity that stereotypically adorns representations of refugees and it is argued that, in their attempt to screen mass migration as a tragedy, filmmakers reinforce the silence and victimhood of refugees.